TO THE CONGRESS OF THE :

It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support­ ing our museums and theaters, our dance companies and symphony orches­ tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou­ sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in , a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free­ dom. And let us keep that lamp brightly burning now and for all time.

VVilliam J. Clinton President of the United States After receiving an NEA Creative Writing fellowship in 1992, Andrea Barrett wrote Ship Fever cited as the 1996 National Book Award for Fiction.

Photo © Wayne Scarberry President’s Message ...... 1 Chairman’s Message ...... The Arts Endowment in Brief ...... 8 Heritage & Preservation ...... 10 Education & Access ...... 12 Creation & Presentation ...... 14 Planning & Stabilization ...... ’ ....16 Partnership Agreements ...... 18 Leadership Initiatives ...... 20 National Medal of Arts ...... 24 Other Projects ...... 25 The National Council on the Arts ...... 27

Grants & Awards Programs Dance ...... 30 Design ...... 38 Expansion Arts ...... 40 Folk & Traditional Arts ...... 47 International ...... 53 Literature ...... 58 Media Arts ...... 63 Multidisciplinary ...... 71 Museum ...... 72 Music ...... 87 Opera-Musical Theater ...... 106 Presenting ...... 112 Theater ...... 122 Visual Arts ...... 144 Partnerships Arts in Education ...... 152 Challenge ...... 154 Local Arts Agencies ...... 156 State & Regional ...... 159 Underserved Communities Set-Aside ...... 162 Office of Policy, Research & Technology ...... 166

Panels ...... 167

Financial Summary ...... 186 builds character in institu­ tions as much as individuals, and the National Endowment for the Arts’ difficulties of 1996 have greatly enhanced the character of this agency. We began with a 40 percent budget cut which necessitated staff reductions and the number and size of grant awards to arts organizations. Our grantmaldng programs and categories also needed to be re-organized and streamlined. In the fall of 1995, we set about making sweeping changes, including: ¯ Reducing the number of separate programs from 17 to four divisions: Heritage & Preservation, Education & Access, Creation & Presenta­ tion, Planning & Stabilization. Our long-established Partnerships with state arts agencies were maintained, and the agreements strengthened so that Federal/State dollars have the maximum reach. ¯ Instituting Leadership Initiatives to give the agency the flexibility to respond to needs that have national or fieldwide ramifications. ¯ Adding another level of review for applications through Combined Arts Panels in the four divisions. ¯ By legislative mandate, eliminating grants to individuals with the exception of Creative Writing Fellowships, the National Heritage Awards, and the American Jazz Master Awards. ¯ Revising the application process, also by legislative mandate, so that organizations apply for specific project support rather than seasonal or general operating support. Applicants were also limited to one pro­ posal on their own behalf and as part of a consortium. In the past, applications could be made to any or all of the various programs. These are revolutionary and far-ranging alterations to the way we have done business in the past. Over the course of its history, the Endowment ftmctioned as a more compartmentalized grantmaking body with the discrete programs awarded grants within budgets allocated for specific disciplines:. All symphony orchestras, for example, competed one against the other for a set number of dollars. Under the new structure, a project by a symphony orchestra may compete against one by a dance company or literary magazine for funding through one of the four divisions. The advantages of such a structure go beyond ensuring that all organiza­ tions have an equitable opportunity for funding. The new structure is more rigorous, and many excellent projects had to go unfunded because of limited funds. Furthermore, the structure reflects more accurately the cross-fertiliza­ tion of one arts discipline with another. Contemporary art often marries genres poetry and song, digital art with film, design and drama. One of the outcomes that we hope Chairman for is collaboration among Jane arts organizations, not Alexander. only for fiduciary reasons, but for aesthetic growth and experimentation. With fewer dollars, we must become more resourceful. By confining applicants to a single proposal, we immediately reduced the number of applications to the point where our reduced staff could manage the work­ load. There is no question that we will be making fewer awards than in years past, yet the system is flexible and targeted so Photo by Marion Ettlinger that we will continue to have a lasting impact across all of the arts disciplines. Out of difficult circum­ stances, we have refashioned the Endowment to be responsive to the needs of the nation’s arts organizations and arts audiences. 1996 is best seen as a transitional year. This Annual Report does not reflect the shift from the programs to the four divisions. Those applications already in the pipeline were adjudicated by our panels and the National Council on the Arts, and within our budgetary constraints. Grants awarded in 1996 were made through the former programs, simply because of the nature of our review process. Changes mandated by Congress -- elimination of grants to individuals and funding for specific project support rather than seasonal or general operating support -- were in effect. The new grantmak­ ing structure will be reflected in the report for Fiscal Year 1997. (The Fed­ eral government’s fiscal year begins on October 1 of each calendar year.) While grantmaking continues to be our primary means of supporting the arts, in 1996 the National Endowment for the Arts began several endeavors to leverage additional funds for the arts and to assist communities in finding better ways to support local culture. Primary among these was our American Canvas initiative. Comprised of a series of six com­ munity-based meetings across the country, American Canvas brought together the arts community with civic, business, religious, government, educa­ tion and community representatives to discuss topics designed to elicit con­ crete suggestions for the most pressing problem facing the arts today: in an era of dwindling public resources, how might communities best support the arts at a local level? Our itinerary took us to Columbus, Ohio, Rock Hill, South Carolina/Charlotte, North Carolina, Salt Lake City, Utah, San Antonio, Texas, Los Angeles, California White House photo and Miami, Florida. Hundreds of people in each of these cities turned out President Clinton to document how the arts support communities, identify new funding models, and the First Lady and develop new collaborative funding strategies. present the American Canvas continues in 1997 with a meeting of 100 nationally National Medal recognized leaders from all sectors of society to analyze the information at of Arts to the community forums and recommend strategies to better integrate the arts Robert Redford. in communities. In 1997, the Endowment will publish an Action Plan to help See page 24 communities -- from rural areas to urban neighborhoods -- create their for a full list. own strategies in developing a funding infrastructure that will make the arts a permanent part of people’s daily lives. Another initiative begun in 1996 was Open Studio, a two-tier project that will bring free public Internet access at arts organizations in all 50 states and establish a mentoring program at 10 sites for artists and arts organiza­ tions to develop and maintain World Wide Web sites. A partnership with the Benton Foundation, Open Studio is intended to help artists, arts organiza­ tions, and audiences more fully participate in the creative side of technology. Partnerships continue to be another means of extending the reach of the Arts Endowment. Throughout our history, we have awarded funds to the 56 state and special jurisdiction arts agencies, which in turn make grants at the statewide level. Through this mechanism, public fimding for the arts goes into tens of thousands of communities, reaching virtually everyone with even minimal interest in the arts. We are particularly proud of our partnerships

6 ~-- HI=II .l=lrrll=l i--i, ~=~ i r"lT-I==l 1::3 1:3 Li C T I E:I I--I

with the states for providing quality arts education programs through Amer­ ica. Since I became Chairman in 1993, we have put special emphasis on partnerships with other Federal agencies, and I am proud to say that in 1996, we had over 30 such collaborations. One of the more cost effective ways the Endowment reaches out to the American people is through our World Wide Web site, which contains information about the agency, links to other funding resources, listings of free publications, and a monthly online magazine called arts.community. Established in April, 1996, the Web site at http://arts.endow.gov drew over one million hits in its first seven months and averages about 2,000 different visitors each week. Another area of leadership that only the Federal government undertakes is in arts research. In 1996, we issued several research reports with data drawn from the Census Bureau and other national surveys. Two of the most important facts that emerged: the rate of participation in the arts among baby boomers is declining, and while there are more artists than ever before, they still cannot support themselves, on average, through their art alone. These two trends butaxess the findings of American Canvas; all indications are that the arts have much work to do to become more fully rooted in their communities and on the national level. Yet for all the foreboding news and our own budgetary concerns, we are optimistic. It is my hope that the arts community -- and I include in that description everyone who works in the arts and all those who love and need the arts in their lives -- this community will better organize itself to become a movement just as those who care for the environment have mobilized themselves in the conservation movement. At the beginning of this century, President Theodore Roosevelt recog­ nized the importance of conserving our natural resources as a national priority, and today, the American people are recognizing that we have a national treasure in our culture resources. The National Endowment for the Arts plays a key part in cultivating the arts in America; it is an agency of the American people, designed to foster a climate where art may flourish and all may participate in the culture we share.

JaneAlexander stablished by Congress in 1965, the National Endowment for the Arts is an independent agency of the Federal government whose mission is: To foster the excellence, diversity and vitality of the arts in the United States, and To broaden public access to the arts. We carry out that mission through grants, leadership initiatives, partner­ ship agreements with state and regional organizations, partnerships with other Federal agencies and the private sector, research, arts education, access programs, and advocacy. The agency’s chief executive officer, the Chairman, is appointed for a four-year term by the President of the United States with the advice and consent of the U.S. Senate. Jane Alexander was named to this position by President Clinton and sworn in on October 8, 1993. The National Council on the Arts advises the Chairman on policies, programs, grants and procedures. Composed of 26 private citizens appointed by the President and confirmed by the Senate, the Council represents various arts disciplines. Council members usually serve six-year terms, staggered so that roughly one-third of the body rotates every two years. All of the Arts Endowment’s applications are reviewed by rotating groups of arts experts including professional artists and arts administrators and knowledgeable laypersons. The staff is comprised of a senior executive team, directors with expertise in the arts, and civil service employees. Staff receives and reviews all applica­ tions, provides technical assistance and information to constituents, processes all awards and rejections, keeps abreast of developments and trends in the arts, and works to bring the accomplishments of our grantees to the attention of the American public. Beginning in 1996, the Arts Endowment considered applications and proposals from eligible individuals and organizations in four ways: Grants to Organizations, Grants to Individuals, Partnership Agreements, and Leadership Initiatives. Grants to Organizations is further divided into four discrete cate­ gories: Heritage & Preservation, Education & Access, Creation & Presenta­ tion, and Planning & Stabilization. In the most general terms, the National Endowment for the Arts sup­ ports exemplary projects in the arts, including dance, design, folk and tradi­ tional arts, literature, media arts (film, television, radio, audio art), music, musical theater, opera, theater, visual art (including painting, photography, sculpture, crafts, works on paper, other genres) and multidisciplinary works. Artistic excellence and merit are the primary criteria in grantmaking. Also considered are the potential impact of the project and the applicants’ ability to carry it out. Nonprofit tax-exempt organizations of demonstrated artistic excellence may apply for one grant each fiscal year, which begins on October 1 for the Federal government. Applicants may be arts institutions, local arts agencies, arts service organizations, tribal communities and Indian tribes, official units of city government, and other organizations that can further the goals of the " Arts Endowment as outlined in our mission statement. Consortia of such organizations are also eligible, and state arts agencies and regional arts organizations may apply in accordance with the restrictions outlined in the guidelines. State and regional arts organizations apply through the Partner­ ship Agreements. The only category for which individuals may apply directly for support is Literature Creative Writing Fellowships. Two categories for individuals -­ the American Jazz Masters Awards and the National Heritage Awards -- are by nomination only. For more information about application procedures, consult our World Wide Web site at http://arts.endow.gov or telephone 202/682.5400.

THIS ANNUAL REPORT The organization of this report reflects the transitional nature of Fiscal Year 1996. Grants were awarded under the "old" programmatic structure that was in place at the end of Fiscal Year 1995. Thus, all grants are described under former program categories. You should be aware, however, that this structure has been replaced, and changes will be reflected in the report for Fiscal Year 1997. All 1996 awards -- grants, cooperative agreements, and interagency agreements -- are noted and described. Summary reports of the agency’s financial transactions, including administrative costs, are included as an appendix. A year-by-year history of authorizations and appropriations is included in the appendix, and more detailed information is available. eritage & Preservation projects will preserve art works and art forms from the broad spectrum of cultural groups that make up our nation. They may range from documentation and presen­ tation of the traditional folk arts to conservation of highly significant works of art, artifacts and collections. Projects may pass on to future generations the repertoire, technique, aesthetic principles and oral traditions through apprenticeships or other forms of instruction. The intent behind this category is to bring to broad public attention the masterworks of all arts disciplines from all Americans. In 1996, many pro­ jects supported through the former discipline-based categories can be cited as examples of heritage and preservation. Cornerstones Community Foundation in Santa Fe, New Mexico, was awarded $75,000 to provide technical assistance and training in rural com­ munities for the preservation of historic buildings and building practices central to Hispanic and Native American culture. New Mexico’s adobe architecture is a From the treasured part of our permanent national cultural collection of heritage, and this The Mexican project will help Museum in communities learn 5an Francisco, and practice basic an untitled adobe maintenance ink on paper and repair in care of drawing by ~~-~"~­ historic churches. Diego Rivera. t 1 J The Alabama Folklife Association .~ ~/~ i received a grant of Courtesy The Mexican Museum $15,000 to support the "Sacred Harp Video Project," an hour-long documentary on primitive-style Baptist hymn singing in the Deep South. In West Virginia, Davis & Elkins College was awarded a $50,000 grant to support the statewide Folk Arts Apprenticeship Program. The Historical Association of Southern Florida received $19,800 to support a survey documenting Caribbean percussion traditions in Miami leading to future exhibitions, concerts and other public presentations. A grant to the Wolf Trap Foundation for the Performing Arts in Vienna, Virginia, supported the "Folk Masters from Wolf Trap," a weekly radio series.

10 Old-time fiddler master artist Arlin Moon and his apprentice Tina Ray (left) and Little Julie Ray.

Photo by Joey Brackner, courtesy Alabama State Council on the Arts.

Grants to museum for conservation and cataloging projects will qualify under preservation. In 1996, we supported the reinstallation of the Brooklyn Institute of Arts and Science’s collection of American painting and sculpture. A $12,500 grant to the Philbrook Museum of Art went to the publication of Native American Painting at the Pbilbrook, and the Saint Louis Art Museum was awarded $17,500 to document on computer their collection of prints, drawings and photographs. In the performing arts, a residency by the U.S.-based Cambodian Khmer group -- the Apsara Ensemble -- at Portland Performing Arts in Maine was supported through a $18,000 grant, and in Los Reyes de Albuquerque received a grant for a series of workshops and presentations of traditional Hispanic songs and music at senior centers, nursing homes, and homeless shelters throughout New Mexico. In rural Wisconsin, the Cedarburg Cul­ tural Center received an $8,000 grant to support a series of traditional music concerts throughout Wisconsin.

I1 s part of the Endowment’s mission, we support projects that empower all Americans to have opportunities to experience the arts. Education & Access projects broaden and deepen arts and education experiences for Americans of all ages and make the arts more widely available. Education in the arts includes pre-K through grade 12 and post-secondary programs, career development, teacher training, master- apprentice relationships, culturally specific traditions of learning and lifelong learning projects. Access entails a deliberate effort to reach audiences that have not been reached before or that have been limited in their opportuni- " ties. It also seeks to expand appreciation for and awareness of art forms to which exposure has been limited or nonexistent. Education projects range across all of the disciplines. In 1996, we sup­ ported youth concerts with the Ann Arbor Symphony Orchestra, the Col­ orado Springs Symphony Orchestra, the Dayton Philharmonic Orchestra, the Hartford Symphony Orchestra, the Owensboro (KY) Symphony Orchestra and dozens more. A $50,000 grant to the Berkeley Repertory Theatre supported school touring productions and the TEAM (Theater Educates and Motivates) program. In Philadelphia, a grant to the Brandy­ wine Graphic Workshop supported a high school program that includes

A class of young artists at the Minneapolis Institute of Arts.

Photo courtesy of the Institute

12 training in computers and multi­ media production. Young Aspira- tions/Young Artists in New Orleans received $30,000 for a program which trains inner-city students in the visual arts. The Manchester Craftsmen’s Guild on the North Side of Pitts­ burgh was awarded $35,000 to sup­ port costs related to a visual arts exhibition, artist-in-residence, and apprenticeship training programs. Access is a component of virtually every grant we award, but several organizations deserve to be singled out for their attention to expanding the audience for the arts. Educational Broadcasting Corporation/WNET Photo by Moses Olmos received three awards for the produc- tion of"American Masters," "Great Performances" and "American Visions,"Commanding the public television series which bring the performing arts and profiles of ourattention of the nation’s great artists to a wide national audience. The Japanese American Dallas Symphony Cultural and Community Center received $50,000 for the presentation of Orchestra is visual arts exhibitions and the "Celebrate California" performing arts seriesWayne Marshall. which reached thousands of people in and around Los Angeles. Appalshop in Whitesburg, Kentucky, received an $18,000 grant for two performing arts series: "Seedtime on the Cumberland" and "Old Time Weekends."

