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Buddah Aims to Make Its Mark on Album Scene ... Sly's Stone Flower

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Buddah Aims To Make Its Mark On Album Scene . Sly's Stone Flower To Atlantic For Distribution. .NARIV1 Convention Message See Editorial 'An End September 6, 1969 To Fear' ... R IAA Gold Hits High For Half Year ash 75(t CRI Confab Credits Promo For Sales Jump $34 Cash Box . Peirce Heads UIC's Record Co . Polydor Stages First Sales Convention In Canada LAWRENCE WELK: PLAYING IN THE 70 s Int' Section Begins on Pg. 59 The Cats It's a beautiful day. The Buckinghams are up with a new single on the horizon. "It's a Beautiful Day (For Lovin V4-44923 The lyrics focus on part of today's young life style — Peace and Love. "It's a beautiful day ... for lovin', dreamin'. The shadows are gone, I've reached the dawn." Definitely a listen-to single. And a watch single —for another great day for The Buckingham!. THE BUCKIN GHA MS "IT'S A BEAUTIFUL DAY (FOR LOV1N1" ON COLUMBIA RECORDS.- tOlu MA MSIARCA% 14..(1) k S. 4 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 6/September 6, 1969 Publication Office / 1780 Broadway, New York, New York 10019, Telephone JUdson b 2640: Cable Address Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTRO W Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising An End To Fear ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood W OODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager CAMILLE COMPASIO, Chicago The upcoming gathering of NARM should point to the start of clear-head- LISSA MORRO W, Hollywood members for their 1969 Tape Con- ed, honest business in an above-board thrust toward industry cohesiveness. CIRCULATION vention has the potential to become THERESA TORTOSA, Mgr. THE tape event of this decade. It will Resolution at this convention should be the final major national gathering be geared to beginning programs on CHICAGO HOLLYWOOD CAMILLE CO MPASIO HARVEY GELLER of the 60's, and is capable of drawing both manufacturer and consumer le- 29 E. Madison St. 6290 Sunset Blvd. on both the organization's experiences vels to dispel the doubts and clouds Chicago 2, III. Hollywood, Calif. 90028 that have become a misty shroud Phone: (312) Fl 6-7272 Phone: (213) 465-2129 and the learning that past industry clusterings impart. about the burgeoning field. This could ENGLAND easily become the meeting where la- DORRIS LAND By now, every music business work- 3 Cork Street er from he studio to the street has be- bels, distributors, merchandisers and London, WI, England retailers can decide face-to-face/per- Tel: 01-734-2374 come aware of the amazing sales that have put tape on the map with about son-to-person to unify against continu- one-third of last year's music sales. ing problems of hazy consumer infor- ITALY HOLLAND This convention should therefore key mation or promotion of tape. Here, in MARIO PANVINI ROSATI PAUL ACKET three days, the entire scope of pro- Galleria Passarella 2 Theresiastraat 59-63 itself not to spreading this message, Milan (Italy) The Hague which has already become a cliche. ducing and selling tape can become a Tel: 790990 Tel: 837700 The representation should rather be far clearer operation whose drawbacks GERMANY can be seriously discussed and built MAL SONDOCK SCANDINAVIA aimed at the future about to become Josef Raps Strasse 1 SVEN G. WINQUIST the history of the 70's. upon from multi-level viewpoints. In Munich, Germany Kaggeholmsvagen 48, Dallas, suggestions could be driven Tel: 326410 Stockholm-Enskede, The "New Communications Medium" Sweden, Tel: 59-56 85 home for productive and effective BRAZIL is already reaching adolescence with 122 40 combat against the use of tape as a PEDRO FRAZAO growing pains fading and gangly limbs DE VASCONCELOS musically destructive medium; or of AUSTRALIA shaping into solid extensions of the Rua Frei Caneca, 11, Apt. 13 the self-destructive competition in Sao Paulo, S.P., Brazil RON TUDOR product's impact. Rather than press Tel: 239.40 18 8 Francis St., inter-configuration dispute. Heathmont, Victoria the optimism that pervades the indus- ARGENTINA The continual flow of praise for the Tel. 870-5677 