Melissa Malone Work Experience

Total Page:16

File Type:pdf, Size:1020Kb

Melissa Malone Work Experience MELISSA MALONE [email protected] \ www.melissamalone.art ​ I'm an Animation specialist with 7 years industry experience in people management, visual development, props, background and art direction. I ♥ problem solving and pride myself in building happy and efficient teams. I’m always interested in future opportunities in design, art directing and development. If you have a project that you think would be suited to me, please don't hesitate to contact. WORK EXPERIENCE BLINKINK (July 2020 - Present) - Background Supervisor Project: Deadendia (Netflix Original) Duties: Supervising a large team of background painters \ Creating episodic breakdowns \ Hiring and reviewing candidates \ Creating test packages and BG Paint Style Guides \ Painting backgrounds BLINKINK (Feb 2020 - August 2020) - Location Designer Project: Deadendia (Netflix Original) Duties: Creating location concepts and occasionally props based on a locked script including full realised concepts, isographic views and turnarounds. KARROT ANIMATION (Jan 2019 - Jan 2020) - Art Director Project: Love Monster (CBBC) Duties: Creating character, prop and background designs for a 6min pre-school show for the BBC \ Communicating regularly with our overseas BG teams in China \ Supervising a team of in-house backgrounds artists \ Designing title cards and end credits \ Creating and updating episodic design breakdowns on FTrack BOULDER MEDIA (Oct 2016 - Dec 2018) - Art Director Project: Unannounced TBC (Hasbro) Duties: Creation of the overall design style of a 52x22min animated TV show for Hasbro \ Directly managing a team of 4 concept artists \ Overseeing BG Keys and BG Production (20+ employees) \ Liasing with production and senior management to make sure the project is organised and running on time \ Reviewing potential candidates for design jobs and conducting interviews with HR/Recruitment \ Designing opening titles and credits \ Creating colour & lighting keys in After Effects for the compositing department \ Communicating with clients in LA by phone & email \ Creating and updating episodic design breakdowns on FTrack BOULDER MEDIA (May 2016 - Oct 2016) - Concept Artist Project: Unannounced TBC (Hasbro) Duties: Creating pitch artwork for a new animated TV series \ Interpreting design feedback from clients and executive producers \ Producing BG, prop and character designs from rough sketch to B&W concept to final design BOULDER MEDIA (March 2016 - May 2016) - Background Key Supervisor Project: Danger Mouse (BBC) Duties: Working closely with the Art Director to maintain the style of the show \ Managing a team of 2 BG Key Artists \ Creating Background Keys \ Creating and updating tracking sheets on Google Docs \ Hitting weekly deadlines BOULDER MEDIA (Aug 2014 - March 2016) - Background Key Artist Project: Danger Mouse (BBC) Duties: Creating Background Keys for Season 1 of Danger Mouse (BBC/CBBC) BOULDER MEDIA (May 2014 - Aug 2014) - Background Artist Project: Randy Cunningham: Ninth Grade Ninja (Disney XD) Duties: Creating production BGs for Randy Cunningham: Ninth Grade Ninja for Disney XD/Titmouse \ Keeping on style with the BG Keys recieved \ Regularly exceeding my quota of 14 BGs per week BROWN BAG FILMS (May 2016) - Visual Development Artist Project: Watership Down (BBC) Duties: As a freelance concept artist, I produced 12 B&W concept images for BBC's "Watership Down" while the project was in early development at Brown Bag Films, Dublin. KEG KARTOONZ (June 2013 - September 2013) - Design Intern Project: Bottler (TV3) Duties: Creating props in Adobe Flash/Animate and BGs in Photoshop for TV3's Bottler \ Creating 2D Level Artwork for a mobile game pitch AGORITHM (June 2013) - Layout Artist Project: Guinness Storehouse Projection Mapping Duties: Designing environment and layout for a 6ft projection in the Guinness Storehouse in Dublin BARLEY FILMS (September 2012 - June 2013) - Designer Project: Music Video Projects for Vivienne Long and The Duckworth Lewis Method (College work experience) Duties: Creating characters, backgrounds and assets for 2x music videos FREELANCE / OTHER (2011 - 2016) + Illustrator (Tour poster for musician MITSKI) | 2016 + Illustrator, Graphic Designer (Itchy Little Monkeys) | 2013 + Runner (Newstalk FM) | 2011 EDUCATION IADT DUN LAOGHAIRE (2010 - 2014) B.A. Animation (1.1 First Class Honours, 4.0 GPA, Class Representative) WCFE (2009 - 2010) Certificate in Art & Design (Merit, Class Representative) ST. ANGELA’S SECONDARY SCHOOL (2006 - 2009) Leaving Certificate in French, Irish, English, Math, Geography, Religious Studies & Art ONLINE COURSES & FURTHER TRAINING: • Elegant Restraint in Storytelling: A Master Lecture (with Pascal Campion) • The Role of an Art Director in an Animated Film (Szymon Biernacki, SPA Studios) • Schoolism Live (with Nathan Fowkes, Sylvain Marc and The Black Frog) • Production Management for 2D Animation (with Leon Elliott) • Storyboarding with Storyboard Pro (with Patrick O’Callaghan) • Story Masterclass (with David Feiss) • Concept Art Masterclass (with Simon Rodgers) • 6 L.A.M.D.A. Certifications in speaking verse & prose and public speaking • Oil Painting in The Art Academy, London I also have taken multiple workplace training sessions such as Mental Health in the Workplace, Emotional Intelligence Training, Interview Etiquette and Mentorship Training. .
Recommended publications
  • Viewing Wars
    Viewing Wars: Action Heroes and Canadian Mothers Concerns about Violent Television for Boys 3-6 Stephen Kline Media Analysis Laboratory Simon Fraser University Canada (draft June 2, 1999) Much of the growing interest in the analysis of audiences is written against the previous effects approach to understanding mass media. These models primarily theorized the influence of mass media rather narrowly as the flow of a dominant meaning from TV (stimulus) to audiences (respondents) and subsumed the idea that ‘reception’ could best be understood as the ’assimilation and storage of that meaning’. Since the late 1970’s however, challenged by a new theorizing of separate encoding and decoding processes (Hall’s 1980), communications studies has become aware of the fragmentation of mass media audiences and the active assimilation of media content (Morley 1986, Schroder 1994). This has inspired greater interest in viewers motivations and choices underlying viewing, and the reception processes have become the focal point for an audience centred study of communication and media culture (Livingstone 1998). There is a growing interest in applying this approach to children’s relationship to media (Livingstone 1999). In this regard, the work of the Himmelweit project using cross national comparative research on children and youth audiences is providing an empirical basis for a broad and subtle understanding of the global problem of children and media. Yet in the light of research that shows young audiences often make diverse, unexpected and even aberrant readings of their media, there is a growing need to better theorize the ‘diversity’ in young peoples media use and audiences (David Buckingham 1993, 1997).
    [Show full text]
  • Hasbro Annual Report 2020
    Hasbro Annual Report 2020 Form 10-K (NASDAQ:HAS) Published: February 27th, 2020 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 29, 2019 Commission file number 1-6682 Hasbro, Inc. (Exact Name of Registrant As Specified in its Charter) Rhode Island 05-0155090 (State of Incorporation) (I.R.S. Employer Identification No.) 1027 Newport Avenue Pawtucket, Rhode Island 02861 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code (401) 431-8697 Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock HAS The NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ or No ☐. Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ or No ☒. Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Platform Delegate List
    First Name Surname Job Title Company Email Suleeko Abdi Student [email protected] Frances Abebreseh Communications Manager Netflix Lucy Acfield Head of Brand & Product Marketing Guinness World Records James Acken Founder, Freelancer Acken Studios lindsey@dailymadnessproducti Lindsey Adams Producer Daily Madness ons.com Megan Adams Look Mentor Look UK ToyLikeMe Seleena Addai Illustrator / Character Designer The Secret Story Draw [email protected] Animation Production Liaison [email protected] Abigail Addison Executive ScreenSkills om Aiden Adkin Creative Director Harbour Bay [email protected] Selorm Adonu Director XVI Films [email protected] Ivan Agenjo Executive Producer Peekaboo Animation [email protected] Jayne Aguire Walsh Entry Level Creative Freelance [email protected] Andrew Aidman Producer