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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
The Tree of LIFE
The Tree of LIFE ~ 2 ~ ~ 3 ~ ~ 4 ~ Trees of Life. From the highest antiquity trees were connected with the gods and mystical forces in nature. Every nation had its sacred tree, with its peculiar characteristics and attributes based on natural, and also occasionally on occult properties, as expounded in the esoteric teachings. Thus the peepul or Âshvattha of India, the abode of Pitris (elementals in fact) of a lower order, became the Bo-tree or ficus religiosa of the Buddhists the world over, since Gautama Buddha reached the highest knowledge and Nirvâna under such a tree. The ash tree, Yggdrasil, is the world-tree of the Norsemen or Scandinavians. The banyan tree is the symbol of spirit and matter, descending to the earth, striking root, and then re-ascending heavenward again. The triple- leaved palâsa is a symbol of the triple essence in the Universe - Spirit, Soul, Matter. The dark cypress was the world-tree of Mexico, and is now with the Christians and Mahomedans the emblem of death, of peace and rest. The fir was held sacred in Egypt, and its cone was carried in religious processions, though now it has almost disappeared from the land of the mummies; so also was the sycamore, the tamarisk, the palm and the vine. The sycamore was the Tree of Life in Egypt, and also in Assyria. It was sacred to Hathor at Heliopolis; and is now sacred in the same place to the Virgin Mary. Its juice was precious by virtue of its occult powers, as the Soma is with Brahmans, and Haoma with the Parsis. -
January 1916) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1916 Volume 34, Number 01 (January 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 01 (January 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/620 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. _ 1 f THE ETUDE THE EMERSON AUTOMATIC CONTENTS JANUARY, 1916 r*™ The supreme goal of the Player Piano—perfect reproduction of hand-playing — is realized in the Emerson Automatic, the newest, most artistic and human of Player Pianos. In the Automatic one receives the impression of accomplished hands playing the keys. “Mechanical touch” has disappeared. It reproduces the interpreta¬ tions of the great artists as they themselves played that particular music. A new and wonderful invention The AccompanO enables one to regulate and phrase the music from a distance. As shown in the illustration, the singer is playing her own accompaniment. With very little practice the accompaniment can be played in this manner with far better effects than if played by hand. -
Graduate Recital Final Draft
Oh the Horror of Song! Louis Tiemann, baritone Sung-Soo Cho, piano Bard Conservatory of Music Sunday, May 9th 2021, 3pm Graduate Degree Recital Murderous Bookends The Peculiar Case of Dr. H.H. Holmes (2010) Libby Larsen (b.1950) I. I state my case II. As a young man III. I build my business (a polka) IV. Thirteen ladies and three who got away (grand waltz macabre) V. Evidence Requiescat A Kingdom by the Sea (1901) Arthur Somervell (1863-1937) The clock of the years Gerald Finzi (1901-1956) from Earth and Air and Rain (1936) The choirmaster’s burial Benjamin Britten (1913-1976) from Winter Words (1956) short 10min pause Die Volksgeschichten Waldesgespräch Robert Schumann (1810-1856) from Liederkreis, Op. 39 (1840) Der Feuerreiter Hugo Wolf (1860-1903) from Mörikelieder (1888) Der Erlkönig Carl Loewe (1796-1869) from Drei Balladen (1817) Der Doppelgänger Franz Schubert (1797-1828) from Schwanengesang (1828) Horreur La vague et la cloche (1871) Henri Duparc (1848-1933) Danse macabre (1872) Camille Saint-Saëns (1835-1921) Murderous Bookends After Hearing a Waltz by Bartók (2013) Zachary Wadsworth (b.1983) Oh the Horror of Song! When I was a child, I was deeply afraid of the dark. So much so that I refused to sleep in my own room, opting instead to sleep in the living room, always with a light or the TV on. One day during my undergraduate studies I decided that I was going to overcome my fears. One night, when I was alone in my dorm, I turned off all of the lights, ordered a pizza, and put on the scariest movie I could think of at that time: The Evil Dead. -
Sources of Mythology: National and International
