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Greetings 1 Greetings from Freehold: How Bruce Springsteen's
Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there. -
NJSO Welcomes Michael Cavanaugh for Classic Rock Program Featuring Greatest Hits of Elton John and More
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Senior Manager of Public Relations & Communications 973.735.1715 | [email protected] State Theatre Press Contact: Kelly Blithe, State Theatre Director of Communications 732.247.7200, ext. 542 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE NJSO welcomes Michael Cavanaugh for classic rock program featuring greatest hits of Elton John and more Cavanaugh, original star of Broadway’s Movin’ Out, takes center stage Program features ‘Tiny Dancer,’ ‘Bennie and the Jets,’ ‘Rocket Man,’ ‘Live and Let Die,’ ‘Pinball Wizard’ and more classic rock favorites NJSO Accents include pre-concert sing-alongs State Theatre co-presents New Brunswick performance Sat, Nov 12, at NJPAC in Newark Sun, Nov 13, at State Theatre in New Brunswick NEWARK, NJ (October 6, 2016)—Broadway star Michal Cavanaugh, of Movin’ Out fame, joins the New Jersey Symphony Orchestra for a program of hits from Elton John and other classic rock legends, November 12–13 in Newark and New Brunswick. Cavanaugh performs Elton John hits like “Tiny Dancer,” “Bennie and the Jets” and “Rocket Man,” as well as classics like “Live and Let Die” and “Pinball Wizard,” in a high-energy show led by frequent NJSO guest conductor and audience favorite Thomas Wilkins. “Michael Cavanaugh with the NJSO: Greatest Hits of Elton John and More” is the first of five 2016–17 NJSO Pops programs. Performances take place on Saturday, November 12, at 8 pm at the New Jersey Performing Arts Center (NJPAC) in Newark and Sunday, November 13, at 3 pm at the State Theatre in New Brunswick. -
Using Popular Songs to Teach Similes by Thoughtco.Com, Adapted by Newsela Staff on 11.07.17 Word Count 832 Level 940L
What does the timpani sound like? The Timpani in the Orchestra Utah Symphony (6:12) Etude #1, Scherzo by Tom Freer Leonardo Soto, Houston Symphony (2:49) What does a marimba sound like? Jesu, Joy of Man’s Desiring Bach (21 sec.) What does a vibraphone sound like? What does a xylophone sound like? Ode to Joy, Beethoven Excerpt Utah Symphony (18 sec.) (12 sec.) What do tubular bells sound like? What do these instruments sound like? Percussion 101: Chimes BBC National Orchestra of Wales - Percussion Vic Firth (3:03) (1:18) How to Play the Tambourine How to Play the Guiro How to Play the Triangle musicmax.eu (1:03) musicmax.eu (48 sec.) Kalani, Peripole, Inc. (1:58) What do these instruments sound like? Marching Percussion 101: Section Demonstration Chick and a Roll (2:42) Using popular songs to teach similes By ThoughtCo.com, adapted by Newsela staff on 11.07.17 Word Count 832 Level 940L Singer and actress Ariana Grande performing at a concert at the Meadowlands in East Rutherford, New Jersey, in 2014. Photo by: Scott Roth/AP. A simile makes a direct comparison between two things. It uses the words "like" or "as." The comparison reveals a new meaning. For example, the rock group Foreigner wrote a song called "Cold as Ice." The lyrics include a simile: You're as cold as ice You're willing to sacrifice our love In this example, the lyrics are not talking about the weather. Instead, they compare a woman to ice to show her emotions. Many songs can be used to teach about similes. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
J.\ \'/J.(F WESTWOOD ONE COMPANIES
J)'/J.\ \'/J.(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard • Culver City, California 90232-2689 • (310) 204 -5000 Casey's Countdown Show #93-05 for broadcast the weekend of January 30/31, 1993 *** Disc One *** lncue: "And now the Westwood One ... " Seg 1 -11:32 Track 1 Open Bbds.: Reese's Pieces, Trident, Hershey's 5th Avenue Content: #25. Angel / Jon Secada #24. Come In Out Of The Rain / Wendy Moten Commercials: :30 Hershey's 5th Ave. :30 MTV Promo; McCartney :30 Citibank Cards Outcue: " ... not just Visa -- Citibank Visa." Local Break 1 :30 I Content: #23. Soul Drifter/ Lindsey Buckingham Seg 2 - 16:58 R&D. Tears In Heaven / Eric Clapton Track 2 #22. Chains Around My Heart / Richard Marx Commercials: :30 Trident :30 Oxy :30 U.S. Navy :30 Chewy Granola Bars Outcue: " ... Quaker Chewy Granola Bars." Local Break 1 :00 I Content: #21. In This Life / Collin Raye Seg 3 - 9:08 #20. Tell The Truth / Jude Cole Track 3 Commercials: :30 Reese's Pieces :30 Greyhound :30 MTV Promo; McCartney Outcue: " ... and say thanks to Frank." Local Break 1 :30 I Content: #19. In The Sti ll Of The Night / Boyz II Men Seg4-15:36 #18. Do You Believe In Us?