DOCSLIB.ORG

December 3Rd 1998

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 3Rd 1998 California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 12-3-1998 December 3rd 1998 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "December 3rd 1998" (1998). Coyote Chronicle (1984-). 454. https://scholarworks.lib.csusb.edu/coyote-chronicle/454 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. The Coyote HRONICLEI VOLUME 33, ISSUE 9 CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO December 3,1998 Inside... Student Assaulted on Campus Woman Attacked in Restroom Allegedly by Transient on Parole By Xavier A. Chavez The victim's family then took her Executive Editor to a local hospital accompanied by Public Safety. A man assaulted a female stu­ William Charles Phelps was News dent in the women's restroom on booked as the suspect in San Ber­ the southeast corner of the Creative nardino County Jail for assault ...page 2 Arts Building at 7 p.m. on Tues­ with a deadly weapon, assault with day evening, Nov. 24. intent to commit rape, and viola­ During the ensuing struggle, the tion of parole. According to Ser­ Pawprints suspect partially covered the geant Brian Bodily of Public ....page 4 Donation bin located in University Hall victim's mouth and eyes and at­ Safety, the suspect hung himself to tempted to tie her hands with duct death with a bed sheet in San Ber­ tape. The victim broke free, tak­ nardino County Jail on November Featured Campus Donates Food ing the knife from the suspect. 27. ....page 3 & 5 Upon exiting the restroom, she was The suspect was a 34 year old & Toys to Needy assisted by other students, who known transient, according to Ser­ geant Bodily. Evidence collected By Florence Edwards made-but more donations are still blockaded the suspect in the from the scene indicates that the Rock en Espanol Chronicle Staff Writer being accepted. For people who restroom and then called 911. Pub­ knife and duct tape were bought have donated food or other items, lic Safety Officer Myra Ferretez ....page 6 at Ralph's Supermarket on Univer­ November 2,1998 marked the it gives them a sense of warmth arrived within one minute and took sity Avenue, making the crime pre­ -• ^ first day of the canned food and and compassion. Donating is a the suspect into'custody. meditated. the toy drive which was spon­ great way for people to give back The victim received treatment Public Safety conducted a safety sored by Inland Harvest Food to the community by helping from paramedics at the scene for sweep of the entire campus to en­ Technology and the U.S Marine Corps Re­ people who are less fortunate and lacerations on her arm and hand. Apublic safety officer called San sure campus safety during this in­ ....page 8 serve. Boxes were located in need assistance.The contributions vestigation. No other victims or various departments on campus that are made extremely benefit Bernardino County Rape Crisis Counseling to assist the victim. related crimes were found. to encourage Student participa­ families, especially mothers who tion for the event. can not afford to feed or buy gifts Roving Reporter/ So far, the event has been very for their children. People can also Public Safety Steps Up Crime successful in reaching the goal of make a difference by doing vol­ Calendar providing services to the needy unteer work at The Salvation Prevention Programs ....page 9 this holiday season.In fact, there Army or Children's Centers has been thousands of donations where they need clerical help, or By Xavier A. Chavez ing in the Spring, and the new other support.. Executive Editor Whistle Defense Crime Prevention Opinions & Program. Editorials Holiday Shopping That In the aftermath of the assault Public Safety stressed that ....page 10 on November 24, Chief Kraus and CSUSB is still a far safer place Makes $ense members of the Public Safety Staff than its surrounding community will be available to answer ques­ and among the safest of CSU. This tions regarding the assault inci­ assault was an apparent singular By Funte White She suggests if you absolutely dent. Public Safety will also act of violence by a single perpe­ Chronicle Staff Writer must use your credit cards, make present on-going and new Crime trator who was immediately taken sure to charge only on those cards Prevention Programs that will en­ into custody and is no longer a Classifieds For this holiday season are you with a low interest rate. hance campus safety. threat to our campus. concerned about taking your bud­ If you are one who has limited ....page 11 Among new programs to be The men and women of Pub­ get to the limit? funds for