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The Statesman at 1:45 in the Morning One Day This Past July, Bono, The
New York Times September 18, 2005 The Statesman By JAMES TRAUB At 1:45 in the morning one day this past July, Bono, the lead singer for U2 and the world's foremost agitator for aid to Africa, was in a van heading back to his hotel in Edinburgh from Murrayfield Stadium; he had just performed in, and expounded at, a concert designed to coincide with the beginning of the summit meeting of the major industrialized nations, held nearby at the Gleneagles resort. Despite the hour, practically everybody in the van was on a cellphone. The bodyguard in the front seat was calling the hotel to see if a huge crowd would still be camped outside hoping to catch a glimpse of their world-straddling hero. (Roger that.) Lucy Matthew, the head of the London office of DATA, Bono's policy and advocacy body - the acronym stands for Debt AIDS Trade Africa - was whispering to some contact in the States. And Bono, who had been conferring 12 hours earlier at Gleneagles with President George Bush, Prime Minister Tony Blair and Chancellor Gerhard Schröder, was sharing an anxiety attack with a friend. The leaders of the G-8, as the group is known, were going to offer far less in aid and trade to developing nations in Africa than the activists had led their followers to expect. Thousands of bright-eyed young recruits to the cause were going to go home in disgust. Bono, normally the most courteous of men, shouted an obscenity in Matthew's general direction, though the intended target was himself, or perhaps fate. -
The Chieftains 3 Album Download MQS Albums Download
the chieftains 3 album download MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) [FLAC 24bit/96kHz] Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) FLAC (tracks) 24-bit/96 kHz | Time – 38:56 minutes | 815 MB | Genre: Rock Studio Master, Official Digital Download | Front Cover | © Legacy Recordings. “Irish Heartbeat”, a collaboration album with Van Morrison, was Van’s first attempt to reconcile his Celtic roots with his blues and soul music. It was also The Chieftains’ first full blown collaboration album. Although there were worries about working with a major rock star, the recording was a success, introducing elements of Van’s unique soul and jazz style singing to traditional songs and music. This was the beginning of an ongoing successful musical relationship between Van and The Chieftains. “Irish Heartbeat” was nominated for a Grammy Award in 1989, and there followed a tour of Europe and the UK. “On their wide musical journeys in the ’80s, the Chieftains decided to collaborate with Van Morrison, who had an artistic peak at the end of the decade. The result was a highlight in both of their ’80s productions: the traditional Irish Heartbeat, with Morrison on lead vocals and a guest appearance from the Mary Black. Morrisonand Moloney’s production puts the vocals up front with a sparse background, sometimes with a backdrop of intertwining strings and flutes, the same way Morrison would later use the Chieftains on his Hymns to the Silence. The arrangement and the artist’s engaged singing leads to a brilliant result, and these Irish classics are made very accessible without being transformed into pop songs. -
14Th - 17Th September 2017 02 03
14th - 17th September 2017 02 03 WELCOME TO THE 10TH SHORELINES ARTS FESTIVAL TO BALLINASLOE / DUBLIN SHORELINES AT A GLANCE This year marks a very special 10th festival for our enduring committee, growing TO LOUGHREA / GALWAY audience and generous patrons and sponsors. As the premier boutique festival 2 Irish Workhouse Centre WEEKEND EVENTS SATURDAY SEPTEMBER 16TH - FAMILY/CHILDREN of the midlands and Lough Derg area, our audience in Portumna and its locality Art Exhibition (from 4th to 24th September) Free p4/5 Workshop: The Brickx Club 10am/12pm p13 embraces our annual programme. Shorelines