BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS

Total Page:16

File Type:pdf, Size:1020Kb

BRE CONFERENCE '90 UPDATE! Columbia BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS MAY 18. 1990 VOLUME XV. NUMBER 18 Publisher SIDNEY MILLER Assistant Publisher SUSAN MILLER Editor -in -Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH ROLAND REYNOLDS FEATURES International Editor COVER STORY-BBD 14 DOTUN ADEBAYO STARTALK-The Winans 45 VP/Midwest Editor DOWNLINK 31 JEROME SIMMONS SECTIONS Art Department PUBLISHERS 5 LANCE VANTILE WHITFIELD art director NEWS 6 MARTIN BLACKWELL MUSIC REPORT 8 typography/computers MUSIC REVIEWS 11 Columnists RADIO NEWS 32 LARRIANN FLORES CONCERT REVIEW SPIDER HARRISON 42 JONATHAN KING JAZZ NOTES 43 ALAN LEIGH GRAPEVINE/PROPHET 46 NORMAN RICHMOND CHARTS & RESEARCH TIM SMITH NEW RELEASE CHART 17 ELAINE STEPTER RADIO REPORT 29 Concert/Record Reviews SINGLES CHART LARRIANN FLORES 34 ELAINE STEPTER THE NATIONAL ADDS 37 Reporters PROGRAMMER'S POLL 36 CORNELIUS GRANT JAZZ CHART 43 COY OAKES ALBUMS CHART 44 LANSING SEBASTIAN COLUMNS RACHEL WILLIAMS RAP, ROOTS & REGGAE 10 Production WHATEVER HAPPENED TO? 12 MAXINE CHONG-MORROW GOSPEL LYNETTE JONES 13 FAR EAST PERSPECTIVE Administration 18 ROXANNE POWELL. office mgr. BRITISH INVASION 19 FELIX WHYTE traffic CANADIAN REPORT 20 Media Relations MICHELE ELYZABETH ENT. (213) 276-1067 Printing PRINTING SERVICES. INC. BLACK RADIO EXCLUSIVE USPS 363-210 ISSN 0745-5992 is published by Black Radio Exclusive 6353 Hollywood Blvd.. Hollywood. CA 90028-6363 (2131469-7262 FAX# 213-469-4121 ' MODEM: 213-469-9172 BRE NEWSSTANDS-New York: Penn Book Store. (2121564-6033; Midwest: Ingram Periodicals; Los Angeles: World Book & News; Robertson News & Bookstore. Las Palmas Newsstand. Japan: Tower Records SUBSCRIPTION RATES: 3 Mos.-$90.6 Mos.-5120:9 Mos.-0150. 1 Yr.-S175: 1st Class -$250: Overseas -$250. Call (213) 469-7262 to subscribe. POSTMASTER-. Please send address changes to Black Radio Exclusive. 6353 Hollywood BI.. Hollywood. CA 90028-6363. Second Class postage paid at Los Angeles. CA. Newsstand price $5.00. Back issues available at $2.50. BRE is not responsible for any unsolicited material. Black Radio Exclusive is published weekly except one week in June. one week at Thanksgiving. one week at Christmas. and two weeks at New Years. Cover and contents may not be reproduced in whole or in part without prior written permission. ® Copyright 1990 ,990 1111.ACR RAD,0 EACLUSE UBLISIIER'S COUNTING DAYS, COUNTING HEADS We are counting down to Conference '90. The planning room here at BRE looks something like the control center at NASA. Phones are ringing off the wall, strategy sessions are in full swing, registration packets are flying out the doors. Charts, diagrams, schematics are up on the walls. The lists of participants and activities are growing larger each day. This year, we'll have the largest conference ever. Projections at this moment indicate more than 2,000 of the most powerful people in the industry will come to New Orleans in three weeks. Which leads me to alert you to this fact: Get your registration form in. If you aren't registered, you won't be allowed to participate. This year, security is such that no lookey-loos are going to be permitted and that pleases everybody we talk to. Everybody we talk to is also excited about all the activities. In this most competitive of all times, people are looking forward to the seminars to give them tools and information to take back to their jobs with them. There are pages of information on the activities in this issue. When we first started talking about Conference '90, we told you to dust off your thinking caps and dancing shoes. At this point, it looks like you'll need several pairs of shoes and a couple of caps. D CELEBRITY GOLF TOURNAMENT: There's only a few slots open. Call Ingrid Bailey right away or we'll tee off without you. THE UNTALENTED TALENT SHOW: Call Jerome Simmons (312) 488-5703 if you are in the business and you want to play, sing, dance or just do something else outrageous in this appropriately named show. RONT AGE SHORT TAKES BMI Inaugurates Michael The Black Entertainment and Sports Lawyers Associ- Jackson Award ation (BESLA), Inc., will be By Ruth A. Robinson sponsoring its fourth mid- Michael Jackson was family to friends, it lived up year conference this May at presented with the first "BMI to the description used to the famous Apollo Theatre in define him these days- Michael Jackson Award" in New York, NY. megastar. ceremonies held at the The conference will feature Beverly Wilshire Hotel in Los Jackson took the stage to leading Angeles this week. accept the award and two seminars where BMI president and ceo delivered what, for him, was experts will address issues Frances Preston said, "The a long speech. He thanked and developments in profes- award recognizes an indi- everyone for coming, singling sional sports. The seminars