Andrew Aidman [email protected] Sun In Eye Productions, Aittokoski Metsamarja Aittokoski Screenwriter, Director, Producer Experience [email protected] Sonja Ajdin Research Manager Viacom Yinka Akano CRBA Exec BBC [email protected] Production and Development Francesca Alberigi Coordinator Nickelodeon International Aoife Alder Research Executive ITV Candice Alessandra Student Student Laura Alexander Video Producer / Editor Acamar Films Kristopher Alexander Professor of Video Games The Digital Citadel [email protected] Lisa Ali Freelance Freelance Shakila Ali Content Impact BBC Co-Founder and Chief Creative Caroline Allams Officer Natterhub [email protected] Bill Allard
    [Show full text]
  • Q4 & Full Year 2017 Earnings Management Remarks
    Hasbro Fourth Quarter and Full-Year 2017 Financial Results Conference Call Management Remarks February 7, 2018 Debbie Hancock, Hasbro, Vice President, Investor Relations: Thank you and good morning everyone. Joining me this morning are Brian Goldner, Hasbro’s Chairman and Chief Executive Officer, and Deb Thomas, Hasbro’s Chief Financial Officer. Today, we will begin with Brian and Deb providing commentary on the Company’s performance and then we will take your questions. Our earnings release was issued this morning and is available on our website. Additionally, presentation slides containing information covered in today’s earnings release and call are also available on our site. The press release and presentation include information regarding Non-GAAP financial measures. Please note that whenever we discuss earnings per share or EPS, we are referring to earnings per diluted share. Before we begin, I would like to remind you that during this call and the question and answer session that follows, members of Hasbro 1 management may make forward-looking statements concerning management's expectations, goals, objectives and similar matters. There are many factors that could cause actual results or events to differ materially from the anticipated results or other expectations expressed in these forward-looking statements. Some of those factors are set forth in our annual report on form 10-K, our most recent 10-Q, in today's press release and in our other public disclosures. We undertake no obligation to update any forward-looking statements made today to reflect events or circumstances occurring after the date of this call. I would now like to introduce Brian Goldner.
    [Show full text]
  • \\ Investment Highlights Business Description Market Cap. $11.41B P
    Consumer Discretionary Sector, Toy and Game Industry NASDAQ Stock Exchange \\ Hasbro Inc. Date: 04/16/2018 Current Price: $88.26 (04/16/2018) Recommendation: BUY Ticker - NASDAQ: HAS Headquarters: Pawtucket, RI Target Price: $112.69 (27.7% Upside) Investment Highlights Figure 1 – Share Price We recommend a BUY rating for Hasbro Inc. based on a 1-year target price of $112.69 per share. Our target price offers a 27.7% margin of safety based on its closing price of $88.26 on April 16, 2018. The following factors are the main drivers of our investment recommendation: Strong Industry Outlook & Positioning The global Toy and Game industry is poised for consistent growth in both developed and emerging markets, and the Digital Gaming and Entertainment space is expanding rapidly. Hasbro’s brand portfolio and strategy effectively places it at the center of this growth. Brand Storytelling Source: Bloomberg Hasbro’s strongest asset is their ability to tell stories that drive engagement and grow their brands. Its ability to leverage its ecosystem of products, content, and media to create emotional connections and drive engagement make it a standout. Figure 2 – Valuation Weighting Industry Leading Brand Portfolio Base Case Valuation Hasbro possesses an industry leading entertainment and play brand portfolio especially suited to a DCF 50% $ 102.43 broad range of users. Other industry players have struggled with, or have just began creating such Comps 50% $ 122.94 a portfolio. Price Per Share $ 112.69 Margin of Safety @ 88.26 27.7% Effective Multi-Platform Brand Strategy Source: Company Data + Team Analysis Hasbro’s Brand Blueprint and “Share of Life” strategy has allowed it to expand the profitability and earning potential of its brand portfolio by leveraging film, television and digital gaming media in addition to traditional toys and games.
