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Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
Michael Barone Mcmaster University - Psychology
M.Sc Thesis - Michael Barone McMaster University - Psychology COGNITIVE APPROACHES TO MUSIC PREFERENCE USING LARGE DATASETS M.Sc Thesis - Michael Barone McMaster University - Psychology Bridging the gap: cognitive approaches to musical preference using large datasets Michael Barone July 18, 2017 M.Sc Thesis - Michael Barone McMaster University - Psychology McMaster University MASTER OF SCIENCE (2017) Hamilton, Ontario (Psychology, Neuroscience, & Behaviour) TITLE: Bridging the gap: cognitive approaches to music preference using large datasets AUTHOR: Michael David Barone, B.A. (McMaster University) SUPERVISOR: Professor Matthew H. Woolhouse NUMBER OF PAGES: vii, 49 ii M.Sc Thesis - Michael Barone McMaster University - Psychology This thesis examines whether research from cognitive psychology can be used to inform and predict behaviours germane to computational music analysis including genre choice, music feature preference, and consumption patterns from data provided by digital-music platforms. Specific topics of focus include: information integrity and consistency of large datasets, whether signal processing algorithms can be used to assess music preference across multiple genres, and the degree to which consumption behaviours can be derived and validated using more traditional experimental paradigms. Results suggest that psychologically motivated research can provide useful insights and metrics in the computationally focused area of global music consumption behaviour and digital music analysis. Limitations that remain within this interdisciplinary approach are addressed by providing refined analysis techniques for future work. iii M.Sc Thesis - Michael Barone McMaster University - Psychology Abstract Using a large dataset of digital music downloads, this thesis examines the extent to which cognitive-psychology research can generate and predict user behaviours relevant to the distinct fields of computer science and music perception. -
Keen SAM COOKE
L1 SAMORIGINALS 331 6 februari 2011 Arnold Rypens - Kirsten 1. Wonderful World (Cooke/Alpert/Adler) Keen SAM COOKE Dit zijn The Originals bij L1 Radio en welkom in de wonderful world van Sam Cooke, de middelste zoon van een Church Of Christ (Holiness) minister met Familie Trapp-ambitie voor zijn kinderen. De Reverend Charles Cook (zonder 'e' achteraan) was een hel & duivel predikant uit shithole Clarksdale, Mississippi die zichzelf letterlijk een weg naar wereldstad Chicago predikte. Hij zong altijd voor zijn sermoenen, dat begint dus al goed! 2:50 2. It Must Be Jesus (trad.) E.O. SOUTHERN TONES L68 16 The Southern Tones begin jaren 50 en It Must Be Jesus, wat achteraf zijn tune leende aan Sam Cooke's Ain't That Good News en met een beetje verbeelding tegelijk aan I've Got A Woman van Ray Charles! Zowel Cooke als Charles in één en dezelfde volzin wijst op een highway van gospel to soul. Zowel de ene als de andere kan je aansprakelijk stellen voor het verloochenen van het Woord God's, voor het omleiden van hemelse spiritual tunes naar wereldlijker paden, de ene - juist omdat hij een son of a preacher man was - misschien nog meer dan de andere. Maar zover zijn we nog niet. Het ware Woord van zwarte congregaties moet eerst zelf nog op plaat worden vastgelegd. Hier is een zeldzaam oude Steal Away (To Jesus) van het Dinwiddie Colored Quartet in 1902. 1:55 3. Steal Away (To Jesus) (Willis) Victor DINWIDDIE COLORED QUARTET L113b 6 Steal Away (To Jesus), geschreven door een bekeerde Choctaw indiaan en na dit kwartet uit Virginia door de hele gospel-wereld omarmd, te beginnen bij The Fisk Jubilee Singers, later door zowel de Highway QCs als The Soul Stirrers, de twee professionele gospel bands waar Sam Cook bij terecht kwam. -
Sam Cooke the Man Who Invented Soul Mp3, Flac, Wma
