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Fall/Winter 2014
publications + distribution fall/winter 2014 FALL/WINTER 2014 Frontlist 3 New Publisher Backlist 58 Backlist 61 Index 127 Order & Trade Information 134 rampub.com Architecture Architecture FORENSIS The Architecture of Public Truth Forensis (Latin for “pertaining to the forum”) engages the testimony of material objects—such as bones, ruins, toxic substances—as a method of central importance in interpreting how subjects are policed and governed by their states. Developed through the Forensic Architecture Project by theorist Eyal Weizman at Goldsmiths College, University of London, Forensis seeks to expand the scope of contemporary forensics to include a broader historical, theoretical, political and aesthetic context. At the heart of the book is a methodological experiment in which participating architects, artists, filmmakers, lawyers, and theorists employed new technologies and spatial research methods to investigate contemporary issues such as border regimes, urban warfare, and climate change. Investigations were undertaken in Pakistan, Palestine, the Amazon basin, Guatemala, Chile, Bangladesh, Yemen, the United States and the former Yugoslavia among others places. Evidence of state or corporate violence was unearthed for use by prosecution teams, civil society organizations, activist networks, human rights groups, and the United Nations. Innovative investigations aimed at producing new kinds of evidence in this rich collection of essays and research reports suggest many new ways that international prosecutorial teams, political organizations, -
Applying Design Thinking to Glass Systems in the 18 Septemberplein Redevelopment
Challenging Glass 7 Conference on Architectural and Structural Applications of Glass Belis, Bos & Louter (Eds.), Ghent University, September 2020. Copyright © with the authors. All rights reserved. ISBN 978-94-6366-296-3, https://doi.org/10.7480/cgc.7.4608 Beyond Materiality, Towards Craftsmanship: Applying Design Thinking to Glass Systems in the 18 Septemberplein Redevelopment Ben van Berkel a, Gerard Loozekoot a, Filippo Lodi a, Sitou Akolly a, Atira Ariffin a a UNStudio, The Netherlands, [email protected] This paper describes the design process UNStudio undertook in the redevelopment of the C&A Building on 18 Septemberplein in Eindhoven, the Netherlands. The design brief primarily called for the rebranding of the building while maintaining the building’s façade historic value and aesthetic. Secondarily, the design is meant to activate the urban context where the building is located without competing with the neighboring landmarks. UNStudio saw an opportunity to rethink the transparent layer – the glass window – of the building as a tool to enhance its identity minimizing the aesthetic impact on its historic facade. This case study outlines opportunities to innovate while designing with glass through two often polarized perspectives: contemporary architecture and historic preservation. Architects constantly negotiate the value of private versus public space, transparency versus opacity, and building energy performance in our built environment through the use of glass. Emerging integrated technologies such as LED, photovoltaic, lamination, and touch sensitive layer are enabling new ways of rethinking the roles and applications of glass: as an architectural element, an information layering surface, and an agent for light and transparency. -
Archi DOCT the E-Journal For
ISSN 2309-0103 1 www.enhsa.net/archidoct // Vol. 4 (1) / July 2016 The e-journal for the dissemination of doctoral archi DOCT research in architecture. Supported by the ENHSA Network | Fueled by the ENHSA Observatory July2016 TRANSFORMABLE www.enhsa.net/archidoct 7 ISSN 2309-0103 ARCHITECTURE europeaneuropean network network European Observatory enhsaenhsa of Doctoral Research of headsof ofheads schools of schools of architecture of architecture in Architecture ISSN 2309-0103 2 www.enhsa.net/archidoct // Vol. 4 (1) / July 2016 The e-journal for the dissemination of doctoral archi DOCT research in architecture. ISSN 2309-0103 3 www.enhsa.net/archidoct // Vol. 4 (1) / July 2016 3 Maria Voyatzaki // Editor-in-Chief Aristotle University of Thessaloniki Constantin Spiridonidis ENHSA Coordinator Editor-in-Chief Aristotle University of Thessaloniki Stefano Musso University of Genoa Marios Phocas University of Cyprus Ramon Sastre Universitat Politècnica Catalunya Juri Soolep Umea University Marianthi Liapi Editorial Board Technical University of Crete / Aristotle University of Thessaloniki Antonis Moras Aristotle University of Thessaloniki Theodora Vardouli Massachusetts Institute of Technology Barbara Elisabeth Ascher The Oslo School of Architecture and Design ISSN 2309-0103 4 www.enhsa.net/archidoct // Vol. 4 (1) / July 2016 4 Edith Ackermann // Media Lab // MIT & GSD // Harvard University Balázs Balogh Faculty of Architecture // Budapest University of Technology and Economics Henriette Bier Faculty of Architecture // TU Delft Michael Fedeski -
Framework for an Architectural Knowledge Ecosystem Through the Distribution of Authorship
FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY CANAN ALBAYRAK DE BRITO COLAÇO IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE SEPTEMBER 2018 Approval of the thesis: FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP submitted by CANAN ALBAYRAK DE BRITO COLAÇO in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture Department, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar Dean, Graduate School of Natural and Applied Sciences Prof. Dr. F. Cânâ Bilsel Head of Department, Architecture Prof. Dr. Zeynep Mennan Supervisor, Architecture., METU Examining Committee Members: Prof. Dr. C. Abdi Güzer Architecture Dept., METU Prof. Dr. Zeynep Mennan Architecture Dept., METU Prof. Dr. Şule Taşlı Pektaş Architecture Dept., Başkent University Assoc. Prof. Dr. Fehmi Doğan Architecture Dept., Izmir Institute of Technology Assist. Prof. Dr. Başak Uçar Architecture Dept., TED University Date: 04.09.2018 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Signature : iv ABSTRACT FRAMEWORK FOR AN ARCHITECTURAL KNOWLEDGE ECOSYSTEM THROUGH THE DISTRIBUTION OF AUTHORSHIP Albayrak de Brito Colaço, Canan Ph.D., Department of Architecture Supervisor : Prof. Dr. Zeynep Mennan September 2018, 128 pages Shifts from centralized towards socially distributed knowledge production modes are having a great impact on many fields and reshaping the understanding of knowledge production. -
The Gallery Club Architecture in Photography
Architecture in The Photography Gallery Four generations of Dutch Club architectural photographers The Gallery Club presents Architecture in Photography Four Generations of Dutch Architectural Photographers This exhibition focuses on four generations of Dutch architectural photographers, starting with Jan Versnel, who began working late 1940’s, followed by Jannes Linders and Iwan Baan, and concluding with Ossip van Duivenbode, whose work is from the last decade. The four photographers in this exhibition capture a wide variety of Dutch architecture in their images: from the work of the distinguished Nieuwe Bouwen (Dutch Modernism) architects Brinkman & Van der Vlugt to that of contemporary architects, such as Rem Koolhaas / OMA, Benthem Crouwel Architects, MVRDV and UNStudio / Ben van Berkel. International architects, such as Tadao Ando and SANAA, are also featured in the show. Together these photographers embody more than sixty years of Dutch architectural photography, capturing the development of the urban and architectural landscape. This presents a unique image of time and the special observation of four different photographers, who are inviting the audience to look with a different perspective than the eye of the architect. The Gallery Club is a platform for photography, organized around exhibitions, dinners and events. Every edition of The Gallery Club explores the work of a wide range of Dutch and international photographers through a different theme. www.thegalleryclub.com Jan Versnel 1924-2007 Photographer Jan Versnel is the most influential architectural photographer of his generation, known for his immaculate images of architecture, interiors and products. Contemporary architectural photographers see him as the pioneer of Dutch architectural photography and consider his work an important inspiration for the entire discipline. -
2015 AAU B.Arch Architecture Program Report
Academy of Art University School of Architecture Architecture Program Report for 2015 NAAB Visit for Initial Accreditation Bachelor of Architecture 162 Credits Year of the Previous Visit: 2014 Current Term of Accreditation: “the proposed professional architecture program: Bachelor of Architecture was formally granted continuation of its candidacy for a period of not less than two years. The continued candidacy term is effective January 1, 2014.” “The request for a visit for initial accreditation in fall 2015 is approved and the visit has been added to the 2015 NAAB Visit List.” Submitted to: The National Architectural Accrediting Board Date: March 13, 2015 ii Academy of Art University Architecture Program Report-Initial Accreditation March 2015 Program Director: Jennifer Asselstine, AIA, [email protected], 415-274-2200 School of Architecture Executive Director: Mimi Sullivan, AIA, [email protected],415-274-2200 Chief Academic Officer of the Institution: Alana Addison, [email protected], 415-274-2200 President of Academy of Art University: Dr. Elisa Stephens, [email protected] 415-274-2200 Individual submitting the Architecture Program Report: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-274-2200 Name of individual to whom questions should be directed: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-274-2200 iii Academy of Art University Architecture Program Report-Initial Accreditation March 2015 -
Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation
Academy of Art University School of Architecture Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation Master of Architecture Track I 63 Credits Master of Architecture Track II 87 Credits 2009 Conditions for Accreditation 2012 Procedures for Accreditation Submitted to: The National Architectural Accrediting Board Date: September 7, 2012 Academy of Art University Architecture Program Report- M-Arch September 2012 2 Academy of Art University Architecture Program Report- M-Arch September 2012 Graduate Architecture Program Director: Amily Huang, [email protected], 415.618.3984 School of Architecture Executive Director: Mimi Sullivan, AIA, CGBP, [email protected] , 415-777-0991, ext 111 Chief Academic Officer of the Institution: Melissa Marshall, [email protected], 415-618-6384 President of the Academy of Art University, Dr. Elisa Stephens, [email protected] 415-618-6150 Individual submitting the Architecture Program Report: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 Name of individual to whom questions should be directed: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 3 Academy of Art University Architecture Program Report- M-Arch September 2012 Table of Contents Format and Contents of Part 1 and 2 follows the of the 2009 Conditions per Part 5 of the 2012 Procedures. Section Page Part One (I) Institutional Support and Commitment to Continuous Improvement 7 1. Identify & Self Assessment 7 1. History Mission 7 2. Learning Culture and Social Equity 13 3. Responses to the Five Perspectives 15 4. Long Range Planning 19 5. Program Self Assessment 23 2. -
WORKPLACE Foreword
WORKPLACE Foreword There is a radical transformation underway for workspace in London and the way it is designed, marketed and occupied. New emerging models for co-working, social enterprises and different types of ownership are rapidly changing the established paradigm of ‘CAT A’ commercial space prevalent in the capital over the last 20 years. Our challenge as practitioners, designers and occupiers is to go beyond the trend and to understand the deeper socio-economic shifts and changes informing this new ‘rental economy’. Farrells have extensive experience in this area spanning five decades. From theTVam studios in Camden (recently voted ‘Britain’s most maverick building’ by the Royal Academy) to the office buildings starting on site at Royal Albert Dock which are unique to the UK market. We have always been at the forefront of thinking about the modern workplace. Our recently established research unit within the ‘Farrells Laboratory’ at the Hatton Street Studios looks into the past, present and future of workplace design and this innovative thinking is informing our projects. Peter Barbalov, Partner E: [email protected] “Great workplaces are now as rich in variety as thriving villages and cities. Identity, fun and internal placemaking have succeeded in making offices much more than simply ‘machines for working in’.” Sir Terry Farrell CBE, Principal Farrells WORK ‘PLACE’ We believe architecture and building design should always be informed by the context and ‘place.’ The Point, Paddington, London Embankment Place, London Royal -
Making Design Concepts in the Nineties. Theoretical Models of UN
Ŕ periodica polytechnica Making design concepts in the nineties. Architecture Theoretical models of UN Studio 40/2 (2009) 55–63 doi: 10.3311/pp.ar.2009-2.02 Zoltán Bun web: http://www.pp.bme.hu/ar c Periodica Polytechnica 2009 RESEARCH ARTICLE Received 2010-02-18 Abstract At the very end of the 1980s, the previously determinative Attending to the thinking of the second half of the twentieth past that had been incarcerated in the museum and globalisa- century there has been a shift from the related-causal image tion hand in hand with capitalism were to change gear to turbo- of science to a kind of classification (the examination of local boost. ‘Poststructuralism’ was at war with ‘postmodernism’, singularities), from closed disciplines to their in-betweenness, both in general and architectural thinking. Following difference- from abstract views to pragmatic, then in the territory of archi- philosophy and other social studies, architectural deconstruc- tecture from the direct representation of drawings to generative- tion had questioned the logos-centrism of the discipline and it organisational model of a diagram, from reactive-post-critical had success and great influence in the fields of liberating var- theory to a proactive and productive one. Pluralism and rela- ious layers of rigid structures and rules. The abstract theory, tivity has taken the place of dominating and universal modes of a kind of ‘textual organisation’ that meets material world, did thought, discrete-networked models have been playing a lead- not just pose important questions but it caused serious problems ing role beside continuous-linear ones, as have digital aspects itself: theory made an elitist exodus from everyday life, differ- beside analogue ones, as blob forms beside boxes. -