is a showcase for excellent talent in Portumna Community School Art Exhibition Free p6 Professor Plunger 2pm p13 music, drama, art, film and literature. From a 3-week art exhibition extending to three Portumna Retirement Village 1 Shorelines Megaloceros by Donnacha Cahill Free p7 Face-Painting with Giselle 2pm p13 rooms at the Irish Workhouse Centre, to a pop-up museum on the theme of Lace, 10 Words with Portumna Pen Pushers Free p7 Mojo Creations Origami Demonstration and Workshop 2pm p13 Shorelines celebrates our heritage and invites innovative and new work from a wide Shorelines Pop-Up Museum Free p7 Loughrea Craft Club 2pm p13 TO PORTUMNA BRIDGE array of artists. With 10 Decades, 10 Cubes, the stories of the area are reflected in a BIRR / NENAGH / LIMERICK Book Birds at Shorelines Free p7 Circus Fergus 2pm p13 newly commissioned art piece. This year we are particularly pleased to collaborate Shorelines Number 10s Free p7 S T 3 St Brendan’s National School B R Art Exhibition: St. -
The Chieftains Boil the Breakfast Early Mp3, Flac, Wma
The Chieftains Boil The Breakfast Early mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Boil The Breakfast Early Country: US Style: Folk, Celtic MP3 version RAR size: 1255 mb FLAC version RAR size: 1271 mb WMA version RAR size: 1718 mb Rating: 4.2 Votes: 401 Other Formats: MP2 AHX DXD TTA MP1 APE VOX Tracklist 1 Boil The Breakfast Early 3:56 2 Mrs. Judge 3:43 3 March From Oscar And Malvina 4:16 4 When A Man's In Love 3:40 5 Bealach An Doirín 3:46 6 Ag Taisteal Na Blárnan 3:21 7 Carolan's Welcome 2:53 8 Up Against The Buachalawns 4:04 9 Gol Na Mban San Ár 4:20 Chase Around The Windmil (Medley) (5:01) 10.a Toss The Feathers 10.b Ballinasloe Fair 10.c Cailleach an Airgid 10.d Cuil Aodha Slide 10.e The Pretty Girl Companies, etc. Copyright (c) – CBS Records Inc. Phonographic Copyright (p) – Claddagh Records Ltd. Manufactured By – Columbia Records Recorded At – Windmill Lane Studios Mixed At – Windmill Lane Studios Credits Bagpipes [Uilleann Pipes], Tin Whistle – Paddy Moloney Bodhrán, Vocals – Kevin Conneff Cello – Jolyon Jackson Drums – The Rathcoole Pipe Band Drum Corps* Engineer – Brian Masterson Fiddle – Seán Keane* Fiddle, Bones – Martin Fay Flute, Tin Whistle – Matt Molloy Harp [Neo Irish Harp, Mediaval Harp], Dulcimer [Tiompan] – Derek Bell Liner Notes – Ciarán Mac Mathúna Producer – Paddy Moloney Notes Originally recorded in 1979. Barcode and Other Identifiers Barcode: 0 7464 36401 2 Other (DADC Code): DIPD 071877 Other versions Category Artist Title (Format) Label Category Country Year Boil The Breakfast -
Irish Bands of the 60S & 70S | Sample Answer
Irish Bands of the 60s & 70s | Sample answer Ceoltóiri Cualann was an Irish group formed by Sean O’Riada in 1961. O’Riada had the idea of forming Ceoltóiri Cualann following the success of a group he had put together to perform music for the play “The Song of the Anvil” in 1960. Ceoltóiri Cualann would be a group to play Irish traditional songs with accompaniment and traditional dance tunes and slow airs. All folk music recorded before that time had been highly orchestrated and done in a classical way. Another aim of O’Riada’s was to revitalise the work of harpist and composer Turlough O’Carolan. Ceoltóiri Cualann was launched during a festival in Dublin in 1960 at an event called Recaireacht an Riadaigh and was an immediate success in Dublin. The group mainly played the music of O’Carolan, sean nós style songs and Irish traditional tunes, and O’Riada introduced the bodhrán as a percussion instrument. Ceoltóiri Cualann had ceased playing with any regularity by 1969 but reunited to record “O’Riada” and “O’Riada Sa Gaiety” that year. “O’Riada Sa Gaiety” was not released until after O’Riada’s death in 1971. The members of Ceoltóiri Cualann, some of whom went on to form “The Chieftains” in 1963 were O’Riada (harpsichord and bodhrán), Martin Fay, John Kelly (both fiddle), Paddy Moloney (uilleann pipes), Michael Turbidy (flute), Sonny Brogan, Éamon de Buitléir (both accordian), Ronnie Mc Shane (bones), Peadar Mercer (bodhrán), Seán Ó Sé (tenor voice) and Darach Ó Cathain (sean nós singer. Some examples of their tunes are “O’ Carolan’s Concerto” and “Planxty Irwin”. -