Sam Cooke The Man Who Invented Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Man Who Invented Soul Country: Europe Released: 2011 Style: Soul MP3 version RAR size: 1693 mb FLAC version RAR size: 1731 mb WMA version RAR size: 1929 mb Rating: 4.5 Votes: 167 Other Formats: AIFF MP4 WMA MMF DMF ADX XM Tracklist 1-1 You Send Me 1-2 Summertime (Pt. 1) 1-3 For Sentimental Reasons 1-4 Desire Me 1-5 Lonely Island 1-6 You Were Made For Me 1-7 Win Your Love For Me 1-8 Love You Most Of All 1-9 Everybody Loves To Cha Cha Cha 1-10 No One Can Take Your Place 1-11 Only Sixteen 1-12 With You 1-13 Crazy She Calls Me 1-14 I Got A Right To Sing The Blues 1-15 Comes Love 1-16 Ain't Nobody's Business 1-17 Little Things You Do 1-18 There, I've Said It Again 1-19 When I Fall In Love 1-20 Let's Go Steady Again 1-21 (What A) Wonderful World 2-1 Chain Gang 2-2 I Belong To Your Heart 2-3 Teenage Sonata 2-4 Love Me 2-5 Sad Mood (Unreleased Version) 2-6 If I Had You (I'd Be Happy) 2-7 You Belong To Me 2-8 Sad Mood 2-9 Tenderness 2-10 That's It-I Quit-I'm Movin' On 2-11 Hold On 2-12 Cupid 2-13 Tenderness (Unreleased Version) 2-14 Don't Get Around Much Any More 2-15 Nobody Knows You When You're Down And Out 2-16 Baby Won't You Please Come Home 2-17 Trouble In Mind 2-18 Out In The Cold Again 2-19 Exactly Like You 2-20 Since I Met You Baby 2-21 I'm Just A Lucky So And So 2-22 But Not For Me 2-23 You're Always On My Mind 2-24 (Don't Fight It) Feel It 2-25 It's All Right 2-26 Twistin' The Night Away 2-27 One More Time 2-28 Don't Cry On My Shoulder -
The Role of Emotion and Context in Musical Preference
The Role of Emotion and Context in Musical Preference Yading Song PhD thesis Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy of the University of London School of Electronic Engineering and Computer Science Queen Mary, University of London United Kingdom January 2016 Abstract The powerful emotional effects of music increasingly attract the attention of music informa- tion retrieval researchers and music psychologists. In the past decades, a gap exists between these two disciplines, and researchers have focused on different aspects of emotion in music. Music information retrieval researchers are concerned with computational tasks such as the classifica- tion of music by its emotional content, whereas music psychologists are more interested in the understanding of emotion in music. Many of the existing studies have investigated the above issues in the context of classical music, but the results may not be applicable to other genres. This thesis focusses on musical emotion in Western popular music combining knowledge from both disciplines. I compile a Western popular music emotion dataset based on online social tags, and present a music emotion classification system using audio features corresponding to four different musical dimensions. Listeners' perceived and induced emotional responses to the emotion dataset are compared, and I evaluate the reliability of emotion tags with listeners' ratings of emotion using two dominant models of emotion, namely the categorical and the dimensional emotion models. In the next experiment, I build a dataset of musical excerpts identified in a questionnaire, and I train my music emotion classification system with these audio recordings. -
諾箋護憲薫葦嵩叢 Br皿ant Years of Singing Pure Gospel with the Soul Stirrers, The
OCk and ro11 has always been a hybrid music, and before 1950, the most important hybrids pop were interracial. Black music was in- 恥m `しfluenced by white sounds (the Ink Spots, Ravens and Orioles with their sentimental ballads) and white music was intertwined with black (Bob Wills, Hank Williams and two generations of the honky-tOnk blues). ,Rky血皿and gQ?pel, the first great hy垣i立垂a血QnPf †he囲fti鎧T臆ha陣erled within black Though this hybrid produced a dutch of hits in the R&B market in the early Fifties, Only the most adventurous white fans felt its impact at the time; the rest had to wait for the comlng Of soul music in the Sixties to feel the rush of rock and ro11 sung gospel-Style. くくRhythm and gospel’’was never so called in its day: the word "gospel,, was not something one talked about in the context of such salacious songs as ’くHoney Love’’or ”Work with Me Annie.’’Yet these records, and others by groups like theeBQ聖二_ inoes-and the Drif曲 閣閣閣議竪醒語間監護圏監 Brown, Otis Redding and Wilson Pickett. Clyde McPhatter, One Of the sweetest voices of the Fifties. Originally a member of Billy Ward’s The combination of gospel singing with the risqu6 1yrics Dominoes, he became the lead singer of the original Drifters, and then went on to pop success as a soIoist (‘くA I.over’s Question,’’ (、I.over Please”). 諾箋護憲薫葦嵩叢 br皿ant years of singing pure gospel with the Soul Stirrers, the resulting schism among Cooke’s fans was deeper and longer lasting than the divisions among Bob Dylan’s partisans after he went electric in 1965. -
