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Home , Alberto Iglesias, Alexandre Desplat, Andrea Morricone, Angelo Badalamenti, Bill Conti, Carter Burwell

01 World Awards Fanfare 1:33 09 Succession (Suite) 4:25

JAMES NEWTON HOWARD 02 Overture 6:36 10 (Suite) 3:15

CARTER BURWELL 03 Fear - Main Title 2:32 11 (Suite) 4:33

ALBERTO IGLESIAS 04 Hable con ella - Soy Marco 2:17 12 Murder on the Orient Express - Never Forget ( Version) 4:12 05 - The Homecoming 6:16 13 , into Darkness and Beyond (Suite) 7:23 06 Troy (Suite) 5:19 14 : Fire Walk with Me - JÓHANN JÓHANNSSON / The 4:02 RUTGER HOEDEMAEKERS 07 When at Last the Wind Lulled 2:13 (Arr.) 15 Tribute to the Film 4:25 JOHN WILLIAMS 08 Hook - The Face of Pan 4:06

Performed by PHILHARMONIC & VLAAMS RADIOKOOR Conducted by DIRK BROSSÉ TWENTY YEARS OF

Twenty years ago the World Soundtrack Academy scores achieved an afterlife and gained new handed out the very first World Soundtrack meaning as the result of live performances in Awards. They have since become of paramount front of audiences. Film Fest Ghent has made it importance across the industry. The awards did their point of honour to perpetuate that afterlife not only strengthen Film Fest Ghent’s identity, in Ghent in a series of albums. they have been a composer’s stepping stone to the Oscars, Golden Globes and BAFTAS. If To celebrate the twentieth anniversary of the Europe is now the metropolis of film music, then WSA, the album consists of compositions by Ghent has been the inspiration for it. all winners of the Film Composer of the Year Award. Enjoy! By means of a competition focusing on the impact of music on film, screenings of silent Thank you to all whom, in one way or another, films with live music and concerts by maestros have contributed to WSA’s success story. Not such as , , and least to the Brussels Philharmonic, Vlaams , Film Fest Ghent has been Radiokoor and our music director, maestro the favourite meeting point of since Dirk Brossé. 1985. Many of them wanted to solidify their friendship and professional contacts, which led to the birth of the World Soundtrack Academy. Marijke Vandebuerie Managing Director - Film Fest Ghent Thanks to the Academy and the annual awards ceremony, composers of film music were no Wim De Witte longer caged in their recording studios. Their Programme Director - Film Fest Ghent

The “World Soundtrack Awards Fanfare” score specially written by Elmer Bernstein ELMER BERNSTEIN edited sequence, which includes a ballet MAESTROS OF Our album starts with the “World Soundtrack scene for which Howard’s music does double THE MILLENNIUM Awards Fanfare”, which Elmer Bernstein duty as both underscore and as source music, wrote especially for the awards ceremony seamlessly and impressively interweaving both (under the original title “For Flanders”) in 2002. types of film music. Bernstein considered himself to be a friend of Each year, during the festival in October, Film the festival, having been a guest in 1993 (to Fest Ghent presents a new film music album, attend The Age of Innocence) and in 1998, The following cue, the “Main Title” from Fear a tradition that started in 2007. Usually, that when he conducted a selection of his music (1996), stays within the same genre. The film album focuses on the music of one of the guests at the concert The Birth of a Score II. He also is a stalker thriller in which a young Reese of honour at the World Soundtrack Awards received the first World Soundtrack Lifetime Witherspoon falls for the wrong boyfriend (Mark concert, featuring new recordings of some of Achievement Award in 2001. From the first Walhberg), ignoring her workaholic father’s that composer’s best film scores, performed by rendition in 2002 onwards, Bernstein’s “WSA warnings. The unreleased score is by Carter Brussels Philharmonic and conducted by Dirk Fanfare” has been the musical signature of the Burwell, a regular collaborator with the Coen Brossé. This year is exceptional: to celebrate WSAwards; this is the first studio recording of brothers and Martin McDonagh (). He 20 years of World Soundtrack Academy and the