17 Meán Fómhair, 2010 1 NUACHT NÁISIÚNTA Nuacht “Tá Seans Na Nóg
www.gaelsceal.ie Micheál Ó Laoch Muircheartaigh ag Litríochta éirí as - labhraíonn na nGael sé le Gaelscéal L. 7 Crann Beag L. 31 na nEalaíon L. 22 €1.65 (£1.50) Ag Cothú Phobal na Gaeilge 17.09.2010 Uimh. 26 • IDIRNÁISIÚNTA Gaeilge ag Athraithe Móra i ndán do SAM 30% de Seán Ó Curraighín, in Minnesota, SAM TÁ cuma ar chúrsaí go mbeidh athruithe móra pháistí na ar leagan amach na cumhachta sna Stáit Aontaithe sa toghchán lár téarma ag tús Samh- na. Tá na Poblachtaigh ar ríocht cumhacht a Gaeltachta bhaint amach i dTeach na nIonadaithe agus iad Anailís le Donncha Ó hÉallaithe Thart ar 10,000 teaghlach le gar don éacht céanna sa páistí scoile atá sa Ghaeltacht Seanad, dar le D’ÉIRIGH le 2,326 (70%) den 3,355 oifigiúil. 6,500 acu, ní bhacann pobalbhreith Washing- teaghlach Gaeltachta a rinne iar- siad le hiarratas a dhéanamh, mar ton Post-ABC. ratas faoi Scéim Labhairt na go dtuigeann a bhformhór nach In agallamh le Gaeilge, an deontas iomlán a fháil bhfuil a ndóthain Gaeilge ag a Gaelscéal, dúirt an tOl- anuraidh agus tugadh an deontas gcuid gasúr le cur isteach ar an lamh le hEolaíocht Pho- laghdaithe do 449 (13%) eile. scéim. laitiúil i UST, Minnesota, Nuair a deirtear ar an gcaoi sin é, Is é fírinne an scéil go léiríonn na Nancy Zingale, go gcaill- tá an chuma air go bhfuil líofacht figiúirí ón SLG 2009/10 go bhfuil fidh na Daonlathaigh Ghaeilge ag formhór na ndaltaí líofacht mhaith Ghaeilge ag thart cumhacht an tromlaigh i scoile sa Ghaeltacht. -
RTE NSO 25 Sept Prog.Qxp:Layout 1
WATCH rte.ie/culture LISTEN RTÉ lyric fm ARTHUR DUFF Echoes of Georgian Dublin JOHN KINSELLA Nocturne for Strings MÍCHEÁL Ó SÚILLEABHÁIN Bean Dubh an Ghleanna Oileán/Island Traditional arr. NEIL MARTIN The Fairy Queen Danny Boy The Humours of Ballyloughlin RTÉ National Symphony Orchestra David Brophy conductor Mark Redmond uilleann pipes, flute Presented by Paul Herriott, RTÉ lyric fm FRIDAY 25 SEPTEMBER 2020, 7pm NATIONAL CONCERT HALL 1 Arthur Duff 1899-1956 Echoes of Georgian Dublin i. In College Green ii. Song for Amanda iii. Minuet iv. Largo (The tender lover) v. Rigaudon Arthur Duff showed early promise as a musician. He was a chorister at Dublin’s Christ Church Cathedral and studied at the Royal Irish Academy of Music, taking his degree in music at Trinity College, Dublin. He was later awarded a doctorate in music in 1942. Duff had initially intended to enter the Church of Ireland as a priest, but abandoned his studies in favour of a career in music, studying composition for a time with Hamilton Harty. He was organist and choirmaster at Christ Church, Bray, for a short time before becoming a bandmaster in the Army School of Music and conductor of the Army No. 2 band based in Cork. He left the army in 1931, at the same time that his short-lived marriage broke down, and became Music Director at the Abbey Theatre, writing music for plays such as W.B. Yeats’s The King of the Great Clock Tower and Resurrection, and Denis Johnston’s A Bride for the Unicorn. The Abbey connection also led to the composition of one of Duff’s characteristic works, the Drinking Horn Suite (1953 but drawing on music he had composed twenty years earlier as a ballet score). -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
National Endowment for the Arts Annual Report 1996
TO THE CONGRESS OF THE UNITED STATES: It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support ing our museums and theaters, our dance companies and symphony orches tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in New York City, a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free dom. And let us keep that lamp brightly burning now and for all time. -
