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The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof. -
Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Download the Idiot, Fyodor Dostoyevsky, Alan Myers, William
The Idiot, Fyodor Dostoyevsky, Alan Myers, William Leatherbarrow, Oxford University Press, 2008, 0199536392, 9780199536399, 658 pages. The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary Europe while sinking under the weight of Western materialism. It is the portrait of nineteenth-century Russian society in which a "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism. Meticulously faithful to the original, this new translation includes explanatory notes and a critical introduction by W.J. Leatherbarrow. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.. DOWNLOAD HERE Dostoevsky's The Idiot A Critical Companion, Liza Knapp, 1998, Literary Criticism, 274 pages. This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work. The volume .... Persuasion , Jane Austen, 1947, English fiction, 254 pages. The House of the Dead and Poor Folk , Fyodor Dostoyevsky, 2004, Fiction, 446 pages. In "The House of the Dead, Dostoevsky give vent to his perceptions of prison life, writing from his grueling experience in a Siberian camp, and introduces a gallery of boastful ... -
INTRODUCTION Drawn from Life: Mary Douglas's Personal Method
INTRODUCTION Drawn from life: Mary Douglas’s personal method Richard Fardon Mary Douglas (1921–2007) was the most widely read British anthropolo- gist of the second half of the twentieth century. Her writings continue to inspire researchers in numerous fields in the twenty-first century.1 This vol- ume of papers, first published over a period of almost fifty years, provides insights into the wellsprings of her style of thought and manner of writing. More popular counterparts to many of Douglas’s academic works – either the first formulation of an argument, or its more general statement – were often published around the same time as a specialist version. These first thoughts and popular re-imaginings are particularly revealing of the close relation between Douglas’s intellectual and personal concerns, a convergence that became more overt in her late career, when Mary Douglas occasionally wrote autobiographi- cally, explaining her ideas in relation to her upbringing, her family, and her experiences as both a committed Roman Catholic and a social anthropologist in the academy. The four social types of her theoretical writings – hierarchy, competition, the enclaved sect, and individuals in isolation – extend to remote times and distant places, prototypes that literally were close to home for her. This ability to expand and contract a restricted range of formal images allowed Mary Douglas to enter new fields of study with startling rapidity, to link unlikely domains of thought (through analogy, most frequently with religion), and to accommodate the most diverse examples in comparative frameworks. It was the way, to put it baldly, she made things fall into place. -
The German Exile Literature and the Early Novels of Iris Mur- Doch
University of Szeged Faculty of Arts Doctoral Dissertation The German Exile Literature and the Early Novels of Iris Mur- doch Dávid Sándor Szőke Supervisors: Dr. Zoltán Kelemen Dr. Anna Kérchy 2021 Acknowledgements I have a great number of people to thank for their support throughout this thesis, whether this support has been academic, financial, or spiritual. First of all, I would like to thank my supervisors, Dr Zoltán Kelemen and Dr Anna Kérchy for their unending help, encouragement and faith in me during my research. Their knowledge about the Holocaust, 20th century English woman writers and minorities has given exceptional depth to my understanding of Murdoch, Steiner, Canetti and Adler. The eye-opening essays and lectures by Dr Peter Weber about the Romanian painter and Holocaust survivor Arnold Daghani’s time in England provided a genesis for this thesis. Had it not for him, I would not have thought about putting Murdoch’s thinking in the context of Cen- tral European refugee literature and culture during and after the Second World War. This thesis owes much to the 2017 Holocaust Conference in Szeged (19 October) and the 2019 International Holocaust Conference in Halle (14-16 November). I would like to express my gratitude to the March of the Living Hungary, the Holocaust Memorial Centre Budapest, the Memory Point of Hódmezővásárhely, the synagogues of Szeged and Hódmezővásárhely, Professor Werner Nell (Martin-Luther-Universität Halle-Wittenberg), Professor Thomas Bremer (Martin-Luther-Universität Halle-Wittenberg), Professor Sue Vice (University of Shef- field), and Dr Zoltán Kelemen for making these events possible. During my PhD, as part of the Erasmus ++ programme I spent an entire year at Martin- Luther-Universität Halle-Wittenberg, where I made a great deal of research about the German coming to terms with the past. -
World Hau Books
