DOCSLIB.ORG

Sound Track Cologne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

EUROPE’S LEADING EVENT ON MUSIC AND SOUND IN FILM, TV, GAMES AND MEDIA Wilbert Roget, II • Workshop Discussion Reality Check/Sync • Catherine Grieves Reality Check • Challenges for the implementation of the Working with Virtual Instruments • Chris Hein Carmine Street Guitars Davíð Þór Jónsson • Workshop Discussion Ever After • Case Study Creating the Soundscape of Anno 1800 Lolita Ritmanis • Workshop Discussion Diego Baldenweg with Nora Baldenweg and Sound Design & Music • Kraftwerk 3D – An FILMFORUM NRW Wilbert Roget, II has written diverse scores with Catherine Grieves is an experienced music su - Creative.Composers.Connection EU Copyright Directive Christian Hein and Bernd Keul demonstrate Official German Cinema Premiere Pianist, musician and composer Davíð Þór Germany, after the zombie apocalypse: In this talk Stefan Randelshofer, Audio Director EMMY Award -winning Lolita Ritmanis is one of Lionel Baldenweg • Workshop Discussion Immersive Audio Adventure IM MUSEUM memorable themes, including Call of Duty: pervisor and composer agent. Recent music Members of the track15 female composers The new EU Copyright Directive, finally the MIDI production of a beautiful orchestral Doc., D: Ron Mann, CA 2019, 80’ Jónsson is this year’s winner of the HARPA Weimar and Jena stand as last bastions of hu - at Ubisoft Blue Byte, will offer an in-depth look the most sought-after composers for animated The siblings also known as GREAT GARBO, Tom Ammermann has created Kraftwerk’s com - LUDWIG CONSILIUM WWII, Mortal Kombat 11, Lara Croft and the supervision credits include the BAFTA nomi - collective speak about composer teams. The adopted in April 2019, provides - next to re - composition: Christian explains techniques A small, inconspicuous guitar shop in Green - Nordic Film Composers Award , the joint Film manity. With a nearly all-female film crew, di - at how the advanced soundscape of Anno series and superheroes. She is best known for are a multi-award-winning composer team. plete catalogue in 3D audio (immersive audio). Temple of Osiris , and Star Wars: The Old Re - nated drama Killing Eve , critically acclaimed key topic will be how successful acquirement forms and unifications in the copyright contract with his orchestral instruments and general wich, New York. Famous and lesser known Prize of the Nordic countries. His music is car - rector Carolina Hellsgård ( Wanja ), together 1800 was designed and implemented. Stefan fan-favourite productions such as Justice They have composed music for over 300 in - Every song was mixed again and made avail - public . His scores have earned him several dramas Brexit: The Uncivil War for HBO, Col - and development of projects can be achieved law - a revision of the platform liability. From arranging tricks using sample libraries to musicians come and go, searching for the ideal ried by a special passion for improvisation. He with composer Franziska Henke, will talk will be joined by Sebastian Mönch, Senior League vs. the Fatal Five, Marvel’s Avengers As - ternational TV campaigns and for over 20 films able 3-dimensionally in Dolby Atmos and Head - FRITZ THYSSEN awards and nominations from the Game Audio lateral for BBC/Netflix, and the BAFTA winning within a team while preserving each artists’ in - now on, platforms with user uploaded content achieve a realistic performance. Learn how to instrument with the help of shop owner and received numerous awards for his compositions, about their work. The composer won the Ger - Product Specialist at Steinberg, talking about semble as well as the animated series The such as Head full of Honey , the Oscar nomi - phone Surround 3D (binaural format) on blu-ray STIFTUNG Network Guild , the Academy of Interactive Arts London Spy . Films include The Inbetweeners dividuality. They will speak about their own for - have to buy licenses for content and pay cre - work with special articulations like trills and guitar maker Rick Kelly. Many stay to play. The including both the Icelandic Music Prize and the man Film Music Award as Best Newcomer for workflow aspects regarding Nuendo. Spectacular Spider-Man . Lolita is one of the nated La Femme et le TGV and The Little and streaming providers. The workshop will SOUND and Sciences (D.I.C.E. Awards) and others. Movie and The Counselor . Catherine also mation process and present work samples of ators and publishers. Experts discuss risks and runs, handling legato and much more. Bernd confinement of the little shop creates space for Icelandic Theatre Prize as well as international the score of Nelly’s Adventure . Additionally, Questions will be welcome. founders of the Alliance for Women Film Com - Witch , the latter earning them the Swiss Film offer a lot of insights and mixing strategies for MOTEL ONE Roget co-founded Impact Soundworks , a worked on award winning musical film adap - projects they have completed as a collective. models on how to implement the EU Copyright demonstrates the use of different MIDI con - intimate moments emphasizing the relationship awards for his original soundtracks for the films Ever After will be screened with a live com - Fri 