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A Community of Monks Or Nuns, Ruled by an Abbot Or Abbess. Usually Founded by a Monastic Order
Abbey - a community of monks or nuns, ruled by an abbot or abbess. Usually founded by a monastic order. Abbeys oftne owe some form of feudal obligation to a lord or higher organization. They are normally self-contained. Abjuration - renunciation, under oath, of heresy to the Christian faith, made by a Christian wishing to be reconciled with the Church. Accidie - term used in ascetical literature for spiritual sloth, boredom, and discouragement. Acolyte - a clerk in minor orders whose particular duty was the service of the altar. Advocate - lay protector and legal representative of a monastery. Advowson - the right of nominating or presenting a clergyman to a vacant living. Agistment - a Church rate, or tithe, charged on pasture land. Aisle - lateral division of the nave or chancel of a church. Alb - a full-length white linen garment, with sleeves and girdle, worn by the celebrant at mass under a chasuble. Almoner - officer of a monastery entrusted with dispensing alms to the poor and sick. Almonry - place from which alms were dispensed to the poor. Almuce - large cape, often with attached hood, of cloth turned down over the shoulders and lined with fur. Doctors of Divinity and canons wore it lined with gray fur. Cape was edged with little Ambulatory - aisle leading round an apse, usually encircling the choir of a church. Amice - a square of white linen, folded diagonally, worn by the celebrant priest, on the head or about the neck and shoulders. Anathema - condemnation of heretics, similar to major excommunication. It inflicts the penalty of complete exclusion from Christian society. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
18Th Century. France and Venice
18th century. France and Venice Antoine Watteau (1684 – 1721) was a French painter whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalised the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. The Love Song c1717 The Embarcation for Cythera 1717 The Embarkation for Cythera portrays a "fête galante"; an amorous celebration or party enjoyed by the aristocracy of France during the Régence after the death of Louis XIV, which is generally seen as a period of dissipation and pleasure, and peace, after the sombre last years of the previous reign. The work celebrates love, with many cupids flying around the couples and pushing them closer together, as well as the statue of Venus.There are three pairs of lovers in the foreground. While the couple on the right by the statue are still engaged in their passionate tryst, another couple rises to follow a third pair down the hill, although the woman of the third pair glances back fondly at the goddess’s sacred grove. At the foot of the hill, several more happy couples are preparing to board the golden boat at the left. With its light and wispy brushstrokes, the hazy landscape in the background does not give any clues about the season, or whether it is dawn or dusk. -
TIDINGS from Bengal-Orissa
YALE UNIVERSITY LIBRARY 3 9002 09912 5149 TIDINGS from Bengal-Orissa 1836-1936 Cenfettarg anb $nttuaf (Remoti (Itumßer MARCH, 1936 No. 1 BENGAL-ORISSA FIELD DIRECTORY Bhimpore, Midnapore Dist., Balasore, Orissa, B.N. Ry. Bengal. Rev. H. I. Frost. Mrs. H. I. Prost. Rev. H. C. Long. Mrs. H. C. Long. Mr. Lloyd Eller. Mrs. Eller. Miss Naomi Knapp. Mr. J. G. Gilson. Mrs. J. G. Gilson. Midnapore, Bengal. Miss Lillian Brueckman. Rev. A. A. Berg. Miss Ethel Cronkite. Mrs. A. A. Berg. Miss Ruth Daniels. Bhadrak, Balasore Dist., Orissa. Khargpur, B.N. Ry. Vacant. Rev. E. C. Brush. Santipore, Hatigarh P.O., Mrs. E. C. Brush. Rev. C. C. Roadarmel. Orissa. Mrs. C. C. Roadarmel. Vacant. Jamshedpur, B.N. Ry. On Furlough. Rev. G. B. Harris. Rev. L- C. Kitchen. Mrs. G. B. Harris. Mrs. L. C. Kitchen. Miss Grace Hill. Rev. W . S. Dunn. Jhargram, Bengal. Mrs. W . S. Dunn. Vacant. Rev. W . C. Osgood. Mrs. W . C. Osgood. Salgodia, Hatigarh P.O. Rev. J. A. Howard. Mrs. J. A. Howard. Mr. George Ager. Miss A. Stearns. Mrs. George Ager. Miss S. B. Gowen. U.S. subscriptions to Tidings may be secured from— Dr. P. H. J. Lerrigo, 152, Madison Ave., N .Y. Single subscriptions $0.30 each. Four subscriptions $ 1.00. Local subscriptions from— Mrs. E. C. Brush, Khargpur, Bengal— 6 As. each. CONTENTS Page. CENTENARY CENTRAL CELEBRATION PROGRAM 4 GLEANINGS FROM THE CENTRAL CELEBRATION 6 ANNUAL REPORTS, 1935 Work in Bengal 1 . Rev. A. A. Berg and Mrs. Berg Santal District Evangelistic Work Brief Historical Notes on Santal Churches io Midnapore Evangelistic Work and the Church 15 2 . -
JEREMIAH PHILLIPS, D. D. HANNAH C PHILLIP: Ifamtlp Laecord
JEREMIAH PHILLIPS, D. D. HANNAH C PHILLIP: ifamtlp laecorD OF JEREMIAH PHILLIPS, D. D. Missionary to Orissa, India, son of Parley and Hannah Phillips. 1812— 1906. 8 0Cl*"£-^ z MARRIAGES. "And they twain shall be one flesh." At Boston, Mass., Sept. 15th, 1835, by REV. RUFUS SPAULDING, brother of the bride, JEREMIAH PHILLIPS and MARY SPAULDING BEDEE. At Serampore, India, Jan. 29th, 1839, by REV. JOHN MACK, foster-father of the bride, JEREMIAH PHILLIPS and MARY ANNE GRIMDITCH. At Jellasore, India, Feb. 12th, 1841, by REV. O. R. BACHELER, missionary col league, JEREMIAH PHILLIPS and HAN NAH W. CUMMINGS. [3] MARRIAGES. OF CHILDREN. At Pascoag, R. I., Aug. loth, 1864, by REV. WM. FITZ, JAMES L. PHILLIPS and MARY R. SAYLES. At Norwalk, Conn., April 8th, 1867, by REV. DR. CHILDS, JOHN H. PHILLIPS and ANNETTE O. MARSH. At Bethany, New York, Dec. 15th, 1866, by REV. S. ALDRICH, R. GILBERT PLATTS and MARY ANNE PHILLIPS. At Oak Park, Ills., April 8th, 1870, by REV. J. B. DREW, JAMES A. KEYES and H. CARRIE PHILLIPS. At Jellasore, India, Nov. 18th, 1879, by DR. J. L. PHILLIPS, brother of the bride, THOMAS W. BURKHOLDER and JULIA E. PHILLIPS. At Kingsville, Ohio, June 8th, 1875, by REV. S. HOUGH, JEREMIAH PHILLIPS, JR., and ALTIE F. WRIGHT. At Balasore, India, Oct. 25th, 1904, by REV. M. J. COLDREN, IRVING L. STONE and HARRIET P. PHILLIPS. [4] MARRIAGES. At Hillsdale, Mich., July 15th, 1873, by REV. R. WOODWORTH, ALBERT J. MARSHALL and EMILY L. PHILLIPS. At Hillsdale, Mich., Aug. 6th, 1877, by PROF. R. -
Monastic Observances
monastic wisdom series: number twenty-five Thomas Merton Monastic Observances Initiation into the Monastic Tradition 5 monastic wisdom series Simeon Leiva, ocso, General Editor Advisory Board Michael Casey, ocso Terrence Kardong, osb Lawrence S. Cunningham Kathleen Norris Patrick Hart, ocso Miriam Pollard, ocso Robert Heller Bonnie Thurston monastic wisdom series: number twenty-five Monastic Observances Initiation into the Monastic Tradition 5 by Thomas Merton Edited with an Introduction by Patrick F. O’Connell Preface by James Conner, ocso Cistercian Publications www.cistercianpublications.org LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Cistercian Publications title published by Liturgical Press Cistercian Publications Editorial Offices Abbey of Gethsemani 3642 Monks Road Trappist, Kentucky 40051 www.cistercianpublications.org © 2010 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, microfiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, P.O. Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 1 2 3 4 5 6 7 8 9 Library of Congress Cataloging-in-Publication Data Merton, Thomas, 1915–1968. Monastic observances : initiation into the monastic tradition 5 / by Thomas Merton ; edited with an introduction by Patrick F. O’Connell ; preface by James Conner. p. cm. — (Monastic wisdom series ; MW25) Includes bibliographical references and index. ISBN 978-0-87907-025-0 — ISBN 978-0-87907-921-5 (e-book) 1. Cistercians—Rules. -
Latin Derivatives Dictionary
Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine. -
How to Show Pictures to Children