try, the time has come for serious con- MIGUEL SMIRNOFF distance already traveled by the tape Rafaela 3978 MEXICO sideration of the most important draw- Buenos Aires SALVADOR ARREGUIN industry in its short spurt from infancy back that now delays the explosion of Tel: 69-1538 ANTONIO SENS to multi-million dollar status has be- Tiber 100 — 7 y 8 Pisos tape as an equal partner in the music CANADA Mexico 5, D.F. come a blanket of indistinguishable WALT GREALIS Tel: 25-39-52 11-62-96 picture—fear. RPM plaudits. Whether the peaks are point- 1560 Bayview Ave. JAPAN FEAR on the part of the public; FEAR ed up at a New York manufacturers' Toronto 17, Ontario Adv. Mgr. in the ranks of the record business; Tel: (41e.) 489-2166 SHOICHI KUSANO meeting or a California conference, Editorial Mgr. FEAR on the part of merchandisers, the comments have become uniform. FRANCE MORIHIRO NAGATA and even FEAR of self over-extension CHRISTOPHE IZARD 466 Higfashi-Olzumi What the industry needs now is not 24, Rue Octave Feuillet Neirimaku among tape manufacturers. another bit of brilliant banter over Paris XVI Tel: 870-9358 Tokyo Instead of citing the end of the 60's, accomplishments. There is too much SUBSCRIPTION RATES $25 per year anywhere in the U.S.A. this convention above all should stress yet to be done toward dispelling the Published weekly by Cash Box, 1780 Broadway, New York, N.Y. 10019. Second class postage paid at Hartford, Conn. 06105 the end of such fears. Instead of being fear that is holding back tape's ulti- U.S.A. among the first of many conventions mate explosion from a "New" to the Copyright o 1969 by The Cash Box Publishing Co., Inc. All rights reserved. Copyright under Universal Copyright Convention. to signal the start of the 70's, NARM's "Now" communications medium. Sgatember 6, 1969 1 HONKY TONK WOMEN 35 CRYSTAL BLUE PERSUASION 68 YOU, I Roi5ng Stones-London 910 1 1 . 0111111y James & Shondells Roulette 1050 17 11 Rugbys-Amazon 1 73 98 2 A BOY NAMED SUE 36 RUBY DON'T TAKE YOUR LOVE HERE I GO AGAIN Johnny Cash-Columbia 44944 2 3 TO TOWN Smokey Robinson & Miracles-Tamla 54183 3 SUGAR SUGAR Ken Rogers & First Li ' Reprise 0829 13 7 SUGAR ON SUNDAY Archies-Calendar 1008 5 F 37 MARRAKESH EXPRESS 'Moue White Whale 323 83 88 4 GREEN RIVER nrosby. Stills & Nash-Atlantic 2652 19 19 71 I TAKE A LOT OF PRIDE IN reeden, e learwater Revival-Fantasy 625 b 15 38 MY CHERIE AMOUR WHAT I AM 5 GET TOGETHER nder Tamia 54180 22 17 Dean Martin-Reprise 0841 71 85 Youngbloods RCA 9752 7 10 LITTLE WOMAN SON OF A LOVIN' MAN 6 PUT A LITTLE LOVE IN YOUR HEART Bobby Sherman Metromedia 121 68 79 Buchanan Bros -Event 3805 Jackie DeShannon-Imperial 66385 4 5 40 NOBODY BUT YOU BABE 73 RAIN 7 SWEET CAROLINE Clarence Reid Alston 4574 46 57 Jose Feliciano-RCA 9757 75 — Neil Diamond-Uni 55136 3 4 WHATS THE USE OF BREAKING UP • MAKE BELIEVE 8 LAY LADY LAY Jerry Butler Mercury 72960 54 74 Wind•Life 200 Bob Dylan-Columbia 44926 8 13 42 COMMOTION 75 LODI • EASY TO BE HARD raeedenc e Clearwater Revival Fantasy 625 40 46 Al Wilson•Soul City 775 80 85 Three Dog Night-Dunhill 4203 15 22 0 WHAT KIND OF FOOL DO YOU MAH-NA MAH-NA • I CAN'T GET NEXT TO YOU THINK I AM Ariel-AR 500 87 — Temptations Gordy 7095 27 40 Bill Deal & Rondells-Heritage 817 55 66 77 THE TRAIN 11 LAUGHING 44 I'M A BETTER MAN 110 Fruitgum Co -Buddah 130 78 84 Guess Who RCA 0195 9 8 Engelbed Humperdinck-Parrot 40040 50 60 78 HOOK & SLING 12 I'D WAIT A MILLION YEARS 45 BABY I LOVE YOU [it Ice Bo-Scram 14 81 Grassroots-Dunhill 4198 12 Andy Kim-Steed 716 21 16 WE GOTTA ALL GET TOGETHER 13 SOUL DEEP 46 CHOICE OF COLORS Paul Revere & The Raiders-Columbia 44970 88 Box Tops Mala 12040 14 18 i,„,,,ressions-curtom 1943 39 2] RUNNIN' BLUE I'LL NEVER FALL IN LOVE AGAIN 000 I'M GONNA MAKE YOU MINE Doors-Elektra 45675 90 — 110 Jones Parrot 40018 20 25 . ru Christie Buddah 116 57 78 TRACY THIS GIRL IS A WOMAN NOW ‘410 YOU GOT YOURS & I'LL GET MINE ,if' Links-Decca 32533 99 — Gary Puckett-Columbia 44967 51 63 Delfonics•Philly Groove 157 59 61 GOIN IN CIRCLES 16 JEAN IN A MOMENT Friends of Distinction-RCA 0204 92 — Oliver-Crewe 334 41 53 Intrigues Yew 1001 58 71 83 SAD GIRL 17 HURT SO BAD 50 ITS GETTING BETTER Intruders-Gamble 235 86 89 e ermen- api • Mama Cass