DOCSLIB.ORG

1956 School Officials 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1956 School Officials 3 " " 195 6 • rl!/ethodijt LADIES' COLLEGE CLAREMONT W.A. MET HOD I-S T LAD I E S' COL LEG E C I a r e m 0 n t - W.A. 1956 SCHOOL OFFICIALS 3 E DITORIAL . 5 ST AFF NOTES 7 SCHOOL CALENDAR 8 PUBLIC EXAMI NAT ION RESULTS . 10 MUSIC E XAMI NATION RESULTS 12 SCHOOL ACTIVITIES 14 CLUBS 27 SPORTING L'_ CTIVITI ES .... 33 ORI GINAL CONTRIBUTIONS 47 OLD GIRLS' ASSOCIATION NOTES 60 PARENTS & FRI ENDS' ASSOCI ATION NOTES ..... 62 December, 1956 THE COLLEGIAN 1956 PREFECTS Dial~e Eddington (Captain) Wendy ScanIon (Head of the Boarding House) Jan Waddy Arlene Sutton Janet EIsey Rita Kennedy Jill Sainken Barbara Nicholls Elizabeth Small Phillippa Ethel'ton Dorothy Erickson HOUSE OFFICIALS ATHENS .. Arlene Sutton (Captain), Joan Harri (Vice-Captain) ROME ... Jan Waddy (Captain), Lesley MacDonald (Vice-Captain) SPARTA . Janet Elsey (Captain), Janice Ricket (Vice-Captain ) TROY . Wendy Scanlon (Captain), Nancy Lohoar (Vice-Captain ) HOUSE PREFECTS Wendy Scanlc n Rita Kennedy PhiJlippa Etherton Dorothy Erickson Janet EIsey Rosemary Armstrong Eliza beth Small Loi Shepherdson "COLLEGIAN" STAFF Editor: Phillippa Etherton Sub-Editol" : Rosemary Armstrong Committee : E lizabeth Small, Wendy Scanlon, Diane Eddington, Margo Patroni. Toni Clayton, Dhano Young DATES FOR 1957 1st Term: February 12th - May 9th 2nd Term: May 28th - August 21st 3rd Term: September 17th - December 11th b THE PRINCIPAL AND PREFECTS St a nding : R . Kennedy, B . N i cho lls, J . El sey, P. Etherton , E. Small , J. Sainken, D. Erickson. Sitting : J . W addy, D . Eddingto n ( Ca pta in ), W . Shepherd, Esq ., W . Scanlon ( Senior H o use Prefect) , A, Sutton. D ecember, 1956 THE COLLEGIAN EDITORIAL Spring was the time. Pilings of gr ey clouds m assed acr oss the Above. Great pilings ; light behind them producing gr eying gloom to the ear th: in tha t spri ng, gloom most v. inter-like. F l ung against it brave and brazing and bea utiful was an almond tree in spring blossom ; a gnarled, moss-covel'ed, black and gr eening -brown tree. holding t o the gl oom and the cl ouds, throwing to the gr ey ne and the m a es , Oinging t o the winter-lighL and the pilings, Outtering, Oick ering, v iv id. v ital cling ing clutchings of blossom. A gainst that high cei ling, hea ped and heaped with shifl­ ing. charg ing storm-clouds, tiny pe tal s of whiteness reached up­ wards, striving, fighting against continuous gr ey complet eness. Joyful banner' of blossom, thrown against heaviness of climbing growing gloom of gr eyness ; beautiful beauty or blossom inging into the emptiness of gl oom . Surely the white against the grey is symbolic: beauty against filth ; love against hat e; s:mplicity against vice; Light against Dar kness; happiness against hor r or; good against evil; l iving against oblivion ; l aughter against despair; sight again. t blindness ; l earning against ignor ance ; co-existence against w ar ; Ideals against leality; kindnEss against elfishness ; justice against wl'ong ; chal' ity against malice; friendship against coercion ; res t against fear; smiles against depression; help against cruelty; and [le:Jce again t torment. The blossom is symbolic of all the beauLY, the kindness , the happiness, and the love in l)ur lives. The gr ey clouds in spring may pass away, but the g rey clouds of hate, g r ee d, w ar, inju tice, cruelty ; the clouds of fea r and of the unknown, r em ain. The up­ r eaching fragr ant pet als can stl' ive upwards, but the vast clouds threaten down to the earth. The blo som , S I) exquisite, is enhanced by the gl oom ; but the g loom in its vastness, the clouds in their (;omplet eness dominate and oppress the blossom of the tree . B r ave whi te purity, little and (ragi:0, batt les into t he gl oomy multi tudes of gr ey oppres ive depth ; fi ghting the most unequal battle o f all liv ing. T H E COL LEGI AN D ecembe1 ', 1956 Dux of Sc hoo l - 1955 :J)ia ne {:ddinljlon School Capt ai n - 1956 December, 1956 THE COLLEGIAN At the end of this year Miss S. Corr, B.A., will terminate her long period of service wi th the College. Miss COlT has been for over 30 years a dominant figure in the life of the school and has influ­ enced its growth as Senior Mistress of the College, and as Acting Principal during Miss Walton's absence on leave, and for the years 1951-1952. Miss Corr has ulways stood for high standards of conduct and good manners and the school owes much to her insistence on these