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Digital Surveillance and Preventive Policing
Florida State University College of Law Scholarship Repository Scholarly Publications 9-2017 Digital Surveillance and Preventive Policing Manuel A. Utset Florida State University College of Law Follow this and additional works at: https://ir.law.fsu.edu/articles Part of the Criminal Law Commons, and the Law and Economics Commons Recommended Citation Manuel A. Utset, Digital Surveillance and Preventive Policing, 49 CONN. L. REV. 1453 (2017), Available at: https://ir.law.fsu.edu/articles/562 This Article is brought to you for free and open access by Scholarship Repository. It has been accepted for inclusion in Scholarly Publications by an authorized administrator of Scholarship Repository. For more information, please contact [email protected]. ARTICLE CONTENTS INTRODUCTION ........................................................................................ 1455 I. THE LAW AND ECONOMICS APPROACH TO SUBSTANTIVE CRIMINAL LAW ............................................................................. 1457 A. RATIONAL OFFENDERS .............................................................. 1458 B. DETERRING RATIONAL OFFENDERS .......................................... 1459 C. HOW MUCH SHOULD SOCIETY SPEND ON ENFORCEMENT? ....... 1461 II. COMPLEXITY, LAW ENFORCEMENT, AND DIGITAL SURVEILLANCE .... 1462 A. WHAT IS “COMPLEXITY”? ......................................................... 1463 B. WHY COMPLEXITY MATTERS: BOUNDED RATIONALITY OF DECISION-MAKERS ................................................................... 1463 C. THE COMPLEXITY -
ODYSSEY LP's- Price (Expires 8/31,76) S1 99 Pe Calif
These same qualities pervade the score mitted performance by Elmer Bernstein LIVE OPERA TAPES. TREMENDOUS SELECTION for Vincent Minnelli's The Bad and the SATISFACTION GUARANTEED. FREE CATALOGUE. C and orchestral forces that sounda great HANDELMAN, 34-10 75th ST., JACKSON HTS. N.Y.C. Beautiful (1952). The "Acting Lesson" se- deal larger than those heard on previous 11372. quence (cut from the film), for instance, has Film Music Collection recordings. Now if "SOUNDTRACKS, SHOW, NOSTALGIA & JAZZ- a transparent poignancy similar to that in they can just learn to spell Rozsa'sname FREE Catalog & Auction List-A-1 Record Finders, P.O. many parts of Forever Amber. In this score correctly on the album cover.... R.S.B. Box 75071-H, L.A. CAL. 90075." Raksin shows himself to have the same CLASSICS FOR CONNOISSEURS: WE OFFER AN AR- deep roots in Americana that can be found, RAY OF CLASSICAL IMPORTS FROM ALL OVER THE in different veins, in composers such as WORLD. WE HAVE CONTACTS WHICH GIVE US AN EX- Gershwin and Copland. This is made evi- HENRY MANCINI: A Concert of Film Music. CLUSIVE TO BRING TO OUR CUSTOMERS RARE AND dent immediately in the bluesy quality of London Symphony Orchestra, Henry Man- HARD -TO -FIND CLASSICAL RECORDINGS-OUR SPE- cini, CIALTY. WE GUARANTEE THE BEST SERVICE POS- the main theme; but it also appears in a less cond. [Joe Reisman, prod.] RCA ARL SIBLE ON ALL ORDERS. COPIES OF THREE BULLE- tangible, more "classically" oriented fash- 1-1379, $6.98. Tape:WV ARK 1-1379,$7.95; TINS-S1. -
Butlletí De Novetats Discogràfiques Gener - Març 2007
BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES GENER - MARÇ 2007 Butlletí de novetats discogràfiques biblioteca Gener-Juny 2009 pública alicante ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS Índice 1 Música de tradiciones nacionales. Cantautores 2 Jazz 3 Rock, pop, música ligera 4 Música clásica 5 Música New Age 6 Música funcional. Bandas sonoras varias Índice de autores, títulos y materias PORTADA Música de tradiciones nacionales. Cantautores Música de tradiciones nacionales Cantautores ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS 1 Música de tradiciones nacionales. Cantautores 1 ÁLVAREZ, Javier Guerrero Álvarez [Grabación sonora] / Javier Álvarez, Pablo Guerrero. -- [S.l.] : Rosevil, 2009. -- 1 disco compacto (ca. 39 min.) : digital ; 12 cm + 1 folleto