13 & Presentation projects may range from the creation of new works to the presentation of new or existing works. Projects might provide the resources, time and space for artists to create a specific work or body of work, or they might present art -- from any era or in any discipline -- to audiences through a diverse range of activities in formal or informal settings. In Fiscal Year 1996, some projects were funded under the old program structure that are similar to projects that may be funded in years to come through Creation & Presentation. For example, Ballet Arizona in Phoenix was awarded $7,100 to support the creation of new work by artistic director Michael Uthoff, choreographed to the music of Stephen Foster, and toured to cities and towns in Arizona that have not been exposed to classical or concert dance. The Sundance Institute in Utah was awarded $35,000 to support its 1996 Film Festival, as well as directing and screenwriting workshops, and a pro­ ducers’ conference. The Sundance Film Festival, considered the most important venue for American independent producers and directors, has stimulated public interest through featuring such recent films as Hoop Dreams and The Brothers McMullen. The screenwriting, directing and pro­ ducing workshops enable new feature films to be developed in collaboration with film industry professionals.

A collage of performers appearing at Helena Presents! in Helena, Montana.

Photo and digital effects by Deborah 0 ’Grady.

14 The Florida Grand Opera in Miami was awarded a grant of $30,000 to The cast of support production ofVerdi’s Luisa Miller in 1996-97. Formed by a mergerPlay On! a of companies in Miami and Fort Lauderdale, the Florida Grand Opera will new jazz present each of the season’s productions, which also include I1 Barbiere di musical at Siviglia and I1Pagliacci, in both cities. The company also continued a 32­ San Diego’s Old week residency program for young singers and technical apprentices. Globe Theatre, The exhibition "Ceremony of Spirit: Nature and Memory in Contempo­based on rary Latino Art," was created by the Mexican Museum in San Francisco, andShakespeare’s in 1996, grants were awarded to the Fresno Metropolitan Museum of Art, ,. History and Science and the Studio Museum in Harlem to enable people infeoturing music those t~vo communities to see this extraordinary collection. A grant of by Duke $41,600 was awarded to Helena Presents in Montana to bring artists such as Ellington. the Paul Dresher Ensemble, the Philip Glass Ensemble, and the Western Opera Theater to Mon­ tana. The Rose Center and Council for the Arts in Morristown, Ten­ nessee received a grant for a con­ cert series and the annual "From Africa to Appalachia" celebration. In theater, the Irish Repertory Theatre Company in New York was awarded $6,000 develop a musical adaptation of James Joyce’s "The Dead," involving composer Shaun Davey and director Jack Photo © Ken Howard Hofsiss, with book and lyrics by Richard Nelson and musical direction by Charles Prince. In Oakland, California, the East Bay Symphony received a grant to support the performance of American Theater Classics repertoire as a portion of programming in both their subscription and young people’s concerts. Copper Canyon Press in Port Townsend, , received a grant for publishing six new books; one of their long-time authors was honored this year by the National Book Awards for his poetry. lanning and Stabilization support seeks tO help organizations develop structures that will enable them to carry on their work effectively and creatively. Grants go to applicants to assess carefully their organizational strengths, weaknesses, and financial health. Projects can focus on strategies for building partnerships and resources among a group of organizations linked by geography, programming or mission. Projects can focus on organizational planning, stabilization, or both. A recent example of a grant that could have been made through Planning and Stabilization is the Challenge grant awarded to the Barter Foundation in Abingdon, Virginia. They received $150,000 to support augmentation of the theater fund for the Barter Theatre. Opened in 1933, the Barter Theatre has focused on providing professional theater for the largely rural community it serves on the Virginia-Tennessee border. The theater continues to serve the region through a variety of tours to schools, workshops and training pro­ grams, showcases for new work, and an annual season of new productions. Concurrent with a campaign to increase its endowment, the Barter Theatre is completing a renovation Theatre Gael’s project that will increase commemoration the number of seats in the of the 150th theater, and therefore, anniversary increase its earned of the Irish income. Famine was The New Hampshire John Stephens’ Symphony in Manchester Farewell the was awarded a $125,000 Fair Country, grant to augment its featuring endowment fund. (left to right) Founded in 1974, the Sallie Bacon, New Hampshire Sym­ Augusta phony provides a sub­ MacDonald, scription series in Man­ Kelly Finley, chester and a wide variety Lee Nowell, of outreach programs, and David including concerts Marcus. Photo courtesy Theatre Gael through the state, master classes and visits in schools, radio broadcasts, and educational programs. To celebrate its 25th anniversary in two years, the New Hampshire Symphony is launching a $1.5 million campaign.

16 In Sitka, Maska, In performance the Sitka Summer at the Sainte Music Festival Marie Church presents chamber in Manchester, music ensembles the New there and in Hampshire Anchorage. In Symphony addition, the Sitka Orchestra. Summer Music Festival tours other cities and rural communities throughout the state where classical music is a rarity. Celebrating its 25th anniversary in 1997, the Festival received a $75,000 grant to augment its $500,000 endowment fund which is now in its final phase of fundraising. Photo by Tom Stearns The Arts Council of Oklahoma City received a $12,690 grant for a planning process to develop the Stage Center performing arts facility into a venue for diverse and creative arts activities. The planning process includes staff and board members from Inner City Dance, Carpenter Square Theatre, Oklahoma Shakespeare, and the Oklahoma Jazz Society, all resident compa­ nies of the Stage Center. The plan will guide the Arts Council in developing and coordinating services to benefit these arts organizations, including a process for ongoing communication among them, creation of individual company goals and needs, and strategies to strengthen the administrative capacities of these groups.

17 eginning in Fiscal Year 1997, Partner­ ship Agreements are being used to streamline the funding relationship between the Endowment and its state partners and regional organizations. This partnership comprises a network that annually awards over 25,000 grants, reaching more than 5,000 communities. Under the old structure in place in 1996, state arts agencies submitted separate applications for Basic State Grants, The Arts in Education Michigan grants, and up to Opera four applications Theatre for Underserved presents Set-Aside grants. Carmen. Basic State Grants, deter­ mined by formula based on popula­ tion, were awarded annually to the 56 state and special jurisdiction arts agencies. In 1996, for exam­ .... p~e~ the Idaho Photo courtesy Michigan Opera Theatre. Commission on the Arts was awarded $439,000 which it used in conjunction with other Endowment grants and $900,000 in state appropriated and other funds to support pro­ jects in the arts. The Idaho Commission reported that more than one mil­ lion individuals were impacted by grant-supported activities and several thousand artists participated. The South Carolina Arts Commission was awarded an Arts in Under- served Communities grant of $54,600 in 1996 to support the rural and inner-city components of the state’s "Cultural Visions" projects. Rural communities are receiving flexible assistance through a combination of seed grants, technical assistance, and training in community arts development. The inner-city component focus is on building statewide and local coalitions to engage community residents in artistic self-discovery and development.

18 Arts in Education Partnership grants assisted state arts agencies in implementing strategies that encouraged integration of the arts into the basic curriculum for students, kindergarten through high school. For exam­ ple, the Tennessee Arts Commission, awarded in $53,500 in 1996, supported residencies for artists in all disciplines in elementary and secondary schools across the state. Other activities included regional workshops on Goals 2000, recognition of Arts Honor Schools as possible models for statewide replica­ tion, and continuation of student ticket subsidies. Some 225 grants were awarded annually under the old structure with the help of five or sLx r.eview panels. Under the new structure, the separate grants to each state and regional will be consolidated into a single Partner­ ship Agreement, reducing the number of awards in 1997 to 63. This will reduce paperwork for all involved and allow the Endowment a more com­ prehensive understanding of each state’s activities and the interrelationship among the states.

Donald L| (left), Robert Montano (r) and Peggy Cowles appeared in the Actors Theatre of Louisville’s adaption of John Steinbeck’s East of Eclen.

Photo by Richard Trigg.

19 n 1996, the Endowment set aside funds for Leadership Initiatives, projects of national significance and impact and projects that can serve as models in one field or discipline. Leadership Initiatives are designed to advance the arts in pivotal ways in communities across the country. Through Leadership Initiatives, the Endowment was able to continue to support some existing programs and venture out into new areas; the projects fall into four broad areas. All Leadership Initiatives are noted in this Report with an asterisk (*).

INTERGOVERNMENTAL/INTERAGENCY Over the past three years, Arts Endowment partnerships with other Federal agencies has increased by 33 percent, tapping into other resources to broaden the impact of the arts. Among the initiatives supported through Federal partnerships are ArtsEdge, an online national arts education network with the Department of Education and the Kennedy Center. We also work with the Department of Education on sustaining the Goals 2000 Arts Educa­ tion Partnership. The agency has several agreements with the Department of Justice to place artists-in-residence in federal correctional institutions, using the arts as a tool for conflict resolution, and funding Pathways to Success, an after-school weekend program for at-risk youth. Teaming up with the Institute of Museum Services, the National Endowment for the Humanities, and the National Science Foundation, the Endowment supports a five-year project called "Research in Learning in Museums." Arts programs in rural areas near National Forests are supported through a joint partnership with the National Forest Service, and Cultural Tourism is promoted through a joint project with the National Park Service. Writers Corps, a program that places volunteer writers at community sites to teach the literary arts, is a collaboration with AmeriCorps, arts councils in The Bronx, Washington, DC, and San Francisco, and the private sector.

MAJOR FIELD SIGNIFICANCE Leadership Initiatives in this category were designed to serve the arts on a national level, extending preexisting initiatives, and developing new pro­ jects to meet new needs. Open Studio is a $1 million leadership initiative, funded in collaboration with the Benton Foundation, to place free public access sites at cultural organizations in all 50 states and 10 mentoring centers to train artists and arts organizations in how to participate on the Internet. The Mayors’ Institute on City Design was funded on both the national level -- through Harvard University -- and through four regional awards to bring

2O I - E F:IZ3E -I=IS I--II P I r-II T I I=1TI V E=;

together mayors and design professionals to address problems in cities and towns across America. At the University of California, an amendment to the Leadership Initiative allowed them to undertake a series of forums on Federal Property Conversion using Fort Ord, California as a case study. Leadership funds also supported Arts on Television and Radio, funding projects such as "American Masters" on PBS and "," a traditional music program on public radio. For a complete list of television and radio programs, please see the Media Arts section. The Endowment also continued to support the Ameri­ can Jazz Masters Fellowships (see the Music section) and the National Heritage Fellowships (see the Folk & Traditional Arts section) which support master jazz and folk artists respectively. The National Writers Voice, a project the YMCA, was funded to enable them to establish at least 2 5 new community literary centers over the next three years. An innovative pairing of jazz and sports was the focus of a Leadership Initiative with Photo by Steve Zorc. the Thelonius Monk Institute of Jazz in Washington, DC which supports young jazz students in classes and Dancers performances at Los Angeles Lakers basketball games. Chamber Music Stephani Achuff America received Leadership funds to support Chamber Music Rural Resi- and David dencies which places emerging chamber music ensembles in rural communi- Shimotakahara in ties in Arkansas, California, Kentucky, Maine, Oregon, Pennsylvania and "The Exiles" by Texas. Another partnership with Chamber Music America will support a Jose Limon at the pilot program to support and sustain small music ensembles. Ohio Ballet. The New England Foundation for the Arts received a Leadership award for the National Dance Touring Partnership which will create new alliance among artists, sites and presenters to make dance projects available to 150­ 250 sites nationwide each year. Theatre Communications Group received

21 two awards to provide for Career Development Programs for Directors and Designers and a Playwrights Residency Program.

Under the direction of Gerald Wilson, students from a multi-school band perform at the Great Western Forum before a Los Angeles Lakers basketball game.

Photo courtesy Thelonious Monk Institute.

INTERNATIONAL Two projects funded through the International Program were awarded Leadership Initiatives for operations in 1997. The Fund for U.S. Artists at International Festivals and Exhibitions, a partner.ship of the Endowment, the U.S. Information Agency, The Pew Charitable Trusts, and the Rockefeller Foundation provides $1.2 million to assure that the United States is repre­ sented at important international arts festivals. ArtsLink, another public/pri­ vate partnership will allow for artistic exchange between the U.S. And counties of Eastern and Central Europe. A partnership with ’s Agency for Cultural Affairs and the Japan/U.S. Friendship Commission will allow for five U.S. Artists to work in Japan for six-month residencies, and a grant to the National Assembly of Local Arts Agencies will enable a similar resi­ dency project for community-based residencies of U.S. Artists in Mexico, Ireland and , and of Mexican and Irish artists in communi­ ties in the U.S.

22 MILLENNIUM In his 1997 State of the Union Address, President Clinton issued a challenge to artists and arts organizations to help celebrate the year 2000. For several years, the Arts Endowment has funded projects to do just that. In addition to several ongoing Millennium Television projects, the agency awarded Leadership Initiative monies for "Free to Dance: the African American Presence in Modern Dance," a series of three one-hour television programs. A Millennium Leadership Initiative to Country Roads, Inc. will " support a major exhibition of traditional American crafts. "American Visions" a production of the Educational Broadcasting Corporation in New York, will feature eight one-hour public television programs examining the U.S. From its visual culture -- painting, sculpture, artifacts, buildings and cities. "American Photography: A Century of Images," a production of Twin Cities Public Television, will tell the story of still photography in America in the 20th Century. The Millennium Survey of the U.S. Is administered by the College of Santa Fe in New Mexico to put in the field teams of photogra­ phers to make surveys of the nation at the edge of the 21st century. An award to The Names Project Foundation will support the documentation, storage and retrieval of the AIDS quilt on CD-ROM. The New York City Ballet hopes to tour to every state from 1998 to the year 2000 in celebration of American dance, and First Nights International received Leadership funds to support the development of a plan to rejoice through the arts on the eve of the Millennium in family-oriented First Night Celebrations.

23 he National Endowment for the Arts demonstrates leadership as ~vell in its work to recognize American master artists. ~Are assist in the selection process of the National Medal of Arts by soliciting nominations which are then reviewed by the National Council on the Arts and forwarded to the President of the United States. The President makes the final selection of the National Medal of Arts and, since 1984, has presented the Medals in a special ceremony.

1996 NATIONAL MEDAL OF ARTS

Edward Albee playwright dancer, choreographer, teacher

Sarah Caldwell Vera List opera conductor patron of the arts

Harry Callahan Robert Redford photographer actor, director, producer

Zelda Fichandler Maurice Sendak theater director author, illustrator, designer

Eduardo "Lalo " Caterrero Stephen Sondheim composer, musician composer, lyricist

Lionel Hampton Boys Choir of Harlem musician, bandleader arts organization

24 ~,~ he Arts Endowment’s leadership role extends beyond these projects into support for American writing, accessibil­ ity for audiences, research, policy discussions, outreach and publications. Creative Writing fellowships are the sole means by which the Endow­ ment supports individuals through direct grants. In 1996, the agency awarded fellowships in poetry, and a list of the recipients can be found under the Literature section. One of the most successful funding categories, Creative Writing fellowships have supported many writers early in their careers who have later received other The 1996 national honors for their work. In 1996, National Book all 10 of the writers nominated for the Award winner National Book Award were former for Poetry, Literature Fellowship recipients, and the and former winners were Hayden Carruth for Literature Scrambled Eggs & Whiskey and Andrea Creative Writing Barrett for her short story collection, fellowship Ship Fever. recipient, The Office for AccessAbility works " Hayden Carruth. in myriad ways to assist the Arts Endow­ ~ ment’s goal of making the arts fully ~ available to people who are older, I1

disabled, or living in institutions. This Photo by Charles Sartori, conrtesy Copper year marked the completion of the first Canyon t’ress. juried collection of Universal Design Exemplars which are being widely disseminated to educate and assist improved design of the total human environment for the lifespan. Two key initiatives were undertaken in response to recommendations from the 1995 White House mini-conference on "The Arts, the Humanities, and Older Americans," including a national database on model arts programs for older adults and a monograph on arts programming for older adults with informa­ tion on intergenerational activities, barrier removal, programs in institutions and resources. The Research Division published five new reports in 1996. Age &Arts Participation with a Focus on the Baby Boomers, A~nerican Participation in The­ ater, and Effects of Arts Education on Participation in the Arts used data from surveys of public participation to point to trends in audiences. Artists in the Workforce: Employment and Earnings, 1970-1990 uses Census Bureau data to paint a picture of the economic life of American artists. The Changing Faces of

2Y Traditions uses survey materials to describe the breadth and depth of the folk and traditional arts. The arts make extraordinary contributions to the lives of all Americans and to our communities. Today, more people have access to the arts than ever before, but the funding infrastructure which made this access possible Charlene Curtiss is threatened. The climate for arts funding is changing in both the public (left) and and private sectors. The Arts Endowment, in its unique role as a national Joanne Petroff convener, launched the American Canvas. Between June and October dance with the 1996, American Canvas convened six community forums of people of all Light Motion sectors of society -- the arts, government, consumer organizations, educa­ Company. tion, civic groups, religious organizations, businesses and foundations. Through their discussions and the work of the Ameri­ can Canvas Committee, a report will be issued in 1997 to identify and recommend strategies for future arts funding. In response to budget cuts and Congressional interest in our exploring new methods of support for the arts, the Endowment established the Office of Enterprise Develop­ ment in 1996 to search for ways to augment the agency’s Photo courtesy Light Motion. budget through authorized contributions. One of the donations was a $450,000 three-year contribution from Heinz, Inc. to support arts education projects that could not be funded due to budget cutbacks. On April 10, 1996, the Arts Endowment launched its World Wide Web site (http://arts.endow.gov), which includes a monthly online magazine arts.community, a Guide to the agency, its staff, funding partners and grant- making programs, an Arts Resource Center and publications catalogue. In addition, the agency also published a reports on arts education, Lifelong Journey: An Education in the Arts, and a brief history of federal arts funding, National Endowment for the Arts, I96Y-199Y, and a printed guide to our programs called A New Look.