things. She has taken English, History and German to Leaving Certificate standard, and because of this, and because she has been form mistress of the VIth form for such a long time, she has influenced the lives of all senior girls passing through the Col­ lege. All present and former pupils will wish Miss Corr many years of happy retirement. Miss W. Storman, B.A., became Senior History Mistress at the beginning of the year. Miss M. Swan, M.A., Dip.Ed., Senior English Mistress, and Miss O . Robinson, Art Mistress. To each of these we bid hea:ty welcome, also to Miss Sandow, who has been a part time mathematic teacher, and is to become more closely associated with the school next year. Mrs. J. Moore has been with us for one year, teaching standard V and standard VII [or certain subjects, and taking charge of the choirs during t he absence on leave of Mr. Buss. She has exercised a fine influence on all her students. Miss D. Coops and Mr. S. Rooke have been with us for a year as Science teachers. Miss J. Hartrey, B.Sc., PhC., came in Septem­ ber to take Senior Physics and Chemistry. Mrs. L. Hanziicek returned to the staff in the second term. Miss Yewers has taken H ome Science and Mrs. Meathrel part time work in Latin. We regret to report the sudden death during the second term vacation of M·rs. A. L. J ack. Mrs. Jack was a diligent house mistress who gave much help with the boarders' films, and the Junior Red Cross Society. At the end o[ the year we will say farewell to Miss S. Brody, B.A., Mrs. V. Edwards, and Miss N. Chalker. Each has served the school well and will be much missed. Miss Brody, as Senior Biology teacher has had splendid successes with her examination classes, and her work fot' school basketball has raised the standard of this sport each year. Mrs. Thompson came into the House during third term to fill the vacancy caused by Mrs. Jack's death. Miss I . Hamilton will visit England during 1957. THE COLLEGI AN December, 1956 14th February School resumed. 16th February- Parents and Friends' Association Annual Meeting. 18th Februal'y- New Girl' Concert. 25th February- Interschool Tennis Competitions began. Boarders' Film Evening. 26th February- Music Club. 1st March- Old Girls' Association Annual Meeting. 9th March- Boarders' Weekend. 14th March Interesting Address at Assembly by the Reverend Selvaretnam. 17th March- Tennis Afternoon with P.L.C. Boardel's' Film E\·ening. 18th March Music Club. 24th March- Tennis afternoon with St. Hilda·s. 28th Mal'ch- School Communion Se1'vice at Methodist Church. Claremont. 29th March Easter Vacation commenced at 12.30 pm. 3rd April- School resumed at 11 a.m. 7th April- Parents and Friend,,' Tennis Afternoon. 8th April Music Club. 14th April- Old Gi rls' Association Sports Day. 20th April Boarders' w0ekend. 23rd April- Shakespeare Day Interhouse drama competition in which Sparta proved triumph. 25th April- Anzac Day Parade held at Scotch College. 26th April Junior School Examinations began. 27th April-M.L.C. defeated Leederville Technical School in debating. 28th April- Public Schools' Rowing Regatta. 5th May Hockey and Social Evening with Wesley College. 8th May Visit by Senior Girls to I<winana Refinery. 10th May Term ended at 12.30 p.m. 29th May- School r'esumed for 2nd Term. 31st May- Pa!"e nts and Friends welcome to New Parents. 3rd June- Music Club. 9th June- Film Evening for Boarders. 14th June P.e. v M.L.C. in ba ketball and hockey. M.L.C. lost to Modern School in debating. 15th June- Half-yearly Examinations commenced. 22nd June- Very successful Prefects' Dance held in School Hall. Boarders' weekend. 23rd June- Junior Form Dance held in School Assembly Hall. 24th June- A.S.e.M. World Day of Prayer. 28th June- P.L.e. versus M.L.C. in hockey and basketball. 29th June- M.L.C. defeated Hale School in debating. 30th June- Boarders' Film Evening. 5th July- M.L.e. versu St. Mary's in Basketball. 6th July- Junior School Concert. December, 1956 THE COLLEGIAN 8th July- Music Club. 12th July- P.M.S. v M L.C. in hockey and basketball. 13th July- Mid-term- Boarders' long weekend. O.G.A. Younger Set Dance held in School Hall. 19th July- M.L.C. versus P.C. in hockey and basketball. 20th July M.L.C. defeated P.C. in debating. 21st July- Boarders' Film Evening. 26th July- Sl. Hilda's versus M.L.C. in hockey and basketball. 28th July Boarders' Birthday Party. 29th July- Music Club. 2nd August- St. Mary's versus M.L.C. in basketball. 3rd August- M.L.C. defeated St. Hilda's in debating. Boarders' weekend. 9th August- M.L.e.
