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Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts SPORT SPECTACLE, ATHLETIC ACTIVISM, AND THE RHETORICAL ANALYSIS OF MEDIATED SPORT A Dissertation in English by Kyle R. King 2017 Kyle R. King Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2017 The dissertation of Kyle R. King was reviewed and approved* by the following: Debra Hawhee Director of Graduate Studies, Department of English McCourtney Professor of Civic Deliberation Professor of English and of Communication Arts and Sciences Dissertation Advisor Chair of Committee Cheryl Glenn Distinguished Professor of English and Women’s Studies Director, Program in Writing and Rhetoric Rosa Eberly Associate Professor of Communication Arts and Sciences Associate Professor of English Kirt H. Wilson Associate Professor of Communication Arts and Sciences Jaime Schultz Associate Professor of Kinesiology * Signatures are on file in the Graduate School iii ABSTRACT Sports is widely regarded as a “spectacle,” an attention-grabbing consumerist distraction from more important elements of social life. Yet this definition underestimates the rhetorical potency of spectacle, as a context in which athletes may participate in projects of social transformation and institutional reform. Sport Spectacle, Athletic Activism, and the Rhetorical Analysis of Mediated Sport engages a set of case studies that assess the rhetorical conditions that empower or sideline athletes in projects of social change. The introduction builds a -
Copy of KPCC-KVLA-KUOR Quarterly Report APR-JUN 2013
KPCC / KVLA / KUOR Quarterly Programming Report APR MAY JUN 2013 Date Key Synopsis Guest/Reporter Duration Does execution mean justice for the victims of Aurora? If you’re opposed to the death penalty on principal, does the egregiousness of this crime change your view? How Michael Muskal, would you want to see this trial resolved? Karen 4/1/13 LAW Steinhauser, 14:00 How should PCC students, faculty, and administrators handle these problems? Is it Rocha’s responsibility to maintain a yearly schedule? Will the decision to cancel the winter intersession continue to have serious repercussions? Mark Rocha, 4/1/13 EDU Simon Fraser, 19:00 New York City is set to pass legislation requiring thousands of companies to provide paid sick leave to their employees. Some California cities have passed similar legislation, but many more initiatives here have failed. Why? Jill Cucullu, 4/1/13 SPOR Anthony Orona, 14:00 New York City is set to pass legislation requiring thousands of companies to provide paid sick leave to their employees. Some California cities have passed similar Ken Margolies, legislation, but many more initiatives here have failed. Why? John Kabateck, 4/1/13 HEAL Sharon Terman, 22:00 After a week of saber-rattling, North Korea has stepped up its bellicose rhetoric against South Korea and the United States. This weekend, the country announced that it is in a “state of war” with South Korea, and North Korea’s parliament voted to beef up its nuclear weapons arsenal. 4/1/13 FOR David Kang, 10:00 How has big data transformed the way we approach and evaluate information? What will its impact be in years to come? Can this kind of analysis be dangerous, or have significant drawbacks? Kenneth Cukier joins Larry to speak about the revolution of big 4/1/13 LIT data and how it will affect our lives. -
Conflicts of Interest and the Shifting Paradigm of Athlete Representation
UCLA UCLA Entertainment Law Review Title Conflicts of Interest and the Shifting Paradigm of Athlete Representation Permalink https://escholarship.org/uc/item/2tk5h9h1 Journal UCLA Entertainment Law Review, 11(2) ISSN 1073-2896 Author Rosner, Scott R. Publication Date 2004 DOI 10.5070/LR8112027059 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Conflicts of Interest and the Shifting Paradigm of Athlete Representation Scott R. Rosner* TABLE OF CONTENTS I. INTRODUCTION ........................................... 194 II. BUSINESS JUSTIFICATION FOR CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY .............................. 196 III. HISTORY OF CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY ................................................ 200 A. SFX Entertainment................................... 200 B . Octagon .............................................. 203 C . A ssante .............................................. 204 D. InternationalManagement Group (IMG) ............ 206 IV. CONFLICTS OF INTEREST CREATED BY CONSOLIDATION IN SPORTS AGENCY ...................................... 207 A. Agencies and Teams Owned by Same Parent Com- pany: The SFX Story ................................. 207 B. Agencies Representing Multiple Players in the Same L eague ............................................... 210 C. Agencies Representing Multiple Players on the Same Team ................................................. 211 D. Agencies Representing Players and Coaches! Managem ent ........................................ -