WORLD Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WORLD AN ANthrOPOLOgical EXAMINatION João de Pina-Cabral The Malinowski Monographs Series Hau Books Chicago © 2017 Hau Books and João de Pina-Cabral The Malinowski Monographs Series (Volume 1) The Malinowski Monographs showcase groundbreaking monographs that contribute to the emergence of new ethnographically-inspired theories. In tribute to the foundational, yet productively contentious, nature of the ethnographic imagination in anthropology, this series honors Bronislaw Malinowski, the coiner of the term “ethnographic theory.” The series publishes short monographs that develop and critique key concepts in ethnographic theory (e.g., money, magic, belief, imagination, world, humor, love, etc.), and standard anthropological monographs—based on original research—that emphasize the analytical move from ethnography to theory. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-1-912808-24-3 LCCN: 2016961546 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Preface vii Acknowledgments xi chapter one World 1 chapter two Transcendence 31 -
The Poetics of Human Rights: Auden and Al-Jawahiri in the 1930S
THE POETICS OF HUMAN RIGHTS: AUDEN AND AL-JAWAHIRI IN THE 1930S AHMED FAISAL KHALEEL PhD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE FEBRUARY 2015 Dedication To My Father, whose funeral I couldn’t witness Or be with him in that hour of need This, Ḥāj Faisal, is a day of happiness For you and all my friends whom Death ceased Let your blessed souls have fun today I will join you later, as a Dr., I pray. ii Abstract This is a comparative study of human rights in modern English and Arabic poetry. It is an attempt to find out answers for the ongoing controversies on human rights across cultures, as well as between the humanitarian and the legal perspectives of human rights. It is also a step towards inspecting further dimensions in the relationship between human rights and literature, considering poetry as a main literary genre. Through narrative, argumentative and analytic methods this research project tackles a selection of the poetic careers of W. H. Auden and Mohammed Mahdi al-Jawahiri in the 1930s. Three poems are selected from each of the two poets, according to subject matter and its relation to human rights, chronological development, surrounding events and the poet’s character, his reactions and concerns. From Auden I have selected “Musée des Beaux Arts,” “Epitaph on a Tyrant” and “Refugee Blues;” while from al-Jawahiri, “Taḥarrak al-Laḥd” (The Coffin Moved), “Fī al-Sijn” (In Jail) and “al-Iqṭāʿ” (Land policy). Being divided into three pairs, the six poems (‘Musée des Beaux’ Arts with ‘Fī al-Sijn’, ‘Epitaph on a Tyrant’ with ‘Taḥarrak al-Laḥd’ and ‘Refugee Blues’ with ‘al- Iqṭāʿ’) will be identified and analysed in terms of human rights. -
Introduction: After Society
INTRODUCTION AFTER SOCIETY João Pina-Cabral and Glenn Bowman Introductory Remarks This book brings together a group of scholars who were shaped by Oxford anthropology in the late 1970s and early 1980s, each reflect- ing on their academic trajectories. This was a period of major political and academic change in Great Britain and, more generally, around the globe. A decade earlier, the student revolts had had a profound effect on the way the social sciences saw their role in society. Yet, it is only with the impact of the neoliberal reaction, at the time of Mrs Thatcher’s first government, that the full implications of the earlier crisis made themselves felt in anthropology. These implications were both internal, in theoretical terms, leading to a deep questioning of the central tenets that had shaped the social sciences throughout the twentieth century; and external, in academic terms, when scholarly discourse was suddenly treated by those in power as being largely irrelevant to the economy and to society – a kind of perverse luxury. Those of us who started our anthropological careers at the time faced the need to respond to a further set of aspects of intellectual decentring: (a) a second wave of psychoanalytic feminism was mak- ing important theoretical inroads; (b) poststructuralist critique was upturning the dominant individualist consensus that had dominated since the Second World War; (c) postmodernist dispositions were challenging traditional modes of ethnographic writing; and (d) a new Marxist-inspired postcolonial historiography was affecting the assumed perspectival roles of anthropological research, proposing radically new approaches to the very meaning of power. -
William Collins Donahue
William Collins Donahue 816 North St. Peter Street ● South Bend, IN 46617 Email: [email protected] Cell: 919.428.5829 Department of German & Russian Languages & Literatures University of Notre Dame ● 318 O’Shaughnessy Hall Notre Dame, IN 46556 ● 574.631.5572 Current Appointments University of Notre Dame: Director, Nanovic Institute for European Studies John J. Cavanaugh, C.S.C., Professor of the Humanities Professor of German Concurrent Professor of Film, Television, and Theatre Duke University Adjunct Professor of German Studies and Member of the Duke Graduate School Faculty (2015 – present) University of North Carolina – Chapel Hill: Member, Graduate School Faculty (2011 – present) Employment History University of Notre Dame: Chair, Department of German & Russian, July, 2015 – December, 2018 Fellow of the Nanovic Institute for European Studies, 2015-18 Duke University Bishop-MacDermott Family Professor of Germanic Languages & Literature (2013-15) Member, Bass Society of Fellows (2013-15) Chair, Department of Germanic Languages and Literature (2008 – 2014) Professor, Germanic Languages & Literature (2011-15) Professor, The Program in Literature (2011-15) Member of the Faculty of Jewish Studies (2006-15) and the Jewish Studies Executive Committee (2006—2014) Academic Director, Duke in Berlin (semester, year, and engineering programs; 2006- 15). Advising, Curriculum and Instructional Review, Program design, Personnel Review, Assessment. Duke Today story about Duke in Berlin press coverage in Berlin’s Der Tagesspiegel: http://today.duke.edu/2012/10/germancoverage Director and Founder, Duke-Rutgers Summer in Berlin (2006-15). Six week summer program. University of North Carolina – Chapel Hill: Member, Graduate School Faculty (2011 – present) Adjunct Professor of German Studies (2011-15) Adjunct Associate Professor of German Studies (2008–11). -