vidual who has had an impor- out the talents of Little will also examine the princi- tant impact on contemporary Richard; Holland -Dozier - pal contractual and business culture and who has, in a Holland; Elton John; saying issues relevant to the licensing measurable way, made an "I Love You" to Gladys uplifting contribution to Knight and thanking Berry of music rights for film, society. Gordy, his mother Catherine television, video and ancillary "BMI has had the honor and father Joseph and his uses (i.e. commercial). to represent such a song- label CBS/Epic. He said he writer, artist and creative "hoped to be around for Elektra Entertainment and innovator for the past 14 another five decades" of years," continued Preston, BMI. Hollywood Records, the "an individual whose wide The intimate luncheon was Walt Disney Company's ranging artistic contributions one of the highlights of BMI's entry into the mainstream are unsurpassed in this celebration of the first five record business, have entered generation. We wanted to decades-its 50th annivers- into a distribution agreement. celebrate Michael's unparal- been honored with the ary-and was made more Hollywood Records will leled and multifaceted Greek's highest honor." luminous by the stature of the creative achievement by The true scope of his "con- names who turned out for be distributed by WEA naming this new award for tribution to contemporary Jackson. through Elektra Enter- him and making its first culture" was emphasized by Among the other guests tainment. presentation to him. In fact, the specially edited video were Herbie Hancock, The first Hollywood there are few areas of con- footage prepared for the Melissa Manchester, Brian Records release, due in late temporary culture that event by MJJ Enterprises, Wilson of the Beach Boys, July, is the soundtrack to Michael Jackson has not which will go into the BMI Milton Berle, Babyface and affected." Archives, Preston said. The L.A. Reid, Pebbles, veteran "Arachnophobia," a Steven She noted that the award brilliant footage captured his bluesman Willie Dixon, Spielberg production. itself was fashioned in the career in a fast-paced mon- Jackie Jackson, Siedah * * * * * Greek manner, after a laurel tage. From baby photos to Garret, dozens of writers and CBS Records has pur- crown, for if Michael Jack- delirious fans, from "Mo- producers, industry execu- chased 50% of Important son had been alive in those town 25" to his record - tives and a number of actors/ days, he "would have surely shattering live tour, from actresses. Record Distributors, Inc. The agreement will include Relativity, Combat and In - Effect labels. RIAA Certifications: Rappin' Up The Relativity roster is spearheaded by guitar player The Month Steve Val and Grammy nom- April was the month for M.C. Hammer's Please gold and Platinum at the inated, gold record seller Joe rappers as Ice -T, M.C. Ham- Hammer Don't Hurt 'Em same time. Satriani. In -Effect's roster singles mer, and Biz Markie album achieved gold and Among the gold includes diverse groups such experienced double certifica- Platinum status simultan- were Quincy Jones' "Secret as the metal/funk/reggae/ tions. eously as well. Garden," Luther Vandross' Ice-T earned both a gold Other artists, who experi- "Here And Now," Calloway's hip hop group 24-7 Spyz and album, The Iceberg/ Free- enced double certification "I Wanna Be Rich," heavy metal group Nuclear dom of Speech...Just Watch triumphs included Lisa Technotronic's "Get Up," Assault. The Combat label What You Say, and a gold Stansfield, whose "All Jane Child's "I Don't Wanna roster includes such heavy video, "The Iceberg Video." Around the World" single Fall In Love," and metal groups as Megadeth, Biz Markie simultaneously went Platinum and Affection Seduction's "(It Takes) Two Slayer and Exodus. achieved a Platinum single, album went gold; and Sinead To Make It Right." Both "Just A Friend," and a gold O' Connor, whose "Nothing Seduction and Jane Child album, The Biz Never Sleeps. Compares 2 U" single went continued on page 7 PAGE 6 / MAY 18, 1990 B EXEC STATS Bundy Williams Paredes Shoji RAINA BUNDY has been elected vp of the Gospel Music Records. Prior to joining Virgin, Hodge handled local promotion Association of America. Previously, Bundy was gm, Lection in New York for Mercury Records. Records. JENNIFER MATTHEWS has been appointed rep, alternative STAN WILLIAMS has been named A&R coordinator, Profile promo, West Coast, Virgin Records. Prior to the promotion, Records. Previously, Williams was a dj and a writer for Paper Matthews was rep, retail promo, for the label. Magazine. RAND BLEIMEISTER has been appointed vp, marketing HANK MEDRESS has been appointed pres, EMI Music & strategic planning, CEMA Distribution. Previously, Bleimeister Publishing in Canada. Prior to this appointment, Medress was served as exec vp for Nelson Entertainment. dir, A&R staff production, SBK Entertainment World, Inc.
