Annals of Science, 59 (2002), 111–147 Malpighi, Swammerdam and the Colourful Silkworm: Replication and Visual Representation in Early Modern Science Matthew Cobb Laboratoire d’Ecologie, CNRS UMR 7625, Universite´ Paris 6, 7 Quai St Bernard, 75005 Paris, France. Email:
[email protected] Received 26 October 2000. Revised paper accepted 28 February 2001 Summary In 1669, Malpighi published the rst systematic dissection of an insect. The manuscript of this work contains a striking water-colour of the silkworm, which is described here for the rst time. On repeating Malpighi’s pioneering investi- gation, Swammerdam found what he thought were a number of errors, but was hampered by Malpighi’s failure to explain his techniques. This may explain Swammerdam’s subsequent description of his methods. In 1675, as he was about to abandon his scienti c researches for a life of religious contemplation, Swammerdam destroyed his manuscript on the silkworm, but not before sending the drawings to Malpighi. These gures, with their rich and unique use of colour, are studied here for the rst time. The role played by Henry Oldenburg, secretary of the Royal Society, in encouraging contact between the two men is emphasized and the way this exchange reveals the development of some key features of modern science — replication and modern scienti c illustration — is discussed. Contents 1. Introduction . 111 2. Malpighi and the silkworm . 112 3. The silkworm reveals its colours . 119 4. Swammerdam and the silkworm . 121 5. Swammerdam replicates Malpighi’s work . 124 6. Swammerdam publicly criticizes Malpighi . 126 7. Oldenburg tries to play the middle-man .