piece. was Film Composer of the Year 2016 for Todd Awards, this anniversary album is devoted to all Haynes’s and premiered his film music in thirteen composers who have won the coveted concert at the 2018 World Soundtrack Awards. World Soundtrack Film Composer of the Year James Newton Howard, winner of the WSAward The “Main Title” introduces Burwell’s lush and Award over the past two decades. for Film Composer of the Year in 2008 and guest cleverly multi-faceted theme, foreshadowing of honour at the 2012 WSAwards concert, the ominous nature of the romance ahead. The For this special occasion, our Tribute to the has in recent years reached a new audience percussion in the second part underscores Film Composer aims to highlight the diversity with his fantasy scores for the franchises The the father’s morning run, thematically setting of the film composers’ output, featuring almost Hunger Games and Fantastic Beasts. Earlier the tribal showdown between father and exclusively premiere studio recordings of pieces he attracted acclaim with scores for a variety boyfriend at the film’s climax. that have never been released on an album. of film genres, including thrillers such as The Some of the tracks are concert , Fugitive and M. Night Shyamalan’s films. “Red adapted by the composer for a life beyond the Sparrow Overture” is a concert Alberto Iglesias, two-time winner of the film or TV score. These suites assemble the best (and slightly abbreviated version) of the cue that WSA Film Composer of the Year (in 2006 material from the score into a new standalone opens Red Sparrow (2018), a thriller by Francis and 2012), is best known as house composer piece of music. Other tracks are new recordings Lawrence (who has worked with Howard on all for Pedro Almodóvar. His film Hable con of cues that have never been released on a his films since 2007) about a Russian ballerina ella (2002) is about a friendship in the most or which were not even used () turning double agent. In unlikely of circumstances between Benigno in the film. the film, this cue underscores a long parallel- (Javier Cámara), a lonely nurse who criminally violates a comatose woman, and Marco (Darío GABRIEL YARED JOHN WILLIAMS Grandinetti), a sensitive journalist and writer 2020 Lifetime Achievement Award honouree If there is one film composer who does not need of travel literature. The cue presented here, Gabriel Yared was the very first guest of honour any introduction, it is John Williams. Among his “Soy Marco”, features Marco’s theme, used at the WSAwards back in 2001, and was awarded innumerable accolades, Williams received the throughout the film to focus on the character’s WSA Film Composer of the Year in 2004 for very first Film Composer of the Year Award (for relationships and in particular his emotional Cold Mountain, one of his many acclaimed A.I. Artificial Intelligence). Williams pretty much baggage, and accompanies the film’s , collaborations with in an pioneered a practice that has now become fairly when Marco learns of Benigno’s suicide and extraordinary career of composing music for , namely to create special arrangements mourns him at his grave. cinema. Here we present a “Suite from Troy” – of his film themes specifically designed for the first time music from his score for Wolfgang performance in the concert hall. The piece on ELLIOT GOLDENTHAL Petersen’s 2004 epic can be heard on an album. this album originates from his score for Hook Elliot Goldenthal, known for his inventive The suite starts with the exquisitely tragic love (1991), ’s lavish Peter Pan contemporary composing style applied to films theme he composed for Helen and , and then adaptation (which was in its first stages planned such as ³, Forever and , won segues to the fugue and the battle motif from the as a musical). Williams reworked the cue for the the 2003 Film Composer of the Year Award for his sacking of Troy sequence. touching “You Are the Pan” scene, in which the score for (one of his many collaborations Boys finally recognise their previous leader with his partner ) and was also one JÓHANN JÓHANNSSON in the grown-up