Recommended publications
  • IV. We Find No Violation of Ferdinand's Right to Effective
    THREE BOYS MUSIC CORP. v. BOLTON 477 Cite as 212 F.3d 477 (9th Cir. 2000) IV. of substantial similarity was not clearly erroneous; (3) defendants did not rebut We find no violation of Ferdinand’s right presumption of copying with evidence of to effective assistance of counsel or any violation of the Ex Post Facto Clause, and independent creation; (4) jury could find therefore Ferdinand’s § 2254 petition was that plaintiff deposited complete copy of properly denied. Accordingly, we affirm song with copyright office; (5) jury’s attri- the judgment of the district court. bution of profits was not clearly erroneous; (6) record company was not entitled to deduct its Net Operating Loss Carry-for- ward (NOL) in connection with award of , profits; and (7) defendants were not enti- tled to new trial. Affirmed. THREE BOYS MUSIC CORPORA- 1. Copyrights and Intellectual Property TION, Plaintiff–Appellee, O51 Copyright plaintiff must prove (1) v. ownership of the copyright; and (2) in- Michael BOLTON, individually and fringement, meaning that the defendant d/b/a Mr. Bolton’s Music, Inc.; An- copied protected elements of the plaintiff’s drew Goldmark; Non–Pareil Music, work. Inc.; Warner–Chappell Music Limit- 2. Copyrights and Intellectual Property ed; Warner–Tamerlane Publishing 83(3.1) Corp.; WB Music Corp.; and Sony O Music Entertainment, Inc., Defen- Absent direct evidence of copying, dants–Appellants. proof of copyright infringement involves fact-based showings that the defendant Nos. 97–55150, 97–55154 had access to the plaintiff’s work and that United States Court of Appeals, the two works are substantially similar.
    [Show full text]
  • Moraimde315 Center Street (Rt
    y A 24—MANCHESTER HERALD. Friday, April 13, 1990 LEGAL NOTICE DON’T KNOW Where to Is advertising expensive? TOWN OF BOLTON look next for a lob? How I cod CLEANING MISCELLANEOUS ■07 |j MISCELLANEOUS You'll be surprised now I CARS ZONING BOARD OF APPEALS about placing a “Situa­ 1SERVICES FOR SALE FOR SALE economical It Is to adver­ FOR SALE Notice is here by given that there will be a public hearing of the tion Wanted" ad In tise In Classified. 643-2711. classified? Zoning Board of >^peals, on Thursday, April 26, 1990 at 7 NO TIM E TO CLEAN. SAFES-New and used. DODGE - 1986. ’150’, 318 p.m. at the Bolton Town Hall, 222 Bolton Center Road, Bolton, Don't really like to END RO LLS Trade up or down. CIO, automatic, bed CT. A clean but hate to come f o o l ROOMMATES 27V4" width — 504 Liberal allowance for WANTED TO liner, tool box, 50K, 1. To hear appeal of Gary Jodoin, 23 Brian Drive for a rear home to a dirty house. I $5500. 742-8669. [ ^ W A N T E D 13" width — 2 for 504 clean safes In good Ibuy/ trade set-back variance for a porch. Coll us 1 We’re reaso­ condition. American 2. To hear appeal of MIton Hathaway, 40 Quarry Road for a nable and we do a good Newsprint and rolls can bs Graduating? House and picked up at the Manchester Security Corp. Of CT, WANTED: Antiques and special permit to excavate sand & gravel at 40 Quarry Road.
    [Show full text]
  • The Fine Art of Rap Author(S): Richard Shusterman Source: New Literary History, Vol
    The Fine Art of Rap Author(s): Richard Shusterman Source: New Literary History, Vol. 22, No. 3, Undermining Subjects (Summer, 1991), pp. 613- 632 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/469207 Accessed: 30/11/2009 16:24 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to New Literary History. http://www.jstor.org The Fine Art of Rap Richard Shusterman ... rapt Poesy, And arts, though unimagined, yet to be.