30.08., 10.00h Robert Ellscheid Saal posers , serving as president from 2016 to 2018. Music Prize. such immersive audio productions. TURISTARAMA RIPHAHN successful music software company, and tations such as Les Misérables and Sing Street . In coop. with WIFT Germany and the Alliance Directive in national legislation, as well as the trollers like the RoliSeaboard or Leap-Motion between music and instrument. Of Horses and Men and Woman at War . mentary by Franziska Henke on Thursday, Sat 31.08., 12.00h Amélie Thyssen Auditorium At SoundTrack_Cologne, they will speak about Please bring your own headphones. he gives lectures about games music. In 2017 she joined Faber Music as Head of for Women Film Composers. likely impact on creatives. controller. In coop. with Real Fiction. In coop. with HARPA 29.08., 20.00h in the Fritz Thyssen Stiftung. their upcoming ABC/Netflix sci-fi thriller series In coop. with SAE Cologne and Studioszene. Thu 29.08., 10.00h Amélie Thyssen Auditorium Film and TV. Thu 29.08., 16.30h Garden Venue Thu 29.08., 12.00h Robert Ellscheid Saal In coop. with Chris Hein. Thu 29.08., 19.00h Filmforum NRW Fri 30.08., 14.30h Amélie Thyssen Auditorium Fri 30.08., 12.00h Garden Venue The Unlisted. Sat 31.08., 14.30h Robert Ellscheid Saal Thu 29.08., 10.00h Garden Venue Thu 29.08., 12.00h Helmut Coing Saal Sat 31.08., 14.30h Garden Venue TRACK SoundTrack_Cologne Accreditation Locations at www.soundtrackcologne.de Festivalcenter/Accreditation Conference Accreditation: all Events incl. Opening, Fritz Thyssen Stiftung COLOGNE Award Ceremony and film programme Apostelnkloster 13-15 Tram Neumarkt or Tram Rudolfplatz Full Accreditation Soundtrack_Cologne 110 € | Students: 45 € CONSILIUM - Restaurant Café Bar Rathausplatz 1 Day Ticket Tram Rathaus Jack Wall • Workshop Discussion Reality Check • Scoring for Hollywood: Rechtevergabe und Erlösbeteiligung bei Collection of international neighbouring Steinberg Nuendo 10 and Wwise – John Murphy • Workshop Discussion SoundTrack_Cologne Lifetime Achievement Gut gegen Nordwind • Case Study Composing Production Music Stefan Will • Workshop Discussion Sound Design & Music • Styx • Case Study Leaving Neverland • Case Study 60 € | Students: 35 € 16 Jack Wall is an ASCAP award-winning and Composer Agreement Social Media und Streaming rights An integrated way to realize adaptive music John Murphy composed film scores as promi - Award Winner Klaus Doldinger • Workshop Because of a typing mistake, an e-mail from Production Music is no longer a field for the Stefan Will has established himself in the last 25 Emergency room doctor Rike is torn away from The list of Chad Hobson’s compositions for film Filmforum NRW im Museum Ludwig BAFTA nominated composer best known for Robert Williams and Paul Pilot break down the Social-Media-Plattformen sowie Streaming- Almost every film and media composer is also projects nent and diverse as Kick-Ass, Sunshine, Lock Discussion Emma Rothner accidently arrives in the mail - recovery of leftover tracks from film, popular years as an assured player in the German film her contented world during a sailing trip as she and TV is long: he composed the music for films Press accreditation his scores for popular video game franchises Hollywood composer agreement in their pres - Anbieter laufen klassischen Medien wie Radio co-interpreter and author of his musical works. This workshop is a "getting started" on creat - Stock and Two Smoking Barrels, Miami Vice, Klaus Doldinger is the creator of Germany’s most box of Leo Leike. He replies immediately - and and media music, as there are special require - and television business and was consequently discovers a trawler with refugees. Styx is an au - such as Adulthood, Manchester: The Night of Bischofsgartenstraße 1 well-known TV main title theme music for the [email protected] such as Call of Duty: Black Ops II, III & IIII, Mass entation Scoring for Hollywood . Their discus - und Fernsehen immer mehr den Rang ab. Für For these activities he is entitled to royalties ing and preparing music in the DAW Nuendo Snatch, 28 Days Later… and 28 Weeks Later . very soon they entrust each other their se - ments for composers. Production Music is de - awarded with two television awards for the TV thentic and sincere film with a powerful sound the Bomb and Dom Hemmingway , along with Tram Dom / Hauptbahnhof Effect I & II, the Myst series, Jade Empire and sion will include both a legal and practical Nutzer*innen ist das praktisch und zeitgemäß, from the Neighbouring Right, which can be re- 10 and to then transfer both audio and MIDI He has worked with some of the industry's crime series Tatort . The global successes of Das crets. This is the plotline for Gut Gegen Nord - veloping more and more into a highly series 4Blocks and the TV film Berlin One . As design, that was consequently awarded with the BAFTA Award winning BBC series Our War Boot and The Neverending Story made him a Tickets public events and film programme several other franchises, winning multiple overview of working with U.S.
Recommended publications
  • Art Directors Guild Film Society and American Cinematheque Salute Production Designer Rolf Zehetbauer with “Das Boot” (1981) Screening / Panel

