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Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica. -
Spring 2011 Issn 1476-6760
Issue 65 Spring 2011 Issn 1476-6760 Christine Hallett on Historical Perspectives on Nineteenth-Century Nursing Karen Nolte on the Relationship between Doctors and Nurses in Agnes Karll’s Letters Dian L. Baker, May Ying Ly, and Colleen Marie Pauza on Hmong Nurses in Laos during America’s Secret War, 1954- 1974 Elisabetta Babini on the Cinematic Representation of British Nurses in Biopics Anja Peters on Nanna Conti – the Nazis’ Reichshebammenführerin Lesley A. Hall on finding female healthcare workers in the archives Plus Four book reviews Committee news www.womenshistorynetwork.org 9 – 11 September 2011 20 Years of the Women’s History Network Looking Back - Looking Forward The Women’s Library, London Metropolitan University Keynote Speakers: Kathryn Gleadle, Caroline Bressey Sheila Rowbotham, Sally Alexander, Anna Davin Krista Cowman, Jane Rendall, Helen Meller The conference will look at the past 20 years of writing women’s history, asking the question where are we now? We will be looking at histories of feminism, work in progress, current areas of debate such as religion and perspectives on national and international histories of the women’s movement. The conference will also invite users of The Women’s Library to take part in one strand that will be set in the Reading Room. We would very much like you to choose an object/item, which has inspired your writing and thinking, and share your experience. Conference website: www.londonmet.ac.uk/thewomenslibrary/ aboutthecollections/research/womens-history-network-conference-2011.cfm Further information and a conference call will be posted on the WHN website www.womenshistorynetwork.org Editorial elcome to the spring issue of Women’s History This issue, as usual, also contains a collection of WMagazine. -
White Whale, Called “Old Tom,” Who Fought Back E? Against the Whalemen Who Were Trying to Kill Him for His Oil
A White n 1834 author Ralph Waldo Emerson was traveling W Ithrough Boston in a carriage. A sailor sitting beside him told h an extraordinary story. For many years the people of New Eng- al land knew of a white whale, called “Old Tom,” who fought back e? against the whalemen who were trying to kill him for his oil. Emerson wrote that this white whale “crushed the boats to small but covered in white patches, spots, and scratches. The white chips in his jaws, the men generally escaping by jumping over- whale that Reynolds described, however, might have been an al- board & being picked up.” The sailor explained that bino, meaning it was born without the normal pigment the whalemen eventually caught Old Tom in in its skin. Though rare, white or colorless individuals the Pacific Ocean, off Peru. occur in most animals, including birds, chimpanzees, Five years later, Jeremiah elephants, and humans. It seems that Amos Smalley, a Reynolds wrote a magazine ar- Native American whaler from Martha’s Vineyard, killed ticle about a sailor in the Pacific a white sperm whale in the South Atlantic in 1902. A few who said he had killed a white years ago, the author and adventurer, Tim Severin, wrote about a whale. This white whale was not white sperm whale witnessed by Pacific Islanders. At least two dif- called Old Tom but was known as ferent white sperm whales have been photographed in the Pacific, “Mocha Dick,” combining the name as have an albino whale shark and, just this winter, a white killer of a local island off Chile, Mocha Is- whale. -