Peter Banning (Robin Williams), of the guests of honour at the 2011 WSAwards Throughout his career, which was sadly cut short into the concert version “The Face of Pan”, which concert. Among his many grand adagios written much too soon in 2018, Jóhann Jóhannsson appeared on the 1995 compilation Williams on for film is this perhaps lesser known piece combined classical and electronic elements to Williams: The Classic Spielberg Scores. The from the “Suite from Cobb”, a reworking of compose his minimalist and atmospheric scores arrangement on this album is a slightly revised “The Homecoming”. The film (1994) is a biopic for film. He won the WSAward for Film Composer version, which he premiered at a concert of the about the partnership between the baseball icon of the Year in two consecutive years (2017 and Young Foundation in 2013. Ty Cobb (Tommy Lee Jones) and his biographer 2018); at the 2018 ceremony one of his frequent (Robert Wuhl), and the latter’s struggle with collaborators, Hildur Guðnadóttir, paid an NICHOLAS BRITELL legend and truth: in the film this theme is first emotional tribute to her colleague and gracefully Nicholas Britell has made a name for himself heard when the decides to write a accepted the posthumous award in his stead. through his music for the films of Barry second version of the autobiography that sticks To commemorate Jóhannsson and his work we Jenkins. At the WSAwards he is one of only two closer to reality. This adagio, played fully under have recorded the unreleased piece “When at composers to have achieved the feat of winning Cobb’s return home after his induction into the Last the Wind Lulled”. It was co-composed with both the Discovery of the Year Award (in 2017, Baseball Hall of Fame, connects the two central Rutger Hoedemaekers around the time he also for Jenkins’s Moonlight) and Film Composer of themes of the film: Cobb’s confrontation with composed the score for The Mercy, which was the Year (in 2019). Since 2018 he has also been his demons during his gradual decline and the one of the to win him the 2018 Film composing the much-lauded scores for the mythologization of the baseball legend. Composer of the Year Award. HBO TV series Succession, about the family and legacy of a media mogul (Brian Cox). Britell suite (arranged from musical material also MICHAEL GIACCHINO to the TV series) Twin Peaks: Fire Walk with took a classical approach with a dark feel to found on the original soundtrack album Michael Giacchino’s “Star Trek, into Darkness Me (1992). The version in the film (to be found the music for the series, reflecting the family’s tracks “End of War”, “The Imitation Game” and Beyond” is a suite that incorporates the on the original soundtrack album), which own sense of seriousness and self-absorption. and “Alan Turing’s Legacy”). Morten Tyldum’s three main themes from J.J. Abrams’s Star Trek accompanies the cathartic finale in the Red His “Suite from Succession”, never before biographical film shows how Alan Turing films, which in a sense rebooted the franchise Room in which Laura Palmer (Sheryl Lee) recorded, ties in some of the best pieces from (Benedict Cumberbatch) cracked the Enigma with the original characters. After the opening meets her angel of mercy, was performed season 1 and 2 (including a rendition of the machine, speeding up of WWII, but was statement of the “Main Theme” for Star Trek on a , and a vocal version also popular and already iconic “Main Title Theme”). then convicted for his homosexuality. Desplat’s (2009), we hear the “Yorktown Theme” from appeared later on ’s homonymous almost mathematical main theme sounds like (2016). Then comes “Ode to album. MYCHAEL DANNA the musical equivalent of how Turing’s brilliant Harrison” (for Benedict Cumberbatch’s classic Mychael Danna, who has worked with many brain worked. Star Trek villain Khan) from Star Trek into TRIBUTE TO THE FILM COMPOSER acclaimed directors but is perhaps best known Darkness (2013), to end the suite appropriately Ending the album on a high note is John for his collaboration with the Canadian director PATRICK DOYLE with Giacchino’s