Sources of Mythology: National and International
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Universal Mythology: Stories
Universal Mythology: Stories That Circle The World Lydia L. This installation is about mythology and the commonalities that occur between cultures across the world. According to folklorist Alan Dundes, myths are sacred narratives that explain the evolution of the world and humanity. He defines the sacred narratives as “a story that serves to define the fundamental worldview of a culture by explaining aspects of the natural world, and delineating the psychological and social practices and ideals of a society.” Stories explain how and why the world works and I want to understand the connections in these distant mythologies by exploring their existence and theories that surround them. This painting illustrates the connection between separate cultures through their polytheistic mythologies. It features twelve deities, each from a different mythology/religion. By including these gods, I have allowed for a diversified group of cultures while highlighting characters whose traits consistently appear in many mythologies. It has the Celtic supreme god, Dagda; the Norse trickster god, Loki; the Japanese moon god, Tsukuyomi; the Aztec sun god, Huitzilopochtli; the Incan nature goddess, Pachamama; the Egyptian water goddess, Tefnut; the Polynesian fire goddess, Mahuika; the Inuit hunting goddess, Arnakuagsak; the Greek fate goddesses, the Moirai: Clotho, Lachesis, and Atropos; the Yoruba love goddess, Oshun; the Chinese war god, Chiyou; and the Hindu death god, Yama. The painting was made with acrylic paint on mirror. Connection is an important element in my art, and I incorporate this by using the mirror to bring the audience into the piece, allowing them to see their reflection within the parting of the clouds, whilst viewing the piece. -
Chapter 3 Quiz What Lead to Joseph Campbell's Interest in Comparative
Chapter 3 Quiz What lead to Joseph Campbell's interest in comparative mythology? When Campbell was a child, he became fascinated with Native American Culture. This led him to a lifelong passion for myth and storytelling. When Campbell was studying maths and biology, he recognized that he is inclined towards humanities. Soon he became an English literature student at Columbia University. Campbell was interested in knowledge above all else. In 1924 Campbell traveled to Europe with his family. On the ship during his return trip, he encountered the Messiah elect of the Theosophical Society, Jiddu Krishnamurti. They discussed Indian philosophy which leads to Campbell’s interest in Hindu and Indian philosophy. Campbell studied Old French, Provencal and Sanskrit at the University of Paris and the University of Munich in Germany. He learned to read and speak French and German. When Campbell did not have any work after his graduation (in depression era), he used to read nine hours a day for five years. He soon discovered the works of Carl Jung who is the founder of analytical psychology. Campbell could recognize recurring patterns of all the stories he had read, from Carl Jung’s work. This must have encouraged Joseph Campbell in comparative mythology. How did Joseph Campbell become the world's foremost scholar on mythology? How did the Great Depression benefit his education? Joseph Campbell received BA in English literature and MA in Medieval literature from Columbia University. Campbell also received a fellowship from Columbia University to study in Europe. He studied Old French, Provencal and Sanskrit at the University of Paris and the University of Munich in Germany. -
ON the GODS of GREECE, ITALY, and INDIA Phiroze Vasunia a New Form of Cultural Cosmopolitanism
NATIONALISM AND COSMOPOLITANISM: ON THE GODS OF GREECE, ITALY, AND INDIA Phiroze Vasunia A new form of cultural cosmopolitanism arose in Europe, in the second half of the eighteenth century, partly as a consequence of the Enlightenment and partly as the result of an increased colonial presence in Asia. One of its most illustrious and influential exponents was William Jones, the linguist, translator, and judge for the East India Company in Calcutta. His lecture ‘On the Gods of Greece, Italy, and India’, written in 1784 and subsequently revised, offers a perspective on myth that is supple, flexible, and wide-ranging. It appeared some time before his famous statement about the kinship of languages, in the Third Anniversary Discourse of February 1786, and anticipates some of the conclusions at which he arrived later still. In fact, Jones’ writings in the months and years before the celebrated discourse of 1786, are already pointing to connections and syntheses across cultures; they offer a conception of mythological and religious contact that is startling in its openness and far removed from the parochialism of numerous contemporaries. Jones’ work demonstrates that a cosmopolitan and transnational recuperation of the ancient narratives exists alongside national or nationalist readings of myth. The emergence of the nation state in the eighteenth century gave a new urgency to the idea and the actuality of the nation and, thus, also an important new context to the relationship between nation and myth. The Founding Fathers and other colonial Americans argued vehemently about the meaning of the story of Aeneas and the establishment of Rome. -
The Tree of LIFE
The Tree of LIFE ~ 2 ~ ~ 3 ~ ~ 4 ~ Trees of Life. From the highest antiquity trees were connected with the gods and mystical forces in nature. Every nation had its sacred tree, with its peculiar characteristics and attributes based on natural, and also occasionally on occult properties, as expounded in the esoteric teachings. Thus the peepul or Âshvattha of India, the abode of Pitris (elementals in fact) of a lower order, became the Bo-tree or ficus religiosa of the Buddhists the world over, since Gautama Buddha reached the highest knowledge and Nirvâna under such a tree. The ash tree, Yggdrasil, is the world-tree of the Norsemen or Scandinavians. The banyan tree is the symbol of spirit and matter, descending to the earth, striking root, and then re-ascending heavenward again. The triple- leaved palâsa is a symbol of the triple essence in the Universe - Spirit, Soul, Matter. The dark cypress was the world-tree of Mexico, and is now with the Christians and Mahomedans the emblem of death, of peace and rest. The fir was held sacred in Egypt, and its cone was carried in religious processions, though now it has almost disappeared from the land of the mummies; so also was the sycamore, the tamarisk, the palm and the vine. The sycamore was the Tree of Life in Egypt, and also in Assyria. It was sacred to Hathor at Heliopolis; and is now sacred in the same place to the Virgin Mary. Its juice was precious by virtue of its occult powers, as the Soma is with Brahmans, and Haoma with the Parsis. -
On Program and Abstracts
INTERNATIONAL ASSOCIATION FOR COMPARATIVE MYTHOLOGY & MASARYK UNIVERSITY, BRNO, CZECH REPUBLIC TENTH ANNUAL INTERNATIONAL CONFERENCE ON COMPARATIVE MYTHOLOGY TIME AND MYTH: THE TEMPORAL AND THE ETERNAL PROGRAM AND ABSTRACTS May 26-28, 2016 Masaryk University Brno, Czech Republic Conference Venue: Filozofická Fakulta Masarykovy University Arne Nováka 1, 60200 Brno PROGRAM THURSDAY, MAY 26 08:30 – 09:00 PARTICIPANTS REGISTRATION 09:00 – 09:30 OPENING ADDRESSES VÁCLAV BLAŽEK Masaryk University, Brno, Czech Republic MICHAEL WITZEL Harvard University, USA; IACM THURSDAY MORNING SESSION: MYTHOLOGY OF TIME AND CALENDAR CHAIR: VÁCLAV BLAŽEK 09:30 –10:00 YURI BEREZKIN Museum of Anthropology and Ethnography & European University, St. Petersburg, Russia OLD WOMAN OF THE WINTER AND OTHER STORIES: NEOLITHIC SURVIVALS? 10:00 – 10:30 WIM VAN BINSBERGEN African Studies Centre, Leiden, the Netherlands 'FORTUNATELY HE HAD STEPPED ASIDE JUST IN TIME' 10:30 – 11:00 LOUISE MILNE University of Edinburgh, UK THE TIME OF THE DREAM IN MYTHIC THOUGHT AND CULTURE 11:00 – 11:30 Coffee Break 11:30 – 12:00 GÖSTA GABRIEL Georg-August-Universität Göttingen, Germany THE RHYTHM OF HISTORY – APPROACHING THE TEMPORAL CONCEPT OF THE MYTHO-HISTORIOGRAPHIC SUMERIAN KING LIST 2 12:00 – 12:30 VLADIMIR V. EMELIANOV St. Petersburg State University, Russia CULTIC CALENDAR AND PSYCHOLOGY OF TIME: ELEMENTS OF COMMON SEMANTICS IN EXPLANATORY AND ASTROLOGICAL TEXTS OF ANCIENT MESOPOTAMIA 12:30 – 13:00 ATTILA MÁTÉFFY Hacettepe University, Ankara, Turkey & Georg-August-Universität Göttingen, -
Read and History of Eurasia
INTERNATIONAL ASSOCIATION FOR COMPARATIVE MYTHOLOGY & CENTER OF EXCELLENCE IN ESTONIAN STUDIES THIRTEENTH ANNUAL INTERNATIONAL CONFERENCE ON COMPARATIVE MYTHOLOGY MYTHOLOGY OF METAMORPHOSES: COMPARATIVE & THEORETICAL PERSPECTIVES PROGRAM AND ABSTRACTS June 10-14, 2019 Estonian Literary Museum Vanemuise 42, 51003, Tartu, Estonia ELM Scholarly Press Tartu, Estonia Editor: Nataliya Yanchevskaya Layout: Nataliya Yanchevskaya, Diana Kahre Cover: Andres Kuperjanov, Nataliya Yanchevskaya International committee: Yury Berezkin, Mare Kõiva, Kazuo Matsumura, Michael Witzel, Nataliya Yanchevskaya Local committee: Karl Jaago, Tõnno Jonuks, Mare Kõiva, Anne Ostrak, Piret Voolaid http://www.compmyth.org/ https://www.folklore.ee/rl/fo/konve/2019/mytholog/ Supported by the International Association for Comparative Mythology (IACM), Estonian Cultural