Smyth, Edmund Joseph (1993) the Nouveau Roman and the Aesthetics of Modernity and Postmodernity. Phd Thesis
Smyth, Edmund Joseph (1993) The nouveau roman and the aesthetics of modernity and postmodernity. PhD thesis. http://theses.gla.ac.uk/4834/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE NOUVEAU ROMAN AND THE AESTHETICS OF MODERNITY AND POSTMODERNITY by Edmund Joseph Smyth, MA (Hons) Submitted for the degree of Doctor of Philosophy, Department of French, University of Glasgow, September, 1993. cJ E. J. Smyth, 1993 ACKNOWLEDGEMENTS Some parts of this thesis originally appeared (in substantially modified form) in Romance Studies, French Studies Bulletin, and Postmodernism and Contemporary Fiction (Batsford, 1991). I would like to thank the respective editors and publishers for their permission to use this material. Above all, I should like to express my gratitude to the following for the invaluable assistance they have extended to me: David H. Walker, my original supervisor, for his unfailing encouragement, guidance and advice; the Scottish Education Department, -
Russian 245: RUSSIAN LIFE and CULTURE
Rebecca Pyatkevich University of WisconsinMilwaukee Spring 2011 Russian 245: RUSSIAN LIFE AND CULTURE TR 12:30 ‐ 1:45 BOL 281 Instructor: Dr. Rebecca Pyatkevich Office: Curtin 822 Office Hours: Mon 9:45 to 10:45 a.m., Thurs 3:00p.m. to 4 p.m., and by appt. Course description: Russia, a land of contrasts and enigmas, has both fascinated and repelled us. On the one hand, it is mysterious and foreign: we see it as “a riddle, wrapped in a mystery, inside an enigma” (Winston Churchill), a land full of beautiful female tennis players and male Olympic gymnasts. On the other, Russia fascinates because it is like a somewhat distorted mirror of ourselves: a warm and multicultural people, only recently on the historical stage but, for better or for worse, a regional and world leader, spread out across a continent (or two). This mysterious land seems to have something to say to us and to the rest of the world. Not only has Russia been, over the last four centuries, a formidable and unpredictable player, politically, on the world stage, but it has produced books, paintings, music, theatre, architecture that are not only original, but artistically influential – a breadth of art and philosophy that speaks to universal human concerns about the nature of our personal and political experience of the world. The question is – WHY? What about the Russian historical, political, cultural, and artistic experience has allowed it to create art and literature that reflects so deeply and effectively on the major questions of human existence? In this course, we will attempt to understand how Russian culture developed, the connection between the national search for identity and self-understanding, and the works of art that deal with these questions on the national and the individual level. -
Bibliography
BIBLIOGRAPHY Adler, J. and R. Fardon. 1999a. ‘An Oriental in the West: The Life of Franz Baermann Steiner’. In: Taboo, Truth and Religion: Franz Baermann Steiner Selected. Writings ed. J. Adler and R. Fardon. Oxford: Berghahn. ——— and ——— 1999b. ‘Orientpolitik, Value and Civilisation: The Anthropological Thought of Franz Steiner’. In: Orientpolitik, Value and Civilisation: Franz Baermann Steiner Selected Writings ed. J. Adler and R. Fardon. Oxford: Berghahn. Alexander, C. 1996. The Art of Being Black. Oxford: Clarendon Press. Annan, N. 1990. Our Age: Portrait of a Generation. London: Weidenfeld and Nicolson. Appadurai, A. 1996. ‘Diversity and Disciplinarity as Cultural Artefacts’. In: Disciplinarity and Dissent in Cultural Studies, ed. C. Nelson and D.P. Gaonkar. London: Routledge. Ardener, E. and S. Ardener. 1965. ‘A Directory Study of Social Anthropologists’. British Journal of Sociology 16: 295–315. Asad, T. ed. 1973. Anthropology and the Colonial Encounter. London: Ithaca Press. Bagley, C. 1985. ‘Review of Racial and Ethnic Competition by Michael Banton’. American Journal of Sociology 91 (1): 197–99. Banton, M. 1954. The Coloured. Quarter: Negro Immigrants in an English City. London: Jonathan Cape. ——— 1959. White and Coloured: The Behaviour of British People towards Coloured. Immigrants. Oxford: Alden Press. ——— ed. 1965a. The Relevance of Models for Social Anthropology: Asa Monographs 1. London: Tavistock. ——— ed. 1965b. Political Systems and the Distribution of Power: Asa Monographs 2. London: Tavistock. ——— ed. 1966a. Anthropological Approaches to the Study of Religion: Asa Monographs 3. London: Tavistock. ——— ed. 1966b. The Social Anthropology of Complex Societies: Asa Monographs 4. London: Tavistock. ——— 1973. ‘The Future of Race Relations Research in Britain: The Establishment of a Multi-Disciplinary Research Unit’.