full treatment of his “Main Williams’s fabulous arrangement “Tribute , won the Film Composer of the Another genius, but this time fictional, is Theme”. Giacchino is the other composer to the Film Composer”, which he created in Year Award in 2013 for , and was guest the famous detective Hercule Poirot. In who has been both Discovery of the Year (in 2002 for the as an homage of honour at the 2007 WSAwards. This album 2017 directed an updated 2005, for ) and Film Composer to the composers of many of ’s most presents the “Suite from Monsoon Wedding”, adaptation of the classic Agatha Christie novel of the Year (in 2015) at the WSAwards. Since famous Oscar-winning and Oscar-nominated ’s 2001 ensemble drama about an Murder on the Orient Express, and for the his breakthrough, his track record has been film scores. Williams occasionally conducts it arranged wedding, which calls together two score turned again to his regular collaborator phenomenal, not only scoring films from in concert; in his note in the conductor’s score families, brings dark family traumas to the Patrick Doyle. Especially for this album, Doyle virtually all popular Hollywood franchises, but he testifies that he discovered that audiences surface but above all causes new love stories arranged an instrumental version of “Never also moving easily between different genres and seem to have nearly as much fun hearing it as and relationships to develop. The theme heard Forget”, the song that was written based on his between blockbusters and more personal films. he does it. Lasting less than five in the suite functions as a call to unite various theme for the Armstrong case, the background minutes, the piece collects excerpts from no couples; in particular the music kindles the love story that is central to the plot, and which was ANGELO BADALAMENTI fewer than 23 iconic film themes. It seems an between the wedding planner and the maid and performed by for the Composer of the Year 2005 Angelo appropriate piece to end an album that has between the central couple. soundtrack. The first time we hear the theme Badalamenti received a Lifetime seen the light of release precisely because in the film it accompanies a flashback to that Achievement Award in 2008, performing each year the whole community and family of ALEXANDRE DESPLAT case, but later on it also becomes associated many of his best scores (for The Comfort of film composers is invited to celebrate their art Acclaimed composer and two-time Oscar- with Poirot’s difficulties in solving the mystery Strangers, Twin Peaks and Blue Velvet, to at Film Fest Ghent and the World Soundtrack winner Alexandre Desplat has been Film and with his moral qualms about the logical name a few) at the WSA concert. Badalamenti Awards concert. Composer of the Year no less than a record solution, which shakes his profound belief in is ’s go-to composer, and for this five times (2007, 2009, 2010, 2011, 2014). His the balance between right and wrong. Through album a symphonic arrangement has been superlative score for The Imitation Game Doyle’s theme, tragedy, mystery and solution recorded of the moving cue “The Voice of Thomas Van Parys (2014) is presented here in a riveting concert become inextricably woven. Love” from Lynch’s masterpiece (and prequel Music Projects Coordinator - Film Fest Ghent DIRK BROSSÉ: COMPOSER, CONDUCTOR BRUSSELS PHILHARMONIC

Dirk Brossé is a multi-faceted composer and a Parliament’s Gold Medal for Merit, the Achille The Brussels Philharmonic was founded in critical acclaim is film music. Recognition has respected conductor on the international music Van Acker Prize, the Joseph Plateau Honorary 1935 by the Belgian public broadcaster (NIR/ come, among others, in the form of the Oscar- scene. Since 2010, Brossé is music director of Award and the Global Thinkers Forum Award INR). It performs both great classics as well as winning score for The Artist (2011). In Belgium, The Chamber of and for Excellence in Cultural Creativity. In 2013 he new compositions. As of 2015-2016, French the orchestra is a regular partner of the Film music director of Film