The Big Book of Alcoholics Anonymous, and I Left There Know- Ing That the Only Hope for Me Was the Twelve Steps
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Top Songwriter Chart
TOP SONGWRITER CHART Sunday, June 7, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Craig Wiseman Chasin' You Morgan Wallen Here And Now Kenny Chesney 2 2 Shane McAnally Champagne Night Lady Antebellum Cheatin' Songs Midland Hard To Forget Sam Hunt Nobody But You Blake Shelton And Gwen Stefani One Night Standards Ashley McBryde Second Guessing Florida Georgia Line Some People Do Old Dominion The Other Girl Kelsea Ballerini x Halsey 3 3 Luke Combs Does To Me Luke Combs (feat. Eric Church) I Hope You're Happy Now Carly Pearce and Lee Brice Six Feet Apart Luke Combs 4 4 Jonathan Singleton Die From A Broken Heart Maddie & Tae I Hope You're Happy Now Carly Pearce and Lee Brice In Between Scotty McCreery 5 5 Josh Thompson Ain't Always The Cowboy Jon Pardi Be A Light Thomas Rhett Featuring Reba McEntire, Hillary Scott, Chris Tomlin & Keith Urban One Margarita Luke Bryan 6 6 Michael Hardy More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson One Big Country Song LOCASH Single Saturday Night Cole Swindell Some Girls Jameson Rodgers 7 7 Morgan Wallen Chasin' You Morgan Wallen More Than My Hometown Morgan Wallen 8 8 David Garcia Drinking Alone Carrie Underwood Here And Now Kenny Chesney 9 10 Ashley Gorley Hard To Forget Sam Hunt One Big Country Song LOCASH One Of Them Girls Lee Brice Single Saturday Night Cole Swindell 10 9 Thomas Rhett Be A Light Thomas Rhett Featuring Reba McEntire, Beer Can't Fix Hillary Scott, Chris Tomlin & Keith Urban Thomas Rhett (feat. -
Aussie Classics Hits - 180 Songs
Available from Karaoke Home Entertainment Australia and New Zealand Aussie Classics Hits - 180 Songs 1 20 Good Reasons Thirsty Merc 2 Absolutely Everybody Vanessa Amorosi 3 Age Of Reason John Farnham 4 All I Do Daryl Braithwaite 5 All My Friends Are Getting Married Skyhooks 6 Am I Ever Gonna See Your Face Again The Angels 7 Amazing Alex Lloyd 8 Amazing Vanessa Amorosi 9 Animal Song Savage Garden 10 April Sun In Cuba Dragon 11 Are You Gonna Be My Girl Jet 12 Art Of Love Guy Sebastian, Jordin Sparks 13 Aussie Rules I Thank You For The Best Kevin Johnson Years Of Our Lives 14 Australian Boy Lee Kernaghan 15 Barbados The Models 16 Battle Scars Guy Sebastian, Lupe Fiasco 17 Bedroom Eyes Kate Ceberano 18 Before The Devil Knows You're Dead Jimmy Barnes 19 Before Too Long Paul Kelly, The Coloured Girls 20 Better Be Home Soon Crowded House 21 Better Than John Butler Trio 22 Big Mistake Natalie Imbruglia 23 Black Betty Spiderbait 24 Bluebird Kasey Chambers 25 Bopping The Blues Blackfeather 26 Born A Woman Judy Stone 27 Born To Try Delta Goodrem 28 Bow River Cold Chisel 29 Boys Will Be Boys Choir Boys 30 Breakfast At Sweethearts Cold Chisel 31 Burn For You John Farnham 32 Buses And Trains Bachelor Girl 33 Chained To The Wheel Black Sorrows 34 Cheap Wine Cold Chisel 35 Come On Aussie Come On Shannon Noll 36 Come Said The Boy Mondo Rock 37 Compulsory Hero 1927 38 Cool World Mondo Rock 39 Crazy Icehouse 40 Cry In Shame Johnny Diesel, The Injectors 41 Dancing With A Broken Heart Delta Goodrem 42 Devil Inside Inxs 43 Do It With Madonna The Androids 44 -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
The Anonymous Groups
The Enduring Legacy: the anonymous groups The apology that launched a million amends By Jay Stinnett, Los Angeles July 27th, 2008, marked the 100th anniversary of Frank Buchman’s Spiritual Awakening – one that directly linked him to the cofounders of AA. As a young man Buchman gave everything he had to establishing a shelter for homeless boys in the slums of Philadelphia. The shelters success surpassed his budget and the six-member board of directors insisted that he cut the amount of food being given to his charges. He quit instead of cutting back. Resentment consumed him. His family despaired that he might not come to his senses. His work was destroyed by what he saw as the short-sightedness of others. His health was well past the breaking point. “Everywhere I went, I took me with me,” he later said. During a trip to recuperate in Europe, he exhausted the funds his father gave him and existed on the kindness of his family and the generosity of acquaintances. Tired and dejected he went to an Evangelical Conference in Keswick, England, hoping to connect with F.B. Meyer, a famous minister he knew, for spiritual help. Meyer was not in attendance; another plan gone awry. July 27, 1908, thirty year-old Frank Buchman, a Pennsylvanian Lutheran Minister, walked into an afternoon service with 17 other people to hear Jessie Penn Lewis preach on the cross of Christ. And then it happened. As Buchman sat in that Chapel, “There was a moment of spiritual peak of what God could do for me. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Do You Think You're Different? Many Paths to Spirituality A.A