NYPL RESEARCH LIBRARIES 3 3433 07099049 8 AA r ^j\f YOTlK U"Bl""B.Irf T\LDtfro&i^ rrgaoMboo {*toi bj Br»ua, Clcm.iit i t'u. JuUa Andrew i Sun, So. THE HOLY NIGHT (DETAIL) Dresden Gallery HOW TO SHOW PICTURES TO CHILDREN ~h BY V ESTELLE M. HTJHLL AUTHOR OF THE RIVERSU)E ABT SERIES BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY cW^. •p R KQNS COPYRIGHT, 1914, BY ESTELLE M. HURLL • • • • • • C • • • • *» • • • • • • ' • • • • • • • - • • • '.:•. CAMBKIUGK . MASSACHUSETTS U . S . A To J. C. H. WHOSE HELP, ENCOURAGEMENT AND CRITICISM HAVE MADE THE IMPOSSIBLE POSSIBLE ,001 *5»J '* i ,>JJ1 ' ») > 1 1 > B » ,' • i J O \» ^1 ) ) > ) 1 ) 1' T 1 , 1 »• ) >»»<>, > . » ^ 1 »>>«»» JJ >j' »' PREFACE The first suggestion for this little book came from Miss Elizabeth MeCracken, editor of Home Progress, whose enthusiasm and sympathy have been a con- stant inspiration. In her wide correspondence with mothers in regard to the training of children, she dis- covered the need of a book giving practical advice about pictures for children. A similar report came from the libraries, where the same need had long been noticed at the consulting-desks. The call from art educators and pubhc school teachers has been equally urgent. As the custom of hanging pictures in the schoolroom has become almost universal, the demand has arisen for helpful information in matters of art. I am especially grateful to Mr. Henry Turner Bailey, editor of the School Arts Magazine, and Mr. James Frederick Hopkins, director of the Massachusetts Normal Art School, for their words of encouragement and counsel. -
The Meaning of Witchcraft
THE MEANING OF WITCHCRAFT By G. B. GARDNER Introduction by Dr. Leo Louis Martello MAGICKAL CHILDE, INC. 35 W. 19th St. (Gerald Gardner) GARDNER GRAND OLD MAN OF WITCHCRAFT By DR. LEO LOUIS MARTELLO Gerald B. Gardner’s biography has been published many times, including a chapter on him in my own Witchcraft: The Old Religion. For the record his first Craft book was High Magic’s Aid published in 1949, a self-published work. His second was Witchcraft Today in 1954 and his last was The Meaning of Witchcraft, 1959, five years before his death. Prior to these he had written A Goddess Arrives, 1948, and Keris and Other Malay Weapons, 1936. The latter and High Magic’s Aid were published under his pen-name of Scire. In Witchcraft Today the Bibliography has no listing of Charles Godfrey Leland and in this book he lists only Leland’s Gypsy Sorcery. Yet a careful study of the Gardnerian Book of Shadows reveals that many passages were copied directly from Leland’s Aradia. The secret name of the Goddess used in Gardnerian rites is also most revealing. His new converts shed lots of heat but not too much light, especially in view of all the hagiographical hogwash written about him. Those converts who saw the light preferred to keep others in the dark. This is characteristic of all new converts to any faith. And today none of this matters as the Craft... The Old Religion... Paganism has grown and expanded worldwide where the myths of the past, the factual inconsistencies, the claims and counterclaims fade into insignificance. -
Carthusian Diurnal
Carthusian Diurnal Volume I CARTHUSIAN DIURNAL Volume I Little Hours of the Canonical Office Office of the Blessed Virgin Penitential Psalms and Litany of the Saints Office of the Dead Grande Chartreuse 1985 We approve this English edition of the CARTHUSIAN DIURNAL (Volume I). La Grande Chartreuse, in the Feast of the Transfiguration 1985. Fr. Andre Prior of Chartreuse Introduction INTRODUCTION Why this Office? The Second Vatican Council expresses itself on the subject of the Office in these words: Jesus Christ, High Priest of the New and Eternal Covenant, taking human nature, introduced into this earthly exile that hymn which is sung throughout all ages in the halls of heaven. He attaches to himself the entire community of