Fest Ghent. Dirk Brossé was elevated to Belgium’s hereditary nobility, conductor Stéphane Denève is the orchestra’s Fest Ghent and of Motormusic, and participates has composed some 400 works, including with the personal title of Knight. He is a member music director. He has launched a new platform, each year in concerts with iconic films. The vast concerti, oratorios, lieder, , of the Royal Flemish Academy of Belgium for the Centre for Future Orchestral Repertoire, discography of Brussels Philharmonic (Deutsche symphonic works, musicals and film scores. Science and the Arts and since 2018 a Fellow at that collects core information about symphonic Grammophon, Palazzetto Bru Zane, Klara, Film His score for the BBC/HBO series Parade’s End the University of Brussels (VUB). compositions since the year 2000. At the Fest Ghent, Brussels Philharmonic Recordings) was nominated for an Emmy Award. His score international level, the Brussels Philharmonic has has received numerous awards, including an for Knielen op een bed violen was nominated www.dirkbrosse.be made a name for itself, with regular appearances ECHO Klassik, Cecilia Prize, Choc de Classica for the Golden Calf Award. Maestro Brossé has in the major European capitals. International de l’année and Diapason d’Or de l’année. The conducted all the leading Belgian . He representation by IMG Touring brings further Brussels Philharmonic is an institution of the has conducted over 120 orchestras all over the tours and concerts on new stages both in Europe Flemish Community. world such as the Orchestra, and beyond (e.g. Japan, USA). Another speciality Vancouver , l’Orchestre de la Suisse for which the Brussels Philharmonic has gained www.brusselsphilharmonic.be Romande, Camerata St Petersburg, Hong Kong Philharmonic, l’Orchestre de l’Opéra de Lyon, Philharmonic Orchestra of Shanghai. VLAAMS RADIOKOOR © Wouter Maeckelberghe Wouter © Dirk Brossé has made over 100 CD recordings and has collaborated with world-class artists such as José Van Dam, , The Vlaams Radiokoor (Flemish Radio ) known Flagey building in Brussels. A shared Julia Migenes, Julian Lloyd Webber, Salvatore was founded in 1937 by the Belgian public passion for contemporary repertoire, the belief Accardo, Alison Balsom, , Emma broadcaster of the day. Today, the Vlaams that the voice is the ultimate interpreter of Thompson, , and Radiokoor is renowned for in our emotions, and the commitment to make Marcel Khalifé. Flanders and Europe, and is counted among the our vocal heritage accessible to singers and top ensembles both at home and abroad. The audiences alike are what binds the ensemble Dirk Brossé has been awarded the title 32 singers rehearse under the baton of music together. The Vlaams Radiokoor is an institution Cultural Ambassador of Flanders, the Flemish director Bart Van Reyn in Studio 1 of the well- of the Flemish Community. BRUSSELS PHILHARMONIC MUSICIANS SOLOISTS

HENRY RAUDALES CONCERTMASTER HENRY RAUDALES EVA GOUDIE-FALCKENBACH Vocal FIRST VIOLIN Hable con ella Troy (Suite) Bart Lemmens (1) Béatrice Derolez (1) Maarten Wijnen (1) David (1) Soy Marco Olivia Bergeot Griet François (2) Vincent Van Wijk Daniel Foeteler Eva Bobrowska Phung Ha Bram Van Nolf: Tim Van Medegael: NATHAN DAEMS Annelies Broeckhoven Hélène Koerver English horn (2) bass trombone (2) KAREL STEYLAERTS Ney Stefan Claeys Agnieszka Kosakowska Troy (Suite) Cristina Constantinescu Maryna Lepiasevich CLARINET Murder on the Orient Express Julien Poli Stephan Uelpenich Anne Boeykens (1) Jean Xhonneux (2) Never Forget (Instrumental Version) MANUEL HERMIA Justine Rigutto Patricia Van Reusel Danny Corstjens: Bansuri Philippe Tjampens E-flat clarinet (2) TIMPANI YASUKO TAKAHASHI Monsoon Wedding (Suite) Alissa Vaitsner CELLO Midori Mori: Gert François (1) Gillis Veldeman Karel Steylaerts (1) bass clarinet (2) Murder on the Orient Express Kirsten Andersen PERCUSSION Never Forget (Instrumental Version) SECOND VIOLIN Julius Himmler Gert D’haese (2) Mari Hagiwara (1) Sophie Jomard Karsten Przybyl (1) Tom De Cock (2) Vania Batchvarova Emmanuel Tondus Alexander Kuksa Franken (2) Véronique