For Soldiers' Welfare Died Down
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Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P. -
A Criança E O Brinquedo-TV Análise Sobre O Discurso Publicitário Direcionado Para a Infância Na Rede Globo De Televisão
Universidade Federal do Rio Grande do Norte Centro de Ciências Humanas, Letras e Artes Programa de Pós-graduação em Estudos da Mídia Antônio Carlos do Amaral Barbosa A Criança E O Brinquedo-TV análise sobre o discurso publicitário direcionado para a infância na Rede Globo de Televisão Natal-RN, 2012 Universidade Federal do Rio Grande do Norte Centro de Ciências Humanas, Letras e Artes Programa de Pós-graduação em Estudos da Mídia Antônio Carlos do Amaral Barbosa A Criança E O Brinquedo-TV análise sobre o discurso publicitário direcionado para a infância na Rede Globo de Televisão Dissertação apresentada ao Programa de Pós- graduação em Estudos da Mídia, da Universidade Federal do Rio Grande do Norte, como requisito parcial para obtenção do título de Mestre em Estudos da Mídia. Linha de pesquisa: Estudos da Mídia e Produção de Sentido. Orientador: Profa. Dra. Maria Érica de Oliveira Lima Natal-RN, 2012 2 Catalogação da Publicação na Fonte. Universidade Federal do Rio Grande do Norte. Biblioteca Setorial do Centro de Ciências Humanas, Letras e Artes (CCHLA). ____________________________________________________________________ Barbosa, Antônio Carlos do A. A Criança E O Brinquedo-TV: análise sobre o discurso publicitário direcionado para a infância na Rede Globo de Televisão / Antônio Carlos do Amaral Barbosa - 2012. 216 f. - Dissertação (Mestrado em Estudos da Mídia) – Universidade Federal do Rio Grande do Norte. Centro de Ciências Humanas, Letras e Artes. Programa de Pós-graduação em Estudos da Mídia, Natal, 2011. Orientador: Profa. Dra. Maria Érica de Oliveira Lima. 1. Publicidade - Brasil. 2. Infância – Conceito e aprendizado. 3. Retórica – Logos, Ethos e Pathos. -
Lee Phillip Bell with the Lifetime the with Bell Phillip Lee Co-Creator Drama Aey of Cademy Bell: Phillip Lee Worker
The National Academy of Television Arts & Sciences presents daytime at nighttime friday, june 15, 2007 Broadcast live on from the Kodak Theatre in Los angeles. Official Partners of the 34th Annual Daytime Entertainment Emmy® Awards The national academy of Television arts & Sciences 111 West 57th Street, Suite 600 new york, ny 10019 • 212.586.8424 • www.emmyonline.tv a messaGe frOm THe PreSidenT COnTents S On behalf of our Chairman Herb Granath and all our Trustees, I ContentsOutstanding Game Show Host 4 would like to congratulate our nominees for their exceptional Outstanding Supporting actress 4 work. The National Academy in a drama Series of Television Arts & Sciences is ward proud to take a leadership role in Outstanding Supporting actor 6 a recognizing pioneers of our past, in a drama Series ® the best of our present, and the next generation of our creative Outstanding Talk Show Host 6 and technical talent. The 34th Annual Daytime Entertainment Outstanding Performer in a Emmy Awards salute all these communities of our prominent Children’s Series 8 mmy membership. e Outstanding younger actress 8 It is with special pleasure that we recognize the legacy of Mike in a drama Series T Douglas and the Bell family, in addition to the extraordinary and continuing achievements of our colleague Jim Lipton. Outstanding younger actor 10 The quality of their contributions is mirrored in that of all our in a drama Series nominees being recognized tonight. In order to make the ceremony possible, we are grateful to our telecast partner CBS, Outstanding Lead actress 10 our colleagues at the Academy of Television Arts & Sciences, in a drama Series and to all our sponsors for making the 34th Annual Daytime Entertainment Emmy Awards a memorable event. -
Vol LIV, Issue 4
page 2 the paper november 6, 2019 Construction pg. 3 Clown Movies pg. 9 Worst Book Ever pg. 15 Features & Lists pg. 20 Wax pg. 22 the paper “Favorite middle school dance song” c/o Office of Student Involvement Editors-in-Chief Fordham University Jack “Replay” Archambault Bronx, NY 10458 Meredith “NUMB” McLaughlin [email protected] Executive Editor http://fupaper.blog/ Gabby “Low” Curran the paper is Fordham’s journal of news, analysis, comment and review. Students from all News Editors years and disciplines get together biweekly to produce a printed version of the paper using Christian “Cupid Shuffle” Decker Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Noah “Poker Face” Kotlarek Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Opinions