    Art Directors Guild Film Society and American Cinematheque Salute Production Designer Rolf Zehetbauer with “Das Boot” (1981) Screening / Panel

    Art Directors Guild Film Society and American Cinematheque Salute Production Designer Rolf Zehetbauer With “Das Boot” (1981) Screening / Panel August 21, 5:30 p.m. Egyptian Theatre LOS ANGELES, August 8th, 2011 — The Art Directors Guild (ADG) Film Society and American Cinematheque will spotlight Das Boot AKA The Boat (1981) with a special 30th anniversary screening of the remastered director’s cut on Sunday, August 21 at 5:30 p.m. at the Egyptian Theatre (6712 Hollywood Boulevard, Hollywood). The film, designed by Award winning Production Designer Rolf Zehetbauer (Cabaret, The NeverEnding Story ) is the fourth in this year’s series highlighting the work of renowned Production Designers and their creative colleagues. A discussion will follow, enlightening the audience about the unique challenges of filming Das Boot, a wartime action film, nearly all of which takes place inside the claustrophobic interior of a German U-Boat, or WW2 submarine. Production Designer John Muto will host a panel that will include an expert on submarine warfare provided by the U.S. Navy. For information: http://www.americancinemathequecalendar.com/content/das-boot-0 Possibly one of the best-known German films of all time, Das Boot (1981), directed by Wolfgang Petersen, is based on the novel by Lothar Günther Buccheim and carries a strong anti-war message, drawn from the experiences of Second World War veterans in one of Germany’s infamous U-boat submarines. Nominated for six Oscars, the film stars Jürgen Prochnow, Herbert Grönemeyer and Klaus Wennermann in the fictional story of a U-96 and its crew patrolling the waters during World War II.
  • Impreza World Soundtrack Awards W Gandawie Stała Się Inspiracją Dla Powstania Podobnych W Całej Europie