Christmas, Brenner has discussed are the expansion of the lic Safety will continue to do all According to Lynn Brenner, a suggested a few useful tips to existing escort service and its con­ they can to prevent crime on our Personal Finance Columnist, help your holiday shopping go version to bicycle response, The campus. Public Safety asks for Americans are expected to spend Rape Aggression Defense Pro­ ,at least $1000 for Christmas! - See SMART SHOP, page 2 - ^ gram (weaponless defense) start­ .. See SAFETY TIPS, page 2 - News Page 2 The Coyote Chronicle December 3,1998 SMART SHOP SAFETY TIPS, continued from page 1 continued from page I smoothly. your help in reporting all suspicious persons or circumstances you ob­ Tip #1: serve and by following basic precautions. Thfl CnvntP Look at what you have to spend If you have any questions about public safety or crime prevention, CHROMCLE (whether it is cash or credit). please contact Women's Resource Center at (909) 880-7203 or public Take a look at the situation, then safety at (909) 880-5165. You can also request a free escort from public University Hall, room 037 determine what you can manage. safety by calling the above number or by dialing 5165 on campus phones. 5500 University Parkway If you are using credit cards, set San Bernardino, CA 92407 a limit and stick with it! ENTRY-LEVEL MANAGEMENT OPPORTUNITIES (909) 880-5000, ext. 3940 (newsroom) Just because you have credit (909) 880-5931 (business ofHce) available, does not mean you have FAX (909) 880-7009 to use it. E-Mail: [email protected] Tip #2: Brenner advises holiday shop­ pers to make a list. This list will Contributing Writers and Staff : Lafayette Baker, Corina include only those people you are Borsuk, Jennifer Briggs, Bryan Campbell, Anthony going to shop for. By writing Cummings, Florence Edwards, Michael Friedeman, Jared down the list of names you can also Jensen, Sara Lewis, Pieter Nystrom, Sarah Paetz, Kristen use this list to eliminate those who Phillips, Patrick Pittman, Eugenia Porras, Laszlo Vass, Funte really don't need a gift. White Tip#3: EXECUTIVE EDITOR If your situation calls for the usage of credit cards, be sure to XavierA. Chavez charge only on low interest credit YOUR FRIENDS CALL YOU HYPER. MANAGING EDITORS cards. If you don't own a low in­ YOUR SISTER CALLS YOU TYPE A. Miguel Gonzalez & Jennifer Thierry terest card simply shop around and apply for one. DESIGN EDITORS Brenner recommends using a WE CALL YOU Cheri Dixon & Danielle Stewart fixed low rate such as Capitol One. MANAGEMENT MATERIAL. PRODUCTION EDITORS The interest rate is as low as 9.9%. For more information on this low Like you've always said, why put off until tomorrow the eight hundred Dan Farmer & Kimber Holt things you could do right this second? Why indeed. Enterprise Rent-A- rate call 1 (800) CAPITOL. Car has entry-level management opportunities that will spur your COPY EDITOR Tip#4: brain to work from day one — making critical decisions that impact our David Cade & Lori Patterson If funds are truly limited the best bottom-line success. All in an entrepreneurial environment in which compensation is based on performance — not seniority. So join us and PHOTO EDITOR gift idea is giving things that cost we'll expose you to every aspect of business management — from sales Carrie Anne Still less. Brenner suggests that alter­ and marketing to customer service and administration. And if you native gifts such as baking cook­ thought your degree made you marketable, let's just say you haven't ON-LINE EDITION EDITOR ies, is a way to go. seen anything yet. This growth opportunity offers a competitive salary Jeremiah Newhouse For future shopping, holiday and benefits package. A college degree is preferred. accounts or even layaways can be ADVERTISING MANAGER Use Your Head. Join Enterprise. a benefit for those who do not like Crystal Chatham using credit cards. Holiday ac­ On-Campus Interviews ADVERTISING SALES REPRESENTATIVE counts allow you to save money Wednesday, November 4th & Thursday, December 3rd and accumulate interest through­ Visit the Career Development Center for details! Jason Pendleton out the year. Layaways are also a For immediate consideration, contact: DISTRIBUTION MANAGER good way of shopping, consider­ Jamie Catchpole or Pam Webster Phone; (909) 482-4800 Arnaud Laborde ing there are no interest rates to Fax: (909) 624-4694 pay. By using one of these shop­ E-mail: [email protected] or [email protected] FACULTY ADVISOR ping methods next year, you'll see Or Call toll-free; 1-888-WWW-ERAC Robin Larsen the difference in what you can Visit our Web site at: www.erac.com BUSINESS MANAGER save.