Burstin Elke Wynants Jonas Coomans: Stijn Schoofs Caroline Chardonnet contrabassoon (2) VLAAMS RADIOKOOR SINGERS Aline Janeczek HARP Sayoko Mundy Jan Buysschaert (1) Eline Groslot (2) Eline Pauwels Thomas Fiorini Hans van der Zanden (1) Stefanie Van Backlé Daniele Giampaolo Andrea Mancini (1) PIANO/ SOPRANOS ALTOS TENORS BASSES Bram Van Eenoo Simon Luce Mieke Ailliet (2) Yasuko Takahashi (2) Veerle Van Roosbroeck Kevin Cardoso Sarah Abrams María Gil Muñoz Gunter Claessens Conor Biggs FLUTE SYNTHESIZER Karen Lemaire Eva Goudie-Falckenbach Frank De Moor Pieter Coene Lieve Schuermans (1) Erik Brabants (2) Kristien Nijs Estelle Lefort Paul Foubert Erks Jan Dekker Glossary: Femke Van Leuven: Ward Hoornaert (1) (1) principal alto flute (2) Steven Bossuyt (1*) GUITAR Evi Roelants Lieve Mertens Ivan Goossens Joris Derder (1*) co-principal Jill Jeschek: piccolo (2) Rik Ghesquière Inti De Maet (2) Charlotte Schoeters Sandra Paelinck Paul Schils Marc Meersman (2) soloist Luc Sirjacques Sarah Van Mol Noelle Schepens Roel Willems Paul Mertens TRACKLIST & PUBLISHING CREDITS

ELMER BERNSTEIN JOHN WILLIAMS ANGELO BADALAMENTI All tracks performed by 01 World Soundtrack Awards Fanfare 1:33 08 Hook - The Face of Pan 4:06 14 Twin Peaks: Fire Walk with Me - BRUSSELS PHILHARMONIC & VLAAMS RADIOKOOR Copyright Elmer Bernstein Estate / Film Fest Ghent Triple Star Music Inc (BMI) admin EMI Tunes Ltd The Voice of Love 4:02 Anlon-Music Company (ASCAP) / Bobkind Music Conducted by JAMES NEWTON HOWARD NICHOLAS BRITELL (ASCAP) admin Universal/MCA Music Ltd DIRK BROSSÉ 02 Red Sparrow Overture 6:36 09 Succession (Suite) 4:25 Fox Film Music Corp (BMI) admin EMI Music T L Music Publishing (ASCAP) admin Universal/ Publishing Ltd (Twentieth Century Fox) MCA Music Ltd. Courtesy of HBO Courtesy of Fox Music, Inc. JOHN WILLIAMS (Arr.) MYCHAEL DANNA 15 Tribute to the Film Composer 4:25 CARTER BURWELL 10 Monsoon Wedding (Suite) 3:15 Arranged by John Williams 03 Fear - Main Title 2:32 Soft Pedal (SOCAN) / Music Revenue Publishing Universal MCA Music Publishing (US) (ASCAP) (SOCAN) admin by Powerscore Music Warner Bros. Fanfare () Universal/ Partnership | I Had A Farm In Africa (Main Title) admin Universal/MCA Music Ltd MCA Music | As Time Goes By (Herman Hupfeld) (from ‘Out Of Africa’) () Universal/MCA ALEXANDRE DESPLAT Redwood Music Ltd | Citizen Kane Overture Music | Somewhere, My Love (Lara’s Theme from ALBERTO IGLESIAS 11 The Imitation Game (Suite) 4:33 (Bernard Herrmann) Music Ltd | Twentieth ‘’) ( / Paul Francis 04 Hable con ella - Soy Marco 2:17 Galilea Music (SACEM) admin Universal/ Century Fox Trademark () EMI Webster) EMI United Partnership | The River Kwai Copyright Alberto Iglesias MCA Music Ltd Music Publishing Ltd (Twentieth Century Fox) | March (from ‘The Bridge On The River Kwai’) (Main Theme) (John Williams) Warner/ () Shapiro Bernstein & Co | Patton ELLIOT GOLDENTHAL PATRICK DOYLE Chappell North America / Universal Music (Theme) () Warner/Chappell North 05 Cobb - The Homecoming 6:16 12 Murder on the Orient Express - Publishing | The Sea Hawk (Erich Wolfgang America | (Theme from ‘’) Warner Olive Music LLC (ASCAP) / New Regency Never Forget (Instrumental Version) 4:12 Korngold) Warner/Chappell North America | ( / Ayn Robbins / Carol Connors) EMI Music (ASCAP) admin Universal/MCA Music Ltd TCF Music Publishing Inc (ASCAP) / Patrick Doyle Spellbound () Warner/ United Partnership | (Elmer Music admin EMI Music Publishing Ltd Chappell Music International | My Heart Will Go Bernstein) EMI United Partnership | The Natural GABRIEL YARED (Twentieth Century Fox) / Air-Edel Associates Ltd On (Love Theme From ‘’) ( () EMI Music Publishing | Cinema 06 Troy (Suite) 5:19 / ) Universal Music Publishing / Paradiso (Ennio Morricone / ) Publishing / Copyright / Courtesy of Warner Bros. MICHAEL GIACCHINO EMI Music Publishing Ltd (Twentieth Century General Music UK | (Love Theme) 13 Star Trek, into Darkness and Beyond (Suite) 7:23 Fox) | () (Bernard Herrmann) (Nino Rota) Sony/ATV Harmony UK | Theme JÓHANN JÓHANNSSON / Paramount Allegra Division of Sony/ATV Harmony UK | Theme From “” from E.T. (The Extra-Terrestrial) (John Williams) RUTGER HOEDEMAEKERS (ASCAP) admin Universal/MCA Music Ltd (John Williams) Universal/MCA Music | The Pink Universal/MCA Music | Tara’s Theme (My Own 07 When at Last the Wind Lulled 2:13 Editions G. Schirmer/Wise Music Panther () EMI United Partnership True Love) (from ‘Gone With The Wind’) (Max Mute Song / Nouveau Gout Publishing Editions Mario Bois - Paris | (Main Theme) () EMI United Steiner) Warner/Chappell North America CREDITS