    Impreza World Soundtrack Awards W Gandawie Stała Się Inspiracją Dla Powstania Podobnych W Całej Europie

    Impreza World Soundtrack Awards w Gandawie stała się inspiracją dla powstania podobnych w całej Europie Melinda Newman Z wyjątkiem kilku najbardziej znanych nazwisk, większość kompozytorów ciężko pracuje w cieniu największych gwiazd i reżyserów filmowych. Wyjątek stanowi sześć europejskich festiwali muzyki filmowej, podczas których to oni – oraz ich muzyka – są w centrum zainteresowania i błyszczą w świetle reflektorów. Podczas tegorocznej drugiej edycji Międzynarodowego Festiwalu Muzyki Filmowej w hiszpańskiej Kordobie, rozdawanie autografów „trwało trzy godziny”, jak wspomina Mike Todd, starszy dyrektor ds. muzyki filmowej i telewizyjnej oraz nowych mediów ASCAP (Amerykańskie Stowarzyszenie Kompozytorów, Autorów i Wydawców). – Twórcy muzyki filmowej są tam traktowani jak gwiazdy rocka. Wiceprezes BMI ds. relacji z branżą filmową/telewizyjną, Doreen Ringer Ross, wspomina jak podczas jednego z festiwali kompozytor Christophera Lennertz otrzymał „owację na stojąco”, idąc do łazienki. „Dziadkiem” tych spotkań promujących kompozytorów pozostaje Flamandzki Międzynarodowy Festiwal Filmowy (znany również jako Film Fest Ghent) odbywający się w Gandawie w Belgii, którego kulminację stanowią różnorodne koncerty muzyki na żywo z udziałem zaproszonych filmowych maestro – organizowane już od 1985 roku – oraz impreza World Soundtrack Awards, zorganizowana po raz pierwszy w roku 2001. W październiku tego roku festiwal filmowy kończy 40 lat – okazja ta zostanie uczczona czterdziestoma 1-minutowymi utworami autorstwa 40 różnych kompozytorów, które zostaną odegrane na żywo. Pośród ich twórców znaleźli się zdobywcy Oskara: Mychael Danna, Dario Marianelli, Rachel Portman, Gustavo Santaolalla i Gabriel Yared. Drugim najstarszym festiwalem jest ten odbywający się w Kordobie, który przeniósł się tam w ubiegłym roku po siedmiu latach w Ubedzie. Fimucite, festiwal odbywający się na Teneryfie na Wyspach Kanaryjskich w lipcu obchodził swoją siódmą edycję.
  • Homer's Iliad Via the Movie Troy (2004)

    Homer's Iliad Via the Movie Troy (2004)

    23 November 2017 Homer’s Iliad via the Movie Troy (2004) PROFESSOR EDITH HALL One of the most successful movies of 2004 was Troy, directed by Wolfgang Petersen and starring Brad Pitt as Achilles. Troy made more than $497 million worldwide and was the 8th- highest-grossing film of 2004. The rolling credits proudly claim that the movie is inspired by the ancient Greek Homeric epic, the Iliad. This was, for classical scholars, an exciting claim. There have been blockbuster movies telling the story of Troy before, notably the 1956 glamorous blockbuster Helen of Troy starring Rossana Podestà, and a television two-episode miniseries which came out in 2003, directed by John Kent Harrison. But there has never been a feature film announcing such a close relationship to the Iliad, the greatest classical heroic action epic. The movie eagerly anticipated by those of us who teach Homer for a living because Petersen is a respected director. He has made some serious and important films. These range from Die Konsequenz (The Consequence), a radical story of homosexual love (1977), to In the Line of Fire (1993) and Air Force One (1997), political thrillers starring Clint Eastwood and Harrison Ford respectively. The Perfect Storm (2000) showed that cataclysmic natural disaster and special effects spectacle were also part of Petersen’s repertoire. His most celebrated film has probably been Das Boot (The Boat) of 1981, the story of the crew of a German U- boat during the Battle of the Atlantic in 1941. The finely judged and politically impartial portrayal of ordinary men, caught up in the terror and tedium of war, suggested that Petersen, if anyone, might be able to do some justice to the Homeric depiction of the Trojan War in the Iliad.
  • ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

