DOCSLIB.ORG

Naked Before You SIR ARI GOLD

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Naked Before You SIR ARI GOLD OAN INDEPENDENTU VOICE FOR THET LESBIAN, GAY, BISEXUAL, AND TRANSGENDER COMMUNITIES May 3, 2013 | Volume X, Issue 24 Breaking the Rainbow Barrier If I had my way, someone else would have already NBA’s Jason Collins becomes now see this development as a gateway to done this. Nobody has, which is why I’m further disclosures in pro sports. raising my hand.” first male pro athlete to come out An All-American while at Stanford Uni- It took a gay pride parade in Boston last versity, Collins, since 2001, has played year to help Collins see the light. “I realized I BY STEVE CHARING professional basketball for the Nets, while needed to go public when Joe Kennedy, my Jason Collins, a basketball player who last they were still in New Jersey, the Memphis old roommate at Stanford and now a Massa- played for the Washington Wizards, became Grizzlies, the Minnesota Timberwolves, the chusetts congressman, told me he had just the first professional male athlete in the Atlanta Hawks, the Boston Celtics, and the marched in Boston’s 2012 Gay Pride Pa- four major North American sports leagues Washington Wizards. He is currently a free rade. I’m seldom jealous of others, but hear- – Major League Baseball, National Football agent, and he had chosen to wear the jersey ing what Joe had done filled me with envy. I League, National Hockey League and the number 98 to honor Matthew Shepard, the was proud of him for participating but angry National Basketball Association – to come victim of a gay hate crime in 1998. that as a closeted gay man I couldn’t even out as gay while still an active player. Col- “I didn’t set out to be the first openly gay cheer my straight friend on as a spectator.” lins declared in the May 6 issue of Sports Il- athlete playing in a major American team Collins had played for the Boston Celtics lustrated, “I’m a 34-year-old NBA center. I’m sport,” he explained in the Sports Illustrated prior to being traded to the Wizards. black. And I’m gay.” essay he co-authored with Franz Lidz, “But He acknowledged the improved climate The news of this groundbreaking dis- since I am, I’m happy to start the conversa- for gay athletes that helped him make this Jason Collins comes out in a closure on April 29 spread around the world tion. I wish I wasn’t the kid in the classroom decision. “I’m glad I’m coming out in 2013 Sports Illustrated story with the speed of a fast break, and many raising his hand and saying, ‘I’m different.’ —continued on page 3 SIR ARI GOLD DD: The “Naked on the In- Sir Ari Gold ternet” theme has been ex- credit: : John plored ad nauseum. I think next Skalicky Naked Before You time add some wild dogs or a giraffe or something. BY DEBORAH J. DRAISIN mean, I know it’s New York, I live here. Ari: Running naked through Singer/songwriter and ex-model Sir Ari Ari: Actually, the video’s not yet pre- the streets with a sign reading Gold does not shy away from adversity. miered, that was just the teaser. There are “Play my fucking record” hasn’t One of the first openly gay artists from plenty of other crazy, madcap adventures. been done yet though. the start of his 15-year career, Sir Ari has DD: “The Madcap Adventures of Sir DD: That’s true, I do like that stopped buses, defied decency laws and Ari Gold.” Why were you running; were you added that. To segue: you refused to join the world of the future. With the cops chasing you? said that when you first started, his sixth album about to drop, Play My Ari: Luckily, I was not arrested. A lot of you found yourself bucking the Fuckn Remix, Sir Ari has proven that he people were out taking pictures with their homophobic system which is has staying power which far exceeds the camera phones, but the police were not pop music (which you wouldn’t more conventional model which he was there and we got some great footage. The expect.) This is an industry encouraged to follow. He was nice enough song is a send-up of what it takes to get which 20 years ago launched to sit down with Baltimore OUTloud and your stuff played these days – as an inde- the careers of Elton John and wax poetic about trying to avoid arrest and pendent artist, as a gay artist. That’s why I Boy George and Wham – and which musical installations are least likely did this – I thought it was funny. Judas Priest, for that matter – to hit on you. DD: It is funny, and there really are so how do you account for this Deborah Draisin: You just put out a no mediums anymore. anomaly? What makes you say video for Play My Fuckn Remix, which Ari: Just the internet, I guess – so if you that it’s still homophobic? how the hell do you get away with walk- want to be seen on the internet, you