Pdf, 313.03 KB
00:00:00 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs. A fun, funky instrumental. 00:00:05 Morgan Host Hello, I’m Morgan Rhodes. My co-host Oliver Wang is away, but will Rhodes be back next week. So today it’s just me; and you are listening to Heat Rocks. Every episode we invite a guest to join us to talk about a heat rock, you know, incendiary material, an album that feels like fire shut up in your bones; and today, we will be taking it back together to revisit a compilation record released by ABKCO Records called Sam Cooke: Portrait of a Legend. 00:00:32 Music Music “Nothing Can Change This Love” off the album Portrait of a Legend by Sam Cooke. A slow, tender song. If I go, a million miles away I'd write a letter, each and everyday Cause honey nothing, nothing can ever change this love I have for you 00:01:00 Morgan Host What a beautiful challenge that had to have been, taking a voice like Sam Cooke’s, a career like Sam Cooke’s, a discography like Sam Cooke’s, and a life like Sam Cooke’s, and compiling 30 gems on a project. ABKCO Records did just this, releasing a Portrait of a Legend on June 17th, 2003. The compilation, bookended by two gospel tracks, “Touch The Hem Of His Garment”, and “Nearer to Thee”, covers the years 1951-1964, from Sam’s humble beginnings as one of the stars of an all-star gospel group, the Soul Stirrers, to pop sensationalism, chief crooner, to fallen star, to legend. -
Sam Cooke This Is Sam Cooke Mp3, Flac, Wma
Sam Cooke This Is Sam Cooke mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: This Is Sam Cooke Country: UK Released: 1971 Style: Soul MP3 version RAR size: 1988 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1189 mb Rating: 4.1 Votes: 986 Other Formats: MMF AU WAV MIDI VOX AA DMF Tracklist A1 Frankie And Johnny A2 You Send Me A3 Sad Mood A4 Summertime A5 Chain Gang B1 Feel It B2 (I Love You) For Sentimental Reasons B3 Another Saturday Night B4 Wonderful World B5 Having A Party C1 Baby, Baby, Baby C2 Only Sixteen C3 Love Will Find A Way C4 Bring It On Home To Me C5 Twistin' The Night Away D1 Little Red Rooster D2 Cupid D3 Sugar Dumpling D4 Send Me Some Lovin' D5 Everybody Loves To Cha Cha Cha Credits Remastered By – Don Miller Notes Track A4 from "Porgy And Bess" Other versions Category Artist Title (Format) Label Category Country Year This Is Sam Cooke (2xLP, VPS-6027(e) Sam Cooke RCA VPS-6027(e) US 1971 Comp) This Is Sam Cooke (2xLP, VPS-6027(e) Sam Cooke RCA VPS-6027(e) US Unknown Comp, RE) This Is Sam Cooke (2xLP, VPS-6027(e) Sam Cooke RCA VPS-6027(e) Canada 1971 Comp) This Is Sam Cooke (2xLP, VPS-6027(e) Sam Cooke RCA VPS-6027(e) Canada 1971 Comp, "St) This Is Sam Cooke (2xLP, VPS-6027(e) Sam Cooke RCA VPS-6027(e) US 1971 Comp) Comments about This Is Sam Cooke - Sam Cooke Alsardin I've picked up a copy of this. -
Dr. Hook Featuring Ray Sawyer
FOR IMMEDIATE RELEASE MARCH 30, 2009 BOULEVARD CASINO PRESENTS DR. HOOK FEATURING RAY SAWYER LIVE AT THE RED ROBINSON SHOW THEATRE SATURDAY, SEPTEMBER 19 Coquitlam, BC – Ray Sawyer, the spirited, eye-patched lead singer of the group Dr. Hook whose soulful and sometimes comic vocals fronted the band’s breakthrough to international superstar status in the 70’s and 80’s, is definitely a song stylist of the first order and never was it more evident than it is today. Born and raised in Alabama, he got his first job as a professional musician at the age of fourteen playing drums with a local band and soon developed a style that extracted honesty and emotion … the best traits of both country music and R&B. Ray’s trademark eye patch was acquired following a car accident in 1967 which left him without his right eye. It was then in 1968 when he set out for Los Angeles working his way back to New York where the nucleus of Dr. Hook was formed just in time to record the score for the Dustin Hoffman film, Who is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? in 1971. Accumulating a total of sixty gold and platinum records worldwide with Dr. Hook, he has gained the confidence of a seasoned entertainer. Hit singles include “Sylvia’s Mother,” “The Cover of the Rolling Stone,” “Only Sixteen,” “A Little Bit More,” “Sharing the Night Together,” When You’re In Love With A Beautiful Woman” and “Sexy Eyes.” Since the break-up of the group in 1984, Ray has been touring throughout North America and overseas with a new band which includes his son, Cayce who has been performing with them since he was thirteen years old playing percussion and singing background vocals. -