Load more

Recommended publications
  • La Nueva Canción and Its Significance
    Excerpt * Temple University Press 1 La Nueva Canción and Its Significance uring the 1960s and 1970s, profound political changes were taking place in Chile and in other parts of Latin America. New political Dand social movements of students, workers, peasants, urban shanty- town dwellers, and other groups mobilized to demand rights and political inclusion along with deeper democratization and structural changes in elit- ist systems. The 1960s were marked by the Cuban Revolution and the war in Vietnam, and many young people in Chile, as in other countries, were strongly anti-imperialist and in favor of progressive social change. These popular movements coalesced to form a powerful force that was instrumen- tal in electing the democratic socialist Salvador Allende president in 1970. Allende’s goal was to preside over a peaceful, constitutional path to social- ism in Chile. He served for three turbulent years, attempting to implement a program to reduce social inequalities, until he was overthrown in the U.S.- backed military coup of 1973. Political and Social Context In Chile in the early 1960s, social divisions were severe. Some 25 percent of the population had access to sewage services, and only 10–11 percent of rural populations had supplied drinking water. In 1960, 16.4 percent of the population was illiterate.1 Tens of thousands of people had built crude, leaky shacks to live in on the outskirts of Santiago that lacked plumbing, run- ning water, and electricity. Workers had few rights and lived in overcrowded Excerpt * Temple University Press 2 Chapter 1 tenements, shantytowns, or single-room company housing; miners lived in company towns near the mines, enduring harsh conditions.
    [Show full text]
  • El Rock En Nicaragua: Un Discurso De Resistencia Contra La Neoliberalización O Una Re-Definición De La Tradición
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Modern Languages and Literatures, Department of Languages and Literatures 4-2017 El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición. Martina Barinova University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/modlangdiss Part of the Latin American Languages and Societies Commons, Latin American Literature Commons, and the Modern Languages Commons Barinova, Martina, "El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición." (2017). Theses, Dissertations, Student Research: Modern Languages and Literatures. 37. http://digitalcommons.unl.edu/modlangdiss/37 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. EL ROCK EN NICARAGUA: UN DISCURSO DE RESISTENCIA CONTRA LA NEOLIBERALIZACIÓN O UNA RE-DEFINICIÓN DE LA TRADICIÓN By Martina Barinova A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska in Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Modern Languages and Literatures Under the Supervision of Professor José Eduardo González Lincoln, Nebraska April, 2017 EL ROCK EN NICARAGUA: UN DISCURSO DE RESISTENCIA CONTRA LA NEOLIBERALIZACIÓN O UNA RE-DEFINICIÓN DE LA TRADICIÓN Martina Barinova, M.A. University of Nebraska, 2017 Advisor: José Eduardo González This work, which parts from the premise that music is a medium of communication with the potential to transform and create identities, explores rock music in Nicaragua since its beginning until the present.