Load more

Recommended publications
  • Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
    ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica.
    [Show full text]
  • Spring 2011 Issn 1476-6760
    Issue 65 Spring 2011 Issn 1476-6760 Christine Hallett on Historical Perspectives on Nineteenth-Century Nursing Karen Nolte on the Relationship between Doctors and Nurses in Agnes Karll’s Letters Dian L. Baker, May Ying Ly, and Colleen Marie Pauza on Hmong Nurses in Laos during America’s Secret War, 1954- 1974 Elisabetta Babini on the Cinematic Representation of British Nurses in Biopics Anja Peters on Nanna Conti – the Nazis’ Reichshebammenführerin Lesley A. Hall on finding female healthcare workers in the archives Plus Four book reviews Committee news www.womenshistorynetwork.org 9 – 11 September 2011 20 Years of the Women’s History Network Looking Back - Looking Forward The Women’s Library, London Metropolitan University Keynote Speakers: Kathryn Gleadle, Caroline Bressey Sheila Rowbotham, Sally Alexander, Anna Davin Krista Cowman, Jane Rendall, Helen Meller The conference will look at the past 20 years of writing women’s history, asking the question where are we now? We will be looking at histories of feminism, work in progress, current areas of debate such as religion and perspectives on national and international histories of the women’s movement. The conference will also invite users of The Women’s Library to take part in one strand that will be set in the Reading Room. We would very much like you to choose an object/item, which has inspired your writing and thinking, and share your experience. Conference website: www.londonmet.ac.uk/thewomenslibrary/ aboutthecollections/research/womens-history-network-conference-2011.cfm Further information and a conference call will be posted on the WHN website www.womenshistorynetwork.org Editorial elcome to the spring issue of Women’s History This issue, as usual, also contains a collection of WMagazine.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Florence ',Nightingale
    -.. ~ .~. HEROINE , OUT OF ,,; FOCus: media images of . '. Florence ',Nightingale :::~r:-T II: RADIO, ~ lIl.V\JLvU\TIZA nONS BEATRICE J, KAUSCH and PHIUP A, KAUSCH ilm, radio, and television dramatizations of Florence myth. This process is the· result of both conscious FNightingale's life are particularly important in pro­ design on the part of actors, directors, and producers jecting a leading nurse's image to the public because and their unconscious integration and rep roduction of they dramatize her actions within he r social world and cultural paradigms. Through representations of Miss provide a role modeling effect that can be very useful in Nightingale, these productions have conveyed implicit acquiring support fo r the nursing profession. Such pro­ theories, beliefs, criticisms, and legitimations of the ductions do not "mirror" reality, but create an impres­ nursing profession's founder. Ideas about Nightingale sion of reality. like other forms of artistic and cultural arising in one generation are thus transformed and, in expression, they blend fact and fiction, history and turn, exert an influence on public perceptions within a changed historical setting. These forms of cultural ex­ pression provide resources of meaning about nursing Beatrice J. Kalisch. RN, EdD, FAAN, is Titus Professor of nursing and chairpe~n. parent·child nursing: Philip A. KlIlisch, PhD, is professor of that should be reinterpreted and adapted to new cir­ h;51ory, politics. lind economics of nursing. both at the University of cumstances. Michigan, Ann Arbor. This study was supPOrtlld by a research grllnt Florence Nightingale has inspired three feature fil m from the U.S.
