Gaby Santinelli Resume

Total Page：16

File Type：pdf, Size：1020Kb

AGENT Joshua Teagarden • NTA Talent Agency [email protected] • (323) 969-0113 GABY SANTINELLI SAG/AFTRA • US/UK CITIZEN FILM Life of Homer Heather American Film Institute • Dir. Dimitris Tsilifonis A Summer in Genoa Danny’s Wife Revolution Films • Dir. Michael Winterbottom Losing Isaiah Heidi Paramount Pictures • Dir. Stephen Gyllenhaal Ordinary Dream Woman American Film Institute • Dir. Patrick Picard Dancing Coins Nancy American Film Institute • Dir. Patrick Picard The Disappointment Tour Abby American Film Institute • Dir. Erica Liu Classroom Liz American Film Institute • Dir. Anna Golin Take the Reins Denise Short • Dir. Emma Barrett D’ora Emily 28 Films Ltd. • Dir. Delia Antal Chastity Bites Cocktail Party Guest Weirdsmobile • Dir. John Knowles The Test Neo-Natal Nurse Short • Dir. Francis Dreis TELEVISION The Ellen DeGeneres Show Mon Mothma (British VO) NBC • Warner Bros. Television • Dir. Liz Patrick Casting Nina Series Regular Temple Films • Dir. Dominic Kelly City Stories Co-Star Channel 4 • October Films • UK THEATRE (SELECTED CREDITS) La La Land: Live in Concert Ensemble Hollywood Bowl • Conductor Justin Hurwitz Jerry Springer: The Opera* Amber • Shawntel • Eve National Theatre & West End • Dir. Stewart Lee The Black Rider Bridesmaid • Kätchen A.C.T. • Ahmanson • Barbican • Sydney Festival The Phantom of the Opera Carlotta Giudicelli UK National Co. • Dir. Hal Prince An Ideal Husband Lady Chiltern Sierra Madre Playhouse • Dir. Gigi Bermingham Iolanthe Phyllis • Celia Savoy Theatre (West End) • Dir. Martin Connor The Exonerated Sandra • Sue Charing Cross Theatre • Dir. Jaclyn McLoughlin The Last Pilgrim Nancy Buckman Off West End • Dir. Tim Stark The Actor’s Nightmare Dame Ellen Terry Atlantic Theatre Company • Dir. Hilary Hinckle Sister Mary Ignatius… Diane Atlantic Theatre Company • Dir. Hilary Hinckle *Winner • Olivier Award • Best Performance in a Supporting Role SOUNDTRACKS (SELECTED CREDITS • CHORAL SOPRANO) La La Land* Lionsgate • Comp. Justin Hurwitz X-Men: Apocalypse 20th Century Fox • Comp. John Ottman Godzilla Warner Bros. Pictures • Comp. Alexandre Desplat Oblivion Universal Pictures • Comp. Anthony Gonzalez Star Wars Episode III: Revenge of the Sith LucasFilm Ltd. • Comp. John Williams Harry Potter and the Prisoner of Azkaban Warner Bros Pictures • Comp. John Williams The Passion of the Christ (Solo Vocalist) Icon Productions • Comp. John Debney The Lord of the Rings: Trilogy** New Line Cinema • Comp. Howard Shore *Winner • Academy Award • Best Original Score • 2016 **Winner • Academy Award • Best Original Score (The Lord of the Rings: The Fellowship of the Ring) • 2001 EDUCATION • TRAINING The Actors Temple • London • Complete Meisner Training • Tom Radcliffe Atlantic Theatre Company • Acting Apprentice • Practical Aesthetics Workshop • David Mamet & W.H. Macy Mannes College of Music • Master of Music: Voice Performance Northwestern University • BS: Theatre • Performance Studies • Music Theatre Interlochen Arts Academy • High School Diploma: Theatre _________________________________________________________________________ 15 Greene St. | Ground Floor | New York, NY 10013 | (646) 571-9497 7083 Hollywood Blvd. | 1st Floor | Los Angeles, CA 90028 | (323) 394-9503.