Arts Projects Ireland Presents a Work-In-Progress-Showing Of
CREATIVE TEAM PERFORMERS Composer/Librettist: Julie Feeney Boy Bird Catherine Redding Directors: Julie Feeney & Mikel Murfi Bird, Reed, Human Rebekah Coffey, Sara Busfield, Christina Whyte, Conductor: David Brophy Aine Mulvey, Laura Lamph, Helen Hassett (also Solo Human) Performers’ Contractor: Louis Roden Prince Simon Morgan Assistant Director: Kellie Hughes Bird, Human Eugene Ginty, Jacek Wislocki, Morgan Crowley Warwick Harte, Paul McGough, Jeff Ledwidge PRODUCTION TEAM First violin: Ken Rice (leader) & Cliodhna Ryan Second violin: Anne Marie Twomey & Siubhan Ni Griofa Technical Director: Adam Fitzsimons Viola: Karen Dervan & Niamh Roche Sound: Paul Ashe-Browne Cello: Margaret Dorris & Jane Hughes Producer: Margaret O’Sullivan Double bass: Malachy Robinson Line Producer: Maura O’Keeffe Pedal steel guitar: Sebastian Petiet Recorders: Jenny Robinson French horn: David Carmody THANK YOU Trumpet: Shaun Hook Willie White, Stephen McManus and team at DTF, Tom Creed/Cork Midsummer Festival, Trombone: Steve Mathieson Paul Fahy/Galway Arts Festival, Rosemary Collier/Kilkenny Arts Festival, Loughlin Deegan; Keyboard: Tristan Russcher JC & team at Project, Olga Barry, Colin Dunne, Christine Monk, Nora Kate & Mel Mercier, Percussion: James Dunne Emma & Morag Davies, Eamonn Maxwell, Rob Furey, RTE. Louis would like to thank Olga Barry for her fantastic support on this project. JULIE would especially like to thank Loughlin Deegan, Margaret O’Sullivan, Maura O’Keeffe, Louis Roden, Mikel Murfi, Kellie Hughes, Dave Brophy, Paul Fahy, Tom Creed, Teresa Feeney, Amy Feeney Spellman, Michael Maguire and the wonderful performers. Arts Projects Ireland presents a work-in-progress-showing of based on The Happy Prince by Oscar Wilde commissioned by FESTIVAL FIRSTS Dublin Theatre Festival 2012 DUBLIN THEATRE FESTIVAL, CORK MIDSUMMER FESTIVAL, October 4th 1pm GALWAY ARTS FESTIVAL & KILKENNY ARTS FESTIVAL Project Arts Centre Phase one of a two part development project, supported by the Arts Council/An Comhairle Ealaion. -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
Dònal Lunny & Andy Irvine
Dònal Lunny & Andy Irvine Remember Planxty Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie Icônes de la musique irlandaise des années 70, Dònal Lunny et Andy Irvine proposent un hommage au groupe Planxty, véritable référence de la musique folk irlandaise connue du grand public. Producteurs, managers, leaders de groupes d’anthologie de la musique irlandaise comme Sweeney’s Men , Planxty, The Bothy Band, Mozaik, LAPD et récemment Usher’s Island, Dònal Lunny et Andy Irvine ont développé à travers les années un style musical unique qui a rendue populaire la musique irlandaise traditionnelle. Andy Irvine est un musicien traditionnel irlandais chanteur et multi-instrumentiste (mandoline, bouzouki, mandole, harmonica et vielle à roue). Il est également l’un des fondateurs de Planxty. Après un voyage dans les Balkans, dans les années 70 il assemble différentes influences musicales qui auront un impact majeur sur la musique irlandaise contemporaine. Dònal Lunny est un musicien traditionnel irlandais, guitariste, bouzoukiste et joueur de bodhrán. Depuis plus de quarante ans, il est à l’avant-garde de la renaissance de la musique traditionnelle irlandaise. Depuis les années 80, il diversifie sa palette d’instruments en apprenant le clavier, la mandoline et devient producteur de musique, l’amenant à travailler avec entre autres Paul Brady, Rod Stewart, Indigo Girls, Sinéad O’Connor, Clannad et Baaba Maal. Contact scène Naïade Productions www.naiadeproductions.com [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 2 Line Up Andy Irvine : voix, mandoline, harmonica Dònal Lunny : voix, bouzouki, bodhran Paddy Glackin : fiddle Discographie Andy Irvine - 70th Birthday Planxty - A retrospective Concert at Vicar St.