    [Show full text]
  • Focus: Media Images of Florence Nightingale
    '" ':'.e·, . -.-'. HEROINE ;-::'" '. '. ' OUT OF Focus: media images of Florence Nightingale . - ; ~ ~I.« \1',', PART I: POPULAR BIOGRAPHIES AND STAGE PRODUCTIONS BEATRICE J, KAUSCH and PHI UP A, KAUSCH Florence Nightingale ( 1820-1910). Covrtesy of the His tory of Nvrslng Collection, University of M ichigan. he legend of Florence Nightingale (1 820-19101, slender, graceful lady walking through miles of dark­ Tthe reclusive Victorian reformer known primarily as ened wards full of wounded soldiers, carrying a lantern to the founder of modern nursing, continues to exercise a dispel the gloom; soldiers kissing her shadow as she powerful hold on the popular imagination 12 decades passes by; Florence easing pain by her gentle manner, aher her retirement from public life. transforming morbid, filthy barracks into a clean hospital; The legend recalls a series of specific images. all of and championing the cause of the British soldier in the which originated during her 21-month mission in the guise of his beloved, determined lady-in-Chief. During Crimea, 1854-1856. These images include visions of a her lifetime, these images reverberated in hundreds of songs and poems, depicting her as an angel incarnate. Beatrice J. Kalisch. AN. EdD, FAAN. is Titus Professor of nursing and Since her death, biographers have sought to discover the c;h ! irperson, parl!!nl-child nursing; Phi lip A. Kalisc:h. PhD. is professor of woman behind the legend, while dramatists have mined history. pOlitics. and economICS 01 nursing, both III the UnivOBrty 01 both the legend and the revelations of Nightingale's real Michigan, Ann Arbor. This study was sUCPOl1ed by II research gr<lnt life story for material to entertain and to inspire audiences Irom the U.S.
    [Show full text]
  • An Analysis of the Utilization of Power by Florence Nightingale 1856-1872
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-1992 An Analysis of the Utilization of Power by Florence Nightingale 1856-1872 Louise C. Selanders Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Educational Assessment, Evaluation, and Research Commons, and the European History Commons Recommended Citation Selanders, Louise C., "An Analysis of the Utilization of Power by Florence Nightingale 1856-1872" (1992). Dissertations. 1997. https://scholarworks.wmich.edu/dissertations/1997 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. AN ANALYSIS OF THE UTILIZATION OF POWER BY FLORENCE NIGHTINGALE 1856-1872 by Louise C. Selanders A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Education Department of Educational Leadership Western Michigan University Kalamazoo, Michigan December 1992 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. AN ANALYSIS OF THE UTILIZATION OF POWER BY FLORENCE NIGHTINGALE 1856-1872 Louise C. Selanders, Ed.D. Western Michigan University, 1992 This historical analysis sought to determine the types of power utilized by Florence Nightingale while providing leadership to major reforms and how these power acts were implemented- The scope of the study was her productive post- Crimean years from 1856 through 1872. Events which were examined included the reform of the health of the British Army including the Royal Commission, the establishment of modem, secular nursing education and the establishment of public health standards in India during British colonization.
    [Show full text]
  • Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
    Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.
    [Show full text]
  • British Orchestral Music
    BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) Written by Composers Born Between 1800 & 1910 A Discography Of CDs And LPs Prepared by Michael Herman Composers C-G WALTER CARROLL (1869-1955) Born in Manchester. He got his musical degrees at the Universities of Durham and Manchester and went on to an acdemic career at the University of Manchester and at the Royal Manchester College of Music. He became Music Dvisor to the City of Manchester and devoted himself to reforming and improving art education in the schools. With this goal in mind he composed piano music for children as well as instructional books. His enormous academic load precluded much time for other composing. Festive Overture (c. 1900) Gavin Sutherland/Royal Ballet Sinfonia ( + Blezard: Caramba, Black: Overture to a Costume Comedy, Langley: Overture and Beginners , Dunhill: Tantivy Towers, Chappel: Boy Wizard, Hurd: Overture to an Unwritten Comedy, Monckton: The