INTERNATIONAL ASSOCIATION FOR COMPARATIVE MYTHOLOGY & EBERHARD KARLS UNIVERSITY, TÜBINGEN SEVENTH ANNUAL INTERNATIONAL CONFERENCE ON COMPARATIVE MYTHOLOGY SOURCES OF MYTHOLOGY: NATIONAL AND INTERNATIONAL MYTHS PROGRAM AND ABSTRACTS May 15-17, 2013 Eberhard Karls University, Tübingen, Germany Conference Venue: Alte Aula Münzgasse 30 72070, Tübingen PROGRAM WEDNESDAY, MAY 15 08:45 – 09:20 PARTICIPANTS REGISTRATION 09:20 – 09:40 OPENING ADDRESSES KLAUS ANTONI Eberhard Karls University, Tübingen, Germany JÜRGEN LEONHARDT Dean, Faculty of Humanities, Eberhard Karls University, Tübingen, Germany 09:40 – 10:30 KEYNOTE LECTURE MICHAEL WITZEL Harvard University, USA MARCHING EAST, WITH A DETOUR: THE CASES OF JIMMU, VIDEGHA MATHAVA, AND MOSES WEDNESDAY MORNING SESSION CHAIR: BORIS OGUIBÉNINE GENERAL COMPARATIVE MYTHOLOGY AND METHODOLOGY 10:30 – 11:00 YURI BEREZKIN Museum of Anthropology and Ethnography, Saint Petersburg, Russia UNNOTICED EURASIAN BORROWINGS IN PERUVIAN FOLKLORE 11:00 – 11:30 EMILY LYLE University of Edinburgh, UK THE CORRESPONDENCES BETWEEN INDO-EUROPEAN AND CHINESE COSMOLOGIES WHEN THE INDO-EUROPEAN SCHEME (UNLIKE THE CHINESE ONE) IS SEEN AS PRIVILEGING DARKNESS OVER LIGHT 11:30 – 12:00 Coffee Break 12:00 – 12:30 PÁDRAIG MAC CARRON RALPH KENNA Coventry University, UK SOCIAL-NETWORK ANALYSIS OF MYTHOLOGICAL NARRATIVES 2 NATIONAL MYTHS: NEAR EAST 12:30 – 13:00 VLADIMIR V. EMELIANOV St. Petersburg State University, Russia FOUR STORIES OF THE FLOOD IN SUMERIAN LITERARY TRADITION 13:00 – 14:30 Lunch Break WEDNESDAY AFTERNOON SESSION CHAIR: YURI BEREZKIN NATIONAL MYTHS: HUNGARY AND ROMANIA 14:30 – 15:00 ANA R. CHELARIU New Jersey, USA METAPHORS AND THE DEVELOPMENT OF MYTHICAL LANGUAGE - WITH EXAMPLES FROM ROMANIAN MYTHOLOGY 15:00 – 15:30 SAROLTA TATÁR Peter Pazmany Catholic University of Hungary A PECHENEG LEGEND FROM HUNGARY 15:30 – 16:00 MARIA MAGDOLNA TATÁR Oslo, Norway THE MAGIC COACHMAN IN HUNGARIAN TRADITION 16:00 – 16:30 Coffee Break NATIONAL MYTHS: AUSTRONESIA 16:30 – 17:00 MARIA V. -
Fiestas and Fervor: Religious Life and Catholic Enlightenment in the Diocese of Barcelona, 1766-1775
FIESTAS AND FERVOR: RELIGIOUS LIFE AND CATHOLIC ENLIGHTENMENT IN THE DIOCESE OF BARCELONA, 1766-1775 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Andrea J. Smidt, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Dale K. Van Kley, Adviser Professor N. Geoffrey Parker Professor Kenneth J. Andrien ____________________ Adviser History Graduate Program ABSTRACT The Enlightenment, or the "Age of Reason," had a profound impact on eighteenth-century Europe, especially on its religion, producing both outright atheism and powerful movements of religious reform within the Church. The former—culminating in the French Revolution—has attracted many scholars; the latter has been relatively neglected. By looking at "enlightened" attempts to reform popular religious practices in Spain, my project examines the religious fervor of people whose story usually escapes historical attention. "Fiestas and Fervor" reveals the capacity of the Enlightenment to reform the Catholicism of ordinary Spaniards, examining how enlightened or Reform Catholicism affected popular piety in the diocese of Barcelona. This study focuses on the efforts of an exceptional figure of Reform Catholicism and Enlightenment Spain—Josep Climent i Avinent, Bishop of Barcelona from 1766- 1775. The program of “Enlightenment” as sponsored by the Spanish monarchy was one that did not question the Catholic faith and that championed economic progress and the advancement of the sciences, primarily benefiting the elite of Spanish society. In this context, Climent is noteworthy not only because his idea of “Catholic Enlightenment” opposed that sponsored by the Spanish monarchy but also because his was one that implicitly condemned the present hierarchy of the Catholic Church and explicitly ii advocated popular enlightenment and the creation of a more independent “public sphere” in Spain by means of increased literacy and education of the masses. -
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Distressing Damsels: Sir Gawain and the Green Knight As a Loathly Lady Tale
Distressing Damsels: Sir Gawain and the Green Knight as a Loathly Lady Tale By Lauren Chochinov A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg, Manitoba Copyright © 2010 by Lauren Chochinov i Abstract At the end of Sir Gawain and the Green Knight, when Bertilak de Hautdesert reveals Morgan le Fay’s involvement in Gawain’s quest, the Pearl Poet introduces a difficult problem for scholars and students of the text. Morgan appears out of nowhere, and it is difficult to understand the poet’s intentions for including her so late in his narrative. The premise for this thesis is that the loathly lady motif helps explain Morgan’s appearance and Gawain’s symbolic importance in the poem. Through a study of the loathly lady motif, I argue it is possible that the Pearl Poet was using certain aspects of the motif to inform his story. Chapter one of this thesis will focus on the origins of the loathly lady motif and the literary origins of Morgan le Fay. In order to understand the connotations of the loathly lady stories, it is important to study both the Irish tales and the later English versions of the motif. My study of Morgan will trace her beginnings as a pagan healer goddess to her later variations in French and Middle English literature. The second chapter will discuss the influential women in Sir Gawain and the Green Knight and their specific importance to the text. -
The World-Ash Wonder Tree