Copy Link

Recommended publications

Digital Surveillance and Preventive Policing
Florida State University College of Law Scholarship Repository Scholarly Publications 9-2017 Digital Surveillance and Preventive Policing Manuel A. Utset Florida State University College of Law Follow this and additional works at: https://ir.law.fsu.edu/articles Part of the Criminal Law Commons, and the Law and Economics Commons Recommended Citation Manuel A. Utset, Digital Surveillance and Preventive Policing, 49 CONN. L. REV. 1453 (2017), Available at: https://ir.law.fsu.edu/articles/562 This Article is brought to you for free and open access by Scholarship Repository. It has been accepted for inclusion in Scholarly Publications by an authorized administrator of Scholarship Repository. For more information, please contact [email protected]. ARTICLE CONTENTS INTRODUCTION ........................................................................................ 1455 I. THE LAW AND ECONOMICS APPROACH TO SUBSTANTIVE CRIMINAL LAW ............................................................................. 1457 A. RATIONAL OFFENDERS .............................................................. 1458 B. DETERRING RATIONAL OFFENDERS .......................................... 1459 C. HOW MUCH SHOULD SOCIETY SPEND ON ENFORCEMENT? ....... 1461 II. COMPLEXITY, LAW ENFORCEMENT, AND DIGITAL SURVEILLANCE .... 1462 A. WHAT IS “COMPLEXITY”? ......................................................... 1463 B. WHY COMPLEXITY MATTERS: BOUNDED RATIONALITY OF DECISION-MAKERS ................................................................... 1463 C. THE COMPLEXITY
[Show full text]
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
[Show full text]
La La Land Waltz
Waltz from La La Land Danced by Ryan Gosling and Emma Stone Choreographed by Mandy Moore Reconstruction and description by Richard Powers Soundtrack music available on iTunes, CDs, YouTube and elsewhere Cross-Step Waltz: Co-Waterfall Lead: Starting in inside lane, facing LOD, in waltz position, slightly offset with partner at your right side. 1) Cross R over L, toward LOD 2) Side L, LOD 3) R slights falls back, LOD ...all while rotating CW 180º, with long steps, especially count 1. Follow: Starting in outside lane, facing against LOD (backing), in offset waltz position. 1) Step back L, diagonally LOD, like rocking back. 2) Rock forward R, diagonally LOD, like rocking forward. 3) L foot slightly walks forward LOD ...all while rotating CW 180º, with shorter steps, to let your partner pass by you. 4,5,6) The Lead does exactly what the Follow did, and vice versa. La La Land Dream Fantasy Waltz Easier version Music: La La Land Soundtrack: Epilogue, at 4:33 Part 1 Bars 1, 2 Co-Waterfall rotating CW 3 Co-Waterfall not rotating, like a promenade (Follow stays in the right lane) 4 Follow's Outside Underarm Turn. The Follow steps forward R, side L, back R. Part 2: Repeat Part 1 2 Part 3 1-3 3 Co-Waterfalls, with the Follow coming into the inside lane at the end. 4 The Lead releases the Follow toward LOD and she half-turns CW to travel LOD, passing him by and taking opposite swingout hands (his R and her L). Part 4 1 In opposite swingout position the Follow crosses L over R, with weight and holds for 2 counts.
[Show full text]
Knowledge Organiser
Key Composers Purpose Bernard Hermann James Horner Music in a film is there to set the scene, enhance the AoS3 – Film Music mood, tell the audience things that the visuals cannot, or John Williams Danny Elfman manipulate their feelings. Sound effects are not music! John Barry Alan Silvestri Jerry Goldsmith Howard Shore Key terms Hans Zimmer Leitmotif – A theme for a character Mickey-mousing – When the music fits precisely with action Musical Elements & Common Associations (Musical Cliche’s) Underscore – where music is played at the same time as action Tempo Fast Excitement, action or fast-moving things (eg. A chase scene) Slow Contemplation, rest or slowing-moving things (eg. A funeral procession) Fanfare – short melodies from brass sections playing arpeggios and often accompanied with percussion Melody Ascending Upward movement, or a feeling of hope (eg. Climbing a mountain) Descending Downward movement, or feeling of despair (eg. Movement down a hill) Instruments and common associations (Musical Clichés) Large leaps Distorted or grotesque things (eg. a monster) Woodwind - Natural sounds such as bird song, animals, rivers Harmony Major Happiness, optimism, success Bassoons – Sometimes used for comic effect (i.e. a drunkard) Minor Sadness, seriousness (e.g. a character learns of a loved one’s death) Brass - Soldiers, war, royalty, ceremonial occasions Dissonant Scariness, pain, mental anguish (e.g. a murderer appears) Tuba – Large and slow moving things Rhythm Strong sense of pulse Purposefulness, action (e.g. preparations for a battle) & Metre Harp – Tenderness, love Dance-like rhythms Playfulness, dancing, partying (e.g. a medieval feast) Glockenspiel – Magic, music boxes, fairy tales Irregular rhythms Excitement, unpredictability (e.g.