    [Show full text]
  • Nas Trilhas Do Rock: Experimentalismo E Mercado Musical (2018), Organizado Por Rainer Gonçalves Sousa
    opiniães Trilhando um Caminho de Estudos sobre o Rock no Brasil Tracing a path of rock studies in Brazil Sheyla Castro Diniz1 Resumo: Resenha do livro Nas trilhas do rock: experimentalismo e mercado musical (2018), organizado por Rainer Gonçalves Sousa. Palavras-chave: estudos sobre o rock; indústria cultural; contracultura Abstract: Review of the book Nas trilhas do rock: experimentalismo e mercado musical (2018), organized by Rainer Gonçalves Sousa. Keywords: rock studies; cultural industry; counterculture 1 Doutora em Sociologia da Cultura pela Unicamp. Contato: [email protected]. 176 opiniães Bem-vinda desde o início do século XX no noticiário jornalístico, mas até não muito tempo vista por alguns como um assunto menor ou inferior no campo acadêmico brasileiro, hoje a música popular gravada já conta com um número significativo de pesquisas. Sua relevância concomitantemente cultural, histórica e sociológica tem orientado abordagens diversas na grande área das Humanidades, apontando para uma tendência interdisciplinar que aos poucos ganha quórum. Mas no país berço do samba, da Bossa Nova, da chamada MPB, do Tropicalismo e de outras incontáveis expressões de nossa música popular2, há ainda um déficit considerável para com manifestações musicais nascidas além Brasil. Uma dessas lacunas, se bem que contemplada por iniciativas anteriores, recebe agora mais uma incursão em Nas trilhas do rock: experimentalismo e mercado musical, coletânea lançada em 2018, pela editora Kelps, sob a organização de Rainer Gonçalves Souza3. Resultante de uma miríade de trocas socioculturais no mundo anglo-saxão do pós-Segunda Guerra, o rock tem algumas de suas variadas facetas reveladas ao longo dos dez ensaios/capítulos que compõem o livro, cinco dedicados àquele produzido no eixo Inglaterra-Estados Unidos e os outros àquele que, num contexto de mundialização da cultura prenunciado desde o fim dos anos de 1960, foi levado a cabo por músicos brasileiros.
    [Show full text]
  • Nueva Canción Chilena
    BLOOMSBURY ENCYCLOPEDIA OF POPULAR MUSIC OF THE WORLD VOLUMES VIII – XIII: GENRES VOLUME IX GENRES: CARIBBEAN AND LATIN AMERICA EEncyclopediancyclopedia ..indbindb i 11/14/2014/14/2014 33:50:15:50:15 PPMM Principal Editors David Horn , Institute of Popular Music, University of Liverpool John Shepherd , FRSC, Carleton University, Ottawa Founding Editor Paul Oliver , Oxford Brookes University, Oxford International Advisors Christopher Ballantine, University of KwaZulu-Natal, Peter Manuel, City University of New York, USA South Africa Portia Maultsby, Indiana University, USA Nimrod Baranovitch, Haifa University and Richard Middleton, University of Newcastle, UK Hebrew University of Jerusalem, Israel Toru Mitsui, Kanazawa University, Japan Rafael Jos é de Menezes Bastos, Universidade Federal de Santa Catarina, Brazil Svanibor Pettan, University of Ljubljana, Slovenia Th eo Cateforis, Syracuse University, USA Paolo Prato, Pontifi cal Gregorian University, Rome Jan Fairley, University of Liverpool, UK† Motti Regev, Open University of Israel, Israel Juan Pablo Gonzalez, Universidad Alberto Hurtado Raquel Z. Rivera, affi liated scholar, Center for Puerto SJ, Santiago, Chile Rican Studies, Hunter College, City University of New York, USA Dai Griffi ths, Oxford Brookes University, UK T. M. Scruggs, University of Iowa, USA Jocelyne Guibault, University of California, Berkeley Chris Stapleton, London, UK Bruce Johnson, University of Turku, Finland; Macquarie University, Sydney; University Martin Stokes, University of Oxford, UK of Glasgow, UK Jim
    [Show full text]
  • El Joven Barrial” La Construcción Del Joven En Las Canciones Del Rock Chabón Autor/Es: PIÑEIRO Pearson, Marcos E.– L
    ”El joven barrial” La construcción del joven en las canciones del Rock Chabón Autor/es: PIÑEIRO Pearson, Marcos E. – LU: 1014466 Carrera: Licenciatura en Ciencias de la Comunicación Tutor: Lic. Ciarleglio, Gonzalo Año: 2020 ‘‘EL JOVEN BARRIAL’’ La construcción del Joven en las canciones del Rock Chabón Marcos E. Piñeiro Pearson Licenciatura en Ciencias de la Comunicación Trabajo de Investigación Final 1 Creíamos que nuestras canciones iban a cambiar el mundo, pero los músicos sólo somos decoradores de la realidad. (Luís Alberto Spinetta, 2010) 2 Índice Abstract ........................................................................................................................ 5 Indagaciones Preliminares ............................................................................................. 6 Rock, Identidad e Interculturalidad Industria Politica y Espacios Culturales El concepto de Identidad Urbana Rock, Globalizacion e Identidad Social Rock the Vote Problema de Investigación y Marco Referencial .......................................................... 10 Música como Comunicador Social Movimientos Sociales Argentinos Música e Identidad Social Hipótesis ..................................................................................................................... 14 Objetivos .................................................................................................................... 15 Generales Específicos Marco Teórico ...........................................................................................................