Freedom Writers
Freedom Writers Kurzbeschreibung Die junge Englischlehrerin Erin Gruwell (Hilary Swank) tritt ihre erste Stelle an: In Klassenzimmer 203 der Wilson High School in Long Beach (Kalifornien) trifft sie auf Schülerinnen und Schüler mit unterschiedlichem kulturellem Hintergrund. Größer als die Feinseligkeiten der in Gangs organisierten jugendlichen Latinos, Asiaten und Afro-Amerikaner untereinander ist nur noch der Hass gegen Schule, Lehrer und das System, das sie bereits als „nichterziehbare Risiko-Schüler“ abgeschrieben hat. So scheitert Erin Gruwell bei ihren Versuchen, die Jugendlichen für ihren Unterricht zu motivieren, täglich aufs Neue und ohne Aussicht auf Fortschritte. Erst als sie eines Tages die rassistische Karikatur einer ihrer Schüler abfängt, entdeckt Gruwell einen Weg, mit ihrer Klasse ins Gespräch zu kommen: Sie lässt alle regulären Schulbücher einsammeln und beginnt stattdessen „Das Tagebuch der Anne Frank“ zu lesen – Stoff, der für diese Gruppe von der Schulbehörde als zu schwierig eingestuft ist. Durch dieses Buch lernen die Schülerinnen und Schüler nach und nach, dass sie ihr scheinbar vorgezeichnetes Leben ändern und ihre Zukunft selbst gestalten können: Die Freedom Writers sind geboren und beginnen mit dem Aufzeichnen ihrer Tagebücher … Das Projekt der Freedom Writers gibt es wirklich: Seit 1994 nimmt eine wachsende Gruppe amerikanischer Schülerinnen und Schüler erfolgreich daran teil. Erin Gruwell arbeitet inzwischen als Gastprofessorin an der California State University, Long Beach. Die Erlöse aus dem Verkauf des Tagebuchs -
Conflicts of Interest and the Shifting Paradigm of Athlete Representation
Conflicts of Interest and the Shifting Paradigm of Athlete Representation Scott R. Rosner* TABLE OF CONTENTS I. INTRODUCTION ........................................... 194 II. BUSINESS JUSTIFICATION FOR CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY .............................. 196 III. HISTORY OF CONSOLIDATION IN THE SPORTS AGENCY INDUSTRY ................................................ 200 A. SFX Entertainment................................... 200 B . Octagon .............................................. 203 C . A ssante .............................................. 204 D. InternationalManagement Group (IMG) ............ 206 IV. CONFLICTS OF INTEREST CREATED BY CONSOLIDATION IN SPORTS AGENCY ...................................... 207 A. Agencies and Teams Owned by Same Parent Com- pany: The SFX Story ................................. 207 B. Agencies Representing Multiple Players in the Same L eague ............................................... 210 C. Agencies Representing Multiple Players on the Same Team ................................................. 211 D. Agencies Representing Players and Coaches! Managem ent ......................................... 214 E. Agencies Representing Events and Athletes ........... 216 V. CONFLICT OF INTEREST LAWS IMPLICATED .............. 217 A. Model Rules of ProfessionalResponsibility .......... 218 1. R ule 1.7 ......................................... 218 B. Ethics 2000 and the New Rule 1.7 .................... 225 * Lecturer, Legal Studies Department, Wharton School, University of Pennsylvania. -
The Freedom Writers