Arcadians. Lane: A Spa Overture, Pitfield: Concert Overture and Lewis: Sussex Symphony Overture) WHITELINE CD WHL 2133 (2002) ADAM CARSE (1878-1958) Born in Newcastle-on-Tyne. He studied under Frederick Corder at the Royal Academy and later went on to teach at that school. He composed in various genres and his orchestral output includes 2 Symphonies, the symphonic poems "The Death of Tintagiles" and "In a Balcony," a Concert Overture and Variations for Orchestra. He also wrote musical textbooks that kept his name in print long after his compositions were forgotten. The Willow Suite for String Orchestra (1933) Gavin Sutherland/Royal Ballet Sinfonia ( +Purcell/Britten: Chacony, Lewis: Rosa Mundi, Warlock/Lane: Bethlehem Down, Holst: Moorside Suite, Carr: A Very English Music, W.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Past and Present 19/7/05 3:53 Pm Page I
    2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,
    [Show full text]
  • Hit? Iropl Fc^Ttr Au& Doiomm Iattij INCORPORATING the ROYAL GAZETTE (Established 1828) and the BERMUDA COLONIST (Established 1866)
    TODAfS LIGHTING-UP TIME Sunrise: 6.S7 a.m.—Sunset: 6.45p.m. T0DATPS WEATHER FORECAST Lighting-uptime: 7.15p.m. Rule of Road: Showery KEEP LEFT—PASS ON THE RIGHT Hit? iRopl fc^ttr au& doiomm iattij INCORPORATING THE ROYAL GAZETTE (Established 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 19~"NO. 86 HAMILTON, BERMUDA. TUESDAY, APRIL 10, 1934 3D PER COPY—-40/- PER ANNUM BERMUDA YACHTS SNATCH SECOND VICTORY LONDON REFUSES GIFT FOR THE FLORAL FESTIVAL 3 YEARS'HARD LABOUR AND SECURE A QUARTER POINT THEY SA Y CAT FOR BERESFORD FORD WIN FROM INTERCLUBS DEFENCE All Set for Gorgeous Display That the organisers of the Horse Special Criminal Session of the American Boats Fight Hard in Show are to be congratulated. STORE DECORATIONS INSPECTED * * * CUBAN CABINET MAY FALL Supreme Court Yesterday Unfavourable Light Winds That from start to finish the pro­ AT NOON gramme was excellently carried Sentence of three years' im­ out. There was a light northerly Philippines Prepare for Independence—Bae- Today will witness unusual prisonment at hard labour and 15 * * * strokes of the cat-o'-nine-tails was breeze blowing when the race com­ activity at the Bermuda Atfeleic mittee of the R.B.Y.C, headed by That today the Floral Festival be­ delivered by the Chief Justice, Sir decker Editor Dead—Gandhi a Lone Wolf- Association's Field, where, from Commander Guy Ridgway, set the gins in great style. Sydney Rowan-Hamilton, in Su­ * 9 9 early morning decorated floats par­ course for yesterday's race. British Armada Flight—Norwegian Cliff- preme Court yesterday morning ticipating in the afternoon's Floral The course would have given the That the Bermuda boats made no Parade will begin to assemble with in the case in which Beresford mistake in the first race of the slide Brings Death—Havana Bombs Ford was charged with an indecent yachts a heat from the starting a host of workers to complete their line off Somerset Bridge to a mark series.
    [Show full text]
  • The Grand Valley Ledger M
    hcag s L.H.S. Graduates 4 SOK's- 333,- „ x Featured In — CHI CAN 43234 This Issue! The Grand Valley Ledger i UVolume? , Issue 30 Serving Lowell Area Reader* Since 1893 June 2f 1983 WCUZ weekend o BIG success The sun opened the door to fun and laughter Saturday and wel- comed over 6500 friends, rela- tives and guests to the WCUZ/ Budweiser Lowell Showboat m weekend Over $12,000 - $14,000 was raised for the Showboat fund. Of all the thanks owed by Showboat fans, the greatest and MEET THE BOARD CANDIDATES longest applause should be given to WCUZ's Kevin Reynolds, Meet the candidates night, sponsored by the Lowell Education who orchestrated the Softball Association, will be held Monday, June 6 at 7:00 P.M. in the Mid- Classic and the Bobby Bare dle School Cafetorium. School Board candidates will be on hand to Show. Another round of meet and answer questions for the general public. applause should be given to West 4J Side Beer and Budweiser for L.H.S. GRADUATION their cooperation and contrib- ution in the weekend's fes- High School Graduation will be held Sunday. June 5. in the Low- tivities. Drop a note to Kevin at ell Showboat amphitheatre. Commencement ceremonies begin at WCUZ, 1 McKay Tower. G.R. 3:00. 49503 or call him at 451-2551 to Senior awards night tonight Thursday. June 2. at 7:30 in the High express your thanks. School Gym. Awards Scholarships. Athletic awards. Leadership, The action kicked off Satur- • and senior awards will be presented.
    [Show full text]