Animation in Ireland 2014 Brochure
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Sara Daddy Writer, Children's, Preschool, 6+ Years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected]
Sara Daddy Writer, Children's, Preschool, 6+ years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected] Sara is a Head Writer/Screenwriter/Development Producer with over 16 years’ experience in children’s television, working for 8 years in the BBC’s children’s department, covering both CBeebies and CBBC, and for the past 8 years as a freelance scriptwriter and developer working for a range of companies including Nickelodeon, Disney Jnr, Sprout, Netflix, The Jim Henson Company, Sesame Workshop, Penguin, Sixteen South and Cartoon Saloon. Sara has a proven track record in the development of children’s programmes, including Broadcast Award winner and BAFTA-nominated Lily’s Driftwood Bay and RTS and Kidscreen-winner, Puffin Rock. She was nominated for a Manimation Industry Excellence Award: Writing for Animation and Best Writing in a Pre-school Programme award at Dingle Animation Festival for Puffin Rock. Sara was Head Writer on ‘Claude‘ which won the Royal Television Society NI Award for Best Children’s / Animated Series, and was nominated for three awards at the Irish Animation Awards 2019 and for Best Preschool Show at the Broadcast Awards 2019. Work Current Sol Paper Owl / S4C / BBC 22′ animated special, with funding from the first YACF fund award, launched simultaneously on CITV, CITV’s VOD ITV Hub, Channel 4’s VOD service All 4, and Channel 5’s VOD My 5 on 21st December 2020. Watch it in Irish, Welsh or Scots Gaelic with English subtitles on All 4 here. Winner: Children’s Award at the Sandford St Martin Awards for excellence in religious and ethics programmes, 2021 Untitled Maramedia Lead Writer, writing 8 episodes of exciting new live-action / animated property Puffin Rock (Feature) Dog Ears Ltd / Cartoon Saloon Animated feature film in production, based on the Emmy- nominated series. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
The Secret of Kells in 2010 and for Song of the Sea in 2015
The EDUCATIONAL KIT Secret of Kells Tomm Moore, Nora Twomey CONTENT p.3 GENERAL INFORMATION p.4 Synopsis p.5 FILM ANALYSIS p.5 p.6 Film context Expressive means p.6 p.8 Historical context Recognition Image 1 p.10 CLASSROOM ACTIVITIES p.10 p.13 p.15 Starter activity Animated colours The “real” face of and shapes the Vikings p.11 The hero’s journey p.14 Filmic means and director’s choices 2 GENERAL INFORMATION TOMM MOORE (1977, IRELAND) NORA TWOMEY (1971, IRELAND). The film, which is set in the early ninth-century monastic settlement of Kells, is based on a concept which Moore had been exploring a decade earlier while a student of animation at Ballyfermot Senior College in Dublin in 1999. With his co-director Nora Twomey, Moore and the Cartoon Saloon studio have achieved international acclaim for their work, including nominations in the Best Animated Feature Film category at the Oscars for The Secret of Kells in 2010 and for Song of the Sea in 2015. More recently, Twomey’s The Breadwinner (2017), which is set in Afghanistan and stylistically encompasses a more naturalistic and real- world look, also received an Academy nomination for Best Animated Feature in 2018. Moore is currently co-directing a third animated feature, Wolfwalkers, a mythic tale set in Kilkenny that is inspired by local history and legends and is due for release in late 2020. Image 2 Image 3 Twomey is currently directing the 2D American-Irish animation film My Father’s dragon, due for release in 2021. -
Viewing Wars
Viewing Wars: Action Heroes and Canadian Mothers Concerns about Violent Television for Boys 3-6 Stephen Kline Media Analysis Laboratory Simon Fraser University Canada (draft June 2, 1999) Much of the growing interest in the analysis of audiences is written against the previous effects approach to understanding mass media. These models primarily theorized the influence of mass media rather narrowly as the flow of a dominant meaning from TV (stimulus) to audiences (respondents) and subsumed the idea that ‘reception’ could best be understood as the ’assimilation and storage of that meaning’. Since the late 1970’s however, challenged by a new theorizing of separate encoding and decoding processes (Hall’s 1980), communications studies has become aware of the fragmentation of mass media audiences and the active assimilation of media content (Morley 1986, Schroder 1994). This has inspired greater interest in viewers motivations and choices underlying viewing, and the reception processes have become the focal point for an audience centred study of communication and media culture (Livingstone 1998). There is a growing interest in applying this approach to children’s relationship to media (Livingstone 1999). In this regard, the work of the Himmelweit project using cross national comparative research on children and youth audiences is providing an empirical basis for a broad and subtle understanding of the global problem of children and media. Yet in the light of research that shows young audiences often make diverse, unexpected and even aberrant readings of their media, there is a growing need to better theorize the ‘diversity’ in young peoples media use and audiences (David Buckingham 1993, 1997). -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