[Show full text]
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score.
[Show full text]
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �� contents ��
[Show full text]
Download Lagu La La Land Soundtrack Download 6752 MB Free Full Download All Music
1 / 5 Download Lagu La La Land Soundtrack Download (67.52 MB) - Free Full Download All Music Terry La France [email protected] ... Do you have any pictures of the any of the EP engines under steam? ... You can order cheap phentermine now online If see this message email THIS url to [email protected] ... http://jenna-lewis-sex- tape-download.pf2024te.info ... http://free-background-music-in-html-code.art.pila.pl .... Mar 22, 2018 — This is what lit- tle towns are all about,” Wyatt's neigh- bor Nikki Sitkowski ... on the re- view list will be asked for input throughout the entire process. ... d esign service available atn o charge • O n e ofthe largest& m ost un ique ... Stephen is a 2000 graduate of La Salle mp3 286 ﺍﻟﻰ 200 ﺍﻟﺒﻘﺮﺓ College High School and ... MP3 player.. Cordée 5 ... al quran baqara 200 to 286 | al quran | quran Duration 49:10 Size 67.52 MB / Quran 14 ... Music papy nounn 100% FREE! ... Download Eminem Walk On Water Ft Beyonc%C3%83 %C3%86 %C3%83 · Kelly .... ... idea here? Author By : All One | Posted 1 second ago. Select the song you want to download, if you don't find a song, please search only for artist or song title ... La La Land - Full OST / Soundtrack (HQ). By : All One Size : 67.52 MBDownload .... ... mp3 for free. Download La La Land Songs (67.52 MB) song and listen to Download La La Land Songs (49:10 Min) popular song on Mp3 Free Download. ... All Download Musics. Recent Search: ... La La Land - Full OST / Soundtrack (HQ).
[Show full text]
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
[Show full text]
Shows/ Video Games
shows/ MOVIES/TV/ video games SHOWS/MOVIES/TV/VIDEO GAMES 21 VOCAL SELECTIONS Doctor Dolittle Little by Little Musical Selections Selections FOLIOS Piano/Vocal/Chords ......................$24.95 00-24491____ Music by Brad Ross, lyrics by Ellen Greenfield and Hal Hackady ✸ Piano/Vocal ............................... $12.99 00-40526____ Adding Machine — A Musical Elf: The Broadway Musical Little Me Vocal Selections Vocal Selections By Joshua Schmidt Music by Matthew Sklar, lyrics by Chad Beguelin Broadway Revival Edition: Vocal Selections Piano/Vocal/Chords ...................... $19.95 00-32158____ Piano/Vocal .................................... $19.99 00-38836____ Ed. Robert Shaw Piano/Vocal .................................... $14.95 00-VF1941A____ Baby Fame Little Shop of Horrors Vocal Selections Movie Vocal Selections Music by David Shire, lyrics by Richard Maltby, Jr. Piano/Vocal/Chords ...................... $19.99 00-TSF0048____ Broadway’s Best Piano/Vocal/Chords ...................... $12.95 00-VAL2012A____ 8 Selections from the Musical Forever Plaid Music by Alan Menken, words by Howard Ashman / The Book of Mormon arr. Dan Coates Vocal Selections Easy Piano ...................................... $10.99 00-37350____ Sheet Music from the Broadway Musical Music by various composers / musical continuity and Original Motion Picture Soundtrack arrangements by James Raitt Music and lyrics by Trey Parker, Robert Lopez, and Matt Stone Music by Alan Menken, words by Howard Ashman Piano/Vocal/Chords ...................... $12.95 00-VF1931____ Piano/Vocal ....................................$24.99 00-37573____ Piano/Vocal/Chords ...................... $19.95 00-VF1370____ Brigadoon Freckleface Strawberry: Mamma Mia! The Musical Libretto Broadway’s Best Music by Frederick Loewe, lyrics by Alan Jay Lerner Vocal Selections Selections from the Musical Libretto ........................................... $13.80 12-057153130X____ Music and lyrics by Gary Kupper Music and lyrics by Benny Andersson and Björn Ulvaeus / Piano/Vocal ...................................