A Declaration of Unity This we owe to A.A.’s future: To place our common welfare first; To keep our fellowship united. For on A.A. unity depend our lives, And the lives of those to come. I am responsible... When anyone, anywhere, reaches out for help, I want the hand of A.A. always to be there. And for that: I am responsible. P-13 P-13_DoYouThinkY'rDifferent_P-13_DoYouThinkY'rDifferent.qxd 8/4/14 3:49 PM Page ALCOHOLICS ANONYMOUS ® is a fellowship of men and women who share their experience, strength and hope with each other that they may solve their common problem and help others to recover from alcoholism. • The only requirement for membership is a desire to stop drinking. There are no dues or fees for A.A. membership; we are self-supporting through our own contributions. • A.A. is not allied with any sect, denomina - tion, politics, organization or institution; does not wish to engage in any controversy; neither endorses nor opposes any causes. • Our primary purpose is to stay sober and help other alcoholics to achieve sobriety. Copyright © by A.A. Grapevine, Inc.; reprinted with permission Stories on pages 11, 15, 19, 20, 21, 22 and 29 are copyrighted © by The A.A. Grapevine, Inc., and are reprinted here with permission. Copyright © 1976 Alcoholics Anonymous World Services, Inc. Mail address: Box 459 Grand Central Station New York, NY 10163 www.aa.org 100M- 8/14 (DG3) Printed in U.S.A. P-13_DoYouThinkY'rDifferent_P-13_DoYouThinkY'rDifferent.qxd 8/4/14 3:49 PM Page Do You Think You’re Different? 3 P-13_DoYouThinkY'rDifferent_P-13_DoYouThinkY'rDifferent.qxd -
Abbreviations
ABBREVIATIONS BB Big Book of Alcoholics Anonymous, 1st edition ©1939, 2nd edition ©1955, 3rd edition ©1976, 4th edition ©2011. BT Basic Text of Narcotics Anonymous, 5th edition ©1988. 12&12 Twelve Steps and Twelve Traditions - AA World Services Inc., ©1953, Thirst for Freedom - David Stewart, ©1960. (Two copies of this book were found among Jimmy K’s possessions at the time of his death.) Book Titles Basic Text - Name given to first book form publication of Cover of AA Big Book - 2nd Ed, ©1955 NA - ©1982 “This basic text is based on an outline derived from our “This is the second edition of the big book, new and little white book.” Basic Text p. xi (1st Edition) revised, the basic text for Alcoholics Anonymous.” “The book ‘Alcoholics Anonymous’ became the basic text of the fellowship and it still is.” Forward to the 12 steps and 12 traditions, AA World Service, ©1953. It Works How and Why, World Service Office of NA., ©1993 Title of Chapter 5, AA Big Book, “How It Works” Living Clean, World Service Office of NA., ©2012 Living Sober, World Service Office, AA ©1975 In an interview conducted January 2015, JW, an addict from Philadelphia, who drafted the original manuscript for a book to be called Living Clean, stated he took the term “living clean” directly from the AA book Living Sober. This manuscript was submitted to NA World Services in 1983 and is noted on the page xii, introduction to the current NA book, Living Clean, 2013 2 NA Primary Readings WHO IS AN ADDICT? “We are people in the grip of a continuing and progressive “We are convinced to a man that alcoholics of our types are in illness whose ends are always the same.” BT, 6th ed., p. -
Alcohol Effects on People; 00 Social Responsibility for the Control of the Use of Beverage; and (5) the Social Responsibility for the Treatment of Individuals
DOC- NT RESUME ED 140 180 CG 011 461 TITLE Alcohol Education: Curriculum Guide for Grades 7-12. INSTITUTION New York State Education Dept., Albany. Bureau of Drug Education. PUB DATE 76 NOTE 144p.; For relat d document, see CG 011 462 EERS PRICE MF-$0.83 BC-$7.35 Plus Postage. DESCRIPTORS *Alcohol Education; *Alcoholic Beverages; Class Activities; Curriculum Guides; *Drinking; Drug Education; Health Education; *Learning Activities; Recreational Activities; *Secondary Education; Socially Deviant Behavior; Teaching Guides AB TRACT This curriculum guide is designed as an interdisciplinary resource on alcohol education for teachers of Grades 7-12. tevelopmental traits are discussed, and objectives and learning experiences are presented. The following topics are covered: ro the nature of alcohci;(2) factors influencing the use of alcoholic beverages; (3) alcohol effects on people; 00 social responsibility for the control of the use of beverage; and (5) the social responsibility for the treatment of individuals. A division is made between Grades 7-9 and 10-12, with each set of three grades considered separately. (Author/OLL)' Documents acquired by ERIC include many informal unpublished materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 25, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Lady A’s Country Artists As Emotionally Torn Ocean Sails >page 4 By Impeachment As Their Fan Base “Old Town” Rode November Lee Greenwood might need to rewrite “God Bless the U.S.A.” in the current climate, and it’s particularly