Sam Cooke's Daughter Makes Music Too!
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Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
2018 District Annual Report
Southwestern2018 Annual ReportCollege ofTable contents President’s Message ...................................................... 1 Budget Information ....................................................... 2 3D Printing Provides ‘Endless Possibilities’ ................. 4 Recording Arts and Technology Program ................... 5 Faculty Spotlight: Diana Arredondo ............................ 6 Counselor Spotlight: Abdimalik Buul .......................... 7 Southwestern College Higher Education Centers ...... 8 Former gang member transfers with full-ride scholarship to UC San Diego ...................................... 10 Transfer Spotlight: Angel Ramirez .............................. 11 Jag Kitchen Launches a Caring Movement ............... 12 Prop R & Z Annual Report ........................................... 13 Prop R & Z Project Updates ........................................ 14 On the cover: Engineering student Giselle Romo is Message from the SWC Foundation Board Chair .... 16 using 3D printers to build upon her dreams of working in the aerospace industry (page 3). Alumni Spotlight: Chula Vista Mayor Mary Salas ...... 17 For more President’s than 56 years, Message Southwestern College has offered South County residents a quality higher education experience. Over the years, we have welcomed students right after high school graduation. More and more we have seen students find Southwestern College offers them a second chance to make a real difference in their lives and in the lives of their families. As you read our student, faculty and alumni stories, I hope you will find them as inspiring as I have. Southwestern College is also experiencing its own renewal. We have realized the true community potential of what was once the vacant corner lot. A new Wellness and Aquatics Complex has opened with two Olympic- sized pools and a third therapy pool, along with a gym and exercise classrooms. Next year we begin construction on a new Performing Arts and Cultural Center with a 500-seat theater to share the corner of the college. -
My Life and Death by Alexandra Canarsie Deathalexandra Life by My and My Life and Death by Alexandra Canarsie Deathalexandra Life by My and by Alexandra Canarsie
Young adult fiction www.peachtree-online.com O’KEEFE ISBN 1-56145-387-0 / $7.95 My Life and Death My Life andMy by Life AlexandraDeath Canarsie My Life andMy by Life AlexandraDeath Canarsie by Alexandra Canarsie None of this would have happened, I suppose, if I had a normal hobby like skateboarding or hanging out at malls. But I don’t do things like that. A NOVEL I go to the funerals of strangers. Weird, huh? BY SUSAN HEYBOER O’KEEFE Praise for MY LIFE AND DEATH BY ALEXANDRA CANARSIE: The unexpected twists and turns of the plotmake this coming-of-age novel a strong first offering for young adults. —School Library Journal Allie?s great voice and smart characters are a winning combination—The Horn Book Guide The most remarkable aspect of this novel is Allie?s voice. Her character rings clear as a teenager who covers up her hurt and bewilderment with sarcasm and a stony faade of disinterest. —VOYA My Life and Death by Alexandra Canarsie With a wit as sharp as barbed wire and a mouth light-years faster than her good sense, Allie’s not at all surprised she hasn’t been made homecoming queen. So what? She’s way too smart for the pack mentality. Besides, she’s barely SUSAN HEYBOER O’KEEFE is the author emptied her suitcase and her mother of more than a dozen books for children, is already itching to move again. including ONE HUNGRY MONSTER and DEATH BY EGGPLANT. MY LIFE AND DEATH But when Allie stumbles onto the BY ALEXANDRA CANARSIE is Susan’s first novel funeral of a boy her own age, she is for young adults. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
Wonderland Senior Thesis Presented to the Faculty of the School of Arts
