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VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. Music Editor Dean DeBlois, dir. LIFE BRIEFLY Tom Howe, Composer Thousand Dream Prods. Erika Armin, James Brubaker, prods. Music Editor Dan Ireland, dir. EMOJI Michelle Raimo, prod. Sony Pictures Animation Anthony Leondis, dir. Music Editor BOSS BABY Denise Nolan Cascino, Ramsey Ann Naito, prods. DreamWorks Animation Tom McGrath, dir. Music Editor INDISCRETION Toby Chu, Composer Granfallon Productions Alexandra Baranska, Thomas Beach, Laura Boersma, prods. Music Supervisor John Stewart Muller, dir. SO B. IT Nick Urata, Composer Branded Pictures J. Todd Harris, Orien Richman, prods. Music Supervisor Stephen Gyllenhaal, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR CAPTAIN UNDERPANTS Teddy Shapiro, Composer DreamWorks Animation Mark Swift, prod. Music Editor David Soren, dir. TROLLS Christophe Beck, Composer DreamWorks Animation Gina Shay, prod. Music Editor Mike Mitchell, dir. FLAWED DOGS Berkeley Breathed, exec. prod. DreamWorks Animation Noah Baumbauch, dir. Music Picture / Editor WHY WE RIDE Steven Gutheinz, Composer Walking West Entertainment Bryan H. Carroll, James Walker, prods. Music Supervisor Bryan H. Carroll, dir. EVEREST Jane Hartwell, Christine Belson, prods. DreamWorks Animation Jill Culton, dir. Music Editor CLOUDY 2: REVENGE OF THE Mark Mothersbaugh, Composer LEFTOVERS Kirk Bodyfelt, prod. Columbia Pictures Cody Cameron, Chris Pearn, dirs. Music Editor DESPICABLE ME Heitor Pereira, Pharrell Williams, Composers Universal Animation Janet Healy, John Cohen, prods. Supervising Music Editor Pierre Coffin, Chris Renaud, dirs. A TURTLE’S TALE 2: SAMMY’S Ramin Djawadi, Composer ESCAPE FROM PARADISE Gina Gallo, Mimi Maynard, Illuminata Pictures Domonic Paris, Ben Stassen, prods. Music Consultant Ben Stassen, Vincent Kesteloot, dirs. IT’S COMPLICATED Heitor Pereira / Hans Zimmer, Composers Universal Scott Rudin, Nancy Meyers, prods. Music Consultant Nancy Meyers, dir. LEGENDS OF OZ: DOROTHY’S Toby Chu, Composer RETURN Roland Carroll, Ryan Carroll, Bonne Alpine Pictures Radford, prods. Music Supervisor/Music Editor Will Finn, Dan St. Pierre, dirs. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 VICKI HIATT MUSIC SUPERVISOR / EDITOR THE JONESES Nick Urata, Composer Echo Lake Productions Derrick Borte, Doug Mankoff, Music Editor Andrew Spaulding, Kristi Zea, prods. Derrick Borte, dir. FATHER OF INVENTION Nick Urata, Composer Horizon Entertainment Ken Barbet, Dana Brunetti, Kia Jam, Jonathan D. Krane, Music Editor Jason Sciavicco, Kevin Spacey, prods. Trent Cooper, dir. WAITING FOR FOREVER Nick Urata, Composer PCH Films Trevor Albert, James Keach, prods. Music Supervisor James Keach, dir. MONSTERS VS. ALIENS Henry Jackman, Composer DreamWorks Animation Lisa Stewart, prod. Music Editor Rob Letterman, Conrad Vernon, dirs. OPEN SEASON 2 (direct to dvd) Ramin Djawadi, Composer Sony Pictures Animation Matthew O’Callaghan, Todd Wilderman, dirs. Music Editor THE REPO MEN Marco Beltrami, Composer Universal Pictures Mary Parent, Scott Stuber, prods. Music Editor Miguel Sapochnik, dir. DEATH RACE Paul Haslinger, Composer Impact Pictures Paul W.S. Anderson, Jeremy Bolt, Roger Corman, Music Editor Tom Cruise, Dennis E. Jones, Paula Wagner, prods. Paul W.S. Anderson, dir. MY BEST FRIEND’S GIRL John Debney, Composer Lions Gate Film Production Adam Herz, Barry Katz, Brian Volk-Weiss, Music Editor Doug Johnson, Gregory Lessans, Guymon Casady, Josh Shader, prods. Howard Deutch, dir. REDLINE Klaus Badelt, Andrew Raiher, Ian Honeyman, Composers Chicago Pictures Daniel Sadek, prod. Music Supervisor Andy Cheng, dir. MR. BROOKS Ramin Djawadi, Composer Element Films Kevin Costner, Raynold Gideon, prods. Music Supervisor Bruce A. Evans, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 VICKI HIATT MUSIC SUPERVISOR / EDITOR MIAMI VICE John Murphy, Klaus Badelt & King Britt, Composers Universal Pictures Michael Mann, Pieter Jan Brugge, prods. Music Supervisor Michael Mann, dir. OPEN SEASON Paul Westerberg, Ramin Djawadi, Composers Sony Pictures Michelle Murdocca, prod. Music Editor (Temp Music & Songs) Jill Culton, Anthony Stacchi, Roger Allers, dirs. CURIOUS GEORGE Heitor Pereira, Jack Johnson, Composers Universal Pictures Ron Howard, David Kirschner, Bonne Radford, Music Editor (Temp Music & Songs) Jon Shapiro, prods. Matt O’Callaghan, dir. HOOLIGANS Christopher Franke, Composer OddLot Entertainment Jason Bently, Music Supervisor Music Editor Deborah Del Prete, Gigi Pritzker, prods. Lexi Alexander, dir. COLLATERAL James Newton Howard, Antonio Pinto, DreamWorks / Universal Tom Rothrock, Composers Music Supervisor Michael Mann, Julie Richardson, prods. Michael Mann, dir. THE CLEARING Craig Armstrong, Composer Fox / Searchlight Pieter Jan Brugge, Jonah Smith, Palmer West, prods. Music Editor (Temp Music Only) Pieter Jan Brugge, dir. BLIND HORIZON Machinehead, Composer Lion’s Gate Randall Emmett, George Furla, Heidi Jo Markel, Music Editor Vincent Newman, Tucker Tooley, prods. Michael Haussman, dir. AMERICAN WEDDING Christophe Beck, Composer Universal Pictures John Bissel, Music Supervisor Music Editor (Temp Music Only) Adam Herz, Chris Moore, Craig Perry, Warren Zide, prods. Jesse Dylan, dir. EQUILIBRIUM Klaus Badelt, Composer Miramax Jan de Bont, Lucas Foster, prods. Music Editor Kurt Wimmer, dir. SPIRIT: STALLION OF THE Hans Zimmer, Composer and Bryan Adams, Songs CIMMERON Jeffrey Katzenberg, Mireille Soria, prods. DreamWorks Kelly Asbury & Lorna Cook, dirs. Music Editor (Temp Music Only) The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 VICKI HIATT MUSIC SUPERVISOR / EDITOR ALI Lisa Gerrard & Pieter Bourke, Composer Columbia Pictures Paul Ardaji, A. Kitman Ho, James Lassiter, Music Editor Michael Mann, Jon Peters, prods. Michael Mann, dir. HANNIBAL Hans Zimmer, Composer Universal Pictures Dino De Laurentiis, Ridley Scott, prods. Music Editor Ridley Scott, dir. THE PLEDGE Hans Zimmer, Composer Morgan Creek Michael Fitzgerald, Sean Penn, Elie Samaha, prods. Music Editor Sean Penn, dir. EVERLASTING PIECE Hans Zimmer, Composer Morgan Creek Louis DiGiaimo, Mark Johnson, Barry Levison, Music Editor Jerome O’Connor, Paula Weinstein, prods. Barry Levenson, dir. BIKER BOYZ Camara Kambon, Composer DreamWorks John Houlihan, Music Supervisor Music Editor Stephanie Allain, Gina Prince-Bythewood, Erwin Stoff, prods. Reggie Rock Bythewood, dir. CHICKEN RUN Harry Gregson-Williams & John Powell, Composers DreamWorks / Aardman Peter Lord, Nick Park, David Sproxton, prods. Music Editor Nick Park, Peter Lord, dirs. THE ROAD TO EL DORADO Hans Zimmer, Composer DreamWorks Brooke Breton, Bonne Radford, prods. Music Editor Eric “Bibo” Bergeron, Don Paul, dirs. TELEVISION FALLING WATER (series) Gale Anne Hurd, prod. Universal TV Juan Carlos Fresnadillo, dir. Music Editor/Music Supervisor QUEEN OF THE SOUTH (pilot) Lorenzo O’Brien, prod. TVM Charlotte Sieleg, dir. Music Editor STATE OF AFFAIRS (pilot) Joe Carnahan, Henry Crumpton, Rodney Faraon, Julie Universal TV Franz, Alexi Hawley, Katherine Heigl, exec. prods. Music Editor Joe Carnahan, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 