mankind and has them join him in singing his divine song of praise ... The Divine Office, in keeping with ancient Christian tradition, is so devised that the whole course of the day and night is made holy by the praise of God. Therefore, when this wonderful song of praise is Correctly celebrated by priests and others deputed to it by the Church, or by the faithful praying together with a priest in the approved form, then it is truly the voice of the Bride herself addressed to her Bridegroom. It is the very prayer which Christ himself together with his Body addresses to the Father. Hence all who take part in the Divine Office are not only performing a duty for the Church, they are also sharing in what is the greatest honor for Christ's Bride; for by offering these praises to God they are standing before God's throne in the name of the Church, their Mother. -
Art History Timeline Art Periods Characteristics Chief Artists Historical Events Movements Major Works
Art History Timeline Art Periods Characteristics Chief Artists Historical Events Movements Major Works Stone Age Cave painting Lascaux Cave Painting 10,000-8,000 BC Ice Age ends (30,000–2500BC) Fertility goddesses Hall of Bulls 8000-2500 BC Stone Age, permanent settlements Paleo/Meso/ Megalithic structures Venus of Willendorf 3000-2200 BC Stonehenge Neolithic Mesopotamian Warrior art Akkadian Ruler 3400 BC Sumerians invent cuneiform writing (3500–539 BC) Narration in stone relief Ishtar Gate 2332-2150 BC Akkadians assumed divine attributes Citadels 2000 BC Abraham founds monotheism Persia Ziggurats Standard of Ur 2600 (BM) 1780 BC Hammurabi writes his law code Babylon Fertile crescent Stele of Vultures 2600 (L) 1496 BC Ten Commandments Mt. Sinai Turkey Votive Statuettes Bull Harp 2600 (BM) 1020-930 BC Kingdom of Israel (United) Iraq Gods & Goddesses Victory Stele Naram-Sin 2254(L) 980 BC Iliad and the Odyssey Iran Cradle of civilization Gudea 2100(L) 653 BC Rise of Persian Empire Syria Cuneiforms Stele of Hammurabi 1780(L) 586 BC First Temple (Solomon) in Jerusalem destroyed by Babylonians Registers Statue Queen Napir-Asu 1350(L) 539 BC Fall of Babylonian Empire –Jews Freed Seals Lamassu 750(L) Ashurbanipal Hunting Lions 640(BM) Persepolis 521-465 BC Egyptian Afterlife focus Palette of King Narmer 3100 BC King Narmer unites Upper/Lower Egypt (3500-30 BC) Pyramids Imhotep Hatshepsut 3100 BC First Dynasty of Egypt Tomb painting Ahmen Re of Karnak 3000 BC Papyrus by Egyptians Predynastic Great Pyramids Bust of Nefertiti 2700 BC Old Kingdom -
The Journey of a Book
THE JOURNEY OF A BOOK Bartholomew the Englishman and the Properties of Things Map of Europe in c.1230, showing locations significant withinThe Journey of a Book. Approx. indications of the frontiers of Christendom (western and eastern) and Islam, and of the Mongol advance, are based on McEvedy, Colin. The New Penguin Atlas of Medieval History. London: Penguin Books, 1992, pp.73, 77. THE JOURNEY OF A BOOK Bartholomew the Englishman and the Properties of Things Elizabeth Keen Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/journey_citation.html National Library of Australia Cataloguing-in-Publication entry Keen, Elizabeth Joy. Journey of a book : Bartholomew the Englishman and the Properties of things. ISBN 9781921313066 (pbk.). ISBN 9781921313073 (web). 1. Bartholomaeus Anglicus, 13th cent. De proprietatibus rerum. 2. Encyclopedias and dictionaries - Early works to 1600 - History and criticism. 3. Philosophy of nature - Early works to 1800. I. Title. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Cover image: Cambridge University Library Gg. 6. 42. f. 5. St. Francis and Companion used by permission of the Syndics of Cambridge University Library. Printed by University Printing Services, ANU This edition © 2007 ANU E Press Table of Contents List of Figures vii Abbreviations ix Acknowledgements xi Chapter 1. Introduction 1 Chapter 2.