    ABSTRACT Title of Document: COMMUNICATING FEAR in FILM

    ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship
  • Video Game Composers Apm's Adam Taylor Nathan Barr

    Video Game Composers Apm's Adam Taylor Nathan Barr

    FILM MUSIC pdalnkbaooekj]hrke_akbiqoe_bknbehi]j`pahareoekj VIDEO GAME COMPOSERS TOP GAME COMPOSERS ON THE ART, CRAFT AND BUSINESS OF VIDEO GAMES APM’S ADAM TAYLOR MUSIC LIBRARIES AND VIDEO GAME MUSIC NATHAN BARR SCORING HORROR AND HOSTEL: PART II ALF CLAUSEN THE SIMPSONS’ 400TH EPISODE JEFF & MYCHAEL THE FIRST BROTHERS OF FILM SCORING DANNA FINALE TIPS FOR COMPOSERS RKHQIA3JQI>AN/ 2*1,QO 4*1,?=J=@= + PLUS THE BUSINESS OF BUYOUTS RE@AKC=IA?KILKOANO 5GD8NQKCNE (".& $0.104*/( BY PETER LAWRENCE ALEXANDER WITH GREG O’CONNOR-READ 14 ! filmmusicmag.com In a rapidly changing technological environment that’s highly competitive, composers the world over are looking for new opportunities that enable them to score music, and for a livable wage. One of the emerging arenas for this is game scoring. Originally the domain of all synth/sample scores, game music now uses full orchestras, along with synth/sample libraries. To gain a feel for this industry, and to help you, the reader, decide if game scoring is something you want to pursue, Film Music Magazine has established an unprecedented panel in print: six top video game composers with varying styles and musical tastes, plus top game composer agent Bob Rice of Four Bars Intertainment. As you read the interviews, it will become quickly apparent that while there are many Let’s pretend that you’ve started a new music school course just for game composers. Given your experience, similarities between film and TV, and game what would you insist every student learn to master, and scoring, one major difference arises that is why? Rod Abernethy and Jason Graves:E^Zkgrhnklmk^g`mal literally within the mind of the composer.
  • Dead Zone Back to the Beach I Scored! the 250 Greatest

    Dead Zone Back to the Beach I Scored! the 250 Greatest

    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
  • To Rock Or Not Torock?

    To Rock Or Not Torock?

    v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay.
  • Trevor Morris

    Trevor Morris

    TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles.
  • Soundtrack Booklet BOII.Pdf