Foundation, Estonian Literary Museum, the Centre of Excellence in Estonian Studies (CEES, European Regional Development Fund), ASTRA (EKMDHUM, European Regional Development Fund), and is related to research projects IRG 22-5 (Estonian Research Council). ISBN 978-9949-677-16-0 (print) ISBN 978-9949-677-17-7 (pdf) © Estonian Literary Museum © IACM © Authors © Andres Kuperjanov, Nataliya Yanchevskaya 2 Mythology of Metamorphoses: Comparative & Theoretical Perspectives The 13th Annual International Conference on Comparative Mythology of the International Association for Comparative Mythology & The 8th Annual Conference of the Center of Excellence in Estonian Studies June 10-14, 2019, Estonian Literary Museum, Tartu, Estonia Creative development of mythologies has been part of the human culture since time immemorial. Myths explain the origin of humans and other beings, the Earth and the Sky, and the world as a whole. Mythological reality is fluid and is subject to metamorphosis. Mythological characters shift their shape; human and supernatural beings undergo all kinds of transitions; the world and myth are constantly changing. -
The World-Ash Wonder Tree
by Frater Apollonius 4°=7□ ATAT The World-Ash Wonder Tree My adepts stand upright; their head above the heavens, their feet below the hells. —Liber XC:40 Do what thou wilt shall be the whole of the Law. The „axis mundi‟ is a geographic and mathematical symbol used by Hermeticists to represent the center of the world where the heavens connect with the earth; „as above, so below‟. It is represented in the Gnostic Mass by the Rod that the Priest holds. Yet it also represents an anatomical trinity representing the birthing process. As a feminine symbol, it is represented by the umbilical chord that connects the child to the womb; as a masculine symbol, it is represented by the phallus and as a unisex symbol, it represented by the navel—the sacred omphalos. As the Tree-of-Life is presented as the connecting link between humanity and that which we call divine, the „World Tree‟ is represented in several religions and mythological systems as the tree that supports the heavens and is yet rooted in the Earth. This of course includes the „underworld‟ that for us today, is the Astral Plane. The Tree-of-Life then, is an archetypal map of our Astral Bodies. As an evolving symbol, it has had its own ontological development in Western culture. The tree reaches from the underworld to the sensory and material world, on into the starry sky. It is this same tree represented in the Book of Revelation: 22:1And he showed me a river of water of life, bright as crystal, proceeding out of the throne of God and of the Lamb, 22:2in the midst of the street thereof. -
Mythology Grades 9-12 Ewing Public Schools 2099
MYTHOLOGY GRADES 9-12 EWING PUBLIC SCHOOLS 2099 Pennington Road Ewing, NJ 08618 Board Approval Date: TBD Michael Nitti Produced by: Kelly Kawalek, Supervisor Superintendent In accordance with The Ewing Public Schools’ Policy 2230, Course Guides, this curriculum has been reviewed and found to be in compliance with all policies and all affirmative action criteria. Table of Contents Page Unit 1: Mythic Meaning, Structure and Creation 1 Unit 2: The Classical Tradition as a Reflection of Society 5 Unit 3: The Hero’s Journey 9 Unit 4: Epic Literature 13 Unit 5: Comparative Mythology 17 Unit 6: Mythology Applied: The Art of Allusion 22 1 Unit 1: Mythic Meaning, Structure and Creation (Pacing – 8 Days) Why Is This Unit Important? This unit will introduce students to the structure and purpose of myths in society. As students become familiar with the enduring patterns and motifs found in mythology, they will gain a greater appreciation for the continuity and tradition of our literary heritage as a reflection of the collective experiences of humankind to make meaning and explain the world around us. In essence, mythologies are stories told to explain things that people have questioned. For instance, every culture has a myth that explains the creation of the earth and the universe. Myths help people to understand the things that they may not be able to explain. In modern society, many scientific explanations of natural phenomena are tried and tested. However, the myths of the past still ring true for many of the cultures who believe in them, especially those myths which tell of the universe and function still as a basis for religion. -
CS Lewis and the True Myth: a Reconciliation of Theology
