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Cuadernos Hispanoamericanos Nº 337-338, Julio-Agosto 1978
CUADERNOS HISPANOAMERICANOS MADRID JULIO-AGOSTO 1978 337-338 CUADERNOS HISPANO AMERICANOS DIRECTOR JOSÉ ANTONIO MARAVALL JEFE DE REDACCIÓN FÉLIX GRANDE HAN DIRIGIDO CON ANTERIORIDAD ESTA REVISTA PEDRO LAIN ENTRALGO LUIS ROSALES DIRECCIÓN, SECRETARIA LITERARIA Y ADMINISTRACIÓN Centro Iberoamericano de Cooperación Avenida de los Reyes Católicos Teléfono 244 06 00 MADRID CUADERNOS HISPANOAMERICANOS Revista mensual de Cultura Hispánica Depósito legal: M 3875/1958 DIRECTOR JOSÉ ANTONIO MARAVALL JEFE DE REDACCIÓN FÉLIX GRANDE 337-338 DIRECCIÓN, ADMINISTRACIÓN Y SECRETARIA Centro Iberoamericano de Cooperación Avda. de los Reyes Católicos Teléfono 244 06 00 MADRID INDICE NUMEROS 337-338 (JULIO-AGOSTO 1978) HOMENAJE A CAMILO JOSE CELA Páginas JOSE GARCIA NIETO: Carta mediterránea a Camilo José Cela ... 5 FERNANDO QUIÑONES: Lo de Casasana 13 HORACIO SALAS: San Camilo 1936-Madrid. San Rómulo 1976-Bue- nos Aires 17 PEDRO LAIN ENTRALGO: Carta de un pedantón a un vagabundo por tierras de España 20 JOSE MARIA MARTINEZ CACHERO: El septenio 1940-1946 en la bi bliografia de Camilo José Cela : 34 ROBERT KIRSNER: Camilo José Cela: la conciencia literaria de su sociedad • 51 PAUL ILIE: La lectura del «vagabundaje» de Cela en la época pos franquista 61 EDMOND VANDERCAMMEN: Cinco ejemplos del ímpetu narrativo de Camilo José Cela 81 JUAN MARIA MARIN MARTINEZ: Sentido último de «La familia de Píí ^C'tirii DtJ3tt&¡> Qn JESUS SANCHEZ LOBATO: La adjetivación "en «La familia de Pas cual Duarte» 99 GONZALO SOBEJANO: «La Colmena»: olor a miseria 113 VICENTE CABRERA: En busca de tres personajes perdidos en «La Colmena» 127 D. W. McPHEETERS: Tremendismo y casticismo 137 CARMEN CONDE: Camilo José Cela: «Viaje a la Alcarria» 147 CHARLES V. -
The Human Termanation Guide
THE HUMAN TERMINATION GUIDE BOOK By Anna Farahmand and Micheal Webber © 2009 By Anna farahmand and Micheal Webber © 2009 Micheal Webber The copy write belongs to the authors. ---No legal action will be entered into regarding the copying printing or sharing of this document in its unaltered form so …...........please copy upload and share the wisdom of this document.................. – No profiting from sales of this of this document will be tolerated. – (Micheal Webber) Published by Dead Phoenix, Press Michael Webber # 4361/ 616 Corporate Way, Suite 2 Valley Cottage, NY 10989-2050 US He who knows and knows he knows He is a wise man, seek him. He who knows and knows not he knows, He is asleep, wake him. He who knows not and knows he knows not, He is a child, teach him. He who knows not and knows not he knows not, He is a fool, shun him. Preface Until now, many documents have bean written on anarchy, terrorism, conspiracy theories and guerrilla warfare, but there is no document which covers all of them in one. Every one must know who was he and person would like to be? Or all his life is affected by others. I will try to show the readers how ideology changes their world for benefit of a few. Most documents want to introduce an enemy but don’t offer the meaning of that enemy. They want to brain wash you with their ideology and use you as a killer. our stupid ideology make us different from other animals and all things we are suffering now is because of this .we want to stay alive forever and speak proudly that humans are the only valuable species, “but Mankind is the most dangerous, destructive, selfish and unethical animal on the earth”. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Brad a Mante