by Frater Apollonius 4°=7□ ATAT The World-Ash Wonder Tree My adepts stand upright; their head above the heavens, their feet below the hells. —Liber XC:40 Do what thou wilt shall be the whole of the Law. The „axis mundi‟ is a geographic and mathematical symbol used by Hermeticists to represent the center of the world where the heavens connect with the earth; „as above, so below‟. It is represented in the Gnostic Mass by the Rod that the Priest holds. Yet it also represents an anatomical trinity representing the birthing process. As a feminine symbol, it is represented by the umbilical chord that connects the child to the womb; as a masculine symbol, it is represented by the phallus and as a unisex symbol, it represented by the navel—the sacred omphalos. As the Tree-of-Life is presented as the connecting link between humanity and that which we call divine, the „World Tree‟ is represented in several religions and mythological systems as the tree that supports the heavens and is yet rooted in the Earth. This of course includes the „underworld‟ that for us today, is the Astral Plane. The Tree-of-Life then, is an archetypal map of our Astral Bodies. As an evolving symbol, it has had its own ontological development in Western culture. The tree reaches from the underworld to the sensory and material world, on into the starry sky. It is this same tree represented in the Book of Revelation: 22:1And he showed me a river of water of life, bright as crystal, proceeding out of the throne of God and of the Lamb, 22:2in the midst of the street thereof. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Forest and Tree Symbolism in Folklore
Forest and tree symbolism in folklore J. Crews Judith Crews, Ph.D., is a specialist in comparative literature and languages and is currently working as a consultant to FAO, Rome. Symbolic meanings acquired by trees and forests through centuries of human existence remain in language, lore and culture Trees and forests, probably because of their great size and sometimes longevity, vividly affected the imagination of preliterate societies. They were alive like human beings and animals, but did not move from place to place; like mountains and stones they seemed immobile, but at the same time could change and sway. Dense forests may have seemed mysterious. Even lone trees, particularly in a barren spot, may have appeared miraculous if they provided food for a starving wanderer. Trees were seen and touched by the earliest humans; utilized for food, fuel, shelter, clothing, fences and barriers, lances and spears; and burned, cut or transformed into numerous objects. Their shadows provided cover, camouflage and hiding places for persons on either side of the law. Over time, forests and individual species of trees have come to represent different concepts in the imaginations of populations living in various geographical locations. Whether trees were numerous or scarce in a given locality influenced how they were perceived and dealt with in legends, mythologies and cultures. This article touches on some of the symbolic meanings acquired by trees and forests through the centuries of human existence. It is intended as a general exploration of a vast subject – a toe in the water, or more aptly, sending out roots – and does not pretend to be comprehensive, historically or geographically. -
The Theme of the Tree of Life
CHAPTER EIGHT THE THEME OF THE TREE OF LIFE In the pursuit of this inquiry it has become apparent that we are dealing with the interplay and interaction of recurrent closely related motifs and imagery integrated in and around the Tree of Life as the common cult-object having many ramifications and numerous modes of expression. Some of the available data are subsidiary to the main theme and its symbolism, but, nevertheless, being either de rivative or supplementary they have their place and function in the in vestigation, directly or indirectly throwing light on the dominant theme and its motifs. THE SACREDNESS OF THE TREE OF LIFE In the first instance the sacredness of trees arises from their being regarded as the embodiment of the life principle and the bearers of supra-mundane power manifest especially in the regeneration of vegetation, the seasonal sequence celestial phenomena and potencies (e.g. cloud, rain, the sun, moon and stars), and in association with mountains, stones, plants and trees regarded as the abode of a god, spirit, or inherent sacredness rendering it transcendentally unap proachable and tabu, or an object of veneration and worship as the embodiment of supernatural power and cosmic potentialities, equated sometimes with the creative principle in the universe, variously per sonified and symbolized as the World-Tree, like the Scandinavian Yggdrasil, or as a primeval pair of deities, the Earth and the Sky, as by the Egyptians and the Greeks, while in Mesopotamia the Cosmic Tree was brought into relation with the primal waters as the source of all life.