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Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages. -
Karen Keslen Kremes.Pdf
UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS HUMANAS DEPARTAMENTO DE HISTÓRIA KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO PONTA GROSSA 2018 KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO Dissertação apresentada para obtenção do título de Mestre em História na Universidade Estadual de Ponta Grossa, Área de História, Cultura e Identidades. Orientadora: Profa. Dra. Patrícia Camera Varella PONTA GROSSA 2018 Dedico a Deus. A Ele toda honra. Para sempre. AGRADECIMENTOS Palavras jamais poderão expressar toda minha inteira gratidão à Aquele que é o primeiro lugar em minha vida: Deus. Muito obrigada, Senhor, por me dar forças, coragem e capacidade para cursar o mestrado. Tudo isto faz parte do Seu caminho e dos planos que o Senhor tem para minha vida. Agradeço eternamente por esta oportunidade e que eu possa usar todo esse conhecimento com sabedoria. Obrigada a família maravilhosa que tenho ao meu lado. Pessoas essenciais que me deram ânimo todos os dias através de conselhos com bom-humor e me acompanharam nesta longa caminhada. Vocês são demais! Obrigada as boas pessoas que Deus colocou em meu caminho. Professores, funcionários e amigos que estão ao meu lado desde minha graduação. Obrigada pela amizade e gentileza, vocês são uma benção para mim e jamais esquecerei esses anos de trabalho e diversão que passei junto de vocês. Obrigada a minha orientadora pela paciência e colaboração. Foram muitos percalços ao longo deste caminho, mas essa investigação não seria realidade sem sua ajuda. Obrigada aos professores da minha banca de qualificação e de defesa por disponibilizarem de seu tempo para contribuir com essa pesquisa e por acreditarem neste tema como parte integrante da historiografia. -
KEVIN M. PHIPPS Production Designer
(6/17/21) KEVIN M. PHIPPS Production Designer www.kevinphipps.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THE FEAR INDEX” David Caffrey Left Bank Pictures Andy Harries (TV Series) Sky Suzanne Mackie Nuala O’Leary “OUTSIDE THE WIRE” Mikael Håfström Netflix Rory Aitken Automatik Ent. Brian Kavanaugh-Jones 42 Ben Pugh Erica Steinberg “BLACK MIRROR” Anne Sewitsky Netflix Mark Kinsella (Season 5, Episode 3) Nick Pitt “IBIZA” Rachel Goldenberg Netflix Will Ferrell Gary Sanchez Prods. Adam McKay Kevin J. Messick “AMERICAN GODS” Adam Kane Starz! Bryan Fuller (Season 1, Episode 7) Fremantle North Neil Gaiman America Michael Green “THE FOREST” Jason Zada Focus Features David S. Goyer Lava Bear Films David Linde “RESIDENT EVIL: Paul W.S. Anderson Impact Pictures Jeremy Bolt RETRIBUTION” Screen Gems Don Carmody “GHOST RIDER: SPIRIT OF Mark Neveldine Columbia Pictures Ashok Amritraj VENGEANCE” Brian Taylor Hyde Park Ari Arad Ari Arad Prods. Michael De Luca “NUTCRACKER” Andrei Konchalovsky Noisette Films Ltd. Moritz Boorman Paul Lowin “BLOOD AND CHOCOLATE” Katja von Garnier Lakeshore Ent. Daniel Bobker MGM Gary Lucchesi Richard Wright ART DIRECTOR Credits Include: “V FOR VENDETTA” James McTeigue Warner Bros. Grant Hill (Supervising Art Director) Joel Silver Nomination: Art Directors Guild (ADG) Award “CHARLIE & THE Tim Burton Plan B Brad Grey CHOCOLATE FACTORY” Warner Bros. Richard D. Zanuck (Supervising Art Director) Nomination: Art Directors Guild (ADG) Award (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (6/17/21) KEVIN M. PHIPPS Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALEXANDER” Oliver Stone Warner Bros. Moritz Borman (Senior Art Director) Thomas Schuhly “TROY” Wolfgang Petersen Plan B Diana Rathbun (Supervising Art Director) Warner Bros. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
1 Original Movie Streaming Nov. 27, Only on Disney+ PRODUCTION NOTES from Disney+, “Black Beauty” — the Contemporary Reima
Original Movie Streaming Nov. 27, Only on Disney+ PRODUCTION NOTES From Disney+, “Black Beauty” — the contemporary reimagining of Anna Sewell’s classic novel — follows the life of a wild mustang Born free in the American West. Beauty’s world is turned upside down when she is cruelly rounded up, taken from her home and sent to live in a dusty corral. However, Beauty’s fortune is destined to turn, when a quiet and gentle horse whisperer named John Manly arrives from New York and notices her fiery spirit. Adopting Beauty for his training program at Birtwick StaBles, John is unsure if she can ever be tamed. Beauty is heartBroken and angry over the loss of all she’s ever known and does not trust the presence of humans. John’s world is upended when his niece, 17-year-old Jo Green, shows up on his doorstep. Similar to Beauty, Jo has just lost her parents and her spirit is close to Breaking. It is through their profound connection that Jo and Beauty begin the process of healing. The two forge an unBreakaBle bond that will last a lifetime, even after Beauty is taken away on a series of adventures with different owners. Through the seasons of her life, Beauty learns about joy, loss, heartBreak and the extraordinary power of love. “Black Beauty” stars Academy Award®-winner Kate Winslet (“The Reader”, “Titanic”) as the voice of Black Beauty, Mackenzie Foy (“Interstellar,” “The Nutcracker and the Four Realms”) as Jo Green, Iain Glen (“Game of Thrones,” “Lara Croft: Tomb Raider”) as John Manly, Claire Forlani (“Meet Joe Black,” “In the Name of the King”) as Mrs. -
GB Alle Seiten 06 2603
▲ INHALT / Geschäftsbericht 2006 Seite 2 -- Vorwort Seite 16 -- Bericht des Aufsichtsrats Seite 20 -- Unternehmensstrategie Seite 23 -- Investor Relations Seite 29 -- Inhaltsverzeichnis Finanzteil Seite 30 -- Lagebeurteilung Seite 50 -- Konzernabschluss Seite 80 -- AG-Bilanz Seite 81 -- AG-Gewinn- und Verlustrechnung Seite 82 -- Glossar Seite 85 -- Beteiligungsübersicht KENNZAHLEN KONZERN 01.01.-31.12.2005 01.01.-31.12.2006 Mio € Mio € Umsatz 213,8 270,2 davon Eigenproduktionen 176,7 243,2 davon Fremdproduktionen 37,1 27,0 EBITDA 81,4 112,4 Bruttoergebnis 31,3 34,6 Betriebsergebnis 10,9 15,2 Den Gesellschaftern des Mutterunternehmens zuzuordnendes Jahresergebnis 3,9 8,3 Investitionen in das Filmvermögen 119,4 75,8 Abschreibungen auf das Filmvermögen 67,9 96,4 31.12.2005 31.12.2006 Filmvermögen 195,1 174,5 Eigenkapital 60,7 70,2 Bilanzsumme 391,2 387,9 Mitarbeiter (Anzahl) 237 232 € (unverwässert) 0,31 0,65 Ergebnis je Aktie in ▲ KENNZAHLEN ▲ VORWORT des Vorstands der Constantin Film AG Sehr geehrte Aktionäre, erste