B radA mante Revista de Letras, 1 (2020) Hablo de aquella célebre doncella la cual abatió en duelo a Sacripante. Hija del duque Amón y de Beatriz, era muy digna hermana de Rinaldo. Con su audacia y valor asombra a Carlos y Francia entera aplaude su coraje, que en más de una ocasión quedó probado, en todo comparable al de su hermano. Orlando furioso II, 31 B radA mante Revista de Letras, 1 (2020) | issn 2695-9151 BradAmante. Revista de Letras Dirección Basilio Rodríguez Cañada - Grupo Editorial Sial Pigmalión José Ramón Trujillo - Universidad Autónoma de Madrid Comité científico internacional M.ª José Alonso Veloso - Universidade de Santiago de Compostela Carlos Alvar - Université de Genève (Suiza) José Luis Bernal Salgado - Universidad de Extremadura Justo Bolekia Boleká - Universidad de Salamanca Rafael Bonilla Cerezo - Universidad de Córdoba Randi Lise Davenport - Universidad de Tromsø (Noruega) J. Ignacio Díez - Universidad Complutense de Madrid Ángel Gómez Moreno - Universidad Complutense de Madrid Fernando González García - Universidad de Salamanca Francisco Gutiérrez Carbajo - Universidad Nacional de Educación a Distancia Javier Huerta Calvo - Universidad Complutense de Madrid José Manuel Lucía Megías - Universidad Complutense de Madrid Karla Xiomara Luna Mariscal - El Colegio de México (México) Ridha Mami - Université La Manouba (Túnez) Fabio Martínez - Universidad del Valle (Colombia) Carmiña Navia Velasco - Universidad del Valle (Colombia) José María Paz Gago - Universidade da Coruña José Antonio Pascual Rodríguez - Real Academia -
18Th Century. France and Venice
18th century. France and Venice Antoine Watteau (1684 – 1721) was a French painter whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalised the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. The Love Song c1717 The Embarcation for Cythera 1717 The Embarkation for Cythera portrays a "fête galante"; an amorous celebration or party enjoyed by the aristocracy of France during the Régence after the death of Louis XIV, which is generally seen as a period of dissipation and pleasure, and peace, after the sombre last years of the previous reign. The work celebrates love, with many cupids flying around the couples and pushing them closer together, as well as the statue of Venus.There are three pairs of lovers in the foreground. While the couple on the right by the statue are still engaged in their passionate tryst, another couple rises to follow a third pair down the hill, although the woman of the third pair glances back fondly at the goddess’s sacred grove. At the foot of the hill, several more happy couples are preparing to board the golden boat at the left. With its light and wispy brushstrokes, the hazy landscape in the background does not give any clues about the season, or whether it is dawn or dusk. -
AN INTRODUCTORY GRAMMAR of OLD ENGLISH Medieval and Renaissance Texts and Studies
AN INTRODUCTORY GRAMMAR OF OLD ENGLISH MEDievaL AND Renaissance Texts anD STUDies VOLUME 463 MRTS TEXTS FOR TEACHING VOLUme 8 An Introductory Grammar of Old English with an Anthology of Readings by R. D. Fulk Tempe, Arizona 2014 © Copyright 2020 R. D. Fulk This book was originally published in 2014 by the Arizona Center for Medieval and Renaissance Studies at Arizona State University, Tempe Arizona. When the book went out of print, the press kindly allowed the copyright to revert to the author, so that this corrected reprint could be made freely available as an Open Access book. TABLE OF CONTENTS PREFACE viii ABBREVIATIONS ix WORKS CITED xi I. GRAMMAR INTRODUCTION (§§1–8) 3 CHAP. I (§§9–24) Phonology and Orthography 8 CHAP. II (§§25–31) Grammatical Gender • Case Functions • Masculine a-Stems • Anglo-Frisian Brightening and Restoration of a 16 CHAP. III (§§32–8) Neuter a-Stems • Uses of Demonstratives • Dual-Case Prepositions • Strong and Weak Verbs • First and Second Person Pronouns 21 CHAP. IV (§§39–45) ō-Stems • Third Person and Reflexive Pronouns • Verbal Rection • Subjunctive Mood 26 CHAP. V (§§46–53) Weak Nouns • Tense and Aspect • Forms of bēon 31 CHAP. VI (§§54–8) Strong and Weak Adjectives • Infinitives 35 CHAP. VII (§§59–66) Numerals • Demonstrative þēs • Breaking • Final Fricatives • Degemination • Impersonal Verbs 40 CHAP. VIII (§§67–72) West Germanic Consonant Gemination and Loss of j • wa-, wō-, ja-, and jō-Stem Nouns • Dipthongization by Initial Palatal Consonants 44 CHAP. IX (§§73–8) Proto-Germanic e before i and j • Front Mutation • hwā • Verb-Second Syntax 48 CHAP. -
Du 5 Au 9 Août Sen Bertomiu 2011
Parentis en Born Du 5 au 9 août Feri La a Sen Bertomiu 2011 Ville de Parentis en Born Le Mot du Maire En rouge et blanc... Le rendez-vous est pris depuis longtemps : du 5 au 9 août, Parentis va vibrer au rythme de la feria. La tradition sera respectée : les spectacles et animations proposés garderont la même qualité et la même diversité avec 6 spectacles taurins (novilladas, recorte, course landaise, croque-vache), le concert d’ouverture, le défilé des chars fleuris, l’omelette géante (et gratuite), la journée des enfants, le feu d’artifice, le concours de pêche, les bals publics... Les bandas et l’Orchestre de la Ville animeront les rues de notre ville où vous retrouverez les bodegas et buvettes qui assurent le ravitaillement des festayres dans une atmosphère unique de convivialité. Il y a aussi des nouveautés : la troisième novillada proposée aux aficionados le dimanche matin, l’animation musicale du dimanche soir organisée par les bodegas autour du kiosque et l’Adishatz, cérémonie de clôture des fêtes le mardi soir à l’issue du feu d’artifice. La fête finira à 3h du matin, sauf le samedi pour lequel nous avons obtenu la dérogation de la préfecture pour une fermeture à 4h (nuit de samedi à dimanche). Un «camping des fêtes» sera proposé aux festayres derrière les arènes: c’est une mesure de sécurité pour éviter les accidents de voiture au retour de la fête. Cela devrait aussi supprimer les campings sauvages qui se positionnaient n’importe où dans la ville et créaient quelques désagréments aux riverains. -
Espagne & Tauromachie (19Ème Vente)
ESPAGNE & TAUROMACHIE (19ème VENTE) SAMEDI 13 ET DIMANCHE 14 MARS 2021 VENTE AUX ENCHÈRES PUBLIQUES Provenances : Collections particulières et successions dont : M. Bernard RENDU (11) M. Alain LALANNE (85) Samedi 13 mars 2021 à 10h lot n° 1 à n° 180 et à 14h lot n° 181 à n° 426 Dimanche 14 mars 2021 à 14h lot n°427 à n° 700 Hôtel des ventes Bordeaux Sainte - Croix ! ! A los toros ! 1 HÔTEL DES VENTES BORDEAUX Sainte - CROIX AssISTÉ DE : 12-14, rue Peyronnet - 33800 Bordeaux S.A.S. BRISCADIEU BORDEAUX Livres anciens et gravures (Agrément 2002 304) M. Michel Convert 06 30 36 96 13 [email protected] CONTACT PHOTOS SUPPLÉMENTAIRES T : 33 (0)5 56 31 32 33 www.briscadieu-bordeaux.com F : 33 (0)5 56 31 32 00 www.interencheres.com M : [email protected] www.auction.fr RENSEIGNEMENTS PARTICIPER À LA VENTE EN LIVE Antoine Briscadieu www.interencheres.com Thomas Nicolet ORDRES D'ACHAT ET TÉLÉPHONES EXPOSITION DE LA VENTE Il a été tiré de ce catalogue Anne Courtois Briscadieu Vendredi 12 mars : de 10h à 12h et 14h à 19h [email protected] Dans le respect des normes sanitaires en vigueur. - 20 ex. marqués de I à XX destinés aux vendeurs - 160 ex. numérotés de 1 à 160 pour les membres de l’Union des Bibliophiles Taurins de France. OMMAIRE I - Bibliothèque française et espagnole . p. 6 II - Livres anciens et rares, illustrés modernes. p. 26 1. Livres anciens et rares . p. 26 Exemplaire n° .......................... 1. Beaux-arts et photographie . .p. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