Editors ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Liv “In Da Club” Langenberg students are always considered and usually published. Our staff is more than willing to help Angelina “Bring Me to Life” Zervos new writers develop their own unique voices and figure out how to most effectively convey their thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Arts Editors have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Katelynn “Na Na Na (Na Na Na Na Na Na Na Na Na)” Browne the article, work on edits with us, and then get published! We are happy to work with anyone Ashley “TiK ToK” Wright who is interested, so if you have any questions, comments or concerns please shoot us an e- Earwax Editor mail or come to our next meeting. -
Viewing Wars
Viewing Wars: Action Heroes and Canadian Mothers Concerns about Violent Television for Boys 3-6 Stephen Kline Media Analysis Laboratory Simon Fraser University Canada (draft June 2, 1999) Much of the growing interest in the analysis of audiences is written against the previous effects approach to understanding mass media. These models primarily theorized the influence of mass media rather narrowly as the flow of a dominant meaning from TV (stimulus) to audiences (respondents) and subsumed the idea that ‘reception’ could best be understood as the ’assimilation and storage of that meaning’. Since the late 1970’s however, challenged by a new theorizing of separate encoding and decoding processes (Hall’s 1980), communications studies has become aware of the fragmentation of mass media audiences and the active assimilation of media content (Morley 1986, Schroder 1994). This has inspired greater interest in viewers motivations and choices underlying viewing, and the reception processes have become the focal point for an audience centred study of communication and media culture (Livingstone 1998). There is a growing interest in applying this approach to children’s relationship to media (Livingstone 1999). In this regard, the work of the Himmelweit project using cross national comparative research on children and youth audiences is providing an empirical basis for a broad and subtle understanding of the global problem of children and media. Yet in the light of research that shows young audiences often make diverse, unexpected and even aberrant readings of their media, there is a growing need to better theorize the ‘diversity’ in young peoples media use and audiences (David Buckingham 1993, 1997). -
A Family Christmas Devotional
A FAMILY CHRISTMAS DEVOTIONAL 1 A devotional focused on the events of 2020 2 What a year … While it probably seems a little cliche at this point, we recognize that 2020 has been a year unlike any in recent memory. From a global pandemic, to civic unrest, to an extremely contentious election season, it has often seemed like Hell must be throwing everything at us (including the kitchen sink). We are all worn and weary, and in need of some rest and hope. Unfortunately, the holidays are often anything but restful, aren’t they? If anything, the days are filled with nonstop to-do’s, activities, more stress, and the rush to “fit everything in.” For many of us, it can feel like we’re just barely making it to New Year’s alive. And in the midst of the frenzy and stress, we often miss what this season is truly all about. Does the true meaning of Christmas even matter anymore? Are we just running around all month for silly, old-fashioned traditions? Most of us probably know that all of this began with a story in the Bible, but how do we know we can even trust that anymore? And if we can’t trust it, then why are we adding more stress and busyness at the end of a long, stressful year? If you’ve ever wondered in your own spirit if all of this really matters, don’t worry; you’re not alone! All of the questions are understandable – especially this year – but especially because of how stressful this year has been, we want to help point you and your loved ones back to the true meaning of Christmas. -
Formerdean Benedict After Loi~G Llness