GREATEST Over 55 Pop Music Favorites
GREATEST PIANO • VOCAL • GUITAR HITS Over 55 Pop Music Favorites Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1701-3 ISBN-13: 978-1-4706-1701-1 Contents Title Artist AIN’T THAT A SHAME ........................................................Fats Domino ...................................................... 6 ANOTHER SATURDAY NIGHT ...............................................Sam Cooke ......................................................12 APRIL LOVE ....................................................................Pat Boone ......................................................... 8 BE-BOP-A-LULA ..............................................................Gene Vincent and The Blue Caps ........................... 17 BLUE VELVET ..................................................................Bobby Vinton ....................................................20 C’MON EVERYBODY ..........................................................Eddie Cochran ..................................................28 COME GO WITH ME ...........................................................The Dell-Vikings ................................................32 -
Sam Cooke the Best of Sam Cooke Mp3, Flac, Wma
Sam Cooke The Best Of Sam Cooke mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Best Of Sam Cooke Country: Jamaica Released: 1968 Style: Soul MP3 version RAR size: 1849 mb FLAC version RAR size: 1345 mb WMA version RAR size: 1932 mb Rating: 4.1 Votes: 591 Other Formats: VOC ASF FLAC APE MP2 DTS WAV Tracklist Hide Credits You Send Me A1 2:41 Written-By – L.C. Cook Only Sixteen A2 2:00 Written-By – B. Campbell* Everybody Loves To Cha Cha Cha A3 2:35 Written-By – Campbell* For Sentimental Reasons A4 2:35 Written-By – Deek Watson, William Best Wonderful World A5 2:02 Written-By – B. Campbell* Summertime A6 2:17 Written-By – Heyward*, Gershwin* Chain Gang B1 2:32 Written-By – S. Cooke* Cupid B2 2:30 Written-By – C. Cook*, S. Cooke* Twistin' The Night Away B3 2:32 Written-By – S. Cooke* Sad Mood B4 2:28 Written-By – S. Cooke* Having A Party B5 2:23 Written-By – S. Cooke* Bring It On Home To Me B6 2:37 Written-By – S. Cooke* Companies, etc. Pressed By – Federal Record Mfg. Co. Ltd. Manufactured By – Federal Record Mfg. Co. Ltd. Copyright (c) – Radio Corporation Of America Credits Producer, Liner Notes – Hugo & Luigi Notes Reissue. Jamaican press and labels. US imported jacket Unknown if this is a stereo or mono press (not clearly marked) Spine and Front cover: LSP-2625 Rear Jacket and Labels: LPM/LPS-2625 Barcode and Other Identifiers Matrix / Runout (Side A ): N5PY-3092-A FRM Best Of Sam Cooke Matrix / Runout (Side B ): N5PY-3093-B FRM Best Of Sam Cooke Rights Society: ASCAP Rights Society: BMI Other versions Category -
SJS Sing with Mary Ann East V2.Pdf
SJS Sing Along Word Sheet July 13 Love Songs When I Fall in Love When I fall in love it will be forever, or I’ll never fall in love. In a restless world like this is, love is ended before it’s begun, and too many moonlight kisses seem to cool in the warmth of the sun. When I give my heart it will be completely, or I’ll never give my heart; And the moment I can feel that you feel that way too is when I fall in love with you. Can’t Help Lovin’ That Man Oh, listen sister, I love that mister man And I can’t tell you why. There ain’t no reason why I should love that man. It must be somethin’ the angels done plan. Fish got to swim, birds got to fly, I got to love one man till I die, Can’t help lovin’ that man of mine. Tell me he’s lazy, tell me he’s slow, Tell me I’m crazy, maybe I know. Can’t help lovin’ that man of mine. When he’s goes away, that’s a rainy day, And when he comes back, that day is fine! The sun will shine! He can come home as late as can be, home without him is no home to me. Can’t help lovin’ that man of mine! Somebody Loves Me Somebody love me, I wonder who, I wonder who it can be. Somebody loves me, I wish I knew who it can be worries me.