Wonderland Senior Thesis Presented to The Faculty of the School of Arts and Sciences Brandeis University Undergraduate Program in Creative Writing Stephen McCauley, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts by Arianna Arguetty May 2021 Copyright by Arianna Arguetty 1 I was lounging on the sofa in the laundry room, wearing a two thousand dollar cocktail dress and watching YouTube. My last days at university had come and gone. Exams were over, and I’d secured a job as an entry-level marketing assistant at a nearby firm. Once I earned a couple of paychecks, I’d be all set to get a place of my own. I’d even found that once a month in Fort Lauderdale--which wasn’t exactly close to my mother’s house but not terribly far either--a certain club met. In two weeks, I would go and take the chance to explore a nagging interest of mine. For now, all I had to do was walk across a stage, shake a few hands, and secure my degree. It should have been exciting, but I was preoccupied with my insecurity. I’d graduated from high school in a pair of bedazzled bootcut jeans I’d gotten myself at Target and a boxy t-shirt two sizes too big that my high school had given out after some trip. The shirt had covered the fake gemstones entirely which may have been a mistake because my old English teacher couldn’t have complained about my “horseback riding outfit” if she’d seen them. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
United States District Court Northern District of New York
Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 1 of 5 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF NEW YORK UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music, Plaintiffs, -v.- 5:08-CV-00699 (NPM/GHL) Ayisha Crockrell, Defendant. APPEARANCES: OF COUNSEL: FOR THE PLAINTIFF: Leclair Korona Giordano Cole LLP Steven E. Cole 150 State Street, Suite 300 Rochester, NY 14614-1353 FOR THE DEFENDANT Ayisha Crockrell No appearance Neal P. McCurn, Senior District Judge Summary Order The plaintiffs in this copyright infringement action, UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music (“Plaintiffs”), seek a default judgment Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 2 of 5 against defendant, Ayisha Crockrell (“Defendant”), for violations of their exclusive rights in copyrighted materials. See 17 U.S.C. § 501 (2002). This action was commenced by the filing of a complaint and the issuance of a summons on July 1, 2008. On July 15, 2008, a copy of said summons and complaint were properly served upon Defendant pursuant to Fed. R. Civ. P. 4(e)(2)(B), proof of which service was filed with this court on August 5, 2008. See Dkt. No. 6. Defendant has failed to appear, answer or otherwise move with respect to the complaint and Defendant’s time to appear, answer or otherwise move has expired. Consequently, at Plaintiffs’ request, Defendant’s default was entered by the Clerk of the Court on August 21, 2008. -
Thomas Champagne Song List
THOMAS CHAMPAGNE SONG LIST Artist Song Champagne Sunshine Smilin Champagne Easy Reggae Champagne Coffee Table Champagne Sapo King Champagne Hwy Committee Champagne All that you do Champagne Down in Mississippi Champagne Another Woman Champagne Scotch and Water Champagne The Bear Song Champagne What it Takes Champagne White Linen Champagne Fire Water Champagne Mega Phone Champagne Smokin Joe Champagne I’m Tryin Champagne Fall in Love Champagne Half a Heart Champagne Jumpstart Champagne Soul Train Champagne Breakfast Champagne Seranade Champagne Halo Champagne Miss G Champagne Hold On Champagne Atlas Champagne Amnesia Champagne Hard Champagne 6.5 Champagne Slip Champagne Shade Champagne Oxygen Champagne and Rose, Irene Talk Champagne Wake Up Champagne True Romance Champagne Candy to Me Champagne and James, David Summer Bud Gist, Ryan Cures your Thirst Gist, Ryan Sun Flower Haywood Chics Dig Molin, Jason I can see you Marley, Bob Redemption Song Marley, Bob One Love Marley, Bob I Shot the Sheriff Marley, Bob 3 Little Birds Marley, Bob Waiting in Vain Marley, Bob Jammin Marley, Bob No Woman no cry Marley, Bob Small Axe Sublime Bad Fish 1 Sublime Don’t Push Sublime Santeria Sublime Jail House Toots and the Maytals 54-46 Toots and the Maytals Pressure Drop Donanvon Riki Tiki Tavi The Melodians Rivers of Babylon Elvis Costello Watching the Detectives The Commodores Easy Like a Sunday McFerrin, Bobby Don't Worry, Be Happy Ben Harper Steal my Kisses Ben Harper Burn One Down Ben Harper Forever Van Zandt, Towns Pancho and Lefty Williams, Hank Jambalaya -
Song of the Undertow"
