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Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 FEB/MAR 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, It’s been really heart-warming to read all your lovely letters and emails of support about what Talking Pictures TV has meant to you during lockdown, it means so very much to us here in the projectionist’s box, thank you. So nice to feel we have helped so many of you in some small way. Spring is on the horizon, thank goodness, and hopefully better times ahead for us all! This month we are delighted to release the charming filmThe Angel Who Pawned Her Harp, the perfect tonic, starring Felix Aylmer & Diane Cilento, beautifully restored, with optional subtitles plus London locations in and around Islington such as Upper Street, Liverpool Road and the Regent’s Canal. We also have music from The Shadows, dearly missed Peter Vaughan’s brilliant book; the John Betjeman Collection for lovers of English architecture, a special DVD sale from our friends at Strawberry, British Pathé’s 1950 A Year to Remember, a special price on our box set of Together and the crossword is back! Also a brilliant book and CD set for fans of Skiffle and – (drum roll) – The Talking Pictures TV Limited Edition Baseball Cap is finally here – hand made in England! And much, much more. Talking Pictures TV continues to bring you brilliant premieres including our new Saturday Morning Pictures, 9am to 12 midday every Saturday. Other films to look forward to this month include Theirs is the Glory, 21 Days with Vivien Leigh & Laurence Olivier, Anthony Asquith’s Fanny By Gaslight, The Spanish Gardener with Dirk Bogarde, Nijinsky with Alan Bates, Woman Hater with Stewart Granger and Edwige Feuillère,Traveller’s Joy with Googie Withers, The Colour of Money with Paul Newman and Tom Cruise and Dangerous Davies, The Last Detective with Bernard Cribbins. -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 Min)
September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 min) Directed by Anthony Asquith and Leslie Howard Written by George Bernard Shaw (play, scenario & dialogue), W.P. Lipscomb, Cecil Lewis, Ian Dalrymple (uncredited), Anatole de Grunwald (uncredited), Kay Walsh (uncredited) Produced by Gabriel Pascal Original Music by Arthur Honegger Cinematography by Harry Stradling Edited by David Lean Art Direction by John Bryan Costume Design by Ladislaw Czettel (as Professor L. Czettel), Schiaparelli (uncredited), Worth (uncredited) Music composed by William Axt Music conducted by Louis Levy Leslie Howard...Professor Henry Higgins Wendy Hiller...Eliza Doolittle Wilfrid Lawson...Alfred Doolittle Marie Lohr...Mrs. Higgins Scott Sunderland...Colonel George Pickering GEORGE BERNARD SHAW [from Wikipedia](26 July 1856 – 2 Jean Cadell...Mrs. Pearce November 1950) was an Irish playwright and a co-founder of the David Tree...Freddy Eynsford-Hill London School of Economics. Although his first profitable writing Everley Gregg...Mrs. Eynsford-Hill was music and literary criticism, in which capacity he wrote many Leueen MacGrath...Clara Eynsford Hill highly articulate pieces of journalism, his main talent was for Esme Percy...Count Aristid Karpathy drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy Academy Award – 1939 – Best Screenplay which makes their stark themes more palatable. Shaw examined George Bernard Shaw, W.P. Lipscomb, Cecil Lewis, Ian Dalrymple education, marriage, religion, government, health care, and class privilege. ANTHONY ASQUITH (November 9, 1902, London, England, UK – He was most angered by what he perceived as the February 20, 1968, Marylebone, London, England, UK) directed 43 exploitation of the working class. -
Introduction
INTRODUCTION This study guide attempts to trace the production process o1 the forthcoming film War of the Buttons' from its Conception to its release in the cinema. In tracing this route students are asked to carry out a number of tasks, many of which relate directly to decisions which have to be made during film production. Following the development of this one film we have tried to draw conclusions about the mainstream film making process. However, it is important to bear one thing in mind. As the production accountant for 'War of the Buttons', John Trehy points out: "Each and every feature film I've worked on is completely different from every other, and can only be looked on a as prototype. The production process is always difficult when you're dealing with prototypes and this often explains why so many films exceed their original budgets. 'How can you be a million or two dollars over?' - is a question that is often asked. The reason is that certain kinds of films are unique and the production team must do things that have never been done before." Thus, whilst many of the processes which are dealt with in this guide could well hold good for other films, there are certain aspects which are unique. The guide examines both areas and encourages students to use their own experience of film viewing and cinema-going to explore both the generalities and the uniqueness. There is no attempt to show 'the wonderful world of filmmaking'; rather the guide reveals an industrial process, one in which the time spent on preparing for the film to be shot far outweighs the amount of time actually spent shooting. -
Download Nightingale Fund Letters
Archives & Special Collections, Columbia University Health Sciences Library Auchincloss Florence Nightingale Collection AUCHINCLOSS, HUGH, 1878-1947, collector. FLORENCE NIGHTINGALE FUND LETTERS, 1848-1898 (bulk 1855-1856) 1 cubic foot (3 boxes) BIOGRAPHICAL NOTE: Hugh Auchincloss was born Dec. 28, 1878 in New York City. He was educated at Groton, was graduated from Yale in 1901, and received his medical degree from the College of Physicians and Surgeons (P&S), Columbia University, in 1905. After surgical residencies at Presbyterian and Roosevelt Hospitals in New York, he began a long association with both Presbyterian Hospital and P&S, eventually becoming Chief of the Second Surgical Division of Presbyterian and Professor of Clinical Surgery at P&S. He was best known for his skill in surgery of the hand and of the breast. He died in 1947. Florence Nightingale was born on May 12, 1820, in Florence, Italy to William Edward and Frances Smith Nightingale. Educated at home by her father, she later rejected the traditional role and pursuits of an upper-class Victorian lady to devote herself to nursing reform and public health advocacy. She became an iconic figure in Victorian Britain through her work nursing British troops during the Crimean War (1854-1856). Afterwards, though an invalid for most the rest of her life, Nightingale became an influential voice in government public health policy in late 19th century Britain, especially as it affected India. Nightingale died on August 13, 1910. HISTORICAL NOTE: The Florence Nightingale Fund was created as a result of the work of a group led by author Anna Maria Hall, her husband, journalist Samuel Carter Hall and statesman Sir Sidney Herbert and his wife, writer and prominent social figure Elizabeth Herbert, who in 1855 organized a public subscription to create a testament to Britain’s appreciation Florence Nightingale’s service to the nation during the Crimean War. -
WHYTE's Movie Posters 31 May 2014 Results
, WHYTE S SINCE 1783 MOVIE POSTERS SATURDAY 31 MAY 2014 MOVIEA SinglePOST Owner CollectionERS SATURDAY 31 MAY 2014 VIEWING At our galleries 38 Molesworth Street, Dublin 2 Wednesday 28 May 10am to 5pm Thursday 29 May 10am to 7pm Friday 30 May 10am to 7pm Saturday 31 May 10am to 12 noon AUCTION Saturday 31 May at 12 noon The Freemasons Hall, 17 Molesworth Street, Dublin 2 ENQUIRIES Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] BIDS Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] Live bidding and on-line bids: www.whytes.ie Whyte’s Auction App WEBSITES now available for free download whytes.ie whytes.com Opposite: Ex lot 5, Gone With The Wind (detail) DESIGN: DES KIELY DESIGN PHOTOGRAPHY: GILLIAN BUCKLEY PRINTING: BRUNSWICK PRESS LTD. , © COPYRIGHT 2014 WHYTE AND SONS AUCTIONEERS LTD. WHYTE S ALL RIGHTS RESERVED SINCE 1783 TERMS AND CONDITIONS OF SALE NOTICE Whyte & Sons Auctioneers Limited, trading as Whyte’s, exercises all (c) If any lot sold at this auction is subsequently proved to be a reasonable care to ensure that all descriptions are reliable and accurate, “deliberate forgery”, Whyte’s will cancel the sale and refund to the buyer and that each item is genuine unless the contrary is indicated. However, the total amount paid by the buyer for the item, in the currency of the the descriptions are not intended to be, are not and are not to be taken original sale. -
Bibliography
BIbLIOGRApHY PRIMARY SOURCEs Conversations and Correspondence with Lady Mary Whitley, Countess Mountbatten, Maitre Blum and Dr. Heald Judgements and Case Reports Newell, Ann: The Secret Life of Ellen, Lady Kilmorey, unpublished dissertation, 2016 Royal Archives, Windsor The Kilmorey Papers: Public Record Office of Northern Ireland The Teck Papers: Wellington College SECONDARY SOURCEs Aberdeen, Isobel. 1909. Marchioness of, Notes & Recollections. London: Constable. Annual Register Astle, Thomas. 1775. The Will of Henry VII. ECCO Print editions. Bagehot, Walter. 1867 (1872). The English Constitution. Thomas Nelson & Sons. Baldwin-Smith, Lacey. 1971. Henry VIII: The Mask of Royalty. London: Jonathan Cape. Benn, Anthony Wedgwood. 1993. Common Sense: A New Constitution for Britain, (with Andrew Hood). Brooke, the Hon. Sylvia Brooke. 1970. Queen of the Headhunters. London: Sidgwick & Jackson. Chamberlin, Frederick. 1925. The Wit & Wisdom of Good Queen Bess. London: John Lane, The Bodley Head. © The Author(s) 2017 189 M.L. Nash, Royal Wills in Britain from 1509 to 2008, DOI 10.1057/978-1-137-60145-2 190 BIBLIOGRAPHY Chevenix-Trench, Charles. 1964. The Royal Malady. New York: Harcourt, Bruce & World Cronin, Vincent. 1964 (1990). Louis XIV. London: Collins Harvel. Davey, Richard. 1909. The Nine Days’ Queen. London: Methuen & Co. ———. 1912. The Sisters of Lady Jane Grey. New York: E.R. Dutton. De Lisle, Leanda. 2004. After Elizabeth: The Death of Elizabeth, and the Coming of King James. London: Harper Collins. Doran, John. 1875. Lives of the Queens of England of the House of Hanover, vols I & II. London: Richard Bentley & Sons. Edwards, Averyl. 1947. Frederick Louis, Prince of Wales. London/New York/ Toronto: Staples Press. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense. -
The Annual Rachael Low Lecture: the Secrets of Percy Smith’S Life – Making Science Films in Surburban London
The Annual Rachael Low Lecture: The Secrets of Percy Smith’s Life – Making Science Films in Surburban London. Saturday 17th April, 4pm Presented by Tim Boon, Chief Curator at The Caption: ‘Synchronising a Secret’. Commentator Science Museum, London and orchestra (probably led by Jack Beaver) recording the sound track for one of the Secrets of Nature, c.1933. Cinema is well known to have a mixed parentage; on one side the worlds of science and invention; on Tim Boon is Chief Curator at the Science Museum, the other, that of spectacular entertainments. where he is responsible for the team of specialist Nature films are the oldest science film genre; the subject curators and is a member of the Museum’s first examples made for the general public were senior management team. He has been active as shown at the Alhambra Music Hall, London, in an exhibition curator; displays include Health August 1903. After the ballet and the conjuror came Matters (1994), Making the Modern World (2000), the scientific films. Over the ensuing 20 years, Treat Yourself (2003) and Films of Fact: The science and nature filmmaking grew up with the rest Origins of Science on Screen (2008). He is a of cinema, and non-fiction films became part of the member of the Council of the British Society for the regular staple of the first purpose-built cinemas. By History of Science. After studying History and the 1920s, especially in British Instructional’s History of Science at Leeds University (1979-82), Secrets of Nature series, nature filmmaking was he completed an MSc in History of Science at settling down into the stable form that, in many University College in 1986. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.