26 TERMS EXPIRED IN 1996 APPOINTED FOR TERM ENDING IN 1996* Philip Brunelle ArtisticDirector/Conductor William Bailey Minneapolis, Minnesota Painter/Teacher Branford, Connecticut Robert Garfias Scholar/Ethnomusicologist Trisha Brown Irvine, California Dance Company Director/Choreographer New York, New York Roy M. Goodman State Senator/Arts Patron DonaM Hall New York, New York Poet Danbury, New Hampshire Peter deCourcy Hero Community Foundation President Hugh Hardy San Jose, California Architect New York, New York Wendy Luers Arts Patron/Trustee Marta Istomin New York, New York Music School President/Musician Washington, DC Roger Mandle College of Art President Colleen ffennings-Roggensack Providence, Rhode Island Arts Presenter Tempe, Arizona ffocelyn Levi Straus Arts Patron/Trustee Louise McClure San Antonio, Texas Arts Patron/Trustee McCall, Idaho Catherine Yi-yu Cho Woo Scholar/Visual Artist/Teacher Roberta Peters San Diego, California Opera Singer/Trustee Scarsdale, New York

VV’dliam E. Strickland, Jr. Arts Administrator/Ceramist , Pennsylvania

George White Theater Director/Producer Waterford, Connecticut

*Members serve until Senate confirmation of their successors

27 TERMS EXPIRE IN 1998 TERMS EXPIRE IN 2000

Ronald Feldman Patrick Davidson Commercial Art Gallery Owner Television Producer New York, New York Los Angeles, California Barbara Grossman Terry Evans Theater Historian/Professor Photographer Newton, Massachusetts Chicago, Illinois

Kenneth M. ffarin Ronnie Feuerstein Heyman Lawyer/Civic Volunteer Lawyer/Arts Patron/Trustee Philadelphia, Pennsylvania New York, New York

Wallace D. McRae William R Foster Rancher and Poet Music Educator Forsyth, Montana Tallahassee, Florida

Leo ff. O’Donovan, S.ff. Speigbt ffenkins University President Opera Company Director Washington, DC , Washington

Jorge Perez Richard ~. Stern Arts Board Member/Civic Volunteer Arts Patron/Trustee Miami, Florida Chicago, Illinois Judith O. Rubin Luis VaMez State Arts Council Member/ Theater Director Theater Chairman San Juan Batutista, California New York, New York Townsend D. Wolfe III Rachad Worby Museum Director/Curator Conductor Little Rock, Arkansas Charlestown, West Virginia

28 nFiscal Year 1996, the National Endowment for the Arts made some 1,880 grants and awards which are listed in the following pages. Grants were made on the basis of artistic excellence as adjudicated by panels composed of private citizens and reviewed by the National Council on the Arts and the Chairman. In 1996, grants were awarded by programs. In 1997, grants will be awarded through the four divisions and through public partnerships. A new category" of awards, Leadership Initiatives, was created in 1996. These awards were a combination of grants, interagency transfers, and cooperative agreements, and they are noted in this report with an asterisk (*). Some of these projects are continuations of ongoing Endowment projects, while others went to projects that meet national or field-wide needs. In 1996, the Endowment awarded $11.4 million in Leadership Initiatives; of this, $1 million went to projects that will celebrate the Millennium. Endowment funds go to individuals through fellowships. Creative writers are the only individuals who may apply directly for fellowship sup­ port. Two other categories -- American Jazz Masters and the National Heritage Fellowships -- are open by nomination only.

29 DANCE COMPANY Ballet Arizona Ballet West GRANTS Phoenix, AZ $7,100 Salt Lake City, UT $28,400 90 AWARDS $2,725,000 To support costs associated To support costs associated with the creation of a new with the development and African American Dance work and touring in Ari­ production of a new work Ensemble, Inc. zona. choreographed by Val Durham, NC $14,200 Caniparoli. Ballet Concierto de To support costs associated Bella Lewitzky Dance with rehearsals for the Puerto Rico, Inc. Santurce, PR $7,100 Foundation creation of new work and Los Angeles, CA $35,450 maintenance of existing To support the costs associ­ repertory. ated with the 1996 Choreo­ To support dancers’ salaries graphers’ Festival. to prepare for the com­ Aman Folk Ensemble pany’s 30th anniversary. Los Angeles, CA $33,100 Ballet Hispanico of To support costs associated New York Ballet, Inc. with domestic touring. New York, NY $23,700 Boston, MA $100,000 To support costs associated To support artistic and Arpino Ballet of Illinois, Inc. with performances at the administrative salary Chicago, IL $23,700 Joyce Theater in New York expenses for the company’s To support dancers’ salaries City. performances at the Wang for the company’s tours. Center in Boston. Ballet Metropolitan, Inc. Atlanta Ballet Columbus, OH $7,100 CODA: Choreographers Adanta, GA $7,100 To support costs associated Organization for Dance New York, NY $7,100 To support costs associated with dancers’ rehearsal and with dancers’ rehearsal performance salaries for two To support costs associated salaries. company premieres by with the development of guest choreographers. new collaborative works for Bailes Flamencos Creach/Koester. San Francisco, CA $7,100 Ballet Theatre Foundation New York, NY $150,000 Capoeira Foundation, Inc. To support costs associated New York, NY $11,350 with artistic salaries and fees To support salaries for for self-produced perfor­ artistic personnel and To support costs associated mances in the San Francisco dancers for American Ballet with performances at the Bay area. Theatre’s performances at Carver Cultural Center in the San Antonio, Texas. House in New York City.

30 Caribbean Dance Dance Exchange, Inc. Discalced, Inc. Company, Inc. Washington, DC $11,850 New York, NY $55,000 St. Croix, VI $7,100 To support the costs associ­ To support the creation of a To support rehearsal salaries ated with creation and new work by Mark Morris to prepare for the com­ revival of solo repertory for for the Mark Morris Dance pany’s annual performances various members of the Liz Group. on St. Croix and St. Lerman Dance Exchange. Thomas. Dance Theater Foundation Cincinnati Ballet New York, NY $125,000 Company, Inc. To support the costs associ­ Cincinnati, OH $7,100 ated with the Alvin Ailey To support dancers’ American Dance Theater’s rehearsal salaries for mixed self-produced performances repertory programs. at City Center. Cleveland Ballet Dance Theatre of Harlem Cleveland, OH $7,100 New York, NY $120,000 To support dancers’ salaries To support the costs associ­ and rehearsal expenses for ated with the acquisition of performances. new work.

Cunningbam Dance Dayton Contentporary Foundation, Inc. Dance Guild New York, NY $150,000 Dayton, OH $23,700 Photo Kristan Jacobsen, Deseret To support costs associated To support costs associated News, Members with self-produced reper­ with the acquisition, tory performances. rehearsal, and performance of Utah’s Erick Hawkins Dance Repertory of a work by the late Jose Foundation, Inc. Dance Dance Continuum, Inc. Limon. New York, NY $23,700 New York, NY $16,000 Theatre To support the costs associ­ To support the costs associ­ Della Davidson Dance perform the Company ated with the company’s ated with the creation of a Utah San Francisco, CA $7,100 performances at the Joyce new work by artistic direc­ Theater in New York City. Centennial tor Susan Marshall. To support the costs associ­ ated with the development Landscape Ethnic Dance Theatre Suite and production of a new Minneapolis, MN $7,100 work by Della Davidson. Summit by To support the salaries of David the co-artistic directors. Parsons.

3I Eugene Ballet Gotham Dance, Inc. Heritage & Tradition, Inc. Eugene, OR $7,100 New York, NY $21,800 South Pasadena, CA $7,100 To support costs associated To support the creation and To support the costs associ­ with touring and educa­ development of a new work ated with the creation, tional outreach programs. by artistic director Bebe rehearsal, and production of Miller for the Bebe Miller new works fi’om the AVAZ Floricanto Dance Theatre Dance Company. series "Scenes of Ottoman Whittier, CA $7,100 Life" and "Scenes of Urban To support rehearsal and Guadalupe Cultural Arts Life." performance salaries for Cento" dancers, musicians, and San Antonio, TX $7,100 House Foundation for the technical staff during self- To support costs associated Arts produced performances in with the rehearsal, produc­ New York, NY $56,700 Los Angeles for Danza tion, and performance of To support the creation, Floricanto/USA. "Rio Bravo" by the rehearsal, and production of Guadalupe Dance Com­ new work by artistic direc­ Foundation for Dance pany. tor Meredith Monk. Promotion, Inc. New York, NY $50,000 Guateque Folkloric Taller Houston Ballet Foundation To support the costs associ­ of Puerto Rico, Inc. Houston, TX $37,800 ated with the creation of Corozal, PR $7,100 To support the costs associ­ new work choreographed To support costs associated ated with the rehearsal and by Bill T. Jones for the Bill with the creation and production of the Cullen T. Jones/Arnie Zane Dance development of new work Contemporary Series in Company. by artistic director Joaquin Houston’s Wortham Center. Nieves Caldero. Foundation for Hubbard Street Dance Independent Artists, Inc. H.T. Dance Company Chicago New York, NY $18,900 New York, NY $9,450 Chicago, IL $7,100 To support costs associated To support the costs associ­ To support rehearsal salaries with touring a full-evening ated with artistic and for dancers in order to work by Eiko & Korea. production expenses for a maintain the active reper­ new collaborative work by tory, revive older works, and Garth Fagan Dance, Inc. artistic director H.T. Chen create new works. Rochester, NY $56,700 and composer Zhou Long. To support costs associated Ice Theatre of New York with self-produced perfor­ Hartford Ballet New York, NY $7,100 mances at the Eastman Hartford, CT $7,100 To support the costs associ­ Theatre in Rochester. To support the costs associ­ ated with the creation of a ated with the creation, full-length ice ballet. rehearsal, and production of a new work by choreogra­ pher Graham Lustig.

32 Institute for Spanish Arts Lines Contemporary Ballet Miami City Ballet, Inc. Santa Fe, NM $28,350 San Francisco, CA $11,350 Miami Beach, FL $42,550 To support the costs associ­ To support the costs associ­ To support the costs associ­ ated with the creation, ated with the creation of a ated with acquisition, rehearsal, and production of new ballet by Artistic rehearsal, and production of an expanded residency and Director Alonzo King. new repertory. touring program for Maria Benitez Teatro Flamenco. Lubovitcb Dance Mixed Bag Productions Foundation, Inc. San Francisco, CA $7,100 Jazz Tap Ensemble New York, NY $16,100 To support the costs associ­ Los Angeles, CA $28,350 To support the costs associ­ ated with rehearsal and To support the costs associ­ ated with the creation and production expenses of a ated with the company’s development of new work new full-length work self-produced concerts in by Lar Lubovitch. created by company mem­ Los Angeles, New York, bers for Contraband. and San Francisco. Lucinda Cbilds Dance Foundation Muntu Dance Theatre Joe Goode Performance New York, NY $30,000 Chicago, IL $12,250 Group To support costs associated To support the costs associ­ San Francisco, CA $11,350 with the creation of a new ated with self-produced To support the costs associ­ work by Lucinda Childs and performances. ated with artistic and related administrative costs. administrative salaries. New Dance Theatre Manhattan Tap, Inc. Denver, CO $17,000 Jose Limon Dance New York, NY $7,100 To support the costs associ­ Foundation To support costs associated ated with rehearsal and New York, NY $28,400 with self-produced perfor­ performance salaries, and To support the costs associ­ mances. production expenses for ated with reviving older self-produced performances works from repertory. Margaret Jenkins Dance of the Cleo Parker Robin­ Studio, Inc. son Dance Ensemble. Kansas City Ballet San Francisco, CA $20,400 Association To support the costs associ­ New York Chinese Cultural Kansas City, MO $18,900 ated with the creation, Center, Inc. To support administrative presentation, and touring of New York, NY $7,100 and artistic salaries for self- the evening-length project To support the costs associ­ produced performances of "Fault." ated with the creation, the State Ballet of Missouri. rehearsal, and presentation Mat,ha Graham Center of of new work by the Chinese Ko-Thi, Inc. Contemporary Dance Folk Dance Company. Milwaukee, WI $9,450 New York, NY $75,000 To support the costs associ­ To support the creation of ated with expanding and new work by guest choreog­ revising "Song of Sundiata." raphers.

33 New York City Ballet, Inc. Ohio Chamber Ballet Pennsylvania Ballet New York, NY $150,000 Akron, OH $33,100 Association To support rehearsal salaries To support the costs associ­ Philadelphia, PA $9,450 for the company’s self- ated with the commission of To support dancers’ salaries produced performances. a new work by a guest for self-produced perfor­ choreographer, and produc­ mances. Nikolais/Louis Foundation tion expenses for the winter for Dance series in Akron and Cleve­ Performance Zone, Inc. New York, NY $39,700 land. New York, NY $7,100 To support the costs associ­ To support the costs associ­ ated with self-produced Oregon Ballet Theatre ated with the creation, performances. Portland, OR $7,100 rehearsal, and performance To support costs associated of new work by artistic North Carolina Dance with the creation of a new director Tere O’Connor. Theatre work for the company’s Charlotte, NC $9,450 repertory program. Philadelphia Dance To support the salaries for Company dancers for self-produced Original Ballets Philadelphia, PA $23,650 performances. Foundation, Inc. To support the costs associ­ New York, NY $55,000 ated with the creation of Oakland Ballet Company To support the creation, new work by emerging & Guild rehearsal, and production of choreographers for Phi­ Oakland, CA $9,450 new work by artistic direc­ ladanco. To support the costs associ­ tor Eliot Feld and Kids ated with rehearsal and Dance, a moderately-priced Pick- Up Performance production of the com­ family series, geared to Company, Inc. pany’s self-produced perfor­ children and performed by New York, NY $35,000 mances. apprentices of Feld Bal­ To support the costs associ­ lets/NY. ated with touring activity Oberlin Dance Collective and the creation, rehearsal, San Francisco, CA $9,450 Pacific Northwest Ballet and production of new work To support the costs associ­ Association for the David Gordon/Pick ated with the creation of Seatde, WA $100,000 Up Company. new work and dancers’ To support rehearsal salaries salaries for ODC/San for dancers and artistic staff. Pittsburgh Ballet Theatre Francisco. Pittsburgh, PA $33,100 Paul Taylor Dance To support the costs associ­ Foundation, Inc. ated with the acquisition, New York, NY $150,000 rehearsal, and production of To support the costs associ­ new work. ated with the creation, rehearsal, and presentation of new work by artistic director Paul Taylor.

34 Pittsburgh Dance Alloy Rio Grande Union, Inc. U.B.W., Inc. Pittsburgh PA $9,450 New York, NY $14,200 New York, NY $14,200 To support dancers’ To support the costs associ­ To support rehearsal salaries rehearsal and performance ated with the creation of a for dancers and artistic staff salaries. new work by artistic direc­ for Urban Bush Women. tor Douglas Dunn. Plant Dancers, Inc. Washington Ballet New York, NY $11,350 Ririe-Woodbury Dance Washington, DC $7,100 To support the costs associ­ Foundation To support the costs associ­ ated with the creation and Salt Lake City, UT $7,100 ated with the choreographic production of new work by To support the choreo­ workshop Ballets From artistic director Doug graphic fees and rehearsal Within. Elldns for the Doug Elkins salaries for the creation of a Dance Company. new work. Zivili Kolo Ensemble, Inc. Granville, OH $9,450 Princeton Ballet Society San Francisco Ballet To support costs associated New Brunswick, NJ $7,100 Association with preparation for domes­ To support the costs associ­ San Francisco, CA $135,000 tic touring. ated with the creation and To support costs associated development of new work with self-produced perfor­ for American Repertory mances in the San Francisco SPECIAL PROJECTS Ballet. Bay area and dancers’ 9 awards $1,458,580 salaries. Repertory Dance Theatre *Dance Theater Workshop Salt Lake City, UT $9,450 Sharir Dance Company New York, NY $150,000 To support the costs associ­ Austin, TX $7,100 To support dance residen­ ated with the fourth and To support artistic and cies and related costs during final commissioned work of administrative salaries. the 1996-97 season of the "Centennial Suite." dance component of the Stephen Petronio Dance National Performance Richmond Ballet Company Network. Richmond, VA $7,100 New York, NY $9,450 To support dancers’ salaries To support dancers’ *New England Foundation for self-produced perfor­ rehearsal and performance for the Arts mances. salaries. Boston, MA $1,000,000 To support the National Ringside, Inc. Trisba Brown Dance Dance Touring Project. New York, NY $13,250 Company, Inc. To support the costs associ­ New York, NY $90,000 *New York City Ballet, Inc. ated with the development To support rehearsal salaries New York, NY $200,000 of new work and dancers’ in preparation for touring To support the national tour salaries for Elizabeth and self-produced New of the New York City Ballet Streb/Ringside. York City performances. to all 50 states.

3Y Donce on Tour New England Foundation GENERAL SERVICES for the Arts TO THE FIELD Arts Midwest Boston, MA $18,097 17 awards $195,000 Minneapolis, MN $18,096 To support artists’ fees and To support artists’ fees and related administrative costs Chicago Dance Arts related administrative costs for regional presenters of Coalition, Inc. for regional presenters of dance throughout Con­ Chicago, IL $12,000 dance throughout Illinois, necticut, Maine, Massachu­ To support the residency setts, New Hampshire, Indiana, Iowa, Michigan, exchange component of the Minnesota, North Dakota, Rhode Island, and Vermont. Dance Commissioning and Ohio, South Dakota, and Residency Exchange pro­ Wisconsin. Southern Arts Federation Atlanta, GA $18,097 ject. Mid Atlantic Arts To support artists’ fees and Colorado Dance Festival Foundation related administrative costs Boulder, CO $5,000 Baltimore, MD $18,096 for regional presenters of To support the activities of To support artists’ fees and dance throughout Alabama, the International Tap related administrative costs Florida, Georgia, Kentucky, Association (ITA), including for regional presenters of Louisiana, Mississippi, members’ services and the dance throughout the North Carolina, South publication of the ITA District of Columbia, Carolina, and Tennessee. newsletter. Delaware, Maryland, New Jersey, New York, Pennsyl­ Western States Arts Dance Notation Bureau Federation Glen Head, NY $5,000 vania, Virginia, the Virgin Santa Fe, NM Islands, and West Virginia. $18,098 To support artists’ fees and To support the Lives On MDS project of coordi­ Mid-America Arts Alliance related administrative costs nated dance documentation. Kansas City, MO $18,096 for regional presenters of To support artists’ fees and dance throughout Maska, Dance Theater Workshop related administrative costs Arizona, California, Col­ New York, NY $12,000 orado, Hawaii, Idaho, for regional presenters of To support the Artist Ser­ dance throughout Arkansas, Montana, Nevada, New Mexico, Oregon, Utah, vices Program and the Kansas, Missouri, Nebraska, Dance/Video Access Project. Oklahoma, and Texas. Washington, and Wyoming. Dance Umbrella Austin, TX $5,000 To support the addition of an office manager, the second annual Texas Dance Conference, rehearsal and performance space subsidy, workshops for artists, and marketing costs.

36 Dance/USA Joyce Theater Foundation Performance Zone, Inc. Washington, DC $12,000 New York, NY $9,000 New York, NY $5,000 To support the 1996 To support rental subsidy to To support general services National Roundtable, the 19-22 dance companies over to the dance community DANCE/USA Journal, and 33 weeks during the 1996 including Fieldwork, information services. season. Marathon Performances, rehearsal space subsidy, Dance/USA Movement Research, Inc. Field Forward Network, the Washington, DC $20,000 New York, NY $5,000 Independent Artist Chal­ To support the National To support Movement lenge Program, and Type F Task Force on Dance Research atJudson Church Management. Audiences which will look performances, the Work­ at strategies for building shop Series, the Studies Theater Artaud and sustaining dance Project, the Artist Resi­ San Francisco, CA $5,000 audiences for the 21st dency Project, and the To support the technical century. Work Study Program. assistance rental program, the Summertime Dance DanceWorks, Inc. New York Public Library Project, artist residency New York, NY $5,000 Astor, Lenox and Tilden programs, workshops, and To support core administra­ Foundations meetings of summertime and tive services to the dance New York, NY $5,000 regional dance presenters. field, including national and To support video documen­ international representa­ tation of live performances, Jack Faucett & Associates tion, fiscal administration, oral histories of select Bethesda, MD $75,000 and accounting services. individuals from the dance A cooperative agreement to field, and provision of administer on-site evalua­ Florida Dance Association materials and consulting. dons. Miami, FL $5,000 To support the 1996 Florida On the Boards Dance Festival; services to Seattle, WA $5,000 artists, companies, and To support the Artist Access presenters; and publica­ Project and 12-Minutes tions. Max performance series. Original Ballets Foundation, Inc. New York, NY $5,000 To support the training of advanced students and KIDS DANCE perfor­ mances.

37 FEDERAL REALM U.S. Department of State PUBLIC REALM INITIATIVES for the Federal Facilities INITIATIVES 2 awards $50,000 Council 7 awards $575,000 Washington, DC $10,000 Corporate Design A cooperative agreement to Georgia Tecb Research Foundation support the Federal Facili­ Corporation Boston, MA $40,000 ties Council, an organiza­ Adanta, GA $50,000 A cooperative agreement to tion dedicated to improving To support the Mayors’ help conduct the National federal design through Institute on City Design: Forum on Design to educa­ workshops, advisory and South, a regional forum tion the public and private informational studies. which brings together sectors about the role of mayors and design experts design in achieving national to discuss specific urban objectives. problems facing small and mid-sized cities in the Designers and urban *Mayors’ Institute on City planners Design -- Harvard confer on University the reuse of Cambridge, MA $200,000 Fort Ord in A three-year cooperative California agreement to bring together as part of a small group of mayors the Federal with design professionals for intensive workshops on Property urban design issues. Conversion Leadership *National Tmtst for Initiative. Historic Preservation Washington, DC $150,000 To support "Your Town: Designing Its Future," a series of workshops bring­ Courtesy University of California, Berkeley. ing together designers and civic leaders to demonstrate how design can improve the quality of life in small and rural communities.

38 Neighborhood *University of ACCESS/PROFESSIONAL Reinvestment Corporation Maryland/CADRE Corp. DEVELOPMENT Washington, DC $25,000 College Park, MD $50,000 2 awards $272,654 To support the "Design for To support the Mayors’ Housing Forum," which Institute on City Design: *Massachusetts Institute of organizes regional work­ Northeast, a regional forum Technology shops for architects, non­ which brings together Cambridge, MA $200,000 profit developers, finan­ mayors and design experts To support Civiscape, an ciers, government officials to discuss specific urban online information resource and others to discuss the problems facing small and center on design issues. role of design in creating mid-sized cities in the affordable housing. Northeast. National Building Museum *University of California *Washington University Washington, DC $72,654 Berkeley, CA $50,000 St. Louis, MO $50,000 A cooperative agreement to To support the Mayors’ To support the Mayors’ support an exhibition on the Institute on City Design: Institute on City Design: rebuilding of Oklahoma West, a regional forum Midwest, a regional forum City entided "We Will be which brings together which brings together Back: Oklahoma City mayors and design experts to mayors and design experts Rebuilds." discuss specific urban to discuss specific urban problems facing small and problems facing small and mid-sized cities in the West. mid-sized cities in the This project also includes Midwest. the Federal Property Con­ version Leadership Initiative to bring the resources of artists, designers and arts organizations to the decom­ missioning and reuse of federal property, using Fort Ord as a case study.

39 MU LTIDISCl PLINARY Asian Heritage Council Centro Cultural de la Raza ARTS ACTIVITIES San Jose, CA $8,000 San Diego, CA $28,000 45 awards $848,000 To support the salary of the To support artistic and Executive Director and administrative salaries and Afro-American Historical promotional expenses for fees for the film and video and Cultural Museum presenting through the festival and performing arts Philadelphia, PA $5,000 Asian Pacific Performing programming. Arts Series. To support artistic fees for Chinese Culture Institute the Jazz Live series. Beacon Street Gallery and Boston, MA $8,000 Alternative Center for Performance Company To support artistic and International Arts Chicago, IL $11,000 administrative expenses for New York, NY $27,000 To support artistic fees, visual arts exhibitions. administrative and associ­ To support the exhibition of City of San Antonio digitally created art works ated costs for performance, by Mimi Young, Yoshi exhibition, and master class San Antonio, TX $22,000 Itagaki, and Prema Murthy components of the Cultural To support administrative and a solo exhibition of the Heritage Preservation and technical salaries and paintings of Mexican- Program. fees related to the presenta­ American artist Ray Abeyta. tion of the Alvin Ailey Carter G. Woodson Dance Company, Marcus Appalshop, Inc. Foundation, Inc. Roberts with members of Whitesburg, KY $50,000 Newark, NJ $20,000 the Lincoln Center Jazz To support outreach and To support salaries of the Orchestra, and La Boehme audience development administrative and program by the New York City staff for "OnStage in New activities of Roadside Opera. Jersey" and "Black Culture Theater and W-MMT-FM. on Tour in America." Community Arts Project Artists Collective, Inc. Columbus, OH $12,000 Hartford, CT $18,500 Casa de Unidad To support artistic fees for Detroit, MI $12,000 Val Gray Ward and Thomas To support the expenses of a training program in the To support a series of visual Jones, as well as residency visual arts, music, dance, arts exhibitions and a poetry and production costs for and theater. reading series. two productions.

Asian American Centro Cultural Aztlan East Bay Center for the Renaissance San Antonio, TX $7,000 Performing Arts Richmond, CA $20,000 St. Paul, MN $6,500 To support the administra­ To support costs related to a tive and artistic salaries and To support the salary of the reading series, "Writers fees associated with exhibi­ production manager and OUT LOUD," and a tions. master artists’ fees for the showcase of local Asian Young Artists Repertory American artists. Series.

4O Esperanza Peace and Henry Street Settlement ffamaica Center for tbe Justice Center New York, NY $30,000 Performing and Visual San Antonio, TX $10,000 To support a program of Arts, Inc. To support the salary of the instruction and training in Jamaica, NY $10,000 artistic program director music, dance, theater, and To support artistic salaries and artists’ fees for musical visual arts at the Abrons related to the Community performances by Wild Arts Center. Workshop program. Mango, Irene Farrera, and Azucar y Crema. Hostos Community College ffapanese American Advisory Council Cultural and Community Ethnic Folk Arts Center Bronx, NY $22,000 Center New York, NY $20,000 To support artistic and Los Angeles, CA $50,000 To support "Folk Parks," a administrative expenses for To support artistic and program presenting tradi­ visual arts exhibitions and a administrative expenses for tions in dance and music. concert series which will the presentation of visual showcase classical, jazz, arts exhibitions and "Cele­ Friends of the Davis Latin jazz, and salsa artists. brate California," a per­ Center, Inc. forming arts series. New York, NY $20,000 Houston Asian American To support administrative Festival Association Junebug Productions and artistic expenses associ­ Houston, TX $10,000 New Orleans, LA $20,000 ated with the Partnership To support artistic, adminis­ To support the New Program and a visual arts trative, and related costs for Orleans Community Arts series. the Asian Arts-Houston Program, including the project. Environmental Justice Guadalupe Cultural Arts Project. Center Inner City Cultural Center San Antonio, TX $50,000 Los Angeles, CA $12,000 Kalakendra Ltd. To support artistic, adminis­ To support training and an Pordand, OR $5,000 trative, and related expenses internship program To support a performing for the Tejano Conjunto designed to recruit younger arts program featuring Festival and San Antonio staff members with leader­ various cultural traditions of Inter-American Bookfair. ship potential for commu­ the Indian subcontinent. nity-based arts organiza­ Harlem School of the Arts tions. Kalihi Palama Culture New York, NY $25,000 Arts Society, Inc. To support artistic and International Arts Honolulu, HI $10,000 administrative salaries and Relations, Inc. To support artists’ fees fees related to the school’s New York, NY $15,000 associated with classes and pre-professional and profes­ To support administrative workshops in traditional sional arts training pro­ and artistic salaries related ethnic dance and crafts of grams in music, dance, to the development and Pacific Island cultures and drama, and the visual arts. presentation of Hispanic Western art forms. American theater.

41 Chinese Manchester Craftsmen’s Folk Paint­ Guild ings from Pittsburgh, PA $35,000 Wangxia To support artistic, adminis­ Village, an trative, and related expenses for the visual arts exhibi­ exhibition tion, artist-in-residence, and of the apprenticeship training Chinese programs. Culture Institute. Plaza de la Raza, Inc. Los Angeles, CA $30,000 To support artistic fees and related administrative expenses for "Con Sabor Latino." Courtesy of the Institute. Pregones Touring Puerto Kearny Street Workshop La Pe~a Rican Theatre Collection Bronx, N-Y $15,000 San Francisco, CA $10,000 Austin, TX $12,000 To support administrative To support artistic and To support artistic fees and salaries for audience devel­ administrative expenses related costs for a literary associated with a poetry/ festival and pe~as which opment and managerial prose reading series, the offer visual arts exhibitions, staff. publication of a poetry poetry readings, and the- Rose Center and Council book, and a jazz concert atrical and musical perfor­ for the Arts, Inc. series. mances. Morristown, TN $10,000 Kings Majestic Corporation La PeKa Cultural Center To support artists’ fees and Brooklyn, NY $11,000 Berkeley, CA $28,000 related costs for a concert series and the "From Africa To support the residencies To support the salaries of to Appalachia" annual of Donald Byrd/The the artistic director and celebration. Group, Opera Ebony, and publicity coordinator, and Betty Carter. artists’ fees and related costs Southeast Community for the presenting partner- Cultural Center Koncepts Cultural Gallery ship program. Adanta, GA $15,000 Oakland, CA $7,500 To support artistic and To support administrative administrative salaries and artistic expenses related associated with the studio to the publication of the and theater subsidy and quarterly Konceptualizations summer enrichment pro­ and the internship program. grams.