Second Pfobation... ... 1-nVacation VOLUME09, NO.10, PHILLIPS ACADEMY, ANDOVER, MASSACHUSETTS 14NOVIEMBER 14. 1974, ~Alumni Banquet Will Honor FormerDean Benedict_ -.Six. Retiring Faculty Me bers .Dies After Loi~g llness The New England Andover faculty members; H admaster an By CHARLES ELSON direldor of the Harvard Alumni Alumni Association will hold its Mrs. Theodore Sizer; Mr. and Mrs' G. Grenville Benedict, who Association and from 1926 to'1930 annual dinner meeting on Thurs- Fred Harrison; Vict r Henningsen served as Phillips Academy's Dean was an assistant dean in charge of day, 'Nd~ember 21, to honor six III,, Mr. and Mrs. Rc bert Hulburd; of Students for twenyfu er recolrds at Harvard. faculty members whowill retire in Mr. and Mrs. Pe e McKee; Mr. de MoayiRheIsn When asked of his feelinks. June. The dinner will be held at 7:00 and Mrs. Richard heahan; Mr. Hospital after a long illness. He. aboiit Mr. Benedict, William F. pmn at the Harvard Club in Boston. and Mrs.- Frederic Stott and Miss C. was buried in the PA lemetary on Graham, Associate Dean of the RIethrink Faculty Jane sullivan. Wdedyatron cdm ad H-a ey The retiring faculty m~embers Wensa feno.Aaem ad H.wsavr include:-In- Sellars Physical Education Re qius ~~~~~~~~~~~InPebruary of 1933 he came to kind, thoughtful person whose first -structor Franik DiClemente; English OfAndover as an English. teacher, and feelings were toward Phillips InstructorsN. JosephPositio R. W. Dodge, The ~~~~~~~~~tenyears later was named Dean of Academy. He gave much advice to Ppnroseand j-Iart D I~~~~~~~~~~~ Students a post he held until his people and was a champion of the Hal~~~~~~~~~owe~~~~~~~~lTop~~~~~~~~~~~retiretnt in 17. -
Download: Wfm 1991-04 Access.Pdf
.._,I t-- -- - ____. HERITAG~ROMISE W~c#~o/~~,-~~~ ~ Vol. 3 7 No. 4 April 1991 This special issue of Wake Forest University Magazine is dedicated with appreciation to Jeanne P. Whitman. Contributing writers: Kerry M. King, Adele LaBrecque, Cherin C. Poovey, Bernie Quigley, and Jeanne P. Whitman. Contributing photographers: Susan Mullally Clark, Julie Knight, and Grigg Studio. Typography: Rachel Lowry. Mechanical design: Lisa Kennedy. Production supervision: Teresa B. Grogan. Printing: Fisher-Harrison Corp. WAKE FOREST UNIVERSITY MAGA ZINE (USPS 664-520, ISSN 0279-3946) is published five times a year in Sep tember, November, February, April and July by Wake Forese Universiry. Second class postage paid ac Winscon-Salem, C, and additional mailing offices. Please send letters co the edicor and alumni news co WAKE FOREST UNIVERSITY MAGAZINE, 7205 Rey nolda Station, Winston-Salem, C 27109. POSTMASTER: Send address changes co the WAKE FOREST MAGA ZINE, 7227 Re ynolda Station, Winscon- alem, C 27109. ~ ¥~ ~ te~ ~to- aff~ ~ fYde iJ%teM. @if .MJZ.W o/~ and ~~ ta /te4£' i?v de edt - od/ and~/ /te4,-f and n&f/. ~ ~ ~ o/rf)f/de iff~~~~ 7/Ubt& de ~yo/~ and~~.· ~ ~~ pt fYde @%;-~ tudfjv~ o/ ~ o/cwt tejueae~ ~. ~t eduw-~ ~ ~de~t?vaffo/~. ~~~aff~ ~ ~ ~ cldicaM tfei,t ~ to- de .iju;td o/~ ~. 1 These remarks were delivered informally He looks back at them, and, think and without a 'text. They were meant ing partly about himself, he says about to be listened to rather than read. So these boys , " I hope that when they please do not expect a formal essay. It grow up, when they become men, they is really just a talk to friends who think will receive an education. -
Emmy Nominated Actor Dan Gauthier Opens Acting Studio in the Coachella
EMMY NOMINATED ACTOR DAN GAUTHIER OPENS ACTING STUDIO IN THE COACHELLA VALLEY COACHELLA VALLEY Ca, Aug 1, 2018 /PRNewswire/-- Dan Gauthier and his wife actress/musician Lisa Fuller are opening an acting studio for adults and children starting at 8 years old and up. The classes include acting for film and television, improve and scene study as well as a separate commercial workshop. The studio will also provide taped auditions for actors. Dan has been an actor for over 30 years and is enthusiastic about bringing his expertise to this area. “I have thought about starting a class for quite some time and am finally going to provide the class I always wish I could have attended.” Dans numerous credits allow him an unprecedented insight into acting and the entire business. In 2007 he received an Emmy nomination for the role of Kevin Buchanan on One Life to Live (ABC) during an eight year run (over 500 episodes). He played Lt. Johnny McKay on the critically acclaimed television show Tour of Duty (CBS) followed by lead roles in over a dozen television pilots as well more than 100 guest spots on shows such as Friends, Star Trek: Next Generation, Melrose Place, Beverly Hills 90210, Ellen and Will and Grace. Dan has also appeared in dozens of national commercial campaigns including Old Spice and an international Levis ad which both received CLIO Awards. Lisa Fuller met Dan in 1987 on the film Teen Witch. Lisa appeared in a contract role on General Hospital, had numerous recurring roles most notably, Fresh Prince of Bel Air, Head of the Class and many guest spots on shows such as 21 Jump Street, and Doogie Howser M.D. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No.