ORDER OF POEMS IN "C(5he Song of the UndertoW" PART I PAGE , lJREWORD 7 "II3LUDE 11 III SONG OF THE UNDERTOW 13 PART II TIMES SQUARE 147 AVE DWELLERS 150 IlALD MOUNTAIN 153 THE COSMIC LIDRARIAN 155 THE WOE-BORN BEAUTY 157 TAR SANDALS 160 THE PLAINS OF ABRAHAM 161 THE LESBIAN GIVES A ROSE 163 MANHATTAN 164 THE SONG OF THE NEW JESUS 166 LIGHT THOU MY TORCH 168 MY COUNTRY 170 FIRE-PLACE 171 THE LIVING WORD 174 'fJoreword lIS is more than a poem; it is a confessional of faith. From the first word to the last phrase, ; v for a word here and there and a transversion of w rds in conversation, for the sake of rhyme and I hythm, this narrative-poem is true. That I was livinely guided in three great crises, that confronted II) in that first vagrant journey of my life, baffles any skepticism which Fate, with its multitudinous 'ontradictions, has since forced upon me. You may say that it was co-incidence that I met I v. James T. Houssemayne du Boulay, Mr. and Mrs. S. R. Button, Mrs. Berryman and J. Philip llins, who one and all received me in such Christ tik spirit. You may be right. There may be no ivinity Who shapes our ends. But I would be a p r gambler if I doubted the evidence given to my own soul in the year 1902. 7 If this confessional of faith had been published upon that scribe. I may use the word "God" to six years ago the critics would have received my evi, d cribe a glorious vision of my own soul which is dence with contempt. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
Keen SAM COOKE
L1 SAMORIGINALS 331 6 februari 2011 Arnold Rypens - Kirsten 1. Wonderful World (Cooke/Alpert/Adler) Keen SAM COOKE Dit zijn The Originals bij L1 Radio en welkom in de wonderful world van Sam Cooke, de middelste zoon van een Church Of Christ (Holiness) minister met Familie Trapp-ambitie voor zijn kinderen. De Reverend Charles Cook (zonder 'e' achteraan) was een hel & duivel predikant uit shithole Clarksdale, Mississippi die zichzelf letterlijk een weg naar wereldstad Chicago predikte. Hij zong altijd voor zijn sermoenen, dat begint dus al goed! 2:50 2. It Must Be Jesus (trad.) E.O. SOUTHERN TONES L68 16 The Southern Tones begin jaren 50 en It Must Be Jesus, wat achteraf zijn tune leende aan Sam Cooke's Ain't That Good News en met een beetje verbeelding tegelijk aan I've Got A Woman van Ray Charles! Zowel Cooke als Charles in één en dezelfde volzin wijst op een highway van gospel to soul. Zowel de ene als de andere kan je aansprakelijk stellen voor het verloochenen van het Woord God's, voor het omleiden van hemelse spiritual tunes naar wereldlijker paden, de ene - juist omdat hij een son of a preacher man was - misschien nog meer dan de andere. Maar zover zijn we nog niet. Het ware Woord van zwarte congregaties moet eerst zelf nog op plaat worden vastgelegd. Hier is een zeldzaam oude Steal Away (To Jesus) van het Dinwiddie Colored Quartet in 1902. 1:55 3. Steal Away (To Jesus) (Willis) Victor DINWIDDIE COLORED QUARTET L113b 6 Steal Away (To Jesus), geschreven door een bekeerde Choctaw indiaan en na dit kwartet uit Virginia door de hele gospel-wereld omarmd, te beginnen bij The Fisk Jubilee Singers, later door zowel de Highway QCs als The Soul Stirrers, de twee professionele gospel bands waar Sam Cook bij terecht kwam. -
NR BOOK FRONT COVER.Indd
NEW RELEASES FOR THE WEEK OF JANUARY 26, 2009 VOLUME XIII, ISSUE 2 PHONE (901) 388-1190 WWW.SELECTOHITS.COM FAX (901) 388-3002 SELECT-O-HITS MONTHLY RESTOCKING 601 Music Marzipan Ace Miss Butch AIR Morada Aspirion Muscle Shoals Basix Music Mill Big Bidness Narodniki Big Cheeze North North Blackberry OMS Bluesworks Onyx CED Original Sounds Cleveland Int’l Our Heritage Coe Pop Perris Copper Creek Phatidef County Project Crossroads Prophet D-Evil Psycho+Logical Daywind Psychobaby AFFILIATED LABELS Quicksilver Dome Radical Ecko Ray Lynch Entrée REL Entertainment Evidence Savoy Family Biz Serious Sounds FBIZ Shot Glass FBIZ 615901200826 Sierra Flat Town Skaggs Family Records AFFILIATED LABELS SL Entertainment GNP Smoked Out Heritage SOH Hi-Bias AFFILIATED LABELS Horizon Sonlite Hypnotize Minds Southern Tracks Ice Southland Increase SPG J Platinum Straight Profit J-Town Street Level Jin AFFILIATED LABELS Juana Street Smart Kom-A-Day Swallow Laughing Hyena Swishahouse Landmark SWI 3 & SWL 5 LGN Too Clean Maison De SouL Trill Malaco Thoroughbred Mardi Gras Vital Waldoxy 5% DISCOUNT ON ALL CATALOG ORDERS CASSETTE – CD – DVD – VIDEO - TITLES RELEASED PRIOR TO AUGUST 5, 2008 - FEBRUARY 2-6 NEW RELEASES FOR THE WEEK OF 1/26/09 R&B 5% UNTIL 3/10/08 STREET DATE: 3/10/2008 VARIOUS ARTISTS OLD SCHOOL JAMS 8 (2 CD) SPP 7019 SPG This collection of old school hits includes all your favorites, including "Cool It Now," "Don't Stop The Music," "The Lover," "Le Freak," "Crush On You," "Mary Jane," "Superfly," and many, many more. TRACK LISTING: CD 1: James