European Animation Awards to Launch in 2017 | Variety
European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... JUNE 27, 2016 | 03:54AM PT PHOTOS: AMBER EMILY / KEN MCKAY/ITV/REX/SHUTTERSTOCK Brexit notwithstanding, Europe looks set to have a new prize event, the European Animation Awards (EAA), which are inspired by America’s Annie Awards and backed by many of the preeminent figures in Europe’s animation industry. The new plaudits come after a period of “massive growth” of Europe’s animation industry, which merits broader kudos recognition, said Jean-Paul Commin, EAA secretary general, who added that the United Kingdom “is and will remain, despite Brexit, an active player in our project.” “There has been a huge improvement not only in the quantity but quality of animation in Europe. We have some of the best animation schools and European animated features are travelling better,” he said. The first European Animation Awards gala ceremony will take place in 2017. Peter Lord, creative director of Aardman Animations and producer of many of Europe’s 1 sur 3 21/11/2016 18:09 European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... most-watched animated movies – such as the stop-motion “Chicken Run” and “Wallace and Gromit: The Curse of the Were-Rabbit” – has been named president of the EAAs. Vice-presidents are Dane Marie Bro, based out of Copenhagen’s Danske TegneFilm (“The Boy Who Wanted To Be a Bear”); France’s Didier Brunner, the dean of Europe’s 2D animation (“The Triplets of Belleville,” the “Kirikou” franchise) who originated the idea of the EAA; and Ireland’s Paul Young, at Cartoon Saloon, producer of “The Secret of Kells,” “Song of the Sea” and now “The Breadwinner,” whose co-producers include New York’s Gkids and Angeline Jolie-Pitt. -
IFB Locations Brochure 2017
1 Irish Film Board — Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film, television and animation industry, supporting and developing talent, creativity and enterprise. It provides development, production and distribution funding for writers, directors and production companies across these sectors. The IFB supports Ireland as a dynamic and world-class location for international production by promoting Irish tax incentives, our excellent skilled crew base, and our well-established studio and technical infrastructure. The IFB also supports the development of skills and training in live-action, animation, VFX and interactive content through Screen Training Ireland. Contents — ‘Dublin and its surrounds were the perfect location for our London-set Dickensian period piece. The range of settings, architecture and the ease of access to locations was in my experience unparalleled.’ Introduction 06 Bharat Nulluri, Director Ireland’s Tax Credit 10 The Man Who Invented Christmas Ireland and International Co-Production 14 The Irish Producer 16 Location, Location, Location 20 Film Studios 24 Post Production 28 VFX 30 Animation 34 IFB Location Services 36 Funding Sources 38 Other Financial Incentives 39 Support Networks, Guilds and Associations 42 King’s Inns, Henrietta Street, Dublin 02 03 Grand Canal Dock, Dublin 04 05 Introduction — ‘Ireland has become an important part of Star Wars history.’ Candice Campos, Vice President, Physical Production, Lucasfilm Ireland has a long-standing, World-class film is produced in diverse and exceptionally rich Ireland year after year. Recent culture of bringing stories completed projects include to the screen. It has long Rian Johnson’s Star Wars: been associated with great Episode VIII–The Last Jedi, filmmaking, from the feisty, Farhad Safinia’sThe Professor passionate romance played and the Madman and Nora by John Wayne and Maureen Twomey’s animated feature O’Hara in John Ford’s much- film,The Breadwinner. -
Hasbro Annual Report 2020
Hasbro Annual Report 2020 Form 10-K (NASDAQ:HAS) Published: February 27th, 2020 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 29, 2019 Commission file number 1-6682 Hasbro, Inc. (Exact Name of Registrant As Specified in its Charter) Rhode Island 05-0155090 (State of Incorporation) (I.R.S. Employer Identification No.) 1027 Newport Avenue Pawtucket, Rhode Island 02861 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code (401) 431-8697 Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock HAS The NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ or No ☐. Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ or No ☒. Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Opposition Activist's Jail Upheld, Tweeters Bailed
SUBSCRIPTION MONDAY, APRIL 6, 2015 JAMADA ALTHANI 17, 1436 AH www.kuwaittimes.net Govt refutes Afghan woman CERN restarts Ronaldo premier’s killed by mob Large Hadron hits five as resignation becomes icon for Collider, seeks Real crush rumors3 justice,14 rights dark28 universe Granada20 9-1 Opposition activist’s jail Min 21º Max 28º upheld, tweeters bailed High Tide 01:05 & 13:05 Low Tide Barrak trial on Apr 13 • Nod to scrap jail for press crimes 07:10 & 17:40 40 PAGES NO: 16482 150 FILS By B Izzak Kuwait plane in KUWAIT: The court of cassation, whose rulings are final, yesterday upheld a two-year jail term against opposi- near collision tion activist Ayyad Al-Harbi for tweets deemed offen- sive to HH the Amir. Harbi has been in jail serving the over Pakistan sentence since May, when the court of appeals handed him the prison term for re-tweeting poems by well- ISLAMABAD: A Kuwait Airways plane head- known Iraqi poet Ahmad Matar highly critical of Arab ing to Islamabad nearly collided with a rulers. The same court also rejected a request to release Malaysian Airlines plane heading to London opposition leader and former MP Musallam Al-Barrak, in Pakistani airspace yesterday, the Saudi who is serving a two-year jail term handed to him about Press Agency reported. Officials at the Civil two months ago for insulting HH the Amir at a public Aviation Authority of Pakistan said the inci- rally in Oct 2012. The court however decided to start dent happened over the Zhob district of hearing the case on April 13. -
SIGGRAPH Asia 2020'S Computer Animation Festival – Panel And
SIGGRAPH Asia 2020’s Computer Animation Festival – Panel and Production Talks The Making of Pixar’s Wind Jesus Martinez, Animation Manager, Pixar Animation Studios Edwin Chang, Shot Supervisor / SparkShorts Director, Wind, Pixar Animation Studios Beth Albright, Character Shading and Groom Lead, Pixar Animation Studios Join writer and director Edwin Chang, producer Jesús Martínez and supervising technical director Beth Albright as they explore the making of their heartfelt CG animated short film, Wind. Made as part of Pixar’s SparkShorts program, Wind is set in a world of magical realism where a grandmother and her grandson are trapped deep down an endless chasm, scavenging debris that surrounds them to realize their dream of escaping to a better life. A screening of the film will be followed by a “Making Of” presentation and a Q&A. Producing Over the Moon Gennie Rim, Executive Producer, Glen Keane Productions Peilin Chou, Animation Film Producer, Netflix Producers Peilin Chou and Gennie Rim discuss the development and production of the recently premiered Netflix and Pearl Studios animated musical adventure, Over the Moon, directed by the legendary Oscar winner Glen Keane, and co-directed by Oscar winner John Kahrs. In the film, a bright young girl fueled with determination and a passion for science, Fei Fei, builds a rocket ship to the moon to prove the existence of the legendary Chinese Moon Goddess, Chang’e. After an impossible journey, she ends up in a whimsical land of fantastical creatures. Directed by Keane, animated at Sony Pictures Imageworks and produced by Rim and Chou for Shanghai-based Pearl Studios, Over the Moon is a musical adventure about moving forward, embracing the unexpected, and believing the impossible is possible. -
IRISH FILM and TELEVISION - 2013 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses , Number 9, 2014, pp. 208-237 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2013 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2014 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film and TV Review 2013. Introduction Roddy Flynn, Tony Tracy .................................................................................................. 209 The Concrete Manifestations of Emotional Eternity in Brendan Muldowney’s Love Eternal (2013) Barry Monaghan ................................................................................................................. 215 Pilgrim Hill (Gerard Barrett 2012) Laura Canning .................................................................................................................... 218 The Last Days on Mars (Ruari Robinson, 2013) Roddy Flynn ...................................................................................................................... 221 Amber, Screenworks and the production of culture Dennis Murphy ................................................................................................................... 223 I wanna destroy the passer by: Nihilism, Narcissism and Authority in Love/Hate Series Four Angela Nagle .....................................................................................................................