42 Taller Puertorriqueno, Inc. VISUAL/MEDIA/ Asian American Writers’ Philadelphia, PA $23,000 DESIGN/LITERARY Workshop To support artists’ fees and ARTS ORGANIZATIONS New York, NY $7,500 related expenses for the 46 awards $560,000 To support the salary of a multidisciplinary visiting marketing associate and artists program that will Afro-American Cultural related expenses for the include master artists from Center Asian American Bookseller. Puerto Rico. Charlotte, NC $5,000 Asian CineVision, Inc. To support curator fees and New York, NY $15,000 U.B.W.., Inc. catalog production expenses New York, NY $17,500 for an exhibition of works To support administrative To support artists’ salaries by North Carolina artists. and artistic expenses for an and travel and transporta­ Asian-American film and tion costs associated with American Indian video series. the planning of a summer Contemporary Arts institute in College Park, San Francisco, CA $5,000 Aunt Lute Foundation Maryland. To support administrative San Francisco, CA $15,000 and artistic costs related to To support administrative Urban Gateways the presentation of "The salaries, fees, and related Chicago, IL $30,000 Emergence" and "From the costs for an internship To support artists’ fees Earth XII" exhibitions. program and audience associated with the recruit­ development project to ing, training, and profes­ Amigos del Museo del assist in marketing authors sional development of Barrio affiliated with the founda­ ethnically and racially New York, NY $11,000 tion. diverse artists. To support administrative Brandywine Graphic expenses related to the Workshop, Inc. Village of Arts and museum’s outreach pro­ Humanities, Inc. Philadelphia, PA $25,000 gram. Philadelphia, PA $25,000 To support individual artist To support artistic, adminis­ Art Exchange, Inc. residencies and exhibitions trative, and related costs for Union Dale, PA $5,000 which will highlight Bran­ an inner-city visual arts To support administrative dywine’s 25th anniversary. program. expenses for workshops and Bronx Council on the Arts exhibitions to benefit Xicanindio Artes, Inc. communities in this moun­ Bronx, NY $5,000 Mesa, AZ $15,000 tainous region of northeast­ To support administrative To support artistic and ern Pennsylvania and artistic expenses for a administrative salaries and group exhibition "Passing fees associated with a the Baton," and an artists’ Spiderwoman Theater studio program with residency. selected artists George Crespo and Toi Hoang.

43 Bronx Museum of the Arts Chinese Culture Community Renewal Team Bronx NY $27,500 Foundation of San of Greater Hartford, Inc. To support administrative Francisco Hartford, CT $5,000 and artistic expenses for the San Francisco, CA $15,000 To support administrative Satellite Gallery Program To support administrative and artistic expenses for which provides wider and artistic expenses for three exhibitions at the visibility for emerging and "Early Chinese Ceramics," Craftery Gallery featuring established artists through­ "Contemporary Lingnan the works of an established out the Bronx community. Painting," and "Treasures artist, an emerging artist, from the Scholars’ Studio" and a collection of works Chicago Public Art Group exhibitions. focused on a common Chicago, IL $17,500 To support administrative Cine Accion, Inc. and artistic expenses for the San Francisco, CA $10,000 Elders Share the Arts, Inc. planning and production of To support administrative Brooklyn, NY $5,000 site-specific public art salaries and artistic fees To support the salary of the projects throughout the related to "Festival Cine performance director. Chicago metropolitan area. Latino," a three-day show­ case of Latino film and En Foco, Inc. Children’s Art video held in San Franciso’s Bronx, NY $5,000 New York, NY $11,000 Mission District. To support administrative To support the Communi­ and artistic costs related to cation Arts Production City Lore, Inc. the touring gallery program Apprenticeship Training New York, NY $10,000 and electronic gallery Program. To support a festival of film and video with the theme, Frederick Douglass Chinatown History "Old/New Immigrant Creative Arts Museum Dialogues." New York, NY $15,000 New York, NY $27,500 To support administrative To support administrative City of Los Angeles, and artistic expenses for a and artistic costs related to Department of Cultural creative writing training an exhibition featuring Affairs program. works which document the Los Angeles, CA $5,000 history of Americans of To support the provision of Galeria Studio 24 Chinese-Latino heritage. supplies and the salary of San Francisco, CA $10,000 Gary Williams who will To support administrative conduct a one-year resi­ and artistic expenses for dency in animation studies. the "Death, Mourning, and Renewal: Day of the Dead 1996," "Califas ReVisioned," "Visual Concerns in Califas," and "Nature’s Narratives in Califas" exhibitions.

44 Grass Roots Art and Mexic-Arte Montana Indian Art and Community Efforts Austin, TX $10,000 Culture Association West Glover, VT $5,000 To support administrative, Bozeman, MT $5,000 To support administrative artistic, and related costs for To support administrative and artistic expenses for a the "Retratos de Mexico/ staff salaries related to the workshop and training Mexico’s Portrait Painting," exhibition of works by program which develops and "Retablos and Santos" American Indian contempo­ and promotes self-taught exhibitions, as well as the rary artists. artists in rural Vermont. solo show of Manuel Ocampo. Moonstone, Inc. Hatch-Billops Collection Philadelphia, PA $5,000 New York, NY $5,000 Mexican Museum To support administrative To support administrative San Francisco, CA $35,000 and artistic expenses related and artistic expenses for the To support a series of to a reading series of Artist and Influence Pro­ exhibitions including "La national and local authors, gram which documents the Virgen de Guadalupe," "Dia symposia, and the Paul artistic careers of prominent de los Muertos," "La Ma­ Robeson Festival. visual, literary, and per­ linche," the photography of forming artists. Julio Galan and Flor Gar­ Multicultural Arts, Inc. duno and Mayan textiles. Los Angeles, CA $5,000 Ink People, Inc. To support the production Eureka, CA $5,000 Minneapolis American and publication of an issue To support administrative lndian Center of The International Review salaries for a gallery training Minneapolis MN $5,000 of African American Art program for emerging To support administrative which will feature contem­ artists. and artistic expenses for the porary African American art exhibition of traditional and focused on political expres­ Juntos Art Association avant garde American sion. E1 Paso, TX $5,000 Indian art. To support the exhibition NationM Latino "La Frontera Visto Por Los Molly Olga Neighborhood Communications Center Ojos de Los Artistas del Art Classes Los Angeles, CA $25,000 Paso Del Norte." Buffalo, NY $5,000 To support the salary of the To support administrative program associate and Margaret Harwell Art and artistic expenses related administrative expenses for Museum to a cost-free studio training an apprenticeship program Poplar Bluff, MO $5,000 program for inner-city at the Center. To support the salary of the youth and adults. museum assistant, supplies, and educational materials related to an enhancement program for senior citizens and disabled persons.

4Y North Carolina State Social and Public Art Studio Museum in Harlem University Resource Center New York, NY $35,000 Raleigh, NC $5,000 Venice, CA $11,000 To support artistic and To support "A Diaspora of To support administrative administrative expenses for Commonalities: An African salaries for the production, the artists-in-residence and and African-American exhibition, and preservation intern programs. Sculpture Exhibition," and of public art projects, as accompanying programs. well as to underwrite United Indians of All training and educational Tribes Foundation Printmaking Workshop programs related to public Seattle, WA $10,000 New York, NY $5,000 art projects. To support the exhibition of To support artists fees works by Michael Hollo­ associated with the "Minor­ Sojourner Productions, Inc. man, Jane Ash Poitras, Ted ity Fellowship" and "Invited Washington, DC $7,500 Garner, and James Luna at Minority Artist" programs. To support administrative the Sacred Circle Gallery of and artistic expenses for a American Indian Art. Self-Help Graphics and film exhibition series, Arts, Inc. related programs, and the University of Houston- Los Angeles, CA $35,000 publication of Black Film University Park To support administrative Review. Houston, TX $10,000 and artistic costs related to a To support artistic, adminis­ professional training work­ Southern Allegbenies trative, and related costs for shop program, a traveling Museum of Art an authors’ touring program print exhibition program, Loretto, PA $9,500 to inner-city and rural and the exhibition program To support staff salaries for locations. at Galeria Otra Vez. the exhibition program scheduled for the museum, Young Aspirations/Young as well as its two satellite Artists, Inc. galleries. New Orleans, LA $30,000 To support administrative Southern California Asian and artistic expenses related American Studies Central to a visual arts training Los Angeles, CA $25,000 program for inner-city To support administrative African American youth. and artistic expenses related to the Asian Pacific Media Artists Development and Support Program.

46 *NATIONAL HERITAGE *National Coundl for the Arab Community Center FELLOWSHIPS Traditional Arts for Economic and Social 11 fellowships $110,000 Silver Spring,.MD $189,100 Services 1 award $189,100 A cooperative agreement to Dearborn, MI $20,000 support costs for the To support a survey to The following traditional National Heritage Fellow­ identify traditional embroi­ artists were each awarded ships program, including dery, instrument making, the National Heritage solicitation of nominations, calligraphy, henna designs, Fellowship and a $10,000 preparation for panel doll making, and jewelry grant. review, and production of making in Detroit’s Arab the concert and public community. Obo Addy events featuring the recipi­ Portland, OR ents and their works. Arte Americas - The Mexican Arts Center Betty Pisio Cbristenson Fresno, CA $25,000 Suring, WI FOLK ARTS PROJECTS To support "Tradiciones en 60 awards $1,904,000 las Colonias," an exhibition Paul Dablin documenting Mexican- Minneapolis, MN Alabama Folklife American traditional arts Association, Inc. presented in home and Juan Gutierrez church celebrations during New York, NY Birmingham, AL $15,000 To support the final produc­ the season. Richard and Solomon tion phase of the "Sacred Harp Video Project," an Bay Area Video Coalition Ho’opi’i San Francisco, CA $20,000 Kahakuloa, HI hour-long documentary on the Sacred Harp singing To amend a grant for Will Keys community in the Deep production of a film docu­ Gray, TN South. mentary on the folk arts. ffoaquin "Jack" Lujan American Asian Cultural California Indian Barrigada, Guam Exchange, Inc. Basketweavers Association New York, NY $29,400 Nevada City, CA $20,800 Eva McAdams To support a travelling To support the sixth annual Fort Washakie, WY exhibition on Chinese California Indian Basket- calligraphy featuring weavers Gathering. ffohn Mealing and. leading Chinese-American Cornelius Wright, 3~. calligraphers. Capoeira Foundation, Inc. Birmingham, AL New York, NY $12,000 To support a public presen­ Vernon Owens tation featuring the tradi­ Seagrove, NC tions of music, song, and dance surrounding the Dolly Spencer Brazilian "Capoeira Bati­ Homer, AK zado" ceremony.

47 Cedarburg Corporation East Bay Center for the Fund for Folk Culture Cedarburg, WI $8,000 Pe~orming Arts Santa Fe, NM $40,000 To support a concert series Richmond, CA $9,000 To support a program at the Cedarburg Cultural To support a series of associate position at the Center featuring traditional workshops in Lao and Fund for Folk Culture. artists from throughout Khmu music and dance, and Wisconsin. a regional conference of Fund for Folk Culture Lao, Mien, and Khmu Santa Fe, NM $6,500 Chicano Humanities and community leaders to To amend a 1995 grant to Arts Coundl, Inc. discuss the future and support evaluation of state Denver, CO $15,000 accessibility of traditional folk arts apprenticeship To support the 1996 Chile music and dance. programs. Harvest Festival featuring Southern Colorado and East Bay Center for the Historical Association of Northern New Mexico Performing Arts Southern Florida, Inc. Hispanic crafts, music, and Richmond, CA $6,000 Miami, FL $19,800 dance by regional tradi­ To support the performance To support a survey docu­ tional ardsts. of the ancient Anlo-Ewe menting Caribbean percus­ (Ghanaian) Hogbetsotso sion traditions in Miami City Lore, Inc. ceremony and a series of leading to future exhibits, New York, NY $35,000 preparatory workshops in concerts, and other public To support the National the history and performance presentations. Task Force on Folk Arts in of the traditions. Education. Hua Kun Opera Friends of Sheldon ffackson Association City Lore, Inc. Museum Arcadia, CA $22,500 New York, NY $14,000 Sitka, AK $9,300 To support performances of To support a year-long To support a series of kunqu-style Chinese opera internship at City Lore demonstrations by Native in Los Angeles featuring offering advanced profes­ Alaskan traditional artists. some of the finest U.S.­ sional training for aspiring resident professional kunqu minority individuals. *Fund for Folk Culture opera actors. Santa Fe, NM $460,000 *Country Roads, Inc. To support a national Institute for Community Arlington, MA $70,000 infrastructure of financial Research, Inc. To support the development and technical support for Hartford, CT $12,500 of a major exhibition of the folk and traditional arts To support an exhibition, traditional American crafts. field, primarily through performances, and demon­ three years of partial fund­ strations featuring the ing to create and stabilize traditional crafts, music, and local, state, and regional dance of Connecticut’s folk arts coordinators and Tibetan community. programs.

48 Irish Music Academy of La Pe~a Cultural Center Mid Atlantic Arts Cleveland, Inc. Berkeley, CA $5,200 Foundation, Inc. Lakewood, OH $11,900 To support a series of Baltimore, MD $25,000 To support Irish traditional workshops and concerts To support a statewide music workshops and featuring the local Afro- refugee traditional arts performances for the Venezuelan musical group program in Pennsylvania. greater Cleveland Irish Grupo Campana, combined community. with a residency by Mind-Builders Creative Venezuelan master percus­ Arts Co., Inc. Japanese American sionist Alexander Livinalli. Bronx, NY $19,200 Cultural and Community To support the expansion of Center Los Pleneros de la 21, Inc. the Community Folkways Los Angeles, CA $18,000 New York, NY $6,300 Program. To support a three-day To support the presentation conference of key leaders of "An Evening with the National Council for the and members of some of the Masters," a concert/dance Traditional Arts nation’s most significant celebration honoring master Silver Spring, MD $42,000 Japanese taiko drumming practitioners of Puerto To support the 58th ensembles. Rican traditional music in National Folk Festival in New York City. the first year of a projected Kariyushi Kai three-year run in Dayton, San Jose, CA $5,000 Los Reyes de Albuquerque Ohio. To support manufacturing Foundation and distribution costs for a Albuquerque, NM $5,500 National Council for the compact disc recording of To support "Music Enhance­ Traditional Arts the traditional Okinawan ment for Children," a series Silver Spring, MD $42,000 music repertory of National of workshops and presenta­ To support the "Echoes of Heritage Fellow Harry tions of traditional New Africa" national tour to Seisho Nakasone and his Mexican songs and music at regions of the Midwest, ensemble. child care centers in rural Southern, and Eastern New Mexico and in the United States Kaw Valley Arts & Albuquerque area. Humanities *National Council for the Kansas City, KS $10,000 Los Reyes de Albuquerque Traditional Arts To support a survey to Foundation Silver Spring, MD $150,000 identifytraditional arts and Albuquerque, NM $11,700 To support a national artists in the seven-county To support a series of program of technical Kansas City metroplex area. workshops and presenta­ assistance to the folk and tions of traditional Hispanic traditional arts field to songs and music at venues develop programs, such as senior centers, resources, and communica­ nursing homes, and home­ tions projects. less shelters throughout New Mexico.

49 New York Folklore Society Portland Performing Arts Newfield, NY $30,300 Pordand, ME $18,000 To support a traditional arts To support a residency by specialist to coordinate the U.S.-based Cambodian statewide collaborations for Khmer performing group, folk arts programming, a the Apsara Ensemble, "mentoring" program to including performances and offer technical assistance to workshops for local Cambo­ folk artists, and a confer­ dian youth. ence. Prince George’s Philadelphia Folklore Community College Project Largo, MD $11,700 Philadelphia PA $30,000 To support the Bluebird To support slide/tape video Blues Festival, presenting shows documenting Yid­ outstanding regional blues dish, South African, Native artists in concert. American, and African American folk arts in Public Corporation for the Philadelphia. Arts of the City of Long Beach Philadelphia Folklore Long Beach, CA $38,000 Photo courtesy World Music, Inc. Project To support a folk arts Philadelphia, PA $30,000 coordinator position at the John Bear National Council for the To support the "Folk Arts of Corporation for the Arts, Social Change Exhibition the Long Beach Regional Mitchell, one Traditional Arts Silver Spring, MD $95,000 Project," an exhibition Arts Council. of the Native presenting a diversity of American A cooperative agreement to traditional folk art forms Radio Bilingue, Inc. storytellers of support administration of practiced in Philadelphia Fresno, CA $15,000 site visits and technical today that reflect a commu­ New England, assistance. To support a two-city who appeared nity’s quest for cultural presentation of the seventh as part of National Park Foundation survival and social justice. annual Nortefio-Tejano "First ~Things Washington, DC $50,000 Music and Dance Festival in Philadelphia Folklore Fresno and in Salinas. First," a To support the fourth Project presentation annual American Roots Philadelphia,PA $23,000 Samuel S. Fleisber Art of World Fourth of July concert on To support "Neighborhood Memorial, Inc. the grounds of the Wash­ Music, Inc. Dance Party," featuring Philadelphia, PA $17,000 ington Monument, includ­ performances of social To support classes in tradi­ ing live broadcast on dance traditions by a National Public Radio. tional Cambodian court diversity of local traditional dance, mask making, and musicians and dancers. sculpture.