<全文>Japan Review : No.34
<全文>Japan review : No.34 journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 34 year 2019-12 URL http://id.nii.ac.jp/1368/00007405/ 2019 PRINT EDITION: ISSN 0915-0986 ONLINE EDITION: ISSN 2434-3129 34 NUMBER 34 2019 JAPAN REVIEWJAPAN japan review J OURNAL OF CONTENTS THE I NTERNATIONAL Gerald GROEMER A Retiree’s Chat (Shin’ya meidan): The Recollections of the.\ǀND3RHW+H]XWVX7ǀVDNX R. Keller KIMBROUGH Pushing Filial Piety: The Twenty-Four Filial ExemplarsDQGDQ2VDND3XEOLVKHU¶V³%HQH¿FLDO%RRNVIRU:RPHQ´ R. Keller KIMBROUGH Translation: The Twenty-Four Filial Exemplars R 0,85$7DNDVKL ESEARCH 7KH)LOLDO3LHW\0RXQWDLQ.DQQR+DFKLUǀDQG7KH7KUHH7HDFKLQJV Ruselle MEADE Juvenile Science and the Japanese Nation: 6KǀQHQ¶HQDQGWKH&XOWLYDWLRQRI6FLHQWL¿F6XEMHFWV C ,66(<ǀNR ENTER 5HYLVLWLQJ7VXGD6ǀNLFKLLQ3RVWZDU-DSDQ³0LVXQGHUVWDQGLQJV´DQGWKH+LVWRULFDO)DFWVRIWKH.LNL 0DWWKHZ/$5.,1* 'HDWKDQGWKH3URVSHFWVRI8QL¿FDWLRQNihonga’s3RVWZDU5DSSURFKHPHQWVZLWK<ǀJD FOR &KXQ:D&+$1 J )UDFWXULQJ5HDOLWLHV6WDJLQJ%XGGKLVW$UWLQ'RPRQ.HQ¶V3KRWRERRN0XUǀML(1954) APANESE %22.5(9,(:6 COVER IMAGE: S *RVRNXLVKLNLVKLNL]X御即位式々図. TUDIES (In *RVRNXLGDLMǀVDLWDLWHQ]XDQ7DLVKǀQREX御即位大甞祭大典図案 大正之部, E\6KLPRPXUD7DPDKLUR 下村玉廣. 8QVǀGǀ © 2019 by the International Research Center for Japanese Studies. Please note that the contents of Japan Review may not be used or reproduced without the written permis- sion of the Editor, except for short quotations in scholarly publications in which quoted material is duly attributed to the author(s) and Japan Review. Japan Review Number 34, December 2019 Published by the International Research Center for Japanese Studies 3-2 Goryo Oeyama-cho, Nishikyo-ku, Kyoto 610-1192, Japan Tel. 075-335-2210 Fax 075-335-2043 Print edition: ISSN 0915-0986 Online edition: ISSN 2434-3129 japan review Journal of the International Research Center for Japanese Studies Number 34 2019 About the Journal Japan Review is a refereed journal published annually by the International Research Center for Japanese Studies since 1990. -
Seymour on Bizzocchi, 'A Lady's Man: the Cicisbei, Private Morals and National Identity in Italy'
H-Histsex Seymour on Bizzocchi, 'A Lady's Man: The Cicisbei, Private Morals and National Identity in Italy' Review published on Friday, November 6, 2015 Roberto Bizzocchi. A Lady's Man: The Cicisbei, Private Morals and National Identity in Italy. Translated by Noor Giovanni Mazhar. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014. 320 pp. $90.00 (cloth), ISBN 978-1-137-45092-0. Reviewed by Mark Seymour (University of Otago) Published on H-Histsex (November, 2015) Commissioned by Chiara Beccalossi Citation: H-Net Reviews. Seymour on Bizzocchi, 'A Lady's Man: The Cicisbei, Private Morals and National Identity in Italy'. H-Histsex. 11-10-2015. https://networks.h-net.org/node/6056/reviews/94549/seymour-bizzocchi-ladys-man-cicisbei-private-morals-and-national Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Histsex Let us throw common wisdom about judging books to the wind and begin with the cover (http://www.palgrave.com/page/detail/a-ladys-man-roberto-bizzocchi/?isb=9781137450920): a beguiling image by Giandomenico Tiepolo centers on an elegant lady in a long yellow dress, viewed entirely from behind. She is supported at each elbow by gentlemen in frock coats and knee breeches. The intimate trio are just embarking on a promenade, and one of the men throws back an ambiguous glance. Painted shortly after the French Revolution, the image poignantly captures not just the courtly formality of the age, but the intriguing social custom that forms this book’s subject. Cicisbei were fully sanctioned male companions of other men’s wives in eighteenth-century Italy.