have Ari: If you think about it, 20 ing naked through New York City? I to go running naked through the streets. —continued on page 18 Wyatt O’Brian Evans Joins Baltimore OUTloud Multi-faceted author debuts ‘Mood Swings’ column featured in television commercials. Wy- att won the lead role in Traces of Guilt, BY STEVE CHARING ton Blade, Qbliss, the Prince George’s an episode in the long-running New Arguably, Wyatt O’Brian Evans is the County, Maryland, Journal, American Detectives series on the Discovery Co-Publishers Jim Becker • Jim Williams quintessential Renaissance man. He Politics, Imperious Entertainment. He Channel. He portrayed David Middle- [email protected] has written in-depth, popular series on ton, the real-life former police officer is a journalist, author, instructor, moti- Executive Editor vational speaker, voice-over instructor/ both LGBT intimate partner Jim Becker talent, entertainer, and entrepreneur. violence/abuse (IPV/A) and [email protected] Beginning with this issue, Wyatt racism, which have been Managing Editor will call on his spectrum of experienc- syndicated in various me- [email protected] es and writing talents to pen a regular dia outlets. Sales Director Mary Taylor column called “Mood Swings” in Balti- Wyatt is the author of [email protected] the well-received novel en- more OUTloud. In that space Wyatt will Leather Columnist offer his insights on key topics that af- titled, Nothing Can Tear Us Rodney Burger fect our community in an enlightening, Apart – Uncensored, pub- Contributing Writers thought-provoking manner. lished by Nair’Bo Universal Joey Amato • Sharon Brackett • Rodney Burger • Joshua Buchbinder • Steve Charing • Jeffrey Claggett • “I’m proud and honored to be join- – the publishing and pro- Jeffrey Clouser • Wayne Curtis • Woody Derricks • Denise R. ing Baltimore OUTloud – an engaging, duction house he created. Duarte • Chuck Duncan • Michael Farley • Jon Fairbanks • Gerry substantive, and cutting-edge print As an instructor, Wyatt Fisher • Bruce Garrett • Jeff Hammerberg • Dr. Eva Hersh • Shirli Hughes • Sam Kunz • Michelle Lanchester, Esq. • and on line media outlet,” Wyatt said. has taught editing and writ- Dana LaRocca • Jessica Lemmo • Jay Loane • Rev. Meredith “With my column ‘Mood Swings,’ I will ing for government and the Moise • Bill Palmer • Gregg Shapiro continue to further Baltimore OUT- private sector. He is also a Wyatt O’Brien Evans Graphics loud’s rich tradition of exploring, dis- voice-over group instruc- Amy Ray • Joe Velasquez secting, and shining a bright light on tor and personal coach. For several turned serial killer who terrorized Reno, Cartoonist Bruce Garrett (Brucegarrett.com) issues that strongly resonate with the years, Wyatt held those positions for Nevada. Traces of Guilt became one LBGTQ community and its straight al- the renowned Creative Voice Develop- of the most-watched episodes of New Photographers Bruce Garrett • Jay W Photos lies. Therefore, I’m very excited about ment Group, a voiceover training and Detectives and was repeated several Web Editor being part of the Baltimore OUTloud development company in upstate New times. Anja Saine family!” York. And as a voiceover artist, Wyatt Wyatt is a graduate of the American [email protected] has performed narrations for govern- Comedy Institute in Manhattan. As a Managed Web Services From a very early age, Wyatt al- The Fusio Group ways has had a passion for ment and the private sec- comedian, he has performed in clubs 866-322-7498, Thefusiogroup.com communication in its many tor, and radio spots for the across the country (Caroline’s, Com- National Advertising Rep forms. When he was just D.C. Lottery, Hair Cuttery, edy Cellar, Headliners) and in the Ca- Rivendell Media months old, he began to Adaptec, and others. He ribbean. 908-232-2021 speak in complete sentences. considers performing radio This is not the first time Baltimore Founders Jim Becker • Joe Berg • Mike Chase • As an adolescent, he wrote spots for former Secretary of OUTloud has featured an accomplished Lee Mooney (1959-2007) • Jim Williams poems, and created a series State Colin Powell’s Amer- author. Josh Aterovis, who had written of comic books. In college ica’s Promise organization a series of gay-related, young adult Baltimore OUTloud Wyatt double-majored, earn- his most rewarding achieve- mystery novels, shared his thoughts in PO Box 4887 Baltimore, MD 21211 410-244-6780 ing bachelor degrees in jour- ment. his “Single Black Sheep” column. We Baltimoreoutloud.com nalism and political science As a motivational speak- wish Wyatt O’Brian Evans well on this from the George Washington er Wyatt has given talks and new adventure for him and sure he will Additional Information University in Washington, D.C.
Load more

Recommended publications
  • Henry Jenkins Convergence Culture Where Old and New Media
    Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands.
    [Show full text]
  • The Pennsylvania State University
    The Pennsylvania State University The Graduate School College of the Liberal Arts SPORT SPECTACLE, ATHLETIC ACTIVISM, AND THE RHETORICAL ANALYSIS OF MEDIATED SPORT A Dissertation in English by Kyle R. King 2017 Kyle R. King Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2017 The dissertation of Kyle R. King was reviewed and approved* by the following: Debra Hawhee Director of Graduate Studies, Department of English McCourtney Professor of Civic Deliberation Professor of English and of Communication Arts and Sciences Dissertation Advisor Chair of Committee Cheryl Glenn Distinguished Professor of English and Women’s Studies Director, Program in Writing and Rhetoric Rosa Eberly Associate Professor of Communication Arts and Sciences Associate Professor of English Kirt H. Wilson Associate Professor of Communication Arts and Sciences Jaime Schultz Associate Professor of Kinesiology * Signatures are on file in the Graduate School iii ABSTRACT Sports is widely regarded as a “spectacle,” an attention-grabbing consumerist distraction from more important elements of social life. Yet this definition underestimates the rhetorical potency of spectacle, as a context in which athletes may participate in projects of social transformation and institutional reform. Sport Spectacle, Athletic Activism, and the Rhetorical Analysis of Mediated Sport engages a set of case studies that assess the rhetorical conditions that empower or sideline athletes in projects of social change. The introduction builds a
    [Show full text]
  • Copy of KPCC-KVLA-KUOR Quarterly Report APR-JUN 2013
    KPCC / KVLA / KUOR Quarterly Programming Report APR MAY JUN 2013 Date Key Synopsis Guest/Reporter Duration Does execution mean justice for the victims of Aurora? If you’re opposed to the death penalty on principal, does the egregiousness of this crime change your view? How Michael Muskal, would you want to see this trial resolved? Karen 4/1/13 LAW Steinhauser, 14:00 How should PCC students, faculty, and administrators handle these problems? Is it Rocha’s responsibility to maintain a yearly schedule? Will the decision to cancel the winter intersession continue to have serious repercussions? Mark Rocha, 4/1/13 EDU Simon Fraser, 19:00 New York City is set to pass legislation requiring thousands of companies to provide paid sick leave to their employees. Some California cities have passed similar legislation, but many more initiatives here have failed. Why? Jill Cucullu, 4/1/13 SPOR Anthony Orona, 14:00 New York City is set to pass legislation requiring thousands of companies to provide paid sick leave to their employees. Some California cities have passed similar Ken Margolies, legislation, but many more initiatives here have failed. Why? John Kabateck, 4/1/13 HEAL Sharon Terman, 22:00 After a week of saber-rattling, North Korea has stepped up its bellicose rhetoric against South Korea and the United States. This weekend, the country announced that it is in a “state of war” with South Korea, and North Korea’s parliament voted to beef up its nuclear weapons arsenal. 4/1/13 FOR David Kang, 10:00 How has big data transformed the way we approach and evaluate information? What will its impact be in years to come? Can this kind of analysis be dangerous, or have significant drawbacks? Kenneth Cukier joins Larry to speak about the revolution of big 4/1/13 LIT data and how it will affect our lives.
    [Show full text]
  • Conflicts of Interest and the Shifting Paradigm of Athlete Representation
    UCLA UCLA Entertainment Law Review Title Conflicts of Interest and the Shifting Paradigm of Athlete Representation Permalink https://escholarship.org/uc/item/2tk5h9h1 Journal UCLA Entertainment Law Review, 11(2) ISSN 1073-2896 Author Rosner, Scott R. Publication Date 2004 DOI 10.5070/LR8112027059 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Conflicts of Interest and the Shifting Paradigm of Athlete Representation Scott R. Rosner* TABLE OF CONTENTS I. INTRODUCTION ........................................... 194 II. BUSINESS JUSTIFICATION FOR CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY .............................. 196 III. HISTORY OF CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY ................................................ 200 A. SFX Entertainment................................... 200 B . Octagon .............................................. 203 C . A ssante .............................................. 204 D. InternationalManagement Group (IMG) ............ 206 IV. CONFLICTS OF INTEREST CREATED BY CONSOLIDATION IN SPORTS AGENCY ...................................... 207 A. Agencies and Teams Owned by Same Parent Com- pany: The SFX Story ................................. 207 B. Agencies Representing Multiple Players in the Same L eague ............................................... 210 C. Agencies Representing Multiple Players on the Same Team ................................................. 211 D. Agencies Representing Players and Coaches! Managem ent ........................................
    [Show full text]
  • Conflicts of Interest and the Shifting Paradigm of Athlete Representation
    Conflicts of Interest and the Shifting Paradigm of Athlete Representation Scott R. Rosner* TABLE OF CONTENTS I. INTRODUCTION ........................................... 194 II. BUSINESS JUSTIFICATION FOR CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY .............................. 196 III. HISTORY OF CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY ................................................ 200 A. SFX Entertainment................................... 200 B . Octagon .............................................. 203 C . A ssante .............................................. 204 D. InternationalManagement Group (IMG) ............ 206 IV. CONFLICTS OF INTEREST CREATED BY CONSOLIDATION IN SPORTS AGENCY ...................................... 207 A. Agencies and Teams Owned by Same Parent Com- pany: The SFX Story ................................. 207 B. Agencies Representing Multiple Players in the Same L eague ............................................... 210 C. Agencies Representing Multiple Players on the Same Team ................................................. 211 D. Agencies Representing Players and Coaches! Managem ent ......................................... 214 E. Agencies Representing Events and Athletes ........... 216 V. CONFLICT OF INTEREST LAWS IMPLICATED .............. 217 A. Model Rules of ProfessionalResponsibility .......... 218 1. R ule 1.7 ......................................... 218 B. Ethics 2000 and the New Rule 1.7 .................... 225 * Lecturer, Legal Studies Department, Wharton School, University of Pennsylvania.
    [Show full text]
  • As Viewed Through the Pages of the New York Times in 2010 & 2011
    THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 THE KOREAN THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WTHE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 This booklet is a collection of 43 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2010 & 2011. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 First edition, November 2012 Edited & Published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright © 2012 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From The New York Times 2012 © 2012 The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States.
    [Show full text]
  • James Brown’S Keyboard Composition by Taking Multiple Photographs His Well-Lighted Path?
    BY CLIVE IS BITCOIN THE NEW CONFEDERATE MONEY? THOMPSON BY ZACH BY RJ America’s Greatest Trees ST. GEORGE The Thing That Humbled the Godfather of Soul SMITH APRIL 2018 • SMITHSONIAN.COM Hacking the ARTIFICIAL Future of... INTELLIGENCE CURING CANCER RENEWABLE ENERGY SILICON VALLEY AND Beer! ADVERTISEMENT Join us for the 2nd annual at March 30 – April 1, 2018 Walter E. Washington Convention Center • Washington, DC Where Science Meets Science Fiction special guests include: Stan Lee, CREATOR, SPIDER-MAN Stephen Amell, Arrow • Dave Bautista, Guardians of the Galaxy • John Boyega, STAR WARS: The Last Jedi Rich DeVaul, Director of Mad Science at X, the moonshot factory • Chris Carberry, CEO, Explore Mars, Inc. Jared Espley, NASA • Terry Hurford, NASA • Erin Macdonald, Dr. Erin Explains the Universe Michael Rooker, Guardians of the Galaxy • Michael Rosenbaum, Smallville • Joan Salute, NASA Tom Welling, Smallville • Cress Williams, Black Lightning • special guest from LOST IN SPACE For more information and to purchase tickets Smithsonian.com/futurecon # futurecon sponsored by Vol. 49 | No. 01 April 2018 features 32 44 Where the Saving Miss Future Is Born Vanessa Fifty years ago, Stanley A new therapy that Kubrick foresaw the uses the body’s own world we live in today immune system to in his pioneering sci-fi fi ght cancer is off ering thriller 2001: A Space hope to patients with Odyssey. Now a new advanced disease generation of innova- by Robin Marantz Henig tors is forging the next revolutions by T. A. Frail 56 Tomorrow Land Silicon Valley’s 34
    [Show full text]
  • 2016–17 Media Guide 6 Championship Drive, Auburn Hills, Mi, 48326 (248) 377-0100 | Fax (248) 377-3260
    2016–17 MEDIA GUIDE 6 CHAMPIONSHIP DRIVE, AUBURN HILLS, MI, 48326 (248) 377-0100 | FAX (248) 377-3260 The Detroit Pistons 2016-17 Media Guide was written and edited by Cletus Lewis, Michael Horan and Michelle Fikany. Editorial assistance provided by Kevin Grigg. Design, page layout and production by Mike Jones. Photography by Allen Einstein, David Roberts Photography and NBA Photos. Statistical information provided by Elias Sports Bureau and Chris Thorn. Printing Services by ArborOakland Group. © 2016 Detroit Pistons All NBA and team insignia depicted in this publication are the property of NBA Properties, Inc. and the respective teams and may not be reproduced for commercial purposes without the prior written consent of NBA Properties, Inc. The information contained in this publication was compiled by the Detroit Pistons and is provided as a courtesy to our fans and the media and may be used only for personal or editorial purposes. Any commercial use of this information is prohibited without the prior written consent of the Detroit Pistons. TABLE OF CONTENTS MEDIA GUIDELINES & INFORMATION Credits............................................1 HISTORY . 119 CREDENTIALS: PRE- AND POST-GAME INTERVIEWS: Table of Contents................................. 2 All-Time Coaching Records . 120-122 Requests for game-by-game credentials should be submitted In accordance with NBA policy, both the Pistons and Media Guidelines & Information . 3 All-Time Roster ..............................123-167 in writing – on company letterhead – to the Pistons’ Public visiting locker rooms will be open to accredited media LEADERSHIP Staff Directory.................................. 4-6 All-Time Numerical Roster .................... 168-171 Relations Department AT LEAST 30 HOURS PRIOR to the members for a 30-minute period prior to each game (6:15 Transactions .
    [Show full text]
  • Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St. John's University School of Law Journal of Civil Rights and Economic Development Volume 28 Issue 4 Volume 28, Summer 2016, Issue 4 Article 4 June 2016 Elimination of the Locker Room Closet: Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes Sayed Masoud Mortazavi Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred Part of the Civil Rights and Discrimination Commons Recommended Citation Sayed Masoud Mortazavi (2016) "Elimination of the Locker Room Closet: Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes," Journal of Civil Rights and Economic Development: Vol. 28 : Iss. 4 , Article 4. Available at: https://scholarship.law.stjohns.edu/jcred/vol28/iss4/4 This Notes and Comments is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. MORTAZAVI MACRO-1 - SMM EDITS (DO NOT DELETE) 6/23/2016 1:19 PM ELIMINATION OF THE LOCKER ROOM CLOSET: ANALYSIS OF CURRENT LAWS AND PROFESSIONAL SPORTS LEAGUES’ POLICIES TOWARD GAY ATHLETES SAYED MASOUD MORTAZAVI1 “When coaches tell you you’re a faggot when you play poorly, you can’t really share who you are with people.”2 INTRODUCTION “I’m gay.”3 On February 9, 2014, Michael Sam, a college football standout who was expected to be a top National Football League (“NFL”) draft-pick in 2014, made this groundbreaking public announcement.4 At 6’2” and 260 pounds, the All-American defensive lineman was a formidable presence on the field during his four years at the University of Missouri.5 Sam was named the top defensive player in the Southeastern Conference,6 which is widely considered to be the best conference in the National Collegiate Athletic Association (“NCAA”).
    [Show full text]
  • The Values of Historic Resources for Cities
    Journal of Comparative Urban Law and Policy Volume 4 Issue 1 Festschrift II in Honor of Julian Conrad Juergensmeyer on the Occasion of His Article 30 Retirement: International Perspectives on Urban Law & Policy 2020 When Past is Prologue: The Values of Historic Resources for Cities Ryan Rowberry Georgia State University College of Law, [email protected] Follow this and additional works at: https://readingroom.law.gsu.edu/jculp Part of the Comparative and Foreign Law Commons, Environmental Law Commons, Land Use Law Commons, and the Urban Studies Commons Recommended Citation Rowberry, Ryan (2020) "When Past is Prologue: The Values of Historic Resources for Cities," Journal of Comparative Urban Law and Policy: Vol. 4 : Iss. 1 , Article 30, 563-585. Available at: https://readingroom.law.gsu.edu/jculp/vol4/iss1/30 This Article is brought to you for free and open access by Reading Room. It has been accepted for inclusion in Journal of Comparative Urban Law and Policy by an authorized editor of Reading Room. For more information, please contact [email protected]. Rowberry: The Values of Historic Resources for Cities WHEN PAST IS PROLOGUE: THE VALUES OF HISTORIC RESOURCES FOR CITIES Ryan Rowberry* INTRODUCTION Julian Conrad Juergensmeyer is a wise, wandering pilgrim of sorts, and it is worthwhile to consider the lessons contained in his miraculous journey with the law.1 If you ask land use lawyers today, some might casually say that Julian invented zoning. Others believe that he litigated the 1926 case Village of Euclid v. Ambler Realty Co. in which the U.S. Supreme Court upheld zoning’s constitutionality.2 Still others might accurately testify that he is the ‘George Washington’ of infrastructure finance, particularly impact fees—fees imposed by local governments on developers to cover capital costs related to infrastructure for new development (e.g.