Mal seit 20 Jahren – 10 Wochen lang den verzeichnen musste, war Spanien. In Asien gilt 2006 als liebe Freunde der Constantin Film AG, Spitzenreiter der Kinocharts. Durch bruchs jahr für den Kinobesuch. Das chinesische Boxoffice verzeichnete z.B. ein Plus von 30 Prozent im es geht wieder bergauf! Noch vor einem Jahr steckte Neben Das Parfum – Die Geschichte eines Mörders, Vergleich zu 2005. (Quelle: Blickpunkt:Film) das deutsche Kino in einer tiefen Krise. Der Umsatz in Das Leben der Anderen und Hui Buh – Das den Kinotheatern war um 16,6 Prozent zurück ge- Schlossgespenst sorgten die WM-Dokumentation Das Geschäftsjahr 2006 der Constantin Film gangen, der Marktanteil der einheimischen Kinofilme Deutschland. -
Richard Bridgland Production Designer
Richard Bridgland Production Designer Georgia Film Critics Association (GFCA) 2017 Nominated, GFCA Award Best Production Design for The Nice Guys (2016). Shared with David Utley Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes THE COMMUTER StudioCanal Dir. Jaume Collet Serra 2018 Prod. Alex Heineman & Andrew Rona THE NICE GUYS Silver Pictures Dir: Shane Black 2016 Prod: Joel Silver AMERICAN ULTRA PalmStar Entertainment Dir: Nima Nourizadeh 2015 Prods: David Alpert, Ray Angelic. Anthony Bregman, Mark Fasano, Kevin Scott Frakes, Buddy Patrick, Britton Rizzio, Raj Brinder Singh SERENA 2929 Films / StudioCanal Dir: Susanne Bier 2014 Prods: Ben Cosgrove, Mark Cuban, Paula Mae Schwartz, Steve Schwartz, Todd Wagner, Nick Wechsler United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTOR CITY Emmett/Furla Films Dir: Albert Hughes 2014 Prods: Randall Emmett, George Furla, Andrew Rona, Joel Silver SHERLOCK HOLMES: Warner Bros. Pictures Dir: Guy Ritchie A GAME OF Prods: Bruce Berman, Steve Clark- SHADOWS Hall, Susan Downey, Peter Eskelsen, Production Designer: Dan Lin, Joel Silver, Lionel Wigram Additional Photography 2011 FRIGHT NIGHT Dreamworks Dir: Craig Gillespie 2010 Exec Prods: Josh Bratman, Lloyd Ivan Miller Prods: Michael de Luca, Michael J. Gaeta, Alison R. Rosenzweig UNKNOWN WHITE Dark Castle Entertainment/ Warner Dir: Jaume Collet-Serra MALE Bros. Prods: Leonard Goldberg, Andrew 2010 Rona, Joel Silver PRIEST Screen Gems Productions Inc. Dir: Scott Stewart 2009 Prods: Michael De Luca, Joshua Donen, Mitchell Peck, Sam Raimi PANDORUM Constantin Film Produktion Dir: Christian Alvart 2008 Prods: Paul W.S.Anderson, Jeremy Bolt, Robert Kulzer ROCKNROLLA Dark Castle Entertainment/ Warner Dir: Guy Ritchie 2007 Bros. -
IA411 Resume
JEROME PERSAUD ST 1 ASSISTANT PRODUCTION COORDINATOR [email protected] ~ 416-705-1910 Travel The Boys TV Series Amazon Prime, Coordinator Producers: Eric Kripke, Seth Rogen, Evan June 2018 – Sony Pictures Television Goldberg, Phil Sgriccia, Hartley Gorenstein October 2018 PM: Stefan Steen PC: Jonathan Pencharz 1st APC Shazam! Feature Warner Bros. Producers: Jeffery Chernov, Peter Safran October 2017 – PM: Greg Denny, David Witz May 2018 PC: Ainslee Kennedy 1st APC Christmas Encore (Prep) MOW Hallmark Channel, Producers: Brad Krevoy, David Anselmo September 2017 Hideaway Pictures PM: Effy Papadopoulos PC: Keitha Redmond PC Stickman MOW SyFy, SuperChannel, Producers: Christina O’Shea, Mary Anne July – August 2017 Blue Ice