FAITH REVIEW OF FILM Frank Cunningham FILM TITLE The Freedom Writers YEAR 2007 – Released January 5, 2007 in USA DIRECTOR(S) RICHARD LaGRAVENESE: who also wrote the screenplay. Currently screenplay writer for The Chronicles of Narnia: The Voyage of the Dawn Treader (2010 – in post production). PAST WORKS: As writer: Freedom Writers (2007), P.S. I Love You (2007), Paris, je t'aime (2006) (segment "Pigalle") aka Paris, I Love You, Beloved (1998/I), Living Out Loud (1998), The Horse Whisperer (1998), The Mirror Has Two Faces (1996), Unstrung Heroes (1995), The Bridges of Madison County (1995), A Little Princess (1995), The Ref (1994) aka Hostile Hostages, The Fisher King (1991), Rude Awakening (1989). As director: P.S. I Love You (2007), Freedom Writers (2007), Paris, je t'aime (2006) (segment "Pigalle") aka Paris, I Love You, A Decade Under the Influence (2003), Living Out Loud (1998). As producer: A Decade Under the RICHARD LaGRAVENESE Influence (2003), The Ref (1994) aka Hostile Hostages ORIGINAL RELEASE FORM / Released in theatres in the US in January 2007. Theatrical releases staggered in VENUE 24 other countries from FeBruary to SeptemBer 2007 CURRENTLY AVAILABLE DVD, DV D HD, BLUERAY , VHS FORMATS GENRE Biography / Drama / True Story STORY ELEMENTS PRINCIPAL CHARACTERS: Erin Gruwell: Teacher Scott Casey, Gruwell’s husBand Steve Gruwell, Erin’s Father Margaret CampBell, Erin’s supervisor Students ACTORS & ACTING: Hilary Swank as Erin Gruwell Patrick Dempsey as Scott Casey Scott Glenn as Steve Gruwell Imelda Staunton as Margaret CampBell ATMOSPHERE The Backdrop against which the story develops is an inner city culture of drive-By shootings, gang violence, riots, separation of races and ethnicity and an uncaring educational system. -
As Viewed Through the Pages of the New York Times in 2010 & 2011
THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 THE KOREAN THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WTHE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 This booklet is a collection of 43 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2010 & 2011. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 First edition, November 2012 Edited & Published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright © 2012 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From The New York Times 2012 © 2012 The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. -
James Brown’S Keyboard Composition by Taking Multiple Photographs His Well-Lighted Path?
BY CLIVE IS BITCOIN THE NEW CONFEDERATE MONEY? THOMPSON BY ZACH BY RJ America’s Greatest Trees ST. GEORGE The Thing That Humbled the Godfather of Soul SMITH APRIL 2018 • SMITHSONIAN.COM Hacking the ARTIFICIAL Future of... INTELLIGENCE CURING CANCER RENEWABLE ENERGY SILICON VALLEY AND Beer! ADVERTISEMENT Join us for the 2nd annual at March 30 – April 1, 2018 Walter E. Washington Convention Center • Washington, DC Where Science Meets Science Fiction special guests include: Stan Lee, CREATOR, SPIDER-MAN Stephen Amell, Arrow • Dave Bautista, Guardians of the Galaxy • John Boyega, STAR WARS: The Last Jedi Rich DeVaul, Director of Mad Science at X, the moonshot factory • Chris Carberry, CEO, Explore Mars, Inc. Jared Espley, NASA • Terry Hurford, NASA • Erin Macdonald, Dr. Erin Explains the Universe Michael Rooker, Guardians of the Galaxy • Michael Rosenbaum, Smallville • Joan Salute, NASA Tom Welling, Smallville • Cress Williams, Black Lightning • special guest from LOST IN SPACE For more information and to purchase tickets Smithsonian.com/futurecon # futurecon sponsored by Vol. 49 | No. 01 April 2018 features 32 44 Where the Saving Miss Future Is Born Vanessa Fifty years ago, Stanley A new therapy that Kubrick foresaw the uses the body’s own world we live in today immune system to in his pioneering sci-fi fi ght cancer is off ering thriller 2001: A Space hope to patients with Odyssey. Now a new advanced disease generation of innova- by Robin Marantz Henig tors is forging the next revolutions by T. A. Frail 56 Tomorrow Land Silicon Valley’s 34 -
Love After Love a Film by Russell Harbaugh
Presents Love After Love A Film by Russell Harbaugh Starring Chris O'Dowd, Andie MacDowell, James Adomian, Juliet Rylance, Dree Hemingway 91 min / Color / USA / English Publicity Contacts: BRIGADE / Rob Scheer [email protected] BRIGADE / Guillermo Restrepo [email protected] Sales Contact: ICM / Peter Van Steemburg [email protected] Logline: A glimpse into one family’s romantic, boisterous, messy, emotionally treacherous life over the course of several years, LOVE AFTER LOVE catalogues the reunions and departures of a mother and her two grown sons as they attempt to move forward in the wake of shared tragedy. Synopsis: Suzanne (Andie MacDowell) and Glenn (Gareth Williams) are college theatre professors, enjoying a playful, tempestuous marriage surrounded by students and family. Their two sons are Nicholas (Chris O'Dowd), a successful book editor in a relationship with Rebecca (Juliet Rylance), and Chris (James Adomian), perpetually