/ Jon Secada Track 4 #17. All At Once/ Bonnie Raitt Commercials: :30 Oxy :30 Chewy Granola Bars :60 Dash Detergent Outcue: " ... IRI average Dash price data." Local Break 1 :00 I Content: #16. Not Gonna Change / Swing Out Sister Seg 5 - 4:17 Track 5 Outcue: Jingle into music bed for local ID Insert local ID over :06 jingle bed *** Casey's Countdown continues on next page *** J)YJ.\ \YJ.(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard· Culver City, California 90232-2689 • (310) 204-5000 Casey's Countdown Show #93-05 for broadcast the weekend of January 30/31, 1993 Content: #15. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
Charlie Daniels and “The Devil” in the Details: What the Copyright Office's Response to the Termination Gap Foreshadows Ab
THIS VERSION DOES NOT CONTAIN PARAGRAPH/PAGE REFERENCES. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR PROPER CITATION INFORMATION. NOTE CHARLIE DANIELS AND “THE DEVIL” IN THE DETAILS: WHAT THE COPYRIGHT OFFICE’S RESPONSE TO THE TERMINATION GAP FORESHADOWS ABOUT THE UPCOMING STATUTORY TERMINATION PERIOD Joshua Beldner* ABSTRACT In 2013, authors of copyrighted works and their statutory heirs will have the first opportunity to terminate assignments of their copyrights and enjoy a second opportunity to exploit their works under 17 U.S.C. § 203. However, in addition to the statutory requirements, many authors like Charlie Daniels, Bob Dylan and Bruce Springsteen face an additional obstacle: the termination gap. The termination gap arises in when authors entered term songwriter’s agreements or other multiyear agreements prior to January 1, 1978 to assign their copyrighted works but did not create these works until after January 1, 1978, the effective date of the Copyright Act of 1976 and Section 203. Due to an ambiguity in the language of Section 203, it is unclear whether authors affected by the termination gap can actually terminate their assignments under Section 203 or whether they must wait longer to terminate their works under Section 304. The Copyright Office had the first opportunity to address the issue through its rulemaking process but did not offer an authoritative interpretation of Section 203, leaving it to the courts or Congress to address the termination gap. The Copyright Office’s conservative rulemaking leaves authors and their heirs vulnerable to courts who have not always respected Congress’s intent to give authors an inalienable termination right and to a Congress that in recent years has at times shown more fidelity to larger business interests than to individual authors. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Popular Music Candle in the Wind – Teacher Sheet
Area of Study 4: Popular Music Candle in the Wind – Teacher Sheet Words by Bernie Taupin / Music by Elton John TEACHING POINTS: Harmony (Primary & Secondary chords) Melody (Shape & Pitch range) Rhythm (Off-beat) Sonority (Rock Instruments, Voices & Techniques) Metre Texture Structure Dynamics Form & Structure (Riff) Tonality Musical Styles (Rock/Pop & Ballad) EXTENSION ACTIVITIES: In 1997, Elton John performed a rewritten version of the song as a tribute to Diana, Princess of Wales. This version was released as a single and reached No. 1 in many countries, proving a much greater success than the original. As well as using alternative lyrics, the 1997 version contains a number of musical differences. Ask your pupils to compare both versions and consider the appropriateness of each one for the occasion for which they were originally intended. Area of Study 4: Popular Music Candle in the Wind – Teacher Sheet 1) Which of the following musical devices does NOT occur in the introduction? (Underline one). Triads Sequences Syncopation (block chords) (restatement of an idea at a higher or lower pitch) (off-beat rhythms) 2) Which of the following instruments does NOT perform during Verse 1? Bass Guitar Acoustic Guitar Electric Guitar 3) What is the time signature of this piece? 4/4 (four crotchet beats per bar) 12/8 (twelve quaver beats per bar) 3/4 (three crotchet beats per bar) 9/8 (nine quaver beats per bar) 4) During Chorus 1, how many backing vocalists accompany the lead vocalist? 2 3 4 5) In between Chorus 1 and Verse 2 there is an instrumental link during which an electric guitar plays a short riff (a short repeating phrase used in Jazz and Popular Music). -
Front of House Master Song List
CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft.