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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Congressional Record—Senate S6907
June 16, 2004 CONGRESSIONAL RECORD — SENATE S6907 COMMITTEE ON FOREIGN RELATIONS BINGAMAN, that during the pendency of bility for U.S. fishers and processors Mr. WARNER. Mr. President, I ask the DOD authorization bill, S. 2400, and a structure for future scientific unanimous consent that the Com- Sherrick Roanhorse and Rebecca collaboration. mittee on Foreign Relations be author- Wilcox, interns on Senator BINGAMAN’s The recommended legislation nec- ized to meet during the session of the staff, be given the privilege of the essary to implement the Agreement Senate on Wednesday, June 16, 2004 at floor. will be submitted separately to the 2 p.m. to hold a Nominations Hearing. The PRESIDING OFFICER. Without Congress. The PRESIDING OFFICER. Without objection, it is so ordered. I recommend that the Senate give fa- objection, it is so ordered. vorable consideration to this Agree- f ment and give its advice and consent to COMMITTEE ON INDIAN AFFAIRS APPOINTMENTS ratification at an early date. Mr. WARNER. Mr. President, I ask unanimous consent that the Com- The PRESIDING OFFICER. The f mittee on Indian Affairs be authorized Chair, on behalf of the Majority Leader RECOGNIZING THE ACCOMPLISH- to meet on Wednesday, June 16, 2004, at pursuant to Public Law 107–252, Title MENTS AND CONTRIBUTIONS OF 10 a.m. in Room 485 of the Russell Sen- II, Section 214, appoints the following RAY CHARLES TO THE WORLD ate Office Building to conduct a Busi- individual to serve as a member of the OF MUSIC ness Meeting on pending committee Election Assistance Board of Advisors: Mr. -
View the Canyon News Article
Celebrity News! Gossipy tongues! You read it here first! CanyonNewspaper.com News of the Canyon: Bel Air, Beverly Hills, Malibu, Mulholland, Santa Monica, Laurel Canyon, and the Hollywood Hills Summary Page | About Us | In Memory Of | Mission Statement | Dog Parks & Hiking Trails | Ads | Advertise | Weather | Search | Staff | Contact Us Search for in Summary Page Celebrity News! Gossipy tongues! You Latest Headlines Canyon News read it here first! Canyon News Actor's Spotlight Recall Earthquake to Hit America's Most Wanted Posted by Rose Quintiliano on Sep 1, 2003, 23:11 October 7 Dogs Posted by Rose Quintiliano on Aug 24, 2003, 09:14 Ask Us Wonderland Avenue School Project Moves Baby Bird Forward Bon Jovi performed for a crowd of 60,000 at Giants Bad Movie Night Stadium in East Rutherford, New Jersey on August 7. Annual Canyon Photo Canyon Careers Having been a long-time, die-hard Bon Jovi fan, I was Scheduled for Sept. 28 Canyon CSI delighted that David Bryan's mom invited me to the show. Actor's Spotlight Canyon Culture I found myself that evening in a black stretch limo headed Les Hansen and West Canyon Fodder for the concert with my long time buddies, Flo Rashbaum, Coast Ensemble Offer Canyon Mews (David Bryan's mom), Michele (David's sister), Edna Diversity Sasso, Elaine Lubas, Karen and Eric. Security was tight; Canyon People Lisa Kaseman in the they even had the dog sniffing around the limo as we Spotlight Critical Projection entered the back stage entrance. After the splash at ‘Poseidon’s’ Heart Gives It Deaf News Giants Stadium, it concluded the end of the Bounce tour. -
Chicago Phil Brass” Brass Quintet
2020-2021 SEASON: TOGETHER Chicago Phil Chamber presents "Chicago Phil Brass” Brass Quintet Sunday, October 11 2020, 4:00pm North Shore Center, Skokie William Denton trumpet Mike Brozick trumpet Fritz Foss horn Jeremy Moeller trombone Matthew Gaunt tuba SCHERZO . JOHN CHEETHAM (b. 1939) AIR POUR LES TROMPETTES . JOHANN SEBASTIAN BACH (1685-1750) (arr. Irving Rosenthal) ‘LITTLE’ FUGUE IN G MINOR . JOHANN SEBASTIAN BACH (1685-1750) (arr. Ronald Romm) BRASS QUINTET No. 1 . .VICTOR EWALD (1860-1935) I. Moderato - Più mosso II. Adagio non troppo lento III. Allegro moderato ENGLISH FOLK SONG SUITE . RALPH VAUGHAN WILLIAMS (1872-1958) (arr. Jari Villanueva) I. March: "Seventeen Come Sunday" II. Intermezzo: "My Bonny Boy" III. March: "Folk Songs from Somerset" SELECTIONS FROM WEST SIDE STORY . LEONARD BERNSTEIN (1918-1990) (arr. Jack Gale) “Maria" “Tonight" “I Feel Pretty” 1 2020-2021 SEASON: TOGETHER “SUMMERTIME” . GEORGE GERSHWIN (1898-1937) (arr. John Glenesk Mortimer) “OUR LOVE IS HERE TO STAY” . GEORGE GERSHWIN (1898-1937) (arr. Bill Holcombe) “A NIGHTINGALE SANG IN BERKELEY SQUARE” . MANNING SHERWIN (1902-1974) (arr. Jack Gale) “THAT’S A-PLENTY” . LEW POLLACK (1895-1946) (arr. Jack Gale) “JUST A CLOSER WALK WITH THEE” . TRADITIONAL (arr. Don Gillis) TRITSCH - TRATSCH POLKA . JOHANN STRAUSS II (1825-1899) (arr. B. A. Kretz) The program begins with one of the all-time classic brass compositions of the 20th century, John Cheetham’s Scherzo. A classic in brass quintet repertoire, Scherzo was an immediate success when it was written. Air Pour Les Trompettes, Irving Rosenthal’s arrangement of Bach's Suite in A, originally for solo harpsichord, showcases the trumpet. -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Anglophone Music As Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract -
FALLING in Love-Small
On Falling in Love1 Michael Guy Thompson, Ph.D. July 17, 2017 What does it mean to fall in love? Can anyone fall in love, or are some people incapable of it? What exactly has to happen in order to fall in love? What is this phenomenon that distinguishes the notion of “falling” from other kinds of loving, even those that are sexual in nature? The first thing we need to consider is that the word “love” is imprecise. It can mean a lot of different modes of feeling in a variety of relationships, and it may not even connote a feeling at all. Is the love a mother feels for her child, for example, the same as a young man feels for his first motorcycle? Is the love of god the same as the love for a sexual partner, or the love of food? Is the love for oneself the same as the love for sunsets, or the cinema? And what about the drug experience? Don’t drugs elicit feelings that we associate with intense and unremitting pleasure, or equanimity? Don’t we sometimes take drugs to approximate the feeling of love that is missing in our lives? Clearly all these experiences are not the same, and the feelings we associate with them, even if we say we “love” every one of them, are distinct. 1 Invited Address, R. D. LAING IN THE TWENTY-FIRST CENTURY SYMPOSIUM: What Are Altered Realities? Asilomar Conference Center, Pacific Grove, July 17, 2017. © 2017 Michael Guy Thompson, PhD www.mguythompson.com Falling in Love What we call “falling in love” is first and foremost a sexual experience, compounded by an intense emotional connection with the person in question. -
Programs Seminars and Workshops Over the Past Twenty- Five Years
Check out the How to Avoid Falling in Love With a Jerk book published by McGraw Hill two John Van Epp, PhD has conducted numerous programs seminars and workshops over the past twenty- five years. His PICK and LINKS programs are being taught in 45 states and seven countries, thousands of churches, agencies, educational, and military settings. Dr Van Epp and his pro- www.lovethinks.com grams have been featured on Good Morning PO Box 596 America, The O’Reilly Factor, Fox News, The Early Show, and in The Wall Street Anna Maria, FL 34217 Journal, Time Magazine, Cosmopolitan, and [email protected] RAM O Magazine. He is an AOL coach and has Learn how to fall in love with the PICK maintained a counseling practice over the program & learn to stay in love with past twenty years in addition to his previous Couple LINKS pastoral and faculty positions. The book, How to Avoid Falling In Love With a Jerk, published by McGraw-Hill, is available at all leading bookstores. Dr. John Van Epp has an MA in Pastoral Counseling and Psychology, a second MA in Church History, and a PhD in Counseling Psychology. He has been happily married for over thirty years and is the proud father of two daughters. The RAM, a practical design for balancing the The current single adult population in the U.S. has Falling in love is easy… staying in love is an HEAD and the HEART in romantic relationships, grown to over 50 million people. Almost every art. A couple who still feels “in love” after is the core of the PICK and LINKS Programs. -
Ambassador Robert G. Neumann
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR ROBERT G. NEUMANN Recollections Out Of My Life Written in Kabul, Afghanistan April, 1968 Copyright 2015 ADST INTRODUCTION The reflections and reminiscences which follow are not designed to constitute in anyway a complete autobiography. There appears to be no need for such a work, and it would be presumptuous of me to endeavor anything of the kind. And yet, as I have started into the second century of my life, it seems to me that thus far my life has known considerable drama and has touched in one way or another on a number of interesting events. It has certainly been far from dull. In historic terms it saw its beginning in the dying days of the Austro-Hungarian Empire, covered deep economic depression and political upheaval including two brief but violent civil wars interspersed with brief periods of imprisonment, and then coming to a violent climax in a much longer period of incarceration and mortal danger. And then, after miraculous deliverance, began the second phase of my life, my emigration to America, with resumption of my studies, marriage and family, but also war and a professional career which eventually elevated the once penniless immigrant boy to the dignity of an ambassador of the United States of America. As these lines are written, their purpose is not clear to me, but because my life has covered so many events and spanned so many varied and different periods and experiences, I felt impelled to record them from memory and to put down some of the thoughts and emotions which passed through my mind as these events took place. -
Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru
BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU Contents ALL THE I-IVELONG DAY (And The Long, Long Night), 141 THE BACK BAY POLKA, 119 BESS YOU IS MY WOMAN, 9 (I've Got) BEGINNER'S LUCK, 66 BY STRAUSS, 131 A FOGGY DAY, 87 FOR YOU, FOR ME, FOR EVERMORE, 123 I CAN'T BE BOTHERED NOW, 91 I GOT PLENTY 0' NUTTIN', 17 I LOVE TO RHYME, 103 I WAS DOING ALL RIGHT, 107 IT AIIV'T NECESSARILY SO, 23 THE JOLLY TAR AND THE MILK MAID, 95 JUST ANOTHER RHUMBA, 53 LET'S CALL THE WHOLE THING OFF, 70 LOVE IS HERE TO STAY, 11 1 LOVE WALKED IN, 11 5 MY MAN'S GONE NOW, 29 NICE WORK IF YOU CAN GET IT, 99 OH BESS, OH WHERE'S MY BESS, 35 PROMENADE (Piano Solo), 74 THE REAL AMERICAN FOLK SONG (Is A Rag), 4 SHALL WE DANCE, 78 SLAP THAT BASS, 61 SOPHIA, 136 SUMMERTIME, 40 THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK, 44 THEY ALL LAUGHED, 82 THEY CAN'T TAKE THAT AWAY FROM ME, 127 A WOMAN IS A SOMETIME THING, 48 For all works contained herein: International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. THE REAL AMERICAN FOLK BOOGIEWOOGIE.RUSONG (Is A Ras)* Lyrics by IRA GERSHWN Music by GEORGE GERSH WIN 1 " Near Bar - ce - io - na the Deas - int cioons The old tra - di - tion - a1 I You may dis - like, or you 'may a - dore, The na - tire songs from a A Fm6 C Cmaj7 Am7 C dim Span - ish tunes; The Ne - a - pol - i - tan Street Song sighs, You for - eign shore; They may be songs that you can't for - get,- They I I Written for "Ladies First" (1918) The first George and In Gershwin collaboration used in a Broadway show Copyright @ 1959 by Gershwin Publishing Corporation Assigned to Chappell & Co., Inc.