Album produced by: Additional mixing (track 9): Nicholas Britell MOTORMUSIC Film Fest Ghent Under exclusive licence to: Synth programming: Tom Pipeleers Recording Supervisor: Hans Vercauteren Silva Screen Records Synthesizer (track 7): Recording Engineer: Floren Van Stichel Rutger Hoedemaekers Editing: Hans Vercauteren Music composed by: Additional editing: Ellen Janssens Angelo Badalamenti Orchestrators: Mixing Engineer: Steven Maes Elmer Bernstein (track 3) Nicholas Britell Robert Elhai (track 5) SILVA SCREEN RECORDS Carter Burwell Anthony Weeden (track 7) Mychael Danna Julian Kershaw (track 14) Executive producers: 2020 will go down in history as the year of the global lockdown Alexandre Desplat Reynold D’Silva & David Stoner because of COVID-19. The consequences for the cultural Patrick Doyle Recorded at Flagey, Studio 4, Album mastering: Rick Clark industries are widely known by now. Yet, there is also good Michael Giacchino Brussels, August 24-28, 2020 Digital manager: James Borrer news. 2020 is the year of the twentieth anniversary of the Elliot Goldenthal Design & layout: Stuart Ford World Soundtrack Awards. What better way to celebrate this James Newton Howard Photo credits: special birthday than an album with original music by the Alberto Iglesias Angelo Badalamenti, Mychael Danna, Film Fest Ghent wishes to thank: world’s best film composers. It has been an honour to conduct Jóhann Jóhannsson & Alexandre Desplat, Elliot Goldenthal, Angelo Badalamenti, Nicholas Britell, these wonderful scores with the Brussels Philharmonic and Rutger Hoedemaekers James Newton Howard, Gabriel Yared: Carter Burwell, Mychael Danna, Vlaams Radiokoor. John Williams © Luk Monsaert Alexandre Desplat, Patrick Doyle, Gabriel Yared Nicholas Britell, Carter Burwell, Michael Giacchino, Elliot Goldenthal, Over the years, I have forged a personal bond with each of Patrick Doyle: © Jerroen Willems Rutger Hoedemaekers, James Newton Howard, these composers. Some of them have become friends for life. Orchestra: Brussels Philharmonic Michael Giacchino: © Peter Cobbin Alberto Iglesias, John Williams, Gabriel Yared; Every single one of them has developed their own musical Choir: Vlaams Radiokoor Alberto Iglesias: © Io Cooman Jim Bruening, Dimitra Christofidou, Karen Elliott, language and influenced generations of composers. Conductor: Dirk Brossé Jóhann Jóhannsson: © Bas Bogaerts Laura Engel, Ana Eusa, Maria Giacchino, John Williams: © Todd Rosenberg Richard Guérin, Maria Machado, Time to celebrate. Raise your glass, and enjoy this unique album. Executive producer: David McGinnis, Robert Messinger, Marijke Vandebuerie BRUSSELS PHILHARMONIC Jamie Richardson, Maggie Rodford, Producer: Thomas Van Parys Xander Rodzinski, Christopher Ruskis, Assistant producer: General Manager: Gunther Broucke Sam Schwartz, Vasi Vangelos, Rosalie Vos; Dirk Brossé Katrien Destuyver Artistic Administrator Brussels Dirk Brossé, Patrick Duynslaegher, Raf Butstraen, Music Director - Film Fest Ghent Philharmonic: Judith Van Eeckhout Gunther Broucke and the entire staff and Recording & Mix: Motormusic Artistic Administrator Vlaams Radiokoor: musicians of Brussels Philharmonic and (www.motormusic.eu) Alain De Ley Vlaams Radiokoor, David Stoner and the staff Head of Production: Jim Seynaeve at Silva Screen Records, Hans Bellens and the Copyist: Pieter Corten Head of Stage Management: Carla Deveux crew of Motormusic, and all other contributors Click tracks: Mirek Coutigny Librarian: Pieterjan Hermans for their enthusiasm, expertise and energy.

ⓟ & © 2020 Film Fest Ghent exclusively licensed to Silva Screen Records Ltd. Made In The E.U. SILCD1625