    Soundtrack Booklet BOII.Pdf

    CALL OF DUTY®: BLACK OPS II ORIGINAL SOUNDTRACK TRACK LIST 1. Theme from Call of Duty® Black Ops II 25. DeFalco’s Theme 2. Alex and David 26. Symphony No. 40 in Gminor, Mozart K550 (Allegro Molto) 3. Savimbi’s Pride 27. Dockside 4. You Can’t Kill Me 28. Go Home Gringos 5. Hidden 29. The Invasion of Panama 6. Catch Me If You Can 30. Nexus Target 7. Flying Squirrels 31. Panic Attack/P.T.S.D. 8. Future Wars 32. Cordis Die 9. Rare Earth Elements 33. Farid 10. Desert Ride 34. Mason Enters/Yemenite Fight 11. Sand and Camels 35. War Machine 12. Suicide Ride/Kravchenko Interrogation/Anvil Again 36. Guerra Precioso 13. Afghanistan 2025 37. Chasing a Ghost 14. The Search for Josefina 38. On Deck 15. Niño Precioso (Feat. Kamar de los Reyes) 39. Prom Night 16. Rivers and Rain 40. Dark Skies 17. Searchlights 41. Sniper on the 110 18. Anthem 42. Streetcar Named Fire 19. Anthem (Tuey Remix) 43. Escort 20. Escape from Anthem 44. Dogfight 21. Pakistan Run (Feat. Azam Ali) 45. Adrenaline 22. Shadows (Outer Club Solar) 46. Judgment Day 23. Spider Bot 47. Hero’s Theme 24. Colossus 48. Raul Menendez Theme (“Niño Precioso” – orch. version feat. Rudy Cardenas) 49. Theme from Call of Duty® Black Ops II (Orchestral Mix) CALL OF DUTY®: BLACK OPS II ORIGINAL SOUNDTRACK CREDITS Composed, Conducted and Produced by Jack Wall Orchestrated by Neal Desby & Edward Trybek Music Editor / Assistant to Jack Wall Alex Hemlock Additional Music Jimmy (Big Giant Circles) Hinson, Sergio Jiménez Lacima Additional Editing Brian DiDomenico Tracks 1 & 49 Composed by Trent Reznor Orchestral
  • Films Shown by Series

    Films Shown by Series

    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
  • Video Games As Digital Audiovisual Performance

    Video Games As Digital Audiovisual Performance

    University of Huddersfield Repository d©Escrivan, Julio Videogames as digital audiovisual performance Original Citation d©Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364 This version is available at http://eprints.hud.ac.uk/21931/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ VIDEO GAMES AS DIGITAL AUDIOVISUAL PERFORMANCE JULIO D’ESCRIVÁN University of Huddersfield Huddersfield, England [email protected] Keywords: Audiovisual Performance, Digital Media, Improvisation, Soundpainting, Video Game Video games are an ideal medium for creating a live-cin- ema experience because of their potential for cinematic narrative and their open structure. ‘Performing digital media’ as opposed to ’performing with digital media’ or using digital media in performance means to ‘play the media’ like a musical instrument as much as possible.
  • The Holy Grail: Searching for the Perfect Accent Psychometric Testing: We Know What You Are Thinking

    The Holy Grail: Searching for the Perfect Accent Psychometric Testing: We Know What You Are Thinking

    ČASOPIS ZA UČENJE ENGLESKOG JEZIKA magazine June / July 2012 No. 2 price 35 kn ON THE ROAD London Olympics NATIVE VIEW EXPERT VIEW The Holy Grail: Psychometric testing: searching for the we know what you are perfect accent thinking Learn more Educational, fun and interactive headlines Lecture time How to... OPENVIEW TO1 2 EDITORIAL The summer is upon us and what a summer it is set to be! The Queen’s Diamond Jubilee, Euro 2012, the Olympic Games, magazine maybe the comeback of the Greek drachma, and the second is- sue of View Magazine. Let’s be honest though, the most impor- View – časopis za učenje tant event of the summer is your first appearance on the beach engleskog jezika and what to wear, and we have that covered in How To. Mihanovićeva 20, 10000 Zagreb Tel: 01 457 6639 Thank you for all your correspondence following the first issue. Fax: 01 457 6450 We really appreciate your comments and suggestions and take E-mail: [email protected] them seriously; as a result, you will find a section dedicated to Izdavač: music. We hope you enjoy it! Another new feature is the com- Lingua Media izdavaštvo d.o.o. petition page where you can win some great prizes to develop Tisak: your English further. Tiskara Velika Gorica d.o.o. Trg kralja Tomislava 38, 10410 Velika Gorica Developing and improving a language is no easy thing - there is no magic formula, no quick fix. Hard work is usually the key. Direktorica: Ivana Lieli However, reading in any language has been proven one of the [email protected] most effective ways of increasing vocabulary, improving spell- Glavni urednik: ing, and ingraining good grammar practice.