Dunhill 4195 37 51 51 84 CAN'T FIND THE TIME 18 MOVE OVER SIMPLE SONG OF FREEDOM orph, ,,,s MGM 13882 89 — Steppenwolf-Dunhill 4205 25 47 , Hardin-Columbia 44920 47 50 CARRY ME BACK WORLD 19 BIRTHDAY James Brown-King 6258 11111 Rascals-Atlantic 2664 77 r,derground Sunshine-Intrepid 75002 24 26 53 I'M FREE LOVE'S BEEN GOOD TO ME 20 KEEM-O-SABE Frank Sinatra Reprise 0852 The Who-Decca 732519 33 30 • •• rr,c Indian I Inited Arts) 50563 30 36 54 JACK & JILL SLUM BABY 21 SHARE YOUR LOVE WITH ME tarnmy Roe ARC 11229 413 an Booker T & MG's-Stay 0049 Aretha Franklin-Atlantic 2650 23 28 55 MUDDY MISSISSIPPI LINE 88 THATS THE WAY GOD PLANNED IT 22 WHEN I DIE Bk)t,r)y Goldsboro-United Artist 50565 61 68 (-(Sly Preston Apple 1808 74 81 Motherlode-Buddah 131 31 38 56 ODDS & ENDS LIFE & DEATH IN G&A 23 OH WHAT A NIGHT Dionne Warwick Scepter 12256 44 44 Abaco Dream-A&M 1081 Dells-Cadet 5649 34 42 57 OUT OF SIGHT, OUT OF MIND 90 ARMSTRONG 24 EVERYBODY'S TALKIN' Anthony & Imperials,UA 50552 63 73 John Stewart-Capitol 2605 95 Nilsson-RCA 0161 49 65 1 8 DADDY'S LITTLE MAN 91 KOOL & THE
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    NUTRITIONAL GUIDE January 2020 Nutritional and Calorie Guide Hot Food Items Bakery Items Fountain and Frozen Beverages Coffee Drinks The nutritional information is derived from a computer analysis of recipes with the assistance of an ESHA Research Nutrition Labeling and Formulation Software (Genesis R&D 9.11.0 Version), and standard supplier product formulations. The rounding of figures is based on the US Food and Drug Administration NLEA Guidelines. Variations within the nutritional values may occur due to the use of regional suppliers, manufacturing tolerances, minor differences in preparation techniques at the store level, recipe revisions, periodic product formulation changes and other factors. 3 11/01/2019 Table of Contents Hot Food Items 5 Bakery Items 14 Fountain & Frozen Beverages 22 Coffee Drinks 83 The nutritional information is derived from a computer analysis of recipes with the assistance of an ESHA Research Nutrition Labeling and Formulation Software (Genesis R&D 9.11.0 Version), and standard supplier product formulations. The rounding of figures is based on the US Food and Drug Administration NLEA Guidelines. Variations within the nutritional values may occur due to the use of regional suppliers, manufacturing tolerances, minor differences in preparation techniques at the store level, recipe revisions, periodic product formulation changes and other factors. 4 11/01/2019 NachoTaco Cheese Sauce Queso Blanco Cheese Sauce Ghels Chili Sauce 09/24/2019 09/24/2019 09/24/2019 Taco Cheese Sauce Queso Blanco Cheese Sauce Gehls Chili
  • Tallahassee Magazine

    Tallahassee Magazine

    $5 “One of the top 10 things to do in Tallahassee.” - Tallahassee Magazine “When ... researching the history of the American soda fountain ... all roads led to Gregory Cohen [owner of Lofty Pursuits], probably the country’s leading expert on the institution.” - New York Times Locally Owned and Only in Tallahassee • LoftyPursuits.com • March 2014 DAIRY SODAS HANDMADE SODAS Dairy sodas are made with either milk or A master of the soda fountain is called a Fizzician. A Fizzician is cream. Lactose intolerant and vegan a special type of Soda Jerk with expertise in mixing flavors and folks don’t worry, we can make any of textures of sodas. In many ways a Fizzician is very much like a these using almond milk and they are bartender mixing his specialties. There are three standard sodas just as good. that we make. Not all flavors work with all of these mixtures, but our Jerks and Fizzicians can help you choose. If you can’t Egg Creams choose, try a suicide, which is up to six flavors mixed as a single If there’s no egg or cream in it, why is it drink. called an egg cream? The original name was the French “Chocolat et Crème.” which, when said with a Brooklyn accent became a Chocolate Egg Cream. This is our signature drink and our favorite. It is made from milk, seltzer and our own handmade chocolate syrup. This drink has been made in Brooklyn for over 1 00 years, since it was invented by Louis Asture in his candy store on 4th Avenue and 7th Street in Manhattan.