5 VICKI HIATT MUSIC SUPERVISOR / EDITOR BLANCO (pilot) Juan Carlos Fresnadillo, dir. TVM Music Editor HOKE (pilot) David Manson, Dan Carey, Daniel Carey, FX Carol Fenelon, Scott Frank, exec. prods. Music Supervisor Scott Frank, dir. BLACKLIST (Pilot) Jon Bokenkamp, John Davis, John Stalwart Films LLC Eisendrath, John Fox, exec. prods. Music Editor Joe Carnahan, dir. PHILLY LAWYER (Pilot) Richard LaGravanese, Andrew Sugarman, prods. Stalwart Films LLC Tony Goldwyn, dir. Music Supervisor and Editor SWORN TO SILENCE (MOW) Neve Campbell, Barbara Lieberman, Poppy S.T.S. 1 Production, Ltd. Montgomery, exec. prods. Music Editor Stephen Gyllenhaal, dir. WILD CARD (MOW) Carey Brakow, prod. TVM Scott Winant, dir. Music Supervisor and Editor OUTLAW COUNTRY Art Linson, John Linson, exec. prods. Fox Michael Dinner, dir. Music Consultant and Music Editor MERRY MADAGASCAR (special) Joe M. Aguilar, prod. NBC / DreamWorks Animation David Soren, dir. Music Supervisor MIAMI TRAUMA (pilot) Jerry Bruckheimer, Jeffrey Lieber, CBS / Warner Brothers Television Jonathan Littman, exec. prods. Music Supervisor Kenneth Fink, dir. FAMILY PRACTICE (pilot) Jeffrey Lieber, prod. Sony Pictures Television Bart Freundlich, dir. Music Supervisor NEW AMSTERDAM ( pilot and series) Allan Loeb, prod. Fox / Regency Television Lasse Hallstrom, dir. Music Supervisor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 6 VICKI HIATT MUSIC SUPERVISOR / EDITOR UNTITLED SHORE BLAKE (pilot) Peter Blake, David Shore, exec. prods. NBC Tony Goldwyn, dir. Music Supervisor THIEF (series) Rick Marvin, Composer Regency Television David Manson, Norman Morril, dirs. Music Supervisor RH D / LA (pilot) Michael Mann, dir. Studios USA Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 7 .
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    UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS HUMANAS DEPARTAMENTO DE HISTÓRIA KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO PONTA GROSSA 2018 KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO Dissertação apresentada para obtenção do título de Mestre em História na Universidade Estadual de Ponta Grossa, Área de História, Cultura e Identidades. Orientadora: Profa. Dra. Patrícia Camera Varella PONTA GROSSA 2018 Dedico a Deus. A Ele toda honra. Para sempre. AGRADECIMENTOS Palavras jamais poderão expressar toda minha inteira gratidão à Aquele que é o primeiro lugar em minha vida: Deus. Muito obrigada, Senhor, por me dar forças, coragem e capacidade para cursar o mestrado. Tudo isto faz parte do Seu caminho e dos planos que o Senhor tem para minha vida. Agradeço eternamente por esta oportunidade e que eu possa usar todo esse conhecimento com sabedoria. Obrigada a família maravilhosa que tenho ao meu lado. Pessoas essenciais que me deram ânimo todos os dias através de conselhos com bom-humor e me acompanharam nesta longa caminhada. Vocês são demais! Obrigada as boas pessoas que Deus colocou em meu caminho. Professores, funcionários e amigos que estão ao meu lado desde minha graduação. Obrigada pela amizade e gentileza, vocês são uma benção para mim e jamais esquecerei esses anos de trabalho e diversão que passei junto de vocês. Obrigada a minha orientadora pela paciência e colaboração. Foram muitos percalços ao longo deste caminho, mas essa investigação não seria realidade sem sua ajuda. Obrigada aos professores da minha banca de qualificação e de defesa por disponibilizarem de seu tempo para contribuir com essa pesquisa e por acreditarem neste tema como parte integrante da historiografia.