Y0 Search to Involve Pilipino Tung Ching Chinese Victoria Regional Museum Americans Center for the Arts, Inc. Association, Inc. Los Angeles, CA $20,000 Flushing, NY $22,000 Victoria, TX $4,800 To support workshops in To support "The Chinese To support "At Home on diverse Pilipino traditional Theatre Festival ’97," the Range," a multimedia arts as part of the annual featuring performances and exhibit/performance and Festival of Philippine Arts workshops rePresenting education project featuring and Culture, and a summer Beijing-, Shaoxing-, and cowboy poet Buck Ramsey. instructional workshop Cantonese-styles of Chinese series. opera. Washington Chu Shah Chinese Opera Institute Southeast Alaska Indian University of Arizona Silver Spring, MD $7,500 Cultural Center, Inc. Tucson, AZ $20,800 To support a workshop Sitka, AK $8,000 To support the exhibit "La series for Chinese youth in To support presentation of cadena que no se corta/The jingju (Beijing-style Chinese Tlingit Maska Native Unbroken Chain: The opera). traditional arts as part of a Traditional Arts of Tucson’s celebration centered around Mexican Community." West Virginia Public the raising of the first Broadcasting Foundation traditional Sitka totem pole University of Southern Charleston, WV $25,400 honoring the Tlingit Mississippi To support the "Cultural people. Hattiesburg, MS $52,000 Heritage Programming To support a program Project," presenting the Texas Folklife Resources coordinator at the Piney traditional music, stories, Austin, TX $30,000 Woods Culture Center to rhyme, and cultural wisdom To support the production document the traditional of West Virginia folk artists of "Conjunto!," a video arts and artists of the Piney over West Virginia public documentary on the Tejano Woods region of Southern radio. accordion-centered tradi­ Mississippi and to develop a tion, as part of a three-part regional folldife network Western Folklife Center series on Texas Mexican and archive. Elko, NV $30,000 music intended for national To support a program/ broadcast Ursinus College archive specialist position to Collegeville, PA $24,300 coordinate the maintenance Texas Folklife Resources To support the development of archive materials in the Austin, TX $20,000 of folk and traditional arts center’s collection. To support costs of produc­ educational curriculum tion, touring, and live material and a professional programming for the development institute for exhibit "La Tradicion traditional artists and Tejana/Focus on Tejano teachers in Pennsylvania., Tradition."

5"1 V~dliam King Regional STATE Kansas State Historical Arts Center APPRENTICESHIP Society Abingdon, VA $21,000 PROG RAMS Topeka, KS $22,000 To support "Living Tradi­ 8 awards $185,700 tions," a concert series and Michigan State University outreach programs on the Davis & Elkins College East Lansing, MI $20,700 musical heritage of south­ Elkins, WV $25,000 west Virginia and the Oregon Historical Society neighboring region. Economic Development Pordand, OR $29,800 Administration, Common­ Wisconsin’s Ethnic Vermont Folklife Center wealth of Puerto Rico Middlebury, VT $14,500 Settlement Trails, Inc. San Juan, PR $30,000 Milwaukee, WI $16,600 Washington State Arts To support the second Fresno Arts Council, Inc. Commission annual regional folldife Fresno, CA $13,700 Olympia, WA $30,000 festival featuring traditional To support a folk arts artists from the corridor of apprenticeship program in ethnic communities extend­ nine counties of the San ing along Wisconsin’s Lake Joaquin Valley of California Michigan shoreline.

World Music, Inc. Cambridge, MA $22,000 To support "First Things First: Native Traditions in New England," a travelling performance program of traditional storytelling, song, and dance.

52 THE FUND FOR U.S. Caribbean Dance Fred Garbo Inflatable ARTISTS AT Company Theater Co. INTERNATIONAL St. Croix, VI $10,000 Berldey, MA $4,500 FESTIVALS AND To support the group’s To support the company’s EXHIBITIONS performances at the performance at the Images of Africa Festival JUBA/La Ville de l’En­ *Institute for International in Denmark. fant Festival in Morocco. Education Carnegie Hall Jazz Houston Grand Opera (Arts International) Band Association New York, NY $188,000 New York, NY $8,000 Houston, TX $20,000 A cooperative agreement to To support the group at To support the group’s administer grants for the the Estoril Jazz Festival performance at the Fund for U.S. Artists at Edinburgh International International Festivals and in Portugal, the Jazz aux Remparts and the Jazz a Festival in the United Exhibitions, a partnershiip Vienne in France, the Kingdom. of the Endowment, the Pew North Sea Jazz Festival Charitable Trusts, and the in the Netherlands, and King’s Noyse Rockefeller Foundation. $6,300 the International Pori Boston, MA The following awards were Jazz Festival in Finland. To support this group to made: perform at the Holland Chanticleer Festival Oude Muziek in John Luther Adams San Francisco, CA the Netherlands. and Company $13,000 Fairbanks, AK .$11,800 To support the group’s Donald Knaack To support the company’s performance at the Manchester Center, VT performance at the Brisbane Biennial Inter­ $2,500 Northern Encounters national Music Festival in To support the artist’s Festival in Canada. Australia. performance at the Zagreb Biennale in Croatia. American Boychoir Victor Hernandez Cruz Princeton, NJ $10,000 Ponce, PR $2,000 Tei Kobayashi To support the company’s To support the artist’s Denver, CO $1,500 performance at the poetry performance at To support the artist’s International Drengekors the Corpus Delecti/ICA performance at the Festival in Copenhagen, Festival in the U.K. Womanifesto in Thailand. Denmark. John Fleagle and Shira Darius Lapinskas Blue Note All-Stars Karnmen Chicago, IL $1,500 Easton, CT $2,400 Somerville, MA $1,500 To support the artist’s To support the group’s To support the musicians’ performance of his mixed performance at the performance at the media concerto at the Estoril Jazz Festival in Festival van Flaanderen International Contempo­ Portugal. in Belgium. rary Music Festival (GAIDA) in Lithuania.

5"3 Limon Dance Company Roger Reynolds ARTSLINK NewYork, NY $15,000 Del Mar, CA $1,300 To support the group’s To support the artist’s *CEC International performances at the performance at the War­ Partners Sarajevska Zima (Sarajevo saw Autumn Festival in New York, NY $115,000 Winter Festival) in Bosnia Poland. and the Ankara Music & A cooperative agreement to Art Festival in Turkey. Sandglass Theater support ArtsLink, a partner­ Putney, VT $13,000 ship with the Trust for Kevin Locke To support the puppet Mutual Understanding, the Tucson, AZ $8,000 theater group to perform Starr Foundation, and the To support the artist’s at the International Open Society Fund, which performance of traditional Puppet Theater Festival funds artistic exchange Native American hoop UNIMA in Hungary. between the United States dance at the Australian and Central and Eastern Festival for Young People. Sunpie and the Europe. Louisiana Sunspots The following awards were Merce Cunningham New Orleans, LA $4,500 made: New York, NY $12,000 To support the musicians’ To support the group’s performance at the Festival ArtsLink - Collaborative performance at the La de Lille in France. Projects Batie Festival de Geneve in Switzerland and the Sweet Honey in the Festival Internationale del Rock Double Edge Theatre Balletto di Nervi in Italy. Washington, DC $8,625 Ashfield, MA $5,500 To support the group’s To enable four members Muntu Dance Theatre performance at the Bath of the Double Edge of Chicago International Festival of Theatre ensemble to Chicago, IL $3,920 Music and the Arts and collaborate with New To support the group’s Vocal Chords Festival in Forms Theatre Shtrich on performances at the the United Kingdom. an on-going project using Festival International oral histories of the Jewish Cervantino in Mexico. Wild Goose Chase community in Bulgaria Cloggers and to conduct a work­ Rufus Reid/Tanareid St. Paul, MN $5,000 shop on theater method­ Productions To support the group’s ology. Teaneck, NJ $3,840 performance at the Festi­ To support the group’s val Folldorique des Pyre­ Marie Dutka performance at the XV nees in France. Bloomington, IL $3,500 Estoril Jazz Festival in To support a collaboration Portugal. Reginald Wilson/Fist & between Ms. Dutka and Heel Performance Group Polish printmakers in Brooklyn, NY $6,890 Krakow to complete a To support the group’s series of work and share performance at the Festival printmaldng techniques. e’Nkudleni in Zimbabwe. Martha Grenon Carolyn Krueger Csaba Polony Austin, TX $2,403 Glendale, CA $2,000 Oakland, CA $4,000 To support a collabora­ To support the continua­ To support the production tion between photogra­ tion of a collaboration of an anthology of art­ pher Martha Grenon and between choreographer work, essays, literary Albanian writer Robert Carolyn Krueger and works, and poetry created Martikos to produce a Vilayat Akilova, a specialist during the Balkan war photo-documentary essay in Bukharan folkloric style (1990-95) in the former depicting the life of a dance, that will take place Yugo by artists and writers family during and after in Tashkent, Uzbeldstan. living in the war zone. the dictatorial Hoxha regime. Live from the Edge River Arts Repertory Theater Company Karma Ibsen Bronx, NY $5,200 New York, NY $5,500 Birmingham, AL $2,000 To support a collabora­ To support the continua­ To support the writing tion between Live from tion of River Arts Reper­ and performance of a play the Edge Theater, in the tory Company’s Children to be co-written by South Bronx, and Teatr of the War Project Karma Ibsen and Polski in Bydgoszcz, through collaboration Bogomil Gjuzil in Skopje, Poland to rehearse and with the young play­ Macedonia about an perform Ubu Enchained, wright Jasmila Zbanic in intercultural friendship the third in Alfred Jarry’s Bosnia. between two women trilogy. The production will intertwine both Lisa Schlesinger against the backdrop of $1,900 dramatic political, cul­ theater troupes combin­ Iowa City, IA tural, economic, and ing not only English and To support the produc­ domestic change in the Polish languages but also tion of Lisa Schlesinger’s Balkans and in the United the stories of black and play The Bones of Danny States. hispanic theater artists. Winston and Rib Ann Magee by the Repertory Rosalie Jones Jenny Perlin & Sarah Theater Company in Santa Fe, NM $5,000 Jane Lapp Eger, Hungary. To support the collabora­ San Francisco, CA tion between Rosalie $6,000 Jones’ Daystar Dance To support the creation ArtsLink- Residencies Company and Jorjana of a short film and a Sechanova of Arabesque photographic essay that Boston Film & Video Company in Sofia, examines the nature of Foundation Bulgaria to explore the joke-telling by Jewish and Boston, MA $3,000 rhythms, steps, and Yugoslav war survivors in To support the hosting of spatial forms of tradi­ diaspora communities in Lithuanian filmmaker tional Bulgarian and the Czech Republic. Audrius Stonys. Native American dance and create a new work for mutual performance.

y~ Brooklyn Academy of Merce Cunningham Tacoma Arts Music Dance Company Commission Brooklyn, NY $3,000 New York, NY $3,000 Tacoma, WA $3,000 To support the hosting of To support the hosting of To support the hosting of Natalya Syrykh, Assistant Czech choreographer arts manager Badri Managing Director of and dancer Barbora Samsonadze, Executive the Globe Theatre in Kryslova. Director of the Georgian Russia. Arts & Culture Center in Nexus Contemporary Georgia. Chicago Chamber Art Center Musicians Adanta, GA $3,000 Washington Ballet Chicago, IL $3,000 To support the hosting of Washington, DC $3,000 To support the hosting of Bulgarian visual artist To support the hosting of Stanislav Potchekansky, Houben Tcherkelov. Eugen Bobek, Managing first trombonist and Director of Tanec Praha, soloist for the Symphony Penland School of a non-profit international Orchestra, State Music Crafts dance festival in Prague, Academy in Sofia, Bul­ Penland, NC $3,000 Czech Republic. garia. To support the hosting of Hungarian ceramic artist Yale Repertory Theatre DiverseWorks Mariann Ban. New Haven, CT $3,000 Houston, TX $3,000 To support the hosting of To support the hosting of Ragdale Foundation Valeriy Biltchenko, Ukranian visual artist Lake Forest, IL $3,000 Artistic Director of the Iliya Chichkan. To support the hosting of Kiev Experimental Natalia Tolpekina, Theatre in the . Fabric Workshop & Director of the Women’s Museum Gallery of Fine Arts in Philadelphia, PA $3,000 Siberia, Russia. *CANADA/MEXICO/U.S. To support the hosting of PARTNERSHIP Polish visual artist Maria Rutgers Center for Tyniec-Wadja. Innovative Print & Paper Advaita Sodety International Writing New Brunswick, NJ Berkeley, CA $7,788 Center $3,000 To support a residency for Iowa City, IA $3,000 To support the hosting of Mexican visual artist Edgar To support the hosting of Jozef Bajus, a fiber artist Clement. Albanian poet Lindita from Slovakia. Arapi. Borough of Manhattan School of the Art Community College Institute of Chicago Performing Arts Center Chicago, IL $3,000 New York, NY $8,000 To support the hosting of To support an eight-week Helena Demakova, residency for Mexican curator and Director of choreographer Serafin M6, in Riga, Latvia. Aponte.

Y6 City of Gainesville Beliz Brother *Institute for International Gainesville, FL $8,000 Seattle, WA Education (Arts Int’l) To support an eight-week To support the visual New York, NY $185,000 residency for Canadian artist in research, study A cooperative agreement to writer David Homel. and experimentation with administer grants for the creative uses of bamboo 1997 Fund for U.S. Artists at Columbia City Ballet in both traditional and International Festivals and Company contemporary formats. Exhibitions, a partnershiip of Columbia, SC $9,120 the Endowment, the Pew Craig McTurk Charitable Trusts, and the To support an eight-week Los Angeles,. CA residency for Canadian Rockefeller Foundation. choreographer Stephanie To support the filmmaker Ballard. in creating a video *CEC International documentary that Partners Fabric Workshop, Inc. explores the popularity of New York, NY $115,000 Philadelphia, PA $9,000 blues and jazz music in A cooperative agreement to To support a residency for Japan. support in 1997 ArtsLink, a partnership with the Trust Mexican visual artist Carlos Yoji Yamaguchi Avilez Villanueva. for Mutual Understanding, New York, NY the Starr Foundation, and ~Kenyon College To support the novelist in the Open Society Fund, Gambier, OH $4,900 researching and complet­ which funds artistic ing his second novel, To support an eight-week exchange between the which includes a section United States and Central residency for Canadian poet set in Japan. Elizabeth Cuthand. and Eastern Europe. *National Assembly of 1997 LEADERSHIP Local Arts Agencies *JAPAN-U.S. FRIENDSHIP PROJECTS COMMISSION Washington, DC $50,000 A cooperative agreement to *Japan- U.S. Friendship support community-based ffapan-U.S. Friendship Commission residencies of U.S. Artists in Commission Washington, DC $75,000 arts organizations in Mex­ Washington, DC $75,000 To support the 1997 United ico, Ireland and Northern An Interagency Transfer to States/Japan Creative Ireland, and of Mexican and support the United Artists’ Fellowships pro­ Irish artists in residencies States/Japan Creative gram, which provides through the U.S. Hosted by Artists’ Fellowships pro­ project support for up to local arts agencies. gram, which provides project five mid-career U.S. Artists support for up to five mid- with an opportunity to career U.S. Artists with an pursue their artistic goals opportunity to pursue their and interests in Japan. artistic goals and interests in Japan. The following awards were made:

Y7 FELLOWSHIPS/ Gover, Paula K. Olsen, tVilliam C. CREATIVE WRITERS Mt. Pleasant, MI Kalamazoo, Nil 42 fellowships $630,000 Greene, Jeffrey Pancake, Ann S. 1 award $160,000 Living in France Seattle, WA