attempting to find an outlet for his vague, impassioned creativity. When Glenn becomes ill with cancer, the family waits out his last Summer days together. Glenn's eventual death prompts curious, contradictory reactions: Nicholas jettisons his long-term relationship with Rebecca and becomes haphazardly engaged to his father’s student, Emilie (Dree Hemingway); Suzanne, now displaced as mother and wife, begins to see a series of men; Chris lurches forward, careening from failure to failure while pursuing an artistic career. Ill-equipped to attend to their mounting emotional needs, the family finds release in alternatively abhorrent and joyful ways. LOVE AFTER LOVE takes an unblinking look at a family navigating their way forward in the shadow of a shared loss. -
2016–17 Media Guide 6 Championship Drive, Auburn Hills, Mi, 48326 (248) 377-0100 | Fax (248) 377-3260
2016–17 MEDIA GUIDE 6 CHAMPIONSHIP DRIVE, AUBURN HILLS, MI, 48326 (248) 377-0100 | FAX (248) 377-3260 The Detroit Pistons 2016-17 Media Guide was written and edited by Cletus Lewis, Michael Horan and Michelle Fikany. Editorial assistance provided by Kevin Grigg. Design, page layout and production by Mike Jones. Photography by Allen Einstein, David Roberts Photography and NBA Photos. Statistical information provided by Elias Sports Bureau and Chris Thorn. Printing Services by ArborOakland Group. © 2016 Detroit Pistons All NBA and team insignia depicted in this publication are the property of NBA Properties, Inc. and the respective teams and may not be reproduced for commercial purposes without the prior written consent of NBA Properties, Inc. The information contained in this publication was compiled by the Detroit Pistons and is provided as a courtesy to our fans and the media and may be used only for personal or editorial purposes. Any commercial use of this information is prohibited without the prior written consent of the Detroit Pistons. TABLE OF CONTENTS MEDIA GUIDELINES & INFORMATION Credits............................................1 HISTORY . 119 CREDENTIALS: PRE- AND POST-GAME INTERVIEWS: Table of Contents................................. 2 All-Time Coaching Records . 120-122 Requests for game-by-game credentials should be submitted In accordance with NBA policy, both the Pistons and Media Guidelines & Information . 3 All-Time Roster ..............................123-167 in writing – on company letterhead – to the Pistons’ Public visiting locker rooms will be open to accredited media LEADERSHIP Staff Directory.................................. 4-6 All-Time Numerical Roster .................... 168-171 Relations Department AT LEAST 30 HOURS PRIOR to the members for a 30-minute period prior to each game (6:15 Transactions . -
Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St. John's University School of Law Journal of Civil Rights and Economic Development Volume 28 Issue 4 Volume 28, Summer 2016, Issue 4 Article 4 June 2016 Elimination of the Locker Room Closet: Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes Sayed Masoud Mortazavi Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred Part of the Civil Rights and Discrimination Commons Recommended Citation Sayed Masoud Mortazavi (2016) "Elimination of the Locker Room Closet: Analysis of Current Laws and Professional Sports Leagues' Policies Toward Gay Athletes," Journal of Civil Rights and Economic Development: Vol. 28 : Iss. 4 , Article 4. Available at: https://scholarship.law.stjohns.edu/jcred/vol28/iss4/4 This Notes and Comments is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. MORTAZAVI MACRO-1 - SMM EDITS (DO NOT DELETE) 6/23/2016 1:19 PM ELIMINATION OF THE LOCKER ROOM CLOSET: ANALYSIS OF CURRENT LAWS AND PROFESSIONAL SPORTS LEAGUES’ POLICIES TOWARD GAY ATHLETES SAYED MASOUD MORTAZAVI1 “When coaches tell you you’re a faggot when you play poorly, you can’t really share who you are with people.”2 INTRODUCTION “I’m gay.”3 On February 9, 2014, Michael Sam, a college football standout who was expected to be a top National Football League (“NFL”) draft-pick in 2014, made this groundbreaking public announcement.4 At 6’2” and 260 pounds, the All-American defensive lineman was a formidable presence on the field during his four years at the University of Missouri.5 Sam was named the top defensive player in the Southeastern Conference,6 which is widely considered to be the best conference in the National Collegiate Athletic Association (“NCAA”).