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color Ben Rogers University of Delaware Melville's fictional whale Moby Dick appears to derive from the real whale Mocha Dick, yet the differences in names and colors between these two suggest that Moby's name may be intimately connected to his symbolic role. One meaning of mob is 'to wrap in a cowl or veil'. Creating an adjective by adding -y produces moby 'having the qualities of being hooded, especially about the head', a definition reflected in Ishmael's "grand hooded phantom." Dick may be a shortening of Dickens, a euphemism for the devil. Dick may also suggest Dicky 'an officer acting on commission', an appropriate meaning for Ahab' s and Starbuck's conception of Moby as God or an agent of God. Lexicons available to Melville reveal the meaning of the name and illuminate the characteriza- tion of Moby as both commodity and Zeus of the sea, both "dumb brute" and divine Leviathan. The 1929 discovery of a narrative about a white whale named Mocha Dick began 70 years of speculation as to the extent of Mocha as Moby's prototype. The narrative, written by J.R. Reynolds in 1839, described a "renowned monster, who had come off victorious in a hundred fights ... [and was] white as wool." Typical of the reaction of literary critics at the time was Garnett's remark that "Moby Dick ... was but Mocha Dick in faery fiction dressed" (1929, 858). Critical editions of Moby-Dick often include the Reynold's narrative and today scholars generally agree that Melville probably knew of Mocha.1 The obvious sibling qualities of the two whales has tended to center onomastic study on the name Mocha Dick, and subsequent research has attempted to demonstrate that Melville knew of Mocha Dick or, assuming this, to explain why Mocha changed to Moby. -
An Ecocritical Examination of Whale Texts
Econstruction: The Nature/Culture Opposition in Texts about Whales and Whaling. Gregory R. Pritchard B.A. (Deakin) B.A. Honours (Deakin) THESIS SUBMITTED IN TOTAL FULFILMENT OF THE REQUIREMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY. FACULTY OF ARTS DEAKIN UNIVERSITY March 2004 1 Acknowledgements I would like to thank the following people for their assistance in the research and production of this thesis: Associate Professor Brian Edwards, Dr Wenche Ommundsen, Dr Elizabeth Parsons, Glenda Bancell, Richard Smith, Martin Bride, Jane Wilkinson, Professor Mark Colyvan, Dr Rob Leach, Ian Anger and the staff of the Deakin University Library. I would also like to acknowledge with gratitude the assistance of the Australian Postgraduate Award. 2 For Bessie Showell and Ron Pritchard, for a love of words and nature. 3 The world today is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dune these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year. The flux and reflux of ocean, the incomings of waves, the gatherings of birds, the pilgrimages of the peoples of the sea, winter and storm, the splendour of autumn and the holiness of spring – all these were part of the great beach. The longer I stayed, the more eager was I to know this coast and to share its mysteries and elemental life … Edward Beston, The Outermost House Premises of the machine age. -
Play Hard, Play Well! Tallahassee Duplicate Bridge Games ––– a Tribute to Paul! by Robert S
Bridge Club Schedule Play Hard, Play Well! Tallahassee Duplicate Bridge Games ––– A Tribute to Paul! by Robert S. Todd TDBC Contact: Steve Whitaker (850) 222-5797 Shtetpn:i/o/hro mCen.etaerrt h•l in1k4.n0e0t /N~joudrtyhk bM/tdobncr.ohtem Sl treet Dealer: West All we have to do is ruff the 9, Paul Soloway, the all time leading Monday 6:30 pm ♦ Tuesday 1:30 pm Vul. Vs NV return to dummy with a trump, and ACBL-masterpoint winner, and a true Wednesday 6:00 pm (Novice) IMPs use the J to discard one loser. “Gentleman of Bridge” passed away Thursday 6:30 pm (Special Games Only) ♦ ♣ in November. Paul was an inspira - Westminster Oaks ♠ A6543 Did you find that very nice line of -- play? If so, you joined the Japanese tion to players of all ages and skill Friday 1:00 pm ♥ levels. He truly enjoyed the game Sunday 1:30 pm J943 declarer from the 2001 Bermuda ♦ whenever he played it – young or Bridge Classes Contact Steve Whitaker, (850) 222-5797 Bowl in being fooled by a Master – Panama City Beach Duplicate Bridge Games ♣ 9872 old, sick or well, club game or World Paul Soloway! When you ruff the 9, Senior Center ♦ Championship! Corner of Lyndell Ave & Hutchinson Blvd. KQJ1098 LHO plays the 6. LHO’s diamond ♠ ♦ My fondest memory of Paul is Monday 6:00 pm (non-sanctioned) ♥ 942 holding was ♦1062. from the 2005 World Tuesday 10:00 am (sanctioned) Thursday 10:00 am (sanctioned) ♦ K Championships in Estoril, Portugal. The complete hand was I was there kibitzing and writing Panama City Duplicate Bridge Club Games ♣ A43 The auction goes… A6543 about the Championships – my first. -
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eISSN 2076-6327 IJMS International Journal of Medical Students Year 2015 | Months Apr-Aug | Volume 3 | Issue 2 www.ijms.info Original Articles Reviews Case Reports Experiences Correspondences - The Effects of Lead and Selenium - Mutation in Genes FBN1, AKT1, - Romantic Name for a Deadly - Elective Undergraduate Medical - Ultrasonography as a Modern on Melanoma Induction. and LMNA: Marfan Syndrome, Condition: Kissing Aneurysms of Research: A Medical Student Ex- Teaching Support to the Anatomy - Creating and Completing Servi- Proteus Syndrome, and Progeria the Pericallosal Artery – A Case perience. Course: Is It Beneficial for Medical ce-Learning within Medical School Share Common Systemic Report. Students?. Curricula: From the Learner’s Involvement. - Chronic Fatigue Syndrome: Where Perspective. - Is Hepatorenal Syndrome a Diag- - Down Syndrome and Quality of Do Your Views Lie? An Experience nosis for the Emergency Physi- - Ocular Auscultation: A Review. Life: A Case Report. from a UK Medical Student. cian?. International Journal of IJMS Medical Students International Journal of Medical Students The International Journal of Medical Students (IJMS) is a peer-reviewed open-access journal, created to share the scientific production and experiences of medical students worldwide. Pain in Shackles "Breaking the Shackles: Anto's Journey" Collection By Anto Sg (Agus Sugianto) (with authorization). Pasung Survivor, Tulungagung, East Java, Indonesia. Email: [email protected] International Journal of Medical Students Year 2015 - Volume 3 - Issue 2 EDITORIAL STAFF Editor in Chief Francisco Javier Bonilla-Escobar, MD, MSc. University of Pittsburgh, USA. University of Valle, Cali, Colombia Deputy Editor Scientific Editor Huy Ming Lim, BMedSc. Matthew Benson, BMSc, MD(c). Universitas Indonesia, Jakarta, Indonesia University of Alberta, Edmonton, Canada Associate Editors Hulegar Ashok Abhishek, MBBS. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Building Bridges Across Financial Communities
213495 Islamic cover_dc_Layout 1 3/13/12 5:27 PM Page 1 t has long been said that Islamic Finance Islamic Finance needs its own innovative blueprints to Project follow the pulse of the industry. I BUILDING BRIDGES FINANCIAL ACROSS COMMUNITIES Discussions on Islamic Finance as an alternative to conventional finance or a competitor have BUILDING BRIDGES ACROSS reached a new milestone: recognition of their FINANCIAL COMMUNITIES cooperation. As the field of Islamic Finance expands and diversifies, so does its ability to cross new venues and cultivate partnerships. The Global Financial Crisis, Social Responsibility, and The Ninth Harvard University Forum, enti- tled “Building Bridges Across Financial Faith-Based Finance Communities,” sought to explore these opportunities: What lessons on social respon- sibility can organizations find in Islamic Finance and other faith traditions? What can conventional banks and Islamic Finance insti- tutions learn from each other, particularly after the financial crisis? This volume, a selection of 11 papers presented S. Nazim Ali at the Ninth Forum sponsored by the Islamic Editor Finance Project at Harvard Law School, inves- tigates these questions through original research on best practices across and between industries and faith traditions. Essays consider diverse topics ranging from the influence of religion on corporate social responsibility and individual financial choices to the parameters of hedging and portfolio diversification. As our writers suggest, there is reason to be optimistic about the future -
Copyright Future Copyright Freedom: Marking the 40 Year Anniversary of the Commencement of Australia's Copyright Act 1968
COPYRIGHT FUTURE COPYRIGHT FREEDOM Marking the 40th Anniversary of the Commencement of Australia’s Copyright Act 1968 Edited by Brian Fitzgerald and Benedict Atkinson Queensland University of Technology COPYRIGHT Published 2011 by SYDNEY UNIVERSITY PRESS University of Sydney NSW 2006 Australia sydney.edu.au/sup Publication date: March 2011 © Individual authors 2011 © Sydney University Press 2011 ISBN 978–1–920899–71–4 National Library of Australia Cataloguing-in-Publication entry Title: Copyright future copyright freedom: marking the 40th anniversary of the commencement of Australia’s Copyright Act 1968 / edited by Brian Fitzgerald and Benedict Atkinson. ISBN: 9781920899714 (pbk.) Notes: Includes bibliographical references and index. Subjects: Australia. Copyright Act 1968. Copyright--Australia. Intellectual property--Australia. Other Authors/Contributors: Fitzgerald, Brian F. Atkinson, Benedict. Dewey Number: 346.940482 The digital version of this book is also available electronically through the Sydney eScholarship Repository at: ses.library.usyd.edu.au and The Queensland University of Technology ePrints Repository at: eprints.qut.edu.au. Printed in Australia iv ACKNOWLEDGEMENTS Cover image and design by Elliott Bledsoe. Cover Image credits: ‘USB Flash Drive’ by Ambuj Saxena, flic.kr/ambuj/ 345356294; ‘cassette para post’ by gabriel “gab” pinto, flic.kr/gabreal/ 2522599543; untitled by ‘Playingwithbrushes’, flic.krcom/playingwithpsp/ 3025911763; ‘iPod’s’ by Yeray Hernández, flic.kr/yerahg/498315719; ‘Presen- tation: Free Content for -
The Cut out Girl Covered in Mementos
01 02 03 04 05 06 The 07 08 09 Cut Out 10 11 Girl 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 S30 N31 9780735222243_CutOutGirl_TX.indd i 11/23/17 12:47 AM 9780735222243_CutOutGirl_TX.indd ii 11/23/17 12:47 AM 01 02 03 A L S O B Y B A R T VA N E S 04 05 Shakespeare’s Comedies 06 Shakespeare in Company 07 A Critical Companion to Spenser Studies 08 Spenser’s Forms of History 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 S30 N31 9780735222243_CutOutGirl_TX.indd iii 11/23/17 12:47 AM 9780735222243_CutOutGirl_TX.indd iv 11/23/17 12:47 AM 01 02 03 04 05 06 The 07 08 09 Cut Out 10 11 12 Girl 13 14 15 16 17 18 19 B A R T VA N E S 20 21 22 23 24 25 26 27 28 p e n g u i n p r e s s 29 New York S30 N31 9780735222243_CutOutGirl_TX.indd v 11/23/17 12:47 AM 01 02 03 04 05 06 07 08 09 PENGUIN PRESS 10 An imprint of Penguin Random House LLC 11 375 Hudson Street New York, New York 10014 12 penguin.com 13 Copyright © 2018 by Bart van Es Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, 14 promotes free speech, and creates a vibrant culture. Thank you for buying an authorized 15 edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. -
North Carolina Folklore
VOLUME XII DECEMBER 1964 NUMBER 2 NORTH CAROLINA FOLKLORE ARTHUR PALMER HUDSON Editor ., a CONTENTS·- ... Page INSTRUMENTAL MUSIC OF THE SOUTHERN APPALACHIANS: TRADITIONAL FIDDLE TUNES, Joan Moser •••••••••• CRITERIA FOR THE MELODIC CLASSIFICATION OF FOLKSONGS, Patricia Mosely • • • • • • • •••• 9 POTATO LORE, Joseph T. McCullen •••••••••••••••• \ 14 UP IN OLD LORAY: FOLKWAYS OF VIOLENCE IN THE GASTONIA STRIKE, Charles W. Joyner • • • • • • • • • 20 THE OLD BLIND MULE, Mrs. John L. Johnson • • • • • ••• 25 NOTE ON "OLD VIRGINIA NEVER TIRE," Jay B. Hubbell 26 SANDLAPPERS AND CLAY EATERS, Francis W. Bradley • 27 "MY EYES ARE DIM -- I CANNOT SEE" ••••••• 29 FOLKLORE IN THE TRACK OF THE CAT, Jack B. Moore 30 BOOK NOTICES Baum: Anglo-Saxon Riddles of the Exeter Book, Archer Taylor • 35 Poe: My First 80 Years, A. P. Hudson • • • • • • • • • • • • • • • 37 Warner: Folk Songs and Ballads of the Eastern Seaboard, A. P. Hudson • 38 A Publication of THE NORTH CAROLINA FOLKLORE SOCIETY and THE UNIVERSITY OF NORTH CAROLINA FOLKLORE COUNCIL Chapel Hill NORTH CAROLINA FOLKLORE Every reader is invited to submit items or manuscriprs for publication, preferably of the length of those in this issue. Subscriptions, other business communications, and contributions should be sent to Arthur Palmer Hudson Editor of North Carolina Folklore The University of North Carolina 710 Greenwood Road Chapel Hill, North Carolina. Annual subscription, $2 for adults, $1 for students (including membership in The North Carolina Folklore Society). Price of this number, $1. THE NORTH CAROLINA FOLKLORE SOCIETY Holgec 0. Nygard, Durham, President Philip H. Kennedy, Chapel Hill, 1 Vice-President Joan Noser, Brevard, 2 Vice-President Mrs. S, R, Prince, Reidsville, 3 Vice-President A.