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany Client: BEAN, Bremerhaven Operator: Klimahaus® Betriebsgesellschaft Project Management: StäWoG Architect: Klumpp Architekten, agn, Niederberghaus & Partner Structural: ARGE Prof. Bellmer Ingenieurgruppe © Jan Rathke / Klimahaus® Bremerhaven 8° Ost Mechanical: (LP 39) Schmidt Reuter Completion: 2009 GFA: 20,000 m2 The architectural design for the visitor´s attraction is a transparent, sculptural glass envelope wrapped around the internal concrete structure. The houseinhouse concept hosts approx. 15,000 m2 of exhibition area and handson experimental spaces. "The Journey" takes the visitor on a trip around the globe, exhibiting him to the specific conditions of Climate zone Antarctic distinctive climatic zones of the world as extreme as arctic polar, tropical humid and hot dry desert climates. These conditions are realistically reproduced on approx. 5,000 m2 of successive rooms and spaces. A climate and energy concept around the exhibition and experimental areas such as "Elements", "Perspectives", "Opportunities" and the foyer as well as the aquariums has been developed and implemented in an integral planning process. In this process the entire design team from architect and exhibition and media designers to MEP planners, structural Climate zone Niger engineers and building operation managers were to be integrated to coordinate a wide range of individual requirements and advance from compromise to synergy. That way a fully natural strategy for cooling and ventilation based on local climatic potentials, including geothermal energy, could be implemented for the majority of the spaces. A building integrated Photovoltaic system was desgined to provide both shading and renewable electricity production of the glazed central arrival hub. -
BNA Kubus for Ben Van Berkel and Caroline Bos of Unstudio
BNA Kubus for Ben van Berkel and Caroline Bos of UNStudio The 2016 BNA Kubus has been awarded to the founders of UNStudio, Ben van Berkel (architect) and Caroline Bos (art historian / urban planner). The aim of the architecture prize, this year bestowed for the 41st time by the Royal Institute of Dutch Architects (abbreviated as BNA), is to express the institute’s appreciation for an exceptional contribution to architecture. The Kubus was awarded on the recommendation of a jury made up of Nathalie de Vries (chair), Steven Nobel, Ton Idsinga, Wienke Bodewes, Willem Hein Schenk and Willem Jan Neutelings. The presentation ceremony will take place on 3 November in Amsterdam. Extract from the jury report The jury concluded that Van Berkel and Bos, together with their UNStudio team, are more than deserved winners of the 2016 BNA Kubus. 'No one controls the creative and technical process better than UNStudio. They prove that in-depth research pays off, as does network-driven collaboration with professionals in the fields of architecture, infrastructure and urban development. The cutting-edge nature and absolute craftsmanship of their body of work makes it both exemplary and innovative.' High quality, iconic buildings and international appeal The jury’s decision was based on three criteria: excellent craftsmanship, a recognisable and innovative body of work, and a relevant contribution to the profession. From the time UNStudio was established in 1988, Van Berkel and Bos have been building up an impressive body of work, according to the jury. Their work is always of high quality, the buildings are iconic and have international appeal. -
The American Architecture Prize 2017
The American Architecture Prize 2017 1 Credits President: Hossein Farmani Marketing Director: David Teravagimov Creative Director: Gordon Candelin Trophy Design: Arshia Mahmoodi, Void Technical Director: Mohammed Farooq The AAP is produced by the Farmani Group 550 North Larchmont Blvd., Los Angeles, CA USA. www.architectureprize.com Cover image Shanghai Tower by Wang Xi American Architecture Prize 2017 Jury Philip Stevens Rok Oman Klára Doleželová Elena Grigoryeva Clement Blanchet Natasha Jen Joshua Jih Pan, FAIA Leone Lorrimer Designboom OFIS Architects ARCHIP Project Baikal Clement Blanchet Architecture Pentagram J.J. Pan and Partners, Architects dwp | design worldwide partnership and Planners Peter Cerno Julie Payette Peggy Deamer Alejandro Zaera-Polo Elisa Burnazzi Carla Juaçaba Dan Howarth Jennifer Siegal Cerno+Architekten v2com newswire Yale University AZPML Architecture / Princeton Burnazzi Feltrin Architects Carla Juaçaba Dezeen Office of Mobile Design (OMD) University Troy C. Therrien Will Allsop Ben van Berkel Alan Ricks Bernard Gomez (FIA SL) Chad Oppenheim, FAIA Jennifer Marmon Amadou Issa Bore Guggenheim Foundation and All Design UNStudio / Harvard University Mass Design Group B.G.J.F Consultancy Services Oppenheim Architecture + Design Platform for Architecture + Research Le Modulor / AUA Museum Graduate School of Design Michael Murphy Graham Morrison Geoffrey Makstutis Mari a Langarita Sharon Davis Spela Videcnik Sadie Morgan Arshia Mahmoodi AIA MASS Design Group Allies and Morrison Pearson UK Langarita-Navarro Sharon Davis Design Harvard Graduate School of Design / dRMM Architects Arshia Architects Ofis Architects Sam Jacob Elisabete Saldanha Lise Coirier Chris Bosse Sam Jacob Studio for Architecture es1arq TL Magazine LAVA Asia Pacific / Adjunct and Design Professor at UTS 5 2017 American Architecture Prize Winners The American Architecture Prize encourages innovation and award excellence in architecture, interior design, and landscape architecture.