    [Show full text]
  • La UNAHUR En Marcha
    La UNAHUR en marcha Memorias, proyectos y desafíos La UNAHUR en marcha Memorias, proyectos y desafíos Mariana Mendonça Juan Pedrosa Walter Wallach Prólogo de Jaime Perczyk Mendonça, Mariana La UNAHUR en marcha: memorias, proyectos y desafíos / Mariana Mendonça; prólogo de Jaime Perczyk. - 1a ed . - Villa Tesei : Libros de UNAHUR, 2019. 144 p. ; 20 x 14 cm. - (Universidad en construcción) ISBN 978-987-47285-4-8 1. Universidades Públicas. 2. Acceso a la Educación. 3. Democratización de la Educación. I. Perczyk, Jaime, prolog. II. Título. CDD 378.053 1ª edición, octubre de 2019 © 2019, Universidad Nacional de Hurlingham, Vergara 2222, Villa Tesei, provincia de Buenos Aires, Argentina (B1688GEZ). www.unahur.com.ar Rector: Jaime Perczyk Jefa Departamento editorial: Silvana Daszuk Edición: Silvana Daszuk Corrección: Ignacio Miller Diseño de maqueta: www.trineo.com.ar Diagramación: Silvia Prado y Verónica Trombetta (Estudio Golum). Selección de imágenes: Martín Sosa, Miguel Canella. Fotografía: Archivo UNAHUR, Juan Canella, Julieta Alfonso. Agradecemos la colaboración de Rody Rodríguez, director de El Ciudadano del Gran Buenos Aires y Hurlingham al Día. Mapas: Leandro Facal, Ernesto Gallegos y Federico Carballo. ISBN 978-987-47285-4-8 Fotocopiar libros está prohibido por la ley. Prohibida su reproducción total o parcial, por cualquier medio, en español o en cualquier idioma, sin la autorización expresa de la Editorial. Impreso en la Argentina. Hecho el depósito que marca la ley 11.723. Índice Prólogo, Jaime Perczyk 9 Introducción 11 1. La expansión del sistema universitario entre 2007 y 2015 13 Las transformaciones del sistema educativo argentino entre 2003 y 2015 14 La creación de nuevas universidades nacionales como política pública 16 Las nuevas universidades del conurbano bonaerense 22 2.
    [Show full text]
  • Punk Resistance and the Culture of Silence in the Southern Cone, 1978-1990
    “¡Represión!”: Punk Resistance and the Culture of Silence in the Southern Cone, 1978-1990 Hay Un Chanco En El Ala, p. 10 Emily Simpson Honors Thesis Seminar Professor David Farber 27 March 2013 Simpson 2 I. Introduction On the night that Los Violadores played the show that many would thereafter refer to as “the birth of punk in Argentina,” another band was scheduled to headline.1 Eduardo Camilli, a relatively famous figure in Argentine national rock, had secured the auditorium at the Universidad de Belgrano for his La Rosanroll Band, and then invited the punks to play after the fact. Few expected that the event would prove anything more significant than an enjoyable evening of music. In the weeks leading up to the show, Los Violadores played along with the rules of the conservative, upper-class university community – helped in part by the group’s founder, Hari B, who was then studying business administration at the university, even agreeing to change their name from the subversive “Los Violadores (The Violators)” to the more acceptable “Los Voladores (The Flyers)” on all signs and posters advertising the event. When the evening of 17 July 1981 arrived and the auditorium began to fill with people, only about thirty of those in attendance could be considered punks. The remaining hundred or so identified either as hippies or merely as concertgoers out to have a good time.2 The first group, Trixy y Los Maniáticos, performed without incident while the punks moved to occupy the first few rows. The hippies, content to wait out the concert until La Rosanroll Band took the stage, remained near the back of the auditorium.