The following writers were Hamby, Barbara L. Pike, Bonnie L. awarded $15,000 for Cre­ Tallahassee, FL Tempe, AZ ative Writing Fellowships. Harris, Marina L. Platt, Donald Anderson, Donald Salt Lake City, UT Carrollton, GA Colorado Springs, CO Henrie, Carol Reynolds, David S. Bensen, Robert R. Hayward, CA Washington, DC Oneonta, NY High, John A. Sbeck, Laurie Bernard, Pamela San Francisco, CA Princeton, NJ Duxbury, MA James, Kelvin C. Shomer, Enid Bierds, Linda L. ¯ New York, NY Brooklyn, NY Bainbridge Isle, WA Kdrchwey, Karl W. St. Germain, Sberyl A. Brennan, Karen M. New York, NY Galesburg, IL Salt Lake City, UT Knautb, Stephen C. Swanson, Eleanor L. Bryan, Sharon Charlotte, NC Lakewood, CO Salt Lake City, UT Koetbe, John L. Tobin, Daniel E. Cooley, Nicole R. Milwaukee, WI Racine, WI Atlanta, GA Larkin, Joan Vernon, John E. Covington, Dennis R. Shelburne Falls, MA Vestal, NY Birmingham, AL Lutz, Gary L. ITdeaver, Judith m. Dischell, Stuart Greensburg, PA Berkeley, CA Las Cruces, NM Martin, Charles E 14/~lliamson, Eric M. Eimers, Nancy C. Brooklyn, NY New York, NY Kalamazoo, MI Miller, Benjamin P. Young, Dean H. Frncht, Abby L. Brooklyn, NY Bloomington, IN Oshkosh, WI Muelle~;, Daniel J. Ziesk, Edra Giardina, Denise D. Provincetown, MA New York, NY Charleston, WV

Y8 Poets & Writers Rubin, David G. Wright, Carolyne L. New York, NY $160,000 New York, NY Arlington, MA To support reading and To support the translation To support the compilation evaluation of manuscripts of a collection of Hindi and translation of an and related administrative poetry byJayshankar Prasad anthology of contemporary costs for the Literary (1889-1937). Bengali women poets. Fellowships category. Sartarelli, Stephen P. Zisquit, Linda D. Hudson, NY Living in Israel FELLOWSHIPS FOR To support the translation To support a new transla­ TRANSLATORS of Horcynus Orca, an Italian tion of a collection of 10 awards $100,000 novel by Stefano D’Arrigo Hebrew poems by Yona (1917-1992). Wallach (1944-1985). The following individuals Schmidt, Paul E were awarded $10,000 LITERARY grants for Translation. New York, NY To support new translations PUBLISHING 42 awards $720,000 Decker, Diana P. of plays by Russian play­ Fairfax, VA wright Vladimir To support the translation Mayakovsky (1893-1930), Assistance to Literary Magazines of the Spanish-language including Tragedija (A novel Solitario de amor Tragedy), Klop ~be Bedbug), (Solitary Love) by Cristina Banja (Fbe Bath), and American Poetry Review Peri Rossi (b.1941). Misterija-Buff (Mystery- Philadelphia, PA $10,000 Bouffe). To support authors’ pay­ Haydar, Paula M. ments for issues of American Fayetteville, AR Tberoux, Peter C. Long Beach, CA Poetry Review. To support the translation of the Arabic-language To support the translation Boston University novel Mamlakat al-Gburaba of the Arabic work, Dongola, Boston, MA $10,000 Novel of Nubia by Idris Ali. (The Kingdom of Strangers) To support production, by Elias Khoury (b. 1948). l/an Dyck, Karen R. promotion, distribution, New York, NY and related publishing Lappin, Linda expenses, including authors’ Kingsport, TN To support the translation fees, for issues of Agni. To support the translation of an anthology of contem­ of a collection of short porary Greek women’s Central Europe Institute stories by the Tuscan writer poetry. Washington, DC $8,500 Federigo Tozzi (1883­ To support payments to 1920). contributors and printing ex­ penses for issues of Trafika. Council of Literary Fiction, Inc. Northwestern University Magazines and Presses New York, NY $8,300 Evanston, IL $10,000 New York, NY $10,000 To support typesetting, To support payments to To support contributors’ printing, circulation, design, writers and promotional fees, production, promo­ and related publishing costs for issues of Tri- tion, editing, and related costs, including payments to Quarterly. publishing expenses for four writers, for issues of issues of The Paris Review. FICTION. Oakland Community College Gettysburg College Farmington Hills, MI Gettysburg, PA $10,000 $8,300 To support payments to To support contributors’ contributors and promo­ fees, printing, typesetting, tional costs for issues of The promotion, circulation, and Gettysburg Revkw. related publishing costs for issues of Witness. Gulf Coast: A Journal of Literature & Fine Arts Poetry in Review Houston, TX $6,000 Foundation, Inc. To support design, editing, New York, NY $8,300 production, promotion, To support contributors’ circulation, and related fees, printing, editing, publishing costs, including design, distribution, and contributors’ fees, for two related publishing expenses issues of Gulf Coast. for issues of Parnassus: Poetry In Review. Illinois State University Normal, IL $10,000 Threepenny Review To support printing, pro­ Berkeley, CA $10,000 motion, distribution, and To support printing, design, related publishing expenses, distribution, and payments Courtesy Gettysburg Review. including authors’ fees, for to writers for issues of The issues of Exquisite Corpse. Threepenny Review. Cover from the DePaul University Kenyon College University of Alaska at Autumn 1996 Chicago, IL $10,000 Gambier, OH $10,000 Anchorage issue of To support contributors’ Anchorage, AK $10,000 fees and typesetting, print­ To support production The Gettysbur9 costs, payments to writers, To support editing, typeset­ ing, design, promotion, and Review, and editing fees for issues of ting, printing, promotion, related publishing expenses featuring a The Kenyon Review. distribution, and related for two issues of Poetry East. painting by publishing costs, including Carol Anthony. payments to contributors, for two issues of Alaska Quarterly Review. University of Hawaii at Distribution Coffee House Press Manoa Minneapolis, MN $25,000 Honolulu, HI $10,000 Arizona State University To support production, To support payments to Tempe, AZ $58,500 promotion, and related contributors, typesetting~ To support the warehousing, publishing expenses, includ­ production, promotion, and marketing, distribution, and ing royalty payments, for six related publishing costs for promotion of small press books during 1997. issues of Manta: A Pacific books focusing on contem­ Journal Of International porary Hispanic literature. Contemporary Arts Writing. Educational Project, Inc. Small Press Distribution Los Angeles, CA $25,000 University of Missouri at Berkeley, CA $71,500 To support editing, print­ Columbia To support nationwide mar­ ing, typesetting, distribu­ Columbia, MO $10,000 keting, promotion, and distri­ tion, and related publication To support printing, pay­ bution of small press books costs of four books pub­ ments to writers, and and literary magazines. lished by Sun & Moon related publishing expenses Press. for three issues of The Missouri Review. Small Press Assistance Copper Canyon Press Port Townsend, WA University of Virginia Alice James Poetry $25,000 Charlottesville, VA $10,000 Cooperative, Inc. To support production Farmington, ME $6,200 To support production, costs, royalty payments, promotion, circulation, and To support design, produc­ design, and related publish­ related publishing expenses, tion, promotion, distribu­ ing expenses for six books. including contributors’ fees, tion, and related publishing for issues of Callaloo. expenses for two books of Council of Literary poetry by emerging writers. Magazines and Presses Yale University New York, NY $6,000 New Haven, CT $10,000 Aunt Lute Foundation To support the reading and To support editing, promo­ San Francisco, CA $20,800 evaluation of literary tion, and related publishing To support royalty pay­ magazines, small press expenses, including contrib­ ments and design, printing, titles, and other materials utors’ fees, for issues of The promotion, and related submitted by applicants to Yale Review. publishing expenses for two the Literary Publishing books. category. BOA Editions, Ltd. Curbstone Press Brockport, NY $20,800 Willimantic, CT $20,800 To support authors’ To support production, advances and printing, promotion, and related typesetting, promotion, and publishing expenses, includ­ related publishing expenses ing authors’ royalties, for for five volumes of poetry. four books.

61 Feminist Press, Inc. Latin American Literary White Pine, Inc. New York, NY $20,800 Review Press Fredonia, NY $25,000 To support authors’ royal­ Pittsburgh, PA $25,000 To support editing, print­ ties and editing, design, To support royalty pay­ ing, marketing, design, and production, promotion, and ments, editing, printing, related publishing costs, related publishing expenses production, promotion, and including artistic fees, for for four books. related publishing costs for books. six books. Fiction Collective, Inc. Women in Translation Normal, IL $25,000 Milkweed Editions, Inc. Seat-de, WA $12,500 To support printing, pro­ Minneapolis, MN $25,000 To support translation fees, duction, and related pub­ To support production, printing, typesetting, lishing expenses, including design, editing, distribution, design, promotion, and royalty payments, for books. promotion, and related related publishing expenses, publishing expenses, includ­ including royalty payments, Graywolf Press ing authors’ royalties, for six for two books. St. Paul, MN $25,000 books. To support printing, pro­ Words Given Wings motion, production, Sheep Meadow Press, Inc. Literary Arts Project authors’ royalties, and Riverdale, NY $25,000 San Francisco, CA $25,000 related publishing expenses To support royalty pay­ To support payments to for five books. ments, printing, distribu­ writers, promotion, distrib­ tion, editing, translation, ution, production, editing, Hershon, Robert and related publishing and related publishing costs Brooklyn, NY $12,500 expenses for six books. for six books. To support design, printing, editing, marketing, distribu­ University of Houston- tion, and related publishing University Park SPECIAL PROJECTS expenses, including royalty Houston, TX $25,000 payments, for six books of To support printing, distrib­ *NationM Coundl of Young poetry to be published by ution, design, and related Men’s Christian Hanging Loose Press. publishing costs for books Associations of the USA. published by Arte Publico Chicago, IL $225,000 Kelsey Street Press Press. To support Vision 2000: Berkeley, CA $6,600 Literary Arts for Change, To support authors’ fees and University of Iowa a three-year project to production, promotion, and Iowa City, IA $8,600 develop literary program­ related publishing expenses To support editing, typeset­ ming at YMCAs across the for two books. ting, printing, marketing, United States. and related publishing expenses for two winning selections from the Iowa Short Fiction Award com­ petition. American Film Institute Anthology Film Archives Boston Film/Video Los Angeles, CA $725,000 New York, NY $10,000 Foundation, Inc. To support the National To support film and video Boston, MA, $10,000 Exhibitions Programs -­ screenings and the publica­ To support educational activ­ AFI National Film Theater, tion of two catalogs. ities and a resource center. the AFI Los Angeles Inter­ national Film Festival, and Appalsbop, Inc. Carnegie Institute the AFI National Video Whitesburg, KY $40,000 Pittsburgh, PA $11,000 Festival; Advanced Technol­ To support film/video . To support film/video ogy Programs -- computer- workshops, including screenings and resource based filmmaking work­ training and outreach services. shops, .the AFI-Apple programs and media educa~ Computer Center, and tion programs. Center for Contemporary seminars and workshops; Arts of Santa Fe, Inc. and the National Center for Art Institute of Chicago Santa Fe, NM $11,000 Film & Video Preservation Chicago, IL $16,000 To support film/video -- the AFI Catalog, the To support The Film screenings, including a National Moving Image Center’s exhibitions and Native American Film Database, the AFI Collec­ resource services. Festival. tion, and national moving image preservation coordi­ Asian CineVision Chicago Filmmakers nation. New York, NY $15,000 Chicago, IL $7,000 To support the Asian To support film and video screenings and a series of MEDIA ARTS CENTERS American International workshops. 45 awards $632,000 Film Festival, the Picture Train Children’s Film Series, and introductory and Downtown Community 911 Media Arts Center intermediate video produc­ Television Center Seattle, WA $5,000 tion workshops. New York, NY $23,000 To support access to low- To support educational cost film and video produc­ Bay Area Video Coalition activities and access to low- tion/post-production San Francisco,. CA $21,000 cost production equipment equipment for media artists To support access to profes­ for media artists. and a series of workshops. sional video production and editing systems, including Electronic Arts Intermix American Museum of the broadcast-quality camera New York, NY $12,000 Moving Image equipment, and a series of To support access to low- Astoria, NY $5,000 workshops. cost video production and To support a film and video post-production equipment exhibition program. Berks Filmmakers, Inc. for media artists and a Reading, PA $6,000 distribution service which To support film and video offers over 1,800 works by exhibitions and a workshop over 150 video artists from program. the 1960s to the present. **Includes a $6,000 amendment to a FY95 project. Film Society of Lincoln International House of Center Philadelphia New York, NY $20,000 Philadelphia, PA $16,000 To support the New York To support the Neighbor­ Film Festival; publication of hood Film/Video Project’s the film journal Film screenings and resource Comment; the exhibition center activities. series ,’New Directors/New Films;" and film/video L.A. Freewaves programming at the Walter Los Angeles, CA $5,000 Reade Theater. To support the fifth celebra­ tion of independent video in Film/Video Arts, Inc. Los Angeles. New York, NY $19,000 To support access to film Long Beach Museum of and video production and Art Foundation post-production equipment Long Beach, CA $14,000 for media artists and a series To support access to video of media training programs. production/post-production equipment for media artists Photo © Henry Grossman. Hallwalls, Inc. and video exhibitions. Buffalo, NY $6,000 Blair Brown Facets Multimedia, Inc. Chicago, IL $21,000 To support film and video Millennium Film reads at exhibitions and access to Workshop, Inc. "Selected To support exhibitions, video production and post­ New York, NY $7,000 Shorts," a including an international production equipment for children’s film festival and a To support a film exhibition radio series media artists. video distribution service program and access to film of one-hour which comprises over production equipment for readings of Helena Presents media artists. 26,000 titles on cassette, Helena, MT $5,000 distinguished including American inde­ To support film and video Minnesota Film Center short stories pendent, Hollywood clas­ Minneapolis, MN $8,000 sics, and foreign work. exhibition programs and a at Symphony series of workshops. To support film exhibitions Space in Film Arts Foundation and guest speakers. New York. San Francisco, CA $26,000 Independent Media Artists of Georgia, Etc., Inc. Moving Image, Inc. To support access to low- Atlanta, GA $10,000 New York, NY $26,000 cost film production and post-production equipment To support film and video To support the exhibition of exhibitions and a series of for media artists, and the American independent film publication of its monthly workshops. at Film Forum I and reper­ newsletter, a catalog of tory programming at Film FAF-sponsored projects, Forum II. and a directory of alterna­ tive exhibition sites. Museum of Fine Arts, Ohio State University South Carolina Arts Boston Research Foundation Commission Boston, MA $8,000 Columbus, OH $8,000 Columbia, SC $21,000 To support film/video To support the Wexner To support access to low- exhibition programs. Center for the Arts’ pro­ cost film and video produc­ gramming of the tion/post-production Museum of Fine Arts, Videoteque series, a silent equipment for media artists. Houston film series, and artistic and Houston, TX $5,000 administrative fees for a Southern California Asian To support film and video conference on new tech­ American Studies Central exhibitions and the distribu­ nologies. Los Angeles, CA $8,000 tion of films and videotapes To support Visual Commu­ by Robert Frank. Pittsburgh Filmmakers nications’ screenings of film Pittsburgh, PA $11,000 and video art and access to Museum of Modern Art To support film and video low-cost film and video New York, NY $37,000 exhibitions and access to production/post-production To support film and video low-cost film and video equipment. programming. production/post-production equipment for media artists. Southwestern Alternate New Community Cinema Media Project, Inc. Club, Inc. Portland Art Museum Houston, TX $16,000 Huntington, NY $5,000 Po rdand, OR $13,000 To support media exhibi­ To support the exhibition of To support the Northwest tions and educational independent American film Film Center’s exhibitions programs. and a series of workshops. and education programs. University of California at New Orleans Video Access San Francisco Berkeley, Regents of the Center Cinematbeque Berkeley, CA $37,000 New Orleans, LA $11,000 San Francisco, CA $7,000 To support Pacific Film To support access to video To support a film/video Archive’s exhibition pro­ production/post-production exhibition program, guest grams and study collection. equipment for media artists appearances, and the and a series of workshop publication of program University of California at and residency programs. notes and Cinematograph, an Los Angeles, Regents of the annual journal of film Los Angeles, CA $21,000 criticism. To support the exhibition program of the UCLA Film Scribe Video Center and Television Archives. Philadelphia, PA $7,000 To support workshops, Walker Art Center including seminars and Minneapolis, MN $15,000 . screenings, with visiting To support film and video artists and access to video exhibitions. equipment.