Pictures, Waterhouse, Lance Samuels, Daniel Iron Dandelion Productions PM: Moe Rai 1st APC Neverknock MOW SyFy, SuperChannel, Producers: Christina O’Shea, Mary Anne June – July 2017 Blue Ice Pictures, Waterhouse, Lance Samuels, Daniel Iron Dandelion Productions PM: Moe Rai PC: Joe Thavundayil 1st APC Crawford (Block 3) TV Series CBC, Comedy Central, Producers: Mike Clattenberg, Laura June 2017 Rabbit Square Productions Michalchyshyn, Suzanne Colvin-Goulding PM: Sarah Deline PC: Donald Colafranceschi 1st APC Molly’s Game Feature Mark Gordon Company Producers: Stuart Besser October 2016 – PM: Lyn Lucibello February 2017 PC: Justin Beck 1st APC Anon Feature Netflix, KF Film, Scythia Films Producers: Oliver Simon, Daniel Baur, Oda July – September Schaeffer, Patrick Newall 2016 PM: Greg Denny PC: Joe Thavundayil 1 I.A.T.S.E -
Die Drei Musketiere
Constantin Film präsentiert eine Produktion der Constantin Film und Impact Pictures in Co-Produktion mit NEF Productions und New Legacy Film Ein Film von Paul W.S. Anderson Logan Lerman , Milla Jovovich, Matthew Macfadyen , Ray Stevenson , Luke Evans , Mads Mikkelsen, Gabriella Wilde, James Corden, Juno Temple, Freddie Fox, Til Schweiger mit Orlando Bloom und Christoph Waltz Produzenten Jeremy Bolt, Paul W.S. Anderson, Robert Kulzer Executive Producer Martin Moszkowicz Drehbuch Alex Litvak und Andrew Davies basierend auf dem Roman von Alexandre Dumas Regie Paul W.S. Anderson Kinostart: 1. September 2011 Im Verleih der INHALT Seite Zitate aus dem Film 04 Kurzinhalt 05 Pressenotiz 05 Inhalt 06 Zahlen, Daten, Fakten 07 Über die Produktion 09 Hintergrund: Was sind Musketiere? 25 Die Besetzung Logan Lerman 27 Milla Jovovich 27 Matthew Macfadyen 29 Ray Stevenson 30 Luke Evans 31 Mads Mikkelsen 32 Orlando Bloom 32 Christoph Waltz 33 Gabriella Wilde 34 James Corden 34 Juno Temple 35 Freddie Fox 36 Til Schweiger 36 Nina Eichinger 37 Der Stab Paul W.S. Anderson (Regie & Produktion) 38 Alex Litvak (Drehbuch) 39 Andrew Davies (Drehbuch) 39 Jeremy Bolt (Produzent) 40 2 Robert Kulzer (Produzent) 40 Martin Moszkowicz (Executive Producer) 41 Christine Rothe (Executive Producer in Charge of Production) 42 Glen MacPherson (Kamera) 42 Alexander Berner (Schnitt) 42 Dennis Berardi (Visual Effects Supervisor) 43 Paul Austerberry (Szenenbild) 44 Pierre-Yves Gayraud (Kostüm) 44 Besetzung & Stab 45 Verleih und Pressebetreung 46 3 D’ARTAGNAN „Wir können kämpfen!“ M‘LADY „Das ist nichts Persönliches … Das ist rein geschäftlich.“ THE THREE MUSKETEERS „Einer für alle! Alle für einen!“ 4 KURZINHALT Frankreich im 17. -
Interplay: the Adaptive Contexts of Videogame Adaptations
Stuart Knott Interplay Interplay: The Adaptive Contexts of Videogame Adaptations and Franchises Across Media By Stuart Knott Submitted in partial fulfilment of the requirements of a PhD degree at De Montfort University, Leicester April 2016 1 Stuart Knott Interplay Table of Contents Abstract 3 Acknowledgements 4 Introduction i.i Understanding Videogame Adaptations 5 i.ii Existing Work 11 i.iii Chapter Summary 14 i.iv Conclusion 21 Chapter One: A Brief History of Videogames and their Adaptations 1.1 Theory and History 23 1.2 Cinema(tic) Immersion 34 1.3 Reputation 47 1.4 The Japanese Connection 58 1.5 Early Videogame Adaptations 