    [Show full text]
  • Catalogo ARTISTA TITULO for ANO OBS STOCK PVP
    Catalogo ARTISTA TITULO FOR ANO OBS STOCK PVP 1927 ISH +2 CD 1989 20 th Anniversary Edition X 27,00 1927 THE OTHER SIDE CD 1990 AOR X 22,95 21 GUNS KNEE DEEP CDS 1992 Melodic Rock X 5,00 220 VOLT 220 VOLT CD Japanese Edition X 25,00 220 VOLT EYE TO EYE -Japan Edt.- CD 1988 Japan reissue remastered +2 tracks X 20,99 24 K PURE CD 2000 X 7,50 30 SECONDS TO MARS 30 SECONDS TO MARS CD X 17,95 38 SPECIAL FLASHBACK CD 1987 Best of 16,95 38 SPECIAL ICON CD 2011 Best of X 10,95 38 SPECIAL ROCK & ROLL STRATEGY CD 20,95 38 SPECIAL STRENGTH IN NUMBERS CD 1986 X 11,99 38 SPECIAL TOUR DE FORCE CD 1983 X 10,95 38 SPECIAL WILD-EYED SOUTHERN BOYS CD 1978 10,95 38 SPECIAL WILD-EYED SOUTHERN../SPECIAL FORCES CD 1978 1980 & 1982 2013 reissue 2 Albums 1 CD X 12,99 AB/CD CUT THE CRAO CD 12,95 AB/CD THE ROCK 'N''ROLL DEVIL CD 12,95 ABC THE CLASSIC MASTERS COLLECTION CD Best of X 12,95 AC/DC BACK IN BLACK CD 1980 2003 remastered X 14,95 AC/DC BACK IN BLACK -LTD 180G- CD 1980 2009 LTD 180G X 22,95 AC/DC BALLBREAKER CD 12,95 AC/DC BLACK ICE CD 2008 Remasters digipack X 17,95 AC/DC BONFIRE 5CD X 27,95 AC/DC DIRTY DEEDS DONE DIRT CHEAP 4DVD X 25,00 AC/DC DIRTY DEEDS DONE DIRT CHEAP CD 1976 Remasters digipack 9,95 AC/DC FLICK OF THE SWITCH CD 12,95 AC/DC FLY ON THE WALL CD 12,95 AC/DC HELL AIN'T A BAD PLACE TO BE BOOK X 8,95 AC/DC HIGHWAY TO HELL CD 12,95 ARTISTA TITULO FOR ANO OBS STOCK PVP AC/DC HIGHWAY TO HELL -180G- LP 1979 2009 ltd 180G X 22,95 AC/DC IF YOU WANT BLOOD YOU'VE GOT IT CD 12,95 AC/DC IN CONCERT BLRY 2012 98 min X 12,95 AC/DC IT''S A LONG WAY TO THE TOP DVD X 7,50 AC/DC LET THERE BE ROCK DVD X 10,95 AC/DC LIVE 92 2LP 1992 Live X 25,95 AC/DC LIVE 92 2CD 1992 Live X 24,95 AC/DC NO BULL DVD X 12,95 AC/DC POWERAGE CD 10,95 AC/DC RAZOR'S EDGE CD 1990 Remasters digipack X 14,95 AC/DC STIFF UPPER LIP CD Remasters digipack 10,95 AC/DC T.N.T.