6Y Whitney Museum of *L.A. Theatre Works *New Radio and American Art Venice, CA $18,000 Performing Arts, Inc. New York, NY $12,000 To support the production Staten Island, NY $24,000 To support the New Ameri­ and radio broadcast of a To support the production can Film and Video Series. series of plays recorded over of "New American Radio," four nights before a live a weekly radio series of Women Make Movies, Inc. audience in Los Angeles. works by audio artists across New York, NY $15,000 the country. To support the production *Lincoln Center for the and distribution of films and Performing Arts *Newark Public Radio, lnc. videotapes by and about New York, NY $18,000 Newark, NJ $11,000 women. To support the production To support the production of "Jazz from Lincoln of"JazzSet with Branford Center," a series of weekly Marsalis," a weekly, nation­ PROGRAMMING IN radio broadcasts of record­ ally-syndicated jazz-in­ THE ARTS: THE ARTS ings of live jazz performed performance series featur­ ON RADIO by Lincoln Center’s jazz ing leading jazz musicians 18 awards $250,000 orchestra. and rising young artists recorded at major venues. *Chorus America, *Minnesota Public Radio Assodation of Professional St. Paul, MN $10,000 *Pennsylvania Public Vocal Ensembles To support "Saint Paul Radio Assodates, Inc. Philadelphia, PA $15,000 Sunday," a weekly radio Uwchland, PA $10,000 To support the production of series that features works of To support the production "The First Art," weekly 20th century composers, of "ECHOES," a daily programs of choral music classical repertoire, and radio series of new music. performed by Chorus Amer­ jazz. ica member organizations. *Public Radio *National Public Radio International, Inc. *Earmark Washington, DC $10,000 Minneapolis, MN $10,000 West Chester, PA $15,000 To support the production To support the production To support "Artbeat," a and broadcast of the radio of "Schickele Mix," a weekly national radio series "Billy Taylor’s Jazz at weekly radio program magazine addressing a the Kennedy Center." hosted by composer and broad range of arts and artist Peter Schickele. cultural topics. *National Public Radio Washington, DC $10,000 *Symphony Space, Inc. ~[obns Hopkins To support the production New York, NY $10,000 University /IV’JHU and acquisition costs for To support the production Baltimore, MD $18,000 "NPR Playhouse," which of"Selected Shorts: A To support "Up Close and presents weekly broadcasts Celebration of the Short Classical with David Zin­ of American-produced radio Stow," a radio series of one- man," featuring the Balti­ drama. hour readings of distin­ more Symphony Orchestra. guished short stories by prominent actors.

66 *University of Texas at *World Music Productions *Connecticut Public Austin Brooklyn, NY $16,000 Broadcasting, Inc. Austin, TX $15,000 To support "Afropop World­ Hartford, CT $50,000 To support the production wide," a weekly radio series To support production, of arts and cultural pro­ of programs which showcase acquisition and broadcast gramming for "Latino. contemporary African and costs of five programs in the USA," a weekly English- African-influenced music in 1997 telecast of "New language radio journal of the Caribbean, Europe, and Television," a series of half- news and culture. the Americas. hour programs presenting video artworks from around *West Virginia Public the world. Broadcasting Foundation PROGRAMMING IN Charleston, WV $12,000 THE ARTS: THE ARTS *Educational Broadcasting To support the production ON TELEVISION Corp. of "Mountain Stage," a 11 awards $1,550,000 New York, NY $275,000 weekly arts and perfor­ To support the development mance radio series present­ *American Dance Festival and production of three ing contemporary music Durham, NC $250,000 programs in the 12th broad­ seasoned with traditional To support the production of cast season of the "American and folk roots performers. three one-hour television Masters" television series, programs called "Free to including the development Dance: The African Ameri­ of related educational and Philadelphia, PA $10,000 can Presence in Modem outreach activities. To support the production Dance," on the crucial role of " with Terry of African Americans in the *Educational Broadcasting Gross," a daily magazine of development of 20th century Corp. the arts and contemporary modem dance. New York, NY $400,000 culture featuring interviews To support the development with prominent and emerg­ *American Documentary and production of four ing figures in the arts. New York, NY $175,000 programs for the 1997-98 To support acquisition, broadCast of the public *Wolf Trap Foundation for development, and comple­ television series "Great the Performing Arts tion costs of the 1997 Performances." Vienna, VA $18,000 broadcast of "P.O.V." (Point To support the production of View), a public television and distribution of"Folk series devoted to the art of Masters from Wolf Trap," a nonfiction film. weekly performance/music radio series recorded live at the Barns of Wolf Trap.

67 *Educational Broadcasting *Twin Cities Public Cineaste Publishing Inc. Corp. Television, Inc. New York, NY $5,000 New York, NY $100,000 St. Paul, MN $50,000 To support the publication To support the completion To support the production of Cineaste, a magazine and national broadcast of of"Mive TV." which provides comprehen­ "American Visions," eight sive reportage and insightful one-hour television pro­ *Twin Cities Public analysis of virtually every grams examining the Television, Inc. facet of the world of film. United States from the St. Paul, MN $50,000 perspective of its visual To support the production EBS Productions, Inc. culture -- painting, sculp­ of "American Photography: San Francisco, CA $5,000 ture, artifacts, buildings, A Century of Images," three To support a conference for and cities. hour-long programs explor­ American independent ing still photography in producers to learn about *Lincoln Center for the America in the 20th century. European co-productions, Performing Arts featuring speakers from New York, NY $85,000 such organizations as To support the 1997 tele­ NATIONAL SERVICES England’s Channel 4, casts of the public television 25 awards $208,000 Germany’s ZDF and series, "Live From Lincoln ARTE, and Japan’s NHK. Center." American Indian Film Institute Film Arts Foundation *Metropolitan Opera San Francisco, CA $5,000 San Francisco, CA $5,000 Association, Inc. To support the Canyon To support the American New York, NY $90,000 Indian Film Festival and the Cinema film/video distribu­ To support the telecast of film journal Indian Cinema tion cooperative. Mozart’s Cosi Fan Tutte and Entertainment (ICE). Verdi’s La Forza del Destino Foundation for as part of the 1996-97 Austin Museum of Art Independent Video and broadcasts of the public Austin, TX $6,000 Film, Inc. New York, NY $29,000 television series "The To support production of Metropolitan Opera Pre­ "The Territory," a broadcast To support the publication sents." showcase for independent of The Independent Film and film and video art distributed Video Monthly. *Pathmakers, Inc. to PBS stations in Texas. Washington, DC $25,000 Hawaii International Film To support the live national Camera News, Inc. Festival telecast from the West New York, NY $8,000 Honolulu, HI $5,000 Lawn of the U.S. Capitol of To support the distribution To support an educational two concerts with the of films and videos by and program and a conference. National Symphony about people of color. Orchestra: The 1996 National Memorial Day Concert, and A Capitol Fourth, on July 4, 1996.

68 Independent Feature From the Project, Inc. "American New York, NY $10,000 Masters" To support the Independent program Feature Film Market, the Lena Horne: only market dedicated to In her Own the presentation of Ameri­ Voice, can works to distributors, agents, development execu­ Lena Horne tives, television buyers, and ond Eddie festival programmers. (Rochester) Anderson International in the 1943 Documentary Foundation MGM film Los Angeles, CA $6,000 Cabin in To support the publication The Sky. of International Documen­ tary, the only American magazine devoted exclu­ sively to nonfiction film and video.

International Film Circuit Kobal collection, courtesy American Masters. New York, NY $5,000 To support the organization National Alliance of Media National Asian American and circulation of two Arts Centers, Inc. Telecommunications curated film/video exhibi­ Oakland, CA $10,000 Association tions, "The ICA (London) To support NAMAC’s San Francisco, CA $6,000 Biennial of Independent annual conference, the To support the "Living Film and Video" and publication of its quarterly Room Festival," a 13-part "Document Asia," which newsletter, and an updated television series, broadcast have been unable to secure membership directory. locally. distribution in this country. National Asian American National Educational Mint Museum of Art, Inc. Telecommunications Media Network Charlotte, NC $5,000 Association Oakland, CA $7,000 To support a circulating San Francisco, CA $7,000 To support the 26th annual exhibition of independent To support CrossCurrent National Educational film and video. Media, a national Media Network’s Festival video/audio cassette and and Market. film distribution program for works by or about Asian Americans.

69 New England Foundation Sojourner Productions, Inc. University of California at for the Arts Washington, DC $5,000 Santa Barbara, Regents of Boston, MA $5,000 To support the publication the To support "Mixed Signals," of Black Film Review, the Santa Barbara, CA $5,000 a series of works by inde­ only journal devoted pri­ To support .the publication pendent film and video marily to Black films and of Camera Obscura, a schol­ artists distributed by cable filmmakers. arly journal examining television throughout New critical issues in media England. Sundance Institute for studies with a focus on Film and Television recent developments in Resolution, Inc. Salt Lake City, UT $35,000 feminist film theory. San Francisco, CA $9,000 To support the 1996 Sun- To support a touring dance Film Festival, the Video Association of Dallas exhibition of films and Directing and Screen- Dallas, TX $5,000 videos from South Africa. writing Labs, and the To support the 1996 annual Producers Conference. Dallas Video Festival at the Sinking Creek Film Dallas Museum of Art. Celebration, Inc. Thomas A. Edison Media Nashville, TN $5,000 Arts Consortium Washington D.C. To support the 1996 Sink­ Jersey City, NJ $7,000 International Film Festival ing Creek Film Celebration To support the touring Washington, DC . $8,000 and the Sinking Creek exhibition of the Black To support the 1996 annual Media Institute. Maria Film and Video Washington, DC Interna­ Festival. tional Film Festival.

70 Tucson-Pima Arts *U.S. National Park *U.S. Department of Council** Service Justice Tucson, AZ $158,000 Washington, DC $75,000 Washington, DC $75,000 A cooperative agreement to To support an interagency To support an interagency produce a study on Arts & partnership with the partnership with the Office Prevention for the Endow­ National Park Service’s of Juvenile Justice and ment and the Center for Rivers, Trails and Conser­ Delinquency Prevention Substance Abuse Preven­ vation Assistance Branch for that provides training to lion. a Cultural Interpretation arts-based at-risk youth Initiative which will support programs. *U.S. Department of projects using the arts as Agriculture part of community-based Forest Service interpretation of natural, Washington, DC $300,000 historic, and cultural To support an interagency resources along scenic partnership for Arts and byways or greenways or in Rural Community grants townships, counties or with the Forest Service urban neighborhoods. which supports arts projects in forest service areas.

**Administrative Funds

71 SPECIAL EXHIBITIONS Art Institute of Chicago Brooklyn Institute of Arts 106 awards $2,200,000 Chicago, IL $60,000 and Sciences To support an exhibition of Brooklyn, NY $60,000 Albright College the lithography of James To support a traveling Reading, PA $10,000 McNeill Whisder (1834­ exhibition of paintings and To support an exhibition, 1903), with accompanying other visual arts in pre­ "Timeframes," with accom­ catalogue and education modern Iran (Persia), with panying catalogue and programs. accompanying catalogue and education programs. education programs. Asia Society Allentown Art Museum New York, NY $50,000 Buffalo Fine Arts Academy Allentown, PA $12,000 To support "Traditions/ Buffalo, NY $25,000 To support a traveling To support the traveling Tensions," a traveling exhibition "Charles Sheeler exhibition of contemporary exhibition "Being and Time: The Emergence of in Doylestown: American art by thirty artists from Asia, with accompanying Video Projection," with Modernism and Pennsylva­ accompanying catalogue nia Tradition," with accom­ catalogue and education panying catalogue and programs. and education programs. education programs. Baltimore Museum of Art Capp Street Project American Craft Museum Baltimore, MD $40,000 San Francisco, CA $10,000 New York, NY $20,000 To support a traveling To support an exhibition, To support the traveling exhibition "The Excellence "Subject Matters: Art and exhibition "The Studio of Every Art: The Victoria Computer Technology in Craft Movement: 1945­ and Albert Museum," with the Present," with accompa­ nying catalogue and educa­ 1960," with accompanying accompanying catalogue and education programs. catalogue. tion programs. China Institute in Americas Society, Inc. Beaver College New York, NY $25,000 Glenside, PA $5,000 America, Inc. New York, NY $15,000 To support a traveling To support the exhibition exhibition of Latin Ameri­ "Patterns of Excess," with To support an exhibition of accompanying catalogue paintings, scrolls, books, can "casta" paintings, with and other materials called accompanying catalogue. and education programs. "A Patron’s Life: Zhou Amigos del Museo del Barrio Bronx Museum of the Arts Lianggong and the Painters New York, NY $20,000 Bronx, NY $12,500 of 17th-Century China," with accompanying cata­ To support costs associated To support an exhibition of the work of Uruguayan- logue and education pro­ with planning the exhibition grams. "Transculturation and the born artist Rimer Cardillo, Changing Self: Three with accompanying cata­ logue and education pro­ Generations of Puerto Rican Artists in the United grams. States."

72 City of Palo Alto Coundl for Creative Dia Center for the Arts Palo Alto, CA $10,000 Projeas, Inc. New York, NY $22,500 To support a traveling Lee, MA $10,000 To support an installation of exhibition of the work of To support a traveling new work by Spanish artist American artist Dominic Di exhibition of the pho­ Juan Munoz, with accompa­ Mare, with accompanying tomontages of Romare nying catalogue and educa­ catalogue and education Bearden, with accompany­ tion programs. programs. ing catalogue and education programs. Drawing Center, Inc. Contemporary Arts Center New York, NY $8,000 Cincinnati, OH $7,500 Craft and Folk Art To support a traveling To support a traveling Museum exhibition of drawings by exhibition of the work of Los Angeles, CA $5,000 Victor Hugo, with accom­ Tim Hawkinson with To support the presentation panying catalogue and accompanying catalogue of an exhibition of Swedish education programs. and education programs. folk art at the Craft and Folk Art Museum, Los Edmundson Art Contemporary Museum Angeles, with accompany­ Foundation, Inc. Honolulu, HI $10,000 ing education programs, Des Moines, IA $5,000 To support a retrospective organized by the Museum To support a series of site exhibition of the work of of International Folk Art in specific installations by Ray Yoshida, with accompa­ Santa Fe, New Mexico. contemporary artists, with nying catalogue. accompanying catalogue Dartmouth College and education programs. Corcoran Gallery of Art, Hanover, NH $25,000 Trustees of the To support the traveling Fresno Metropolitan Washington, DC $10,000 exhibition, "Intimate Museum of Art, History, To support the traveling Encounters: Love and and Science exhibition "Petah Coyne: Domesticity in 18th­ Fresno, CA $5,000 Recent Works," with Century France," at Dart­ To support costs associated accompanying catalogue mouth College’s Hood with borrowing the exhibi­ and education programs. Museum of Art, with tion "Ceremony of Spirit: accompanying catalogue. Nature and Memory in Corporation of the Fine Contemporary Latino Art," Arts Museums Detroit Institute of Arts, from the Mexican Museum San Francisco, CA $60,000 Founders Society in San Francisco, with To support an exhibition of Detroit, MI $45,000 accompanying education pre-Hispanic Peruvian art, To support a traveling programs. with accompanying cata­ exhibition of Gothic ivory logue and education pro­ carvings, with accompany­ grams. ing catalogue and education programs. Hammonds House Honolulu Academy of Arts Indianapolis Museum of Galleries, Inc. Honolulu, HI $8,000 Art, Inc. Adanta, GA $5,000 To support the presentation Indianapolis, IN $30,000 To support the presentation of the exhibition "Workers, To support a collaboration of an exhibition of the work An Archaeology of the between the Indianapolis of American artist Robert Industrial Age: Photographs Museum of Art and The Duncanson at the Ham­ by Sebastiao Salgado," at Spanish Institute (NY) to monds House Galleries, the Honolulu Academy of exhibit paintings from Spain with accompanying public Arts, originally organized from the 18th and 19th programs, organized by by the Philadelphia centuries along with a the Washington University Museum of Art. catalogue and accompany­ Gallery of Art, St. Louis, ing education programs. MO. Hostos Community College Advisory Council, Inc. Institute for Contemporary Hand Workshop, Inc. Bronx, NY $12,000 Art, P.S. 1 Museum and Richmond, VA $10,000 To support a traveling the Clocktower Gallery To support a traveling exhibition of the work of Long Island City, NY exhibition of work by Puerto Rican artist Antonio $55,000 contemporary artists whose Martorell, with accompany­ To support a traveling work explores issues of ing catalogue and education exhibition of the work of childbirth, infancy, and programs. American artist Jack Smith, parenting, with accompany­ with accompanying cata­ ing catalogue and education Illinois State University logue and education pro­ programs. Normal, IL $7,000 grams. To support an exhibition Harvard University "Kenny Scharf: When Institute of Contemporary Cambridge, MA $50,000 Worlds Collide," with Art, Boston To support a traveling accompanying catalogue Boston, MA $15,000 exhibition, "KOTAH: Its and education programs