  • KEVIN M. PHIPPS Production Designer

    KEVIN M. PHIPPS Production Designer

    (6/17/21) KEVIN M. PHIPPS Production Designer www.kevinphipps.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THE FEAR INDEX” David Caffrey Left Bank Pictures Andy Harries (TV Series) Sky Suzanne Mackie Nuala O’Leary “OUTSIDE THE WIRE” Mikael Håfström Netflix Rory Aitken Automatik Ent. Brian Kavanaugh-Jones 42 Ben Pugh Erica Steinberg “BLACK MIRROR” Anne Sewitsky Netflix Mark Kinsella (Season 5, Episode 3) Nick Pitt “IBIZA” Rachel Goldenberg Netflix Will Ferrell Gary Sanchez Prods. Adam McKay Kevin J. Messick “AMERICAN GODS” Adam Kane Starz! Bryan Fuller (Season 1, Episode 7) Fremantle North Neil Gaiman America Michael Green “THE FOREST” Jason Zada Focus Features David S. Goyer Lava Bear Films David Linde “RESIDENT EVIL: Paul W.S. Anderson Impact Pictures Jeremy Bolt RETRIBUTION” Screen Gems Don Carmody “GHOST RIDER: SPIRIT OF Mark Neveldine Columbia Pictures Ashok Amritraj VENGEANCE” Brian Taylor Hyde Park Ari Arad Ari Arad Prods. Michael De Luca “NUTCRACKER” Andrei Konchalovsky Noisette Films Ltd. Moritz Boorman Paul Lowin “BLOOD AND CHOCOLATE” Katja von Garnier Lakeshore Ent. Daniel Bobker MGM Gary Lucchesi Richard Wright ART DIRECTOR Credits Include: “V FOR VENDETTA” James McTeigue Warner Bros. Grant Hill (Supervising Art Director) Joel Silver Nomination: Art Directors Guild (ADG) Award “CHARLIE & THE Tim Burton Plan B Brad Grey CHOCOLATE FACTORY” Warner Bros. Richard D. Zanuck (Supervising Art Director) Nomination: Art Directors Guild (ADG) Award (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (6/17/21) KEVIN M. PHIPPS Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALEXANDER” Oliver Stone Warner Bros. Moritz Borman (Senior Art Director) Thomas Schuhly “TROY” Wolfgang Petersen Plan B Diana Rathbun (Supervising Art Director) Warner Bros.
  • Hliebing Dissertation Revised 05092012 3

    Hliebing Dissertation Revised 05092012 3

    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
  • AAA Has a Lot in Common with Dreamworks' Cinematic Snail

    AAA Has a Lot in Common with Dreamworks' Cinematic Snail

    atch a movie from DreamWorks Animation and there’s a good chance you’ll be caught up in the tale of an ordinary character with extraordinary dreams. In the case of Turbo, due in theaters July 17, it’s a lowly garden snail with visions of racing in the Indianapolis 500. The story in a shell: He gets his wish AAA has a lot in common with after a freak accident empowers DreamWorks’ cinematic snail him with superspeed. BY PAUL ZIEKE For their movie, the makers of Turbo wanted the Indy 500 racetrack scenes to look as authentic as 60 Westways | July/August 2013 0713_WLA_60-61TURBO.indd 60 5/23/13 8:19 AM possible, so they featured racecars inspired by vehicles that actually compete— The Man Behind including AAA’s No. 3 car, driven in real life by Helio Castroneves. Attentive the Mollusk moviegoers might also spot AAA tow Westways talked with Turbo Director David Soren trucks in cameo roles. about his latest project. AAA’s involvement with auto racing goes back more than 100 years: AAA was the sanctioning body for the fi rst Indy 500 held in 1911. AAA also sanctioned national open-wheel racing championships in 1905, and again between 1916 and 1955. Turbo viewers can impress their movie dates by pointing out AAA’s connection with the star snail—and by rattling off these quick IndyCar racing tidbits. Q: Tell us what Turbo is about. Q: Did your team go to A: Turbo is an ordinary garden Indianapolis to do research? snail who dreams of racing A: We did.