LIBERTY UNIVERSITY SCHOOL OF DIVINITY C.S. Lewis and the True Myth: A Reconciliation of Theology, Philosophy, and Mythology A Thesis Submitted to the Faculty of the School of Divinity in Candidacy for the Degree of Master of Divinity School of Divinity By Courage Lowrance August 21, 2018 Abstract C.S. Lewis was both a student of pagan philosophy and mythology and a Christian. He never was divided between these two pursuits in his life, though he gave the latter its proper priority. What allowed Lewis to keep this balance was his idea of the gospel as the True Myth, an idea that helped lead to his conversion and remained at the core of his thinking throughout his life. By this idea of True Myth, Lewis was able to not only unite the pagan myths to Christian truth, but also the rest of human thought as well. Thus, in order to understand the nature of this key idea in Lewis’s thinking, this paper outlines what Lewis thought of mythology in general as a human phenomenon that bears explaining. The way in which Lewis saw mythology is analyzed in the first chapter according to the categories of the nature, the origin, and the function of mythology. In the second chapter, Lewis’s thoughts concerning the idea of the True Myth itself are considered. That various dichotomies of thought were united in Lewis’s mind by receiving this new idea is demonstrated. After this, the third chapter shows how Lewis’s thought fits in with historic and Evangelical orthodox Christian theology. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Forest and Tree Symbolism in Folklore
Forest and tree symbolism in folklore J. Crews Judith Crews, Ph.D., is a specialist in comparative literature and languages and is currently working as a consultant to FAO, Rome. Symbolic meanings acquired by trees and forests through centuries of human existence remain in language, lore and culture Trees and forests, probably because of their great size and sometimes longevity, vividly affected the imagination of preliterate societies. They were alive like human beings and animals, but did not move from place to place; like mountains and stones they seemed immobile, but at the same time could change and sway. Dense forests may have seemed mysterious. Even lone trees, particularly in a barren spot, may have appeared miraculous if they provided food for a starving wanderer. Trees were seen and touched by the earliest humans; utilized for food, fuel, shelter, clothing, fences and barriers, lances and spears; and burned, cut or transformed into numerous objects. Their shadows provided cover, camouflage and hiding places for persons on either side of the law. Over time, forests and individual species of trees have come to represent different concepts in the imaginations of populations living in various geographical locations. Whether trees were numerous or scarce in a given locality influenced how they were perceived and dealt with in legends, mythologies and cultures. This article touches on some of the symbolic meanings acquired by trees and forests through the centuries of human existence. It is intended as a general exploration of a vast subject – a toe in the water, or more aptly, sending out roots – and does not pretend to be comprehensive, historically or geographically. -
The Theme of the Tree of Life
CHAPTER EIGHT THE THEME OF THE TREE OF LIFE In the pursuit of this inquiry it has become apparent that we are dealing with the interplay and interaction of recurrent closely related motifs and imagery integrated in and around the Tree of Life as the common cult-object having many ramifications and numerous modes of expression. Some of the available data are subsidiary to the main theme and its symbolism, but, nevertheless, being either de rivative or supplementary they have their place and function in the in vestigation, directly or indirectly throwing light on the dominant theme and its motifs. THE SACREDNESS OF THE TREE OF LIFE In the first instance the sacredness of trees arises from their being regarded as the embodiment of the life principle and the bearers of supra-mundane power manifest especially in the regeneration of vegetation, the seasonal sequence celestial phenomena and potencies (e.g. cloud, rain, the sun, moon and stars), and in association with mountains, stones, plants and trees regarded as the abode of a god, spirit, or inherent sacredness rendering it transcendentally unap proachable and tabu, or an object of veneration and worship as the embodiment of supernatural power and cosmic potentialities, equated sometimes with the creative principle in the universe, variously per sonified and symbolized as the World-Tree, like the Scandinavian Yggdrasil, or as a primeval pair of deities, the Earth and the Sky, as by the Egyptians and the Greeks, while in Mesopotamia the Cosmic Tree was brought into relation with the primal waters as the source of all life.