    [Show full text]
  • Patricia Zarate Perez First Recording Is a Collection of Original Material and Chilean Popular Music That Mixes Jazz Improvisation, Latin Rhythms, and Songwriting
    ! Patricia Zarate Perez first recording is a collection of original material and Chilean popular music that mixes jazz improvisation, Latin rhythms, and songwriting. Produced by Grammy Winner pianist Danilo Perez, the recording explores Chilean music in a harmonically sophisticated soundscape that recontextualizes and expands Chilean images and landscapes. The name of the album has several meanings. Violeta is the name of Zarate Perez’s mother Violeta Diaz, as well as the name of renowned Chilean songwriter Violeta Parra, one of her musical influences. The color is one of the oldest used by humans, found in some of the oldest prehistoric cave art in Europe; Violet is also the color of many beautiful Caribbean flowers found in Panama, Patricia’s second home. The CD features some prominent jazz musicians of our time. Danilo Perez on piano with his long-standing trio, Ben Street on bass and Adam Cruz on drums, provide the musical backbone of the recording. John Patitucci is the guest in the only song as a trio (sax, bass, drums) contributing his virtuosic perspective of the electric bass. Colombian Singer Lucia Pulido sings in all tracks except one, and provides a superb voice that expresses the Spanish lyrics of the songs in a way that respects the traditional Latin song, but also leaves space for the harmonic freedom Danilo Perez continuously demands. Detroit native drummer Nate Winn and Peruvian percussionist Jorge Perez-Albela, Argentinian bass player Fernando Huergo and guitarist Claudio Ragazzi, Venezuelan cuatro player Carlos Capacho, and Panamanian rapper and violinist Joshue Ashby, complete the project with Pan-American sounds that define the recording as a Global Jazz project.
    [Show full text]
  • Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement
    Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement by James Ryan Bodiford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2017 Dissertation Committee: Associate Professor Christi-Anne Castro, Chair Professor Kelly Askew Professor Charles H. Garrett Assistant Professor Meilu Ho Professor Bruce Mannheim James Ryan Bodiford [email protected] ORCID iD: 0000-0002-9850-0438 © James Ryan Bodiford 2017 Dedicated to all those musicians who have devoted their work to imagining a better world… ii Table of Contents Dedication ii List of Figures vi Abstract viii Chapter I – Introduction: Sharing Sounds 1 A Shifting Paradigm 10 The Transnational Netlabel Movement and its Chilean Variant 14 Art World Reformation 20 Social Discourse, Collaboration, and Collectivism 23 Experimentalism, Ideology, and Social Movements 29 Methodology 34 Chapter Summaries 36 Chapter II – “This Disc Is Culture”: Mass Media Hegemony and Its Subversion in Chilean Musical Culture, 1965-2000 39 Mass Media Hegemony and the Culture Industry 44 Social Activism and Subversion 58 DICAP, Unidad Popular and the Emergence of Nueva Canción 1965-1973 64 Musical Dissemination Under Dictatorship (1973-1989): Alerce, Clandestine Cassette Distribution 80 Democratic Re-Transition and Post-Dictatorship Transformations in the Chilean Music Industry 1990-2000 96 iii Chapter III – “My Music Is Not A Business”: New Media Transformations
    [Show full text]
  • Hacia El Estallido:Análisis De Líricas Del Rock Argentino De Los
    Facultad de Periodismo y Comunicación Social Licenciatura en Comunicación Social Trabajo Integrador Final “Hacia el estallido: análisis de líricas del rock argentino de los años previos a la crisis de 2001” Alumno: Manuel Barroso Legajo: 23222/2 Correo electrónico: [email protected] Director: Cristian Secul Giusti Co-Directora: Susana Souilla Junio 2019 2 Agradecimientos A mi familia, por acompañar y bancarme desde el primer día. A Susana y Cristian, por el impagable tiempo dedicado, la paciencia puesta en mi proceso y el esfuerzo realizado para concluir esta etapa. A mis amigos de siempre, por recargarme energías con sus locuras cada día que faltó inspiración A los que se sumaron en 2013 y supieron ser el abrazo, el consejo, el mate amargo y la cerveza fría en el momento justo. Y a Fede. Voy a llevarte en mí. 3 Índice Capítulo I .............................................................................................................................................................. 10 Estado del arte .................................................................................................................................................. 10 Capítulo II ............................................................................................................................................................ 14 Marco teórico-conceptual .............................................................................................................................. 14 Discurso social ............................................................................................................................................
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]