discouraging that Awards Nearly three years into a divisive presidency, the 53rd annual they have a difficult time even settling on reality. >page 10 Country Music Association Awards coincided with the start of “It’s he said/she said,” said LOCASH’s Chris Lucas. “I don’t impeachment hearings on Nov. 13. Judging from the reaction know who to believe or what to believe. There’s two sides, and of the genre’s artists, the opening line in Greenwood’s chorus — the two sides have figured out how to work [the media].” “I’m proud to be an Cash’s father, The Word From American” — is still Johnny Cash, was Garth Brooks a prominent belief. an outspoken sup- >page 11 But “I’m frustrated porter of inclusive to be an American” values, challeng- is hard on its heels as ing the ruling class Still In The Swing: a replacement. in his 1970 single An unscientific “What Is Truth.” Asleep At 50 LOCASH RAY CASH red-carpet poll of Just two years later, >page 11 the creative com- Rosanne cam- munity about the hearings found a wide range of awareness, paigned as a teenager for Democrat George McGovern in his from Rosanne Cash, who said she was “passionate” about bid to unseat Richard Nixon in the White House, and she has Makin’ Tracks: watching them, to a slew of artists who barely knew they were consistently stood up for progressive policies and politicians Tenpenny, Seaforth happening. -
The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei. -
Staying Connected Is Important: Virtual Recovery Resources
STAYING CONNECTED IS IMPORTANT: VIRTUAL RECOVERY RESOURCES • Refuge Recovery: Provides online and virtual INTRODUCTION support In an infectious disease outbreak, when social https://www.refugerecovery.org/home distancing and self-quarantine are needed to • Self-Management and Recovery Training limit and control the spread of the disease, (SMART) Recovery: Offers global community continued social connectedness to maintain of mutual-support groups, forums including a recovery is critically important. Virtual chat room and message board resources can and should be used during this https://www.smartrecovery.org/community/ time. Even after a pandemic, virtual support may still exist and still be necessary. • SoberCity: Offers an online support and recovery community This tip sheet describes resources that can be https://www.soberocity.com/ used to virtually support recovery from mental/ substance use disorders as well as other • Sobergrid: Offers an online platform to help resources. anyone get sober and stay sober https://www.sobergrid.com/ • Soberistas: Provides a women-only VIRTUAL RECOVERY PROGRAMS international online recovery community https://soberistas.com/ • Alcoholics Anonymous: Offers online support • Sober Recovery: Provides an online forum for https://aa-intergroup.org/ those in recovery and their friends and family https://www.soberrecovery.com/forums/ • Cocaine Anonymous: Offers online support and services • We Connect Recovery: Provides daily online https://www.ca-online.org/ recovery groups for those with substance use and -
A Special Supplement: Reflections on Violence by Hannah Arendt | the New York Review of Books
A Special Supplement: Reflections on Violence by Hannah Arendt | The New York Review of Books EMAIL Tweet Share A Special Supplement: Refections on Violence Hannah Arendt FEBRUARY 27, 1969 ISSUE I These reflections were provoked by the events and debates of the last few years, as seen against the background of the twentieth century. Indeed this century has become, as Lenin predicted, a century of wars and revolutions, hence a century of that violence which is currently believed to be their common denominator. There is, however, another factor in the present situation which, though predicted by nobody, is of at least equal importance. The technical development of implements of violence has now reached the point where no political goal could conceivably correspond to their destructive potential or justify their actual use in armed conflict. Hence, warfare—since times immemorial the final merciless arbiter in international disputes—has lost much of its effectiveness and nearly all of its glamor. “The apocalyptic” chess game between the superpowers, that is, between those that move on the highest plane of our civilization, is being played according to the rule: “if either ‘wins’ it is the end of both.”1 Moreover the game bears no resemblance to whatever war games preceded it. Its “rational” goal is mutual deterrence, not victory. Since violence—as distinct from power, force, or strength—always needs implements (as Engels pointed out long ago),2 the revolution in technology, a revolution in tool-making, was especially marked in warfare. The very substance of violent action is ruled by the question of means and ends, whose chief characteristic, if applied to human affairs, has always been that the end is in danger of being overwhelmed by the means, which it both justifies and needs.