66 1.6 Cross-Media Complexity 82 1.7 Conclusion 93 Chapter Two: Japanese Videogame Culture as International Multimedia 2.1 The Console Wars 98 2.2 Building a Mascot 110 2.3 Developing a Franchise 120 2.4 Sonic the Animation 128 2.5 International Multimedia 147 2.6 Conclusion 160 Chapter Three: Unifying Action and Culture through Mortal Kombat 3.1 Martial Arts Cinema 165 3.2 The Action Genre 173 3.3 Arcade Duelling 186 3.4 Adapting Street Fighter 195 3.5 Franchising Mortal Kombat 201 3.6 Cult Success and Aftermath 216 3.7 Conclusion 227 Chapter Four: The Appropriations, Economics, and Interplay of Resident Evil 4.1 Zombie Cinema 232 4.2 Developing Resident Evil 240 4.3 The Economics of Adaptation 247 4.4 Personifying Adaptation 265 4.5 Further Appropriations 284 4.6 Beyond Anderson 291 4.7 Conclusion 297 Conclusion 305 Appendices Appendix One: Videogame Adaptations 329 Appendix Two: Sonic Timeline 338 References 343 2 Stuart Knott Interplay Abstract Videogame adaptations have been a staple of cinema and television since the 1980s and have had a consistent presence despite receiving overwhelmingly negative reactions. -
Spectacle and Society in Imperial Rome | La Trobe University
09/25/21 CAH2GAE - Gladiators and emperors: spectacle and society in imperial Rome | La Trobe University CAH2GAE - Gladiators and emperors: View Online spectacle and society in imperial Rome Subject coordinator : Sarah Midford and Leanne McNamara 93 items Mildura and Shepparton students please check your local catalogue for physical copies at your location. Select Mildura (SUNITAFE) or Shepparton (GOTAFE) from the drop down option on the Library's homepage. If you experience any issues in accessing resources, please contact your Senior Learning Advisor (Library) Judith Beach. E: [email protected]. Prescribed text (1 items) Students should purchase their own copy of this prescribed text. Ebook or print versions are both acceptable. Lives of the Caesars - Catharine Edwards, Suetonius, ProQuest (Firm), 2000 Book | Prescribed Other recommended resources (26 items) These resources may help with your final essay or other assessment tasks The Oxford classical dictionary - Simon Hornblower, Antony Spawforth, c2003 Book | Prescribed Sport and Spectacle in the Ancient World - Donald G. Kyle, 2014 Book | Recommended Pompeii and Herculaneum: A Sourcebook - Alison E. Cooley, M. G. L. Cooley, Ebook Library, 2013 Book | Recommended Spectacle in the Roman world - Hazel Dodge, 2008 Book | Recommended 1/10 09/25/21 CAH2GAE - Gladiators and emperors: spectacle and society in imperial Rome | La Trobe University Gladiator: film and history - Martin M. Winkler, 2004 Book | Recommended Death and renewal - Keith Hopkins, 1983 Book | Recommended The Annals : The Reigns of Tiberius, Claudius, and Nero - Cornelius Tacitus, 2008 Book | Prescribed Lives of the later Caesars : the first part of the Augustan history, with lives of Nerva and Trajan - Anthony Birley, 2005 Book | Prescribed Lives of the later Caesars: the first part of the Augustan history : with newly compiled Lives of Nerva and Trajan - Anthony Richard Birley, 1976 Book | Prescribed Gladiators at Pompeii - Luciana Jacobelli, c2003 Book | Recommended Emperors and gladiators - Thomas E.