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Marvin Gaye As Vocal Composer 63 Andrew Flory
    Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing
    [Show full text]
  • “My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
    “My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams.
    [Show full text]
  • The BG News December 4, 1987
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-4-1987 The BG News December 4, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 4, 1987" (1987). BG News (Student Newspaper). 4735. https://scholarworks.bgsu.edu/bg-news/4735 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Thanksgiving '87 reviewed in Friday Magazine THE BG NEWS Vol.70 Issue58 Bowling Green, Ohio Friday, December 4,1987 Elimination of weapons anticipated WASHINGTON (AP) - conservative Republicans, in- President Reagan said last night cluding most GOP candidates there is a reasonably good for president — was "based on a chance the superpowers can lack of knowledge" about what agree in Moscow next year to is in the agreement. eliminate 50 percent of their "Some of the people who are strategic nuclear weapons, the objecting the most and just re- most dangerous arms on earth. fusing even to accede to the idea He made the evaluation of of ever getting any understand- prospects for such a far- ing, whether they realize it or reaching agreement in a televi- not, those people basically down sion interview four days before in their deepest thoughts have Soviet leader Mikhail Gorba- accepted that war is inevita- chev arrives for a summit and ble, Reagan said.
    [Show full text]
  • Alexander Likely President Censorship:Echo Probably Safe
    ''Let one hundred flowers blossom; let one hundred schools of thought contend." The Student •INSIDE Phones p. 3 SGA Progress p. 4 Black History p. 7 'Miss Excitement" p. 10 Volume 82/Issue 16 University of Tennessee at Chattanooga January 22, 1988 »-7 1 I people the most. That is the kind of work I enjoy and what I believe 1 am best suited to do. Alexander Likely President my mission at UT: If the university community will have me, I would like to By Khaled Mattawa posts be made public. For this reason, try to help the UT system try to be what Echo Editor Johnson alluded, many potential it ought to be." candidates were reluctant to submit their The resume, which contained several Chris Gilligan names, fearing their current jobs might be misspellings and grammatical errors, Echo News Editor jeopardized. included the former governor's pet peeve: Former Tennessee Governor Lamar "It would have been a farce to conduct "people who don't use plain English." Alexander, recent nominee for the UT interviews (with Alexander and other The comment upon Alexander's self- presidency, visited UTC Wednesday candidates)," Johnson maintained, perceived "mission at UT" constituted the amid controversy over the process which because the search committee and Board substance of most of his responses during ied to his nomination. of Trustees considered the former the question-and-answer sessions. In his Alexander's visit was part of a governor a shoe-in for the job. opening statement to community leaders. whirlwind tour of UT system campuses Several faculty members voiced Alexander said he comes to the university during which he met with faculty, concern over the fact that they had not with "no big plan, no big agenda." administrators, students, and area reviewed any of the candidates' resumes Instead, he said he sees his role as a leaders.
    [Show full text]
  • Naperville Jaycees' Last Fling Offers National and Local Musical Acts On
    FOR IMMEDIATE RELEASE: June 7, 2019 Contact: Karen Coleman 630.362.6683 [email protected] Naperville Jaycees’ Last Fling Offers National and Local Musical Acts on Two Stages! Naperville, IL – The Naperville Jaycees is proud to announce their full musical lineup for the Main Stage and Jackson Avenue Block Party Stage for the 2019 Last Fling. The Last Fling takes place all along the Riverwalk in Downtown Naperville over all 4 days of Labor Day weekend. “This year’s event will feel a lot more like your typical music festival. We decided to open the Main Stage gates earlier than most previous years to give patrons an opportunity to enjoy music throughout the day and allow them to come and go as they please. I really feel as if we have a solid line up this year and I hope that the community will come out, have some fun and help raise some money with us at the 2019 Last Fling,” says Entertainment Co-Chair Danielle Tufano. 2019 Main Stage Acts: The Last Fling Main Stage will start rocking on Friday night (August 30) with headliner Better Than Ezra. Before their omnipresent 1995 single “Good” hit No. 1, before their debut album Deluxe went double-platinum, before popular shows such as Desperate Housewives licensed their song “Juicy,” before Taylor Swift attested to their timeless appeal by covering their track “Breathless” — New Orleans’ Better Than Ezra was a pop-rock act paying its dues, traveling from town to town in a ramshackle van. Over two decades after the band formed, that vigilance still resonates strongly with the trio, who were finally rewarded after seven years of stubbornly chasing their dreams.
    [Show full text]
  • State of Bass
    First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout.
    [Show full text]
  • When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
    Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the Presidential compound with the coffin as the album cover [1].
    [Show full text]
  • Print Complete Desire Full Song List
    R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C.
    [Show full text]