    [Show full text]
  • 2018–19 Media Guide 6 Championship Drive, Auburn Hills, Mi, 48326 (248) 377-0100 | Fax (248) 377-3260
    2018–19 MEDIA GUIDE 6 CHAMPIONSHIP DRIVE, AUBURN HILLS, MI, 48326 (248) 377-0100 | FAX (248) 377-3260 The Detroit Pistons 2018-19 Media Guide was written and edited by Cletus Lewis and Josh Schur. Editorial assistance provided by Kevin Grigg. Art direction, page layout and design by Mike Jones. Photography by Chris Schwegler, David Roberts Photography and NBA Photos. Statistical information provided by Elias Sports Bureau and Chris Thorn. Printing services by Graphics East. © 2018 Detroit Pistons All NBA and team insignia depicted in this publication are the property of NBA Properties, Inc. and the respective teams and may not be reproduced for commercial purposes without the prior written consent of NBA Properties, Inc. The information contained in this publication was compiled by the Detroit Pistons and is provided as a courtesy to our fans and the media and may be used only for personal or editorial purposes. Any commercial use of this information is prohibited without the prior written consent of the Detroit Pistons. TABLE OF CONTENTS MEDIA GUIDELINES & INFORMATION Credits............................................1 HISTORY . 131 CREDENTIALS: following the conclusion of each game. Players and coaches Table of Contents................................. 2 All-Time Coaching Records . .132–134 Requests for game-by-game credentials should be submitted are available for interviews at those times, although it is Media Guidelines & Information . 3 All-Time Roster ..............................135–181 in writing – on company letterhead – to the Pistons’ Public recommended that any interview lasting longer than five LEADERSHIP Staff Directory.................................. 4-5 All-Time Numerical Roster ....................182–185 Relations Department AT LEAST 30 HOURS PRIOR to the minutes in duration be arranged in advance through the Transactions .
    [Show full text]
  • NASSS 2016 Abstracts October 28
    Thursday, Nov. 3rd NASSS 2016 8 – 9:30 am ABSTRACTS Thursday Sessions Session 1 8:00 a.m. – 9:30 a.m. Session 1A PALMA CEIA 1 Post-Feminism & New Female Subjectivities Organizers: Jessica Francombe-Webb, University of Bath; Kim Toffoletti, Deakin University & Holly Thorpe, University of Waikato Presider: Kim Toffoletti, Deakin University 1A Jennifer McClearen, University of Washington “Branding the Rebellion Against Postfeminist Body Discipline” This paper interrogates the growing cultural discontent with representations of thin and underfed white feminine bodies in postfeminist media culture. More specifically, I examine the trending emphasis in girls and women’s strength, fitness, and athleticism in contemporary brand cultures such as sports organizations and fitness apparel. Sarah Banet-Weiser argued in the 2015 NASSS keynote that the nouveau ‘strong is the new skinny’ advertising mantra is indicative of ‘popular feminism’—a discourse that includes the investment in increasing the self-confidence of girls and women through the consumption of sports and fitness brands. In this paper, I further argue that the contemporary branding of women’s physical culture positions the audience as savvy consumers who can recognize the assumed contradictions between white femininity and physical power. These brands imagine themselves as rebelling against protracted postfeminist notions of white femininity as physically weak and fragile and instead celebrating self-discipline and individual empowerment through the strong female body. However, as image after image of physically attractive white women demonstrate, this brand of empowerment is limited to bodies that maintain hegemonic femininity. The ‘empowered’ white feminine body becomes a vehicle for supporting neoliberalism, ignoring structural and symbolic inequalities, and maintaining white supremacy.
    [Show full text]