Letra de las canciones en el folleto Contiene: 1. Mesa de trabajo ; 2. Noche ; 3. Pero siempre te amo ; 4. Querido periodico ; 5. Pido las nubes que alientan mis poemas ; 6. Generoso sillon ; 7. Arde la tarde ; 8. Azar ; 9. El hombre que oculta su pasado ; 10. Mano ; 11. Botas de andar 1. Cantautores I. Título II. Guerrero, Pablo 064.7 ALV 1097022 ALI R.C.D. 6107 16 € Javier va a su ritmo y todo lo que implique presión no le interesa. Hace cuatro años de ‘Plan be’, que era un álbum doble, y ahora reaparece con un disco medio electrónico, medio rock, en el cual los textos, según dicen, son de Pablo Guerrero, que también recita en un par de ocasiones. No es un experimento: es comunión plena entre uno y otro. Javier se ha preocupado de interiorizar las letras y las ha dado un barniz personal hasta el extremo. Tanto, que no se reconoce a Pablo, lo que pretende ser un halago. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Gaby Santinelli Resume
AGENT Joshua Teagarden • NTA Talent Agency [email protected] • (323) 969-0113 GABY SANTINELLI SAG/AFTRA • US/UK CITIZEN FILM Life of Homer Heather American Film Institute • Dir. Dimitris Tsilifonis A Summer in Genoa Danny’s Wife Revolution Films • Dir. Michael Winterbottom Losing Isaiah Heidi Paramount Pictures • Dir. Stephen Gyllenhaal Ordinary Dream Woman American Film Institute • Dir. Patrick Picard Dancing Coins Nancy American Film Institute • Dir. Patrick Picard The Disappointment Tour Abby American Film Institute • Dir. Erica Liu Classroom Liz American Film Institute • Dir. Anna Golin Take the Reins Denise Short • Dir. Emma Barrett D’ora Emily 28 Films Ltd. • Dir. Delia Antal Chastity Bites Cocktail Party Guest Weirdsmobile • Dir. John Knowles The Test Neo-Natal Nurse Short • Dir. Francis Dreis TELEVISION The Ellen DeGeneres Show Mon Mothma (British VO) NBC • Warner Bros. Television • Dir. Liz Patrick Casting Nina Series Regular Temple Films • Dir. Dominic Kelly City Stories Co-Star Channel 4 • October Films • UK THEATRE (SELECTED CREDITS) La La Land: Live in Concert Ensemble Hollywood Bowl • Conductor Justin Hurwitz Jerry Springer: The Opera* Amber • Shawntel • Eve National Theatre & West End • Dir. Stewart Lee The Black Rider Bridesmaid • Kätchen A.C.T. • Ahmanson • Barbican • Sydney Festival The Phantom of the Opera Carlotta Giudicelli UK National Co. • Dir. Hal Prince An Ideal Husband Lady Chiltern Sierra Madre Playhouse • Dir. Gigi Bermingham Iolanthe Phyllis • Celia Savoy Theatre (West End) • Dir. Martin Connor The Exonerated Sandra • Sue Charing Cross Theatre • Dir. Jaclyn McLoughlin The Last Pilgrim Nancy Buckman Off West End • Dir. Tim Stark The Actor’s Nightmare Dame Ellen Terry Atlantic Theatre Company • Dir. -
Cinema Italiano Brochure
SOPRANO Diana DiMarzio “Diana DiMarzio ha una voce melodiosa” Oggi/Broadway & Dintorni by Mario Fratti Cinema Italiano salutes the many contributions Italian film composers have made to the film industry. This vocal concert treats music lovers to an evening of nostalgia, fun and romance as they listen to some of the screen sagas’ best remembered songs from composers such as Nino Rota, Ennio Morricone, Henry Mancini and more. These composers drew upon Italian musical traditions to add a sense of familial and cultural depth to these great Italian films. They tugged at our heartstrings and celebrated Italy’s unique sounds and spirit. This celebratory concert provides listeners, regardless of their background, with a deeper appreciation for the positive significant contributions made by Italians to our civilization, especially in the arts. Cinema Italiano / Program ACT I Cinema Italiano Maury Yeston, Nine Be Italian Maury Yeston, Nine Life is Beautiful/Buon Giorno Principessa Nicola Piovani, Life is Beautiful You’re Still You Ennio Morricone, Malena Don’t Take Your Love from Me Henry Nemo, (heard in) Big Night La Strada Nino Rota, La Strada Godfather Waltz/Parla Piu Piano Nino Rota, Godfather I Love Said Goodbye Nino Rota, Godfather II Donde Lieta (from La Boheme) Puccini, (heard in) Moonstruck Mambo Italiano/ Tic Ti, Tic Ta (heard in) Big Night ACT II Cinema Paradiso (Piano/instrumental solo) Ennio Morricone, Cinema Paradiso Spaghetti Western Medley Ennio Morricone, Good, Bad, and the Ugly/Fistful of Dynamite/Once Upon a Time in the West More Riz Ortolani, Le Mondo Cane Nella Fantasia Ennio Morricone, The Mission Cinema Paradiso Ennio Morricone, Cinema Paradiso It Had Better Be Tonight/Pink Panther Henry Mancini, Pink Panther (Dubbed in Italian) Mai Nino Oliviero, La Donna Nel Mondo Il Postino Luis Bacalov, Il Postino Con Te Partiro (Not yet heard in a movie) Diana DiMarzio dianadimarzio.com. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc. 1921 Wabash Cannon Ball Wm Kindt Wm Kindt NPS Calumet Music Co. 1939 High Bass arranged by Bill Burns Wabash Moon Dave Dreyer Dave Dreyer Irving Berlin Inc. 1931 Wagon Wheels Peter DeRose Billy Hill Shapiro, Bernstein & Co. 1934 Wagon Wheels Peter DeRose Billy Hill Geoffrey O'Hara Shapiro, Bernstein & Co., Inc. 1942 Arranged for male voices (T.T.B.B.) Wah-Hoo! Cliff Friend Cliff Friend hbk Crawford Music Corp. 1936 Wait for Me Mary Charlie Tobias Charlie Tobias Harris Remick Music Corp. 1942 Wait Till the Cows Come Home Ivan Caryll Anne Caldwell Chappell & Company Ltd 1917 Wait Till You Get Them Up In The Air, Boys Albert Von Tilzer Lew Brown EEW Broadway Music Corp. 1919 Waitin' for My Dearie Frederick Loewe Alan Jay Lerner Sam Fox Pub. Co. 1947 Waitin' for the Train to Come In Sunny Skylar Sunny Skylar Martin Block Music 1945 Waiting Harold Orlob Harry L. Cort Shapiro, Bernstein & Co. 1918 Waiting at the Church; or, My Wife Won't Let Me Henry E. Pether Fred W. Leigh Starmer Francis, Day & Hunter 1906 Waiting at the End of the Road Irving Berlin Irving Berlin Irving Berlin Inc. 1929 "Waiting for the Robert E. Lee" Lewis F. Muir L. Wolfe Gilbert F.A. Mills 1912 Waiting for the Robert E. Lee Lewis F. Muir L. Wolfe Gilbert Sigmund Spaeth Alfred Music Company 1939 Waiting in the Lobby of Your Heart Hank Thompson Hank Thompson Brenner Music Inc 1952 Wake The Town and Tell The People Jerry Livingston Sammy Gallop Joy Music Inc 1955 Wake Up, America! Jack Glogau George Graff Jr. -
A Man and a Woman
A Man and a Woman s there a person anywhere in a very influential film, and there the world who was around in the were many imitators who followed A Man and a Woman was only I1960s and 1970s who could not suit, none achieving anywhere Lai’s third film score, but it put him instantly recognize the theme from near the success of what they on the map and he has not A Man and a Woman? Doubtful, were imitating. It wasn’t only other stopped working since, and that in - unless you were living under a rock movies it inspired – it was com - cludes scoring close to thirty films in a cave in Siberia, and even then mercials, other film scores, print for director Lelouch. Just a few you’d probably have heard it. In ads, etc. short years later, in 1970, Lai fact, it became one of the most would win the Oscar for Best Score beloved movie themes ever written The movie is simple and direct, for Love Story . His music for A almost instantly. It was the right stylish (in both black-and-white Man and a Woman speaks for it - theme from the right film at the and color), haunting, beautiful, ro - self – the melodies are stunningly right time. Upon its release in mantic, touching, and it’s almost beautiful. Part and parcel of the 1966, A Man and a Woman be - impossible not to be caught up in score are the wonderful vocals of came a sensation everywhere it its spell. It’s basically the story of Pierre Barouh and Nicole Croisille, played. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Winterspell Playlist 1. Sweet Dreams
Winterspell Playlist 1. Sweet Dreams (Are Made of This) – Sucker Punch – performed by Emily Browning 2. Towers of the Void – Red Riding Hood – Brian Reitzell 3. Is It Poison, Nanny – Sherlock Holmes – Hans Zimmer 4. Dyslexia – Percy Jackson & the Olympians – Christophe Beck 5. Maria Redowa – Little Women – Thomas Newman 6. La Fayette’s Welcome – Little Women – Thomas Newman 7. Port Royal Gallop – Little Women – Thomas Newman 8. Dead Sister – Red Riding Hood – Brian Reitzell & Alex Heffes 9. The Dance – Emma – Rachel Portman 10. Tavern Stalker – Red Riding Hood – Brian Reitzell & Alex Heffes 11. Wolf Attack Suite – Red Riding Hood – Brian Reitzell & Alex Heffes 12. Then Came the Purge – Underworld: Awakening – Paul Haslinger 13. The Wolve’s Den – Underworld: Rise of the Lycans – Paul Haslinger 14. The Lycan Van Escape – Underworld: Awakening – Paul Haslinger 15. Wtf – Green Zone – John Powell 16. Mike to Tavern – Underworld: Evolution – Marco Beltrami 17. Darkness Deep Within – Underworld – Paul Haslinger 18. Teahouse – The Matrix Reloaded – Juno Reactor and Gocoo 19. To Jerusalem – Kingdom of Heaven – Harry Gregson-Williams 20. Jean and Logan – X-Men: The Last Stand – John Powell 21. Dissolve – The Book of Eli – Atticus Ross 22. Pier 17 – The Adjustment Bureau – Thomas Newman 23. Blind Faith – The Book of Eli – Atticus Ross 24. Richardson – The Adjustment Bureau – Thomas Newman 25. The Journey – The Book of Eli – Atticus Ross 26. Mt. Grimoor – Red Riding Hood – Brian Reitzell & Alex Heffes 27. The Arrow Attack – Underworld: Rise of the Lycans – Paul Haslinger 28. Corvinus – Underworld – Paul Haslinger 29. Subterrania – Underworld – Paul Haslinger 30. A Thorough Education – Jane Eyre – Dario Marianelli 31. -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR La La Land: In Concert The Golden Age of Broadway: Rodgers & Hammerstein Gershwin & Tchaikovsky Joshua Bell American Masters: Bernstein & Copland Frankie Moreno: Under the Inuence Augustin Hadelich Returns SEPTEMBER & OCTOBER | VOLUME 1 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip prot ownership, a local board of directors, and CCAC accreditation, proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marquee truly is the place to be. protto taking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. prot ownership, a local boardand Marqueeof directors, trulyand CCAC is the accreditation,place to be. To learn more, call, visit our websiteand Marquee or stop truly by isour the community. place to be. To learn more, call, visit our website or stop by our community. To learn more, call, visit our website or stop by our community. 8140 Township Line Rd. | Indianapolis, IN 46260 To learn more, 8140call, Township visit our Line website Rd. | Indianapolis, or stop IN by 46260 our community. -
Download the Digital Booklet
ELMER BERNSTEIN NICHOLAS BRITELL 01 World Soundtrack Awards Fanfare 1:33 09 Succession (Suite) 4:25 JAMES NEWTON HOWARD MYCHAEL DANNA 02 Red Sparrow Overture 6:36 10 Monsoon Wedding (Suite) 3:15 CARTER BURWELL ALEXANDRE DESPLAT 03 Fear - Main Title 2:32 11 The Imitation Game (Suite) 4:33 ALBERTO IGLESIAS PATRICK DOYLE 04 Hable con ella - Soy Marco 2:17 12 Murder on the Orient Express - Never Forget (Instrumental Version) 4:12 ELLIOT GOLDENTHAL 05 Cobb - The Homecoming 6:16 MICHAEL GIACCHINO 13 Star Trek, into Darkness and Beyond (Suite) 7:23 GABRIEL YARED 06 Troy (Suite) 5:19 ANGELO BADALAMENTI 14 Twin Peaks: Fire Walk with Me - JÓHANN JÓHANNSSON / The Voice of Love 4:02 RUTGER HOEDEMAEKERS 07 When at Last the Wind Lulled 2:13 JOHN WILLIAMS (Arr.) 15 Tribute to the Film Composer 4:25 JOHN WILLIAMS 08 Hook - The Face of Pan 4:06 Performed by BRUSSELS PHILHARMONIC & VLAAMS RADIOKOOR Conducted by DIRK BROSSÉ TWENTY YEARS OF WORLD SOUNDTRACK AWARDS Twenty years ago the World Soundtrack Academy scores achieved an afterlife and gained new handed out the very first World Soundtrack meaning as the result of live performances in Awards. They have since become of paramount front of audiences. Film Fest Ghent has made it importance across the industry. The awards did their point of honour to perpetuate that afterlife not only strengthen Film Fest Ghent’s identity, in Ghent in a series of albums. they have been a composer’s stepping stone to the Oscars, Golden Globes and BAFTAS. If To celebrate the twentieth anniversary of the Europe is now the metropolis of film music, then WSA, the album consists of compositions by Ghent has been the inspiration for it.