    [Show full text]
  • Corporate Fact Sheet
    Hasbro JUNE 2021 Fact Sheet Senior Management Team Brian Goldner Company Overview Chairman & Chief Executive Officer Hasbro (NASDAQ: HAS) is a global play and entertainment company joined Hasbro in 2000 committed to making the world a better place for all children, fans Darren Throop and families. Hasbro delivers immersive brand experiences for global Chief Executive Officer, eOne audiences through consumer products, including toys and games; joined Hasbro in 2019 entertainment through eOne, its independent studio; and gaming, led Deborah Thomas by the team at Wizards of the Coast, an award-winning developer of Executive Vice President, tabletop and digital games best known for fantasy franchises MAGIC: THE Chief Financial Officer GATHERING and DUNGEONS & DRAGONS. joined Hasbro in 1998 The company’s unparalleled portfolio of approximately 1,500 Kathrin Belliveau brands includes MAGIC: THE GATHERING, NERF, MY LITTLE PONY, Chief Purpose Officer TRANSFORMERS, PLAY-DOH, MONOPOLY, BABY ALIVE, DUNGEONS joined Hasbro in 1997 & DRAGONS, POWER RANGERS, PEPPA PIG and PJ MASKS, as well Chris Cocks as premier partner brands. For the past decade, Hasbro has been President and Chief Operating Officer, consistently recognized for its corporate citizenship, including being Wizards & Digital Gaming named one of the 100 Best Corporate Citizens by 3BL Media and one of joined Hasbro in 2016 the World’s Most Ethical Companies by Ethisphere Institute. Important Michael Hogg business and brand updates are routinely shared on our Investor Executive Vice President,
    [Show full text]
  • Hasbro Third Quarter 2017 Financial Results Conference Call Management Remarks October 23, 2017
    Hasbro Third Quarter 2017 Financial Results Conference Call Management Remarks October 23, 2017 Debbie Hancock, Hasbro, Vice President, Investor Relations: Thank you and good morning everyone. Joining me this morning are Brian Goldner, Hasbro’s Chairman and Chief Executive Officer, and Deb Thomas, Hasbro’s Chief Financial Officer. Today, we will begin with Brian and Deb providing commentary on the Company’s performance and then we will take your questions. Our third quarter earnings release was issued this morning and is available on our website. Additionally, presentation slides containing information covered in today’s earnings release and call are also available on our site. The press release and presentation include information regarding Non-GAAP financial measures. Please note that whenever we discuss earnings per share or EPS, we are referring to earnings per diluted share. Before we begin, I would like to remind you that during this call and the question and answer session that follows, members of Hasbro 1 management may make forward-looking statements concerning management's expectations, goals, objectives and similar matters. There are many factors that could cause actual results or events to differ materially from the anticipated results or other expectations expressed in these forward-looking statements. Some of those factors are set forth in our annual report on form 10-K, our most recent 10-Q, in today's press release and in our other public disclosures. We undertake no obligation to update any forward-looking statements made today to reflect events or circumstances occurring after the date of this call. I would now like to introduce Brian Goldner.
    [Show full text]
  • Company Overview Hasbro's Brand Blueprint Senior
    OCTOBER 2018 COMPANY OVERVIEW INVESTMENT HIGHLIGHTS Hasbro (NASDAQ: HAS) is a global play and entertainment • Rich Innovative Brand Portfolio company committed to Creating the World's Best Play Informed by Global Consumer Insights Experiences. From toys and games to television, movies, digital - Compelling, multi-screen storytelling gaming and consumer products, Hasbro offers a variety of ways - for audiences to experience its iconic brands, including BABY • Company’s strategy is creating unique, long-term ALIVE, MAGIC: THE GATHERING, MONOPOLY, MY LITTLE PONY, competitive advantages for Hasbro NERF, PLAY-DOH AND TRANSFORMERS, as well as premier • Partner with premiere entertainment brands partner brands. Through its entertainment labels, Allspark that attract and keep fans, and deepen the Pictures and Allspark Animation, the Company is building its consumer experience brands globally through great storytelling and content on all • screens. Hasbro is committed to making the world a better Strong and consistent operating cash flow place for children and their families through corporate social generation; which is invested back into Hasbro responsibility and philanthropy. Hasbro ranked No. 5 on the and returned to shareholders 2018 100 Best Corporate Citizens list by CR Magazine and has - Raised dividend in 14 out of the past 15 years been named one of the World’s Most Ethical Companies® by - Repurchased $2.6B in stock from 2007-2017 Ethisphere Institute for the past seven years. HASBRO’S BRAND BLUEPRINT SENIOR MANAGEMENT TEAM The Brand
    [Show full text]
  • ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
    ID name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY 10 ENTERTAINMENT 119140 100.000VOLTS.TV 119962 101ST STREET ENTERTAINMENT 114635 101ST STREET PRODUCTIONS 118840 101ST STREET TELEVISION 113543 11TH STREET PRODUCTIONS 119499 127 WALL PRODUCTIONS 115680 13 PRODUCTION 106472 1492 PICTURES 100008 1492 PRODUCTIONS 106474 18 HUSKY 119951 1895 FILMS 117848 18TH STREET FILM 106475 19 ENTERTAINMENT 100010 19 TELEVISION 110681 1OP1 TV EN VIDEO PRODUCTIES BV 113969 2 ROOSTERS MEDIA 112499 21 LAPS ENTERTAINMENT 119887 211 PRODUCTIONS 118463 22 PLATES 117840 24 DOC 104567 24FPS FEAUTURES 108082 24FPS PRODUCTIONS 110683 26 FILMS 118974 2LE MEDIA 109600 2MEDIA PRODUCTIONS 109601 3 ART ENTERTAINMENT 100018 3 ARTS ENTERTAINMENT 119967 3 BALL ENTERTAINMENT 110687 3 BALL PRODUCTIONS 113973 3 DOGS AND A PONY 113947 3 IN THE BOX 100022 3 SISTERS ENTERTAINMENT 119621 333 PRODUCTIONS 117690 343 INDUSTRIES 117595 360 PICTURES 119197 3DD ENTERTAINMENT LIMITED 112504 3J S ENTERTAINMENT 112505 4 BY 2 119495 4 EVER CHRISTMAS PRODUCTIONS 100026 4 TO 6 FOOT 106483 40 ACRES AND A MULE FILMWORKS Videma: unknown rightsholders as per June 30, 2020 1 118263 43 FILMS 113199 44 BLUE PRODUCTIONS 119462 5STAR BROADCASTING LTD 118045 72 PRODUCTIONS 106485 777 FILMS CORPORATION 114377 7ATE9 ENTERTAINMENT 118343 8:38 PRODUCTIONS 119790 87ELEVEN 118206 8816522 CANADA INC. 117620 9 STORY MEDIA GROUP 119415 9.14 PICTURES 119682 93 METROS 118591 9STORIES 100050 A BAND APART 119060 A BETTY PRODUCTION 116506 A GRAND ELEPHANT 118201 A PLUS IMAGE 3 119777 A RED ARROW STUDIOS COMPANY 104576 A S PANORAMA FILM INT 115151 A SCHOOL PRODUCTIONS 119436 A SINGLE SHOT PRODUCTIONS 104581 A SMITH AND CO 112509 A SON OF NATE AND JILL PRODUCTIONS 104578 A TEAM PRODUCTIONS 110698 A VERY GOOD PRODUCTION INC 117624 A&E INDIEFILMS 119788 A&E NETWORK 119722 A+E NETWORKS 116416 A.
    [Show full text]
  • For Soldiers' Welfare Died Down
    I TaxTROUBLED BYTime. illy The post tax center opens Monday to help . Fort 4h t t _ [ 4 J. Leonard Wood taxpay- T F "ers get ready to meet S the April 15 deadline. For the story and a list of unit tax advisors, Volume 10 Number 3 Published in the interest of the personnel at Fort Leonard Wood, Mis souri Thursday, January 23, 1997 See page lB. I EBRIEFS Program offers jobs for family members Tickets available for More than 100 positions offering many services, these include classes FMEAP keeps this information on file, if a machines, along with a library, ad(ded prayer breakfast I and job search information, added Shafer job suiting their skills becomes available the Velazquez. The National Prayer listed at FMEAP office The classes offered will cover a variety FMEAP notifies them. The application and This spring the FMEAP will be hosting people more mar- interview is then up Breakfast will be held Tuesday of topics aimed at making to the applicant, added a Youth Employment program. The "Hire a at 6:30 a.m. at the Engineer By Elaine Jubar ketable for the jobs available. One of the first Shafer Teen" job fair is scheduled for early May. The FMEAP Club. Tickets are available by ESSAYONS Staff classes will be on interviewing skills, said follows-up on all calls made Employers from surrounding communities calling Chap. (Capt.) Jonathan Shafer. to see if people applied and received the job, are being invited to attend. The FMEAP is Shafer explained. McGraw at 563-4120, Sgt.
    [Show full text]
  • Animation in Ireland 2014 Brochure
    Animated in Ireland Irish Animation Industry Directory Co-producing with Ireland? Financial Incentives Available Animated in Ireland Irish Animation Industry Directory IRISH TAX INCENTIVE “SECTION 481” • Applies to animated feature films and television made in Ireland • Currently, projects may derive a benefit of up to 28% of qualifying expenditure • From 2015 and subject to EU approval, projects will be able to derive a benefit of up to 32% of qualifying expenditure • From 2015, this benefit will be based on the cost of all cast and crew (regardless of nationality) working in Ireland, and all spend on local goods and services For more information or to arrange an introduction to possible co-production partners, please contact: Irish Film Board About the Irish Animation Industry 2 Keg Kartoonz 13 Tel +353 91 561 398 [email protected] Kavaleer Productions 14 www.irishfilmboard.ie A Man & Ink 4 Magpie 6 Media 15 Boulder Media 5 Moetion Films 16 OTHER SOURCES OF FINANCE Brown Bag Films ® 6 Monster Entertainment 17 Barley Films 7 Paper Dreams 18 Irish Film Board Development and production funding for animated features and television series. Caboom 7 Prickly Pear Productions 18 Tel +353 91 561 398 www.irishfilmboard.ie Cartoon Saloon 8 Still Films 19 Dancing Girl Productions 9 Studio POWWOW 20 Broadcasters Raidió Teilifís Éireann (RTÉ) TG4 TV3/3e Double Z Enterprises 9 Zink Films 20 Tel +353 1 208 3111 Tel +353 91 505050 Tel +353 1 419 3333 Geronimo Productions 10 Telegael 21 www.rte.ie www.tg4.ie www.tv3.ie Giant Animation Studios 11 Treehouse Republic 22 Broadcasting Authority of Ireland Public funding for projects with an Irish broadcaster involved.
    [Show full text]
  • 2011 Noms by Category
    2011 ANNIE AWARD NOMINATIONS PRODUCTION CATEGORIES #1 - Best Animated Feature A Cat in Paris – Folimage Arrugas (Wrinkles) - Perro Verde Films, S.L. Arthur Christmas – Sony Pictures Animation, Aardman Animations Cars 2 – Pixar Animation Studios Chico & Rita – Chico & Rita Distribution Limited Kung Fu Panda 2 – DreamWorks Animation Puss In Boots – DreamWorks Animation Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production Rio – Blue Sky Studios Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall #2 - Annie Award for Best Animated Special Production Adventure Time: Thank You – Cartoon Network Studios Batman: Year One – Warner Bros. Animation Ice Age: A Mammoth Christmas – Blue Sky Studios Kung Fu Panda – Secrets of the Masters – DreamWorks Animation Prey 2 –Blur Studio Star Tours – Industrial Light & Magic # 3 - Best Animated Short Subject Adam and Dog – Lodge Films I Tawt I Taw A Puddy Tat – Warner Bros. Animation La Luna – Pixar Animation Studios Notes on Biology Paths of Hate – Platige Image Sunday – National Film Board of Canada The Ballad of Nessie –Walt Disney Animation Studios The Girl and the Fox – Base14 Wild Life – National Film Board of Canada and Studio GDS # 4 - Best Animated Television Commercial Audi “Hummingbird” - The Mill Geico “Foghorn” - Renegade Animation McDonald’s “Apple Tree” Duck Studios/Kompost McDonald’s “Suzi Van Zoom” Duck Studios/Kompost Norton “Stuff”- Psyop O2 “Niggles & Narks”- The Mill Statoil “Good Night” - Studio AKA “The Pirate” - Meindbender Twinings “Sea” - Psyop #5 - Best General Audience Animated TV Production Archer – FX Productions Green Lantern: The Animated Series – Warner Bros. Animation Hoops & YoYo Ruin Christmas - Hallmark MAD – Warner Bros. Animation Mary Shelley’s Frankenhole Season 2 – Starburns Industries, Inc.
    [Show full text]