[Show full text]
January 2005 NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I O N
January 2005 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i o n FILM Music Biz Quiz 50th Anniversary Randall Rumage As we enter the new year, it’s good to review some of the amazing musical The President’s contributions made in 2004 to movies, television programs, and soundtrack albums. It’s now the season of the Golden Globes, the Academy Awards and the Corner Grammy Awards, all of which help to remind us of the songs, the scores, and the people who make them come to life. See if your film music trivia knowledge is Michael R. Morris up to speed with this scientifically uncertified multiple choice quiz! The answers In December, the CCC celebrated are on page 5. the holidays with its annual party, again held at the ever-hospitable 1. According to Billboard, what was the top selling soundtrack album of 2004? Cafe Cordiale. While this meant a A. Spider-Man 2 - (Geffen/DreamWorks/Interscope) hiatus from our regular monthly pa- B. Tupac: Resurrection – (Amaru/Interscope) nels, the sold-out evening afforded C. The Passion Of The Christ – (Integrity/Sony Music) CCC members and friends a splendid D. Ray (Ray Charles) – (WMG Soundtracks/Atlantic/Rhino) opportunity to usher out 2004, rekin- dle old friendships, and - of course - 2. Connect these top 5 Hot Soundtrack Singles (according to Billboard’s 2004 musically schmooze. Special kudos to year-end edition) to the soundtracks or films in which they were embodied: James Leach for organizing the musi- cal portion of the party, and to Deb- A.
[Show full text]
Stephanie's Harp Repertoire List
Stephanie’s Harp Repertoire List Classical Adagio – Arcangelo Corelli Air from Water Music – George Frideric Handel Andaluza – Enrique Granados Aria – Johann Kuhnau Aria – Leonardo Vinci Arioso – Johan Sebastian Bach Au Bord Du Ruisseau – Henriette Renié Ave Maria – Franz SchuBert Barcarolle – Jacques OffenBach Bridal Chorus – Richard Wagner Bourée from Cello Suite No. 3 in C – Johann Sebastian Bach Cannon in D – Johann PachelBel Caro Mio Ben – Giuseppe Giordano Clair De Lune – Claude Debussy En Bateau – Claude Debussy Finlandia – Jan Sibelius Für Elise – Ludwig van Beethoven Gavotte – Christoph W. von Gluck Girl with the Flaxen Hair (La fille aux cheveux de lin) – Claude Debussy Jesu Joy Of Man’s Desiring – Johann Sebastian Bach Largo – George Frideric Handel Larghetto –George Frideric Handel Londonderry Air/O Danny Boy – Irish Air Love’s Greeting (Salut D’Amour) – Edward Elgar Meditation from Thais – Jules Massenet Moderato Cantabile – Frederic Chopin Moonlight Sonata – Ludwig van Beethoven Musetta’s Waltz – Giacomo Puccini Nocturne Op. 9 No. 2 – Frederic Chopin Ode to Joy – Ludwig van Beethoven O Mio Babbino Caro – Giacomo Puccini On Wings of Song – Felix Mendelssohn Passacaille – George Frideric Handel Pastorale – Arcangelo Corelli Pavane – GaBriel Fauré Prelude in C – Johann Sebastian Bach Prelude Op. 28, No. 7 – Frederic Chopin Reverie – Claude Debussy Romanza – Anonymous Sheep May Safely Graze – Johann Sebastian Bach Serenade – Franz SchuBert Simple Gifts – Joseph Brackett/Shaker Song Spring – Antonio Vivaldi The Beautiful Blue
[Show full text]
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of Study Language is as one of important aspect in this life. In addition, a language is our intimate friend from the past and the future because a language is how the way a human being send a message to their partner or between humans. We can easily communicate with other people in getting the best interactions by using language. Badadu said that langugae is “Interest, opinion, intelligence, mind, spoken, speech, and babbling” (Badadu & Mahmud, 1996). There are various languages in the world that have been created by Allah, one of them is English. English is used for many purposes around the world. Especially in Indonesia there are many reasons why it is important to learn. The most common reason is because of its role as a language of international communication. It is used in various aspects, such as in transportation, commerce, banking, tourism, and education. Language is the most important thing for human being as a means of communication instrument in community, as a symbol of sound which is produced by human beings instrument of utterance. 1 2 The use of English is in accordance with the aim of creating language as stated in the Holy Qur’an in the Al-hujarat verse 13 as follows : يَا أَيُّهَا النَّا ُس إِنَّا َخلَ ْقنَا ُك ْم ِم ْن َذ َك ٍر َوأُ ْن َثى َو َج َع ْلنَا ُك ْم ُش ُعوبًا َوقَبَائِ َل لِتَ َعا َرفُوا إِ َّن أَ ْك َر َم ُك ْم ِع ْن َد ََّّللاِ أَ ْتقَا ُك ْم إِ َّن ََّّللاَ َعلِي ٌم َخبِي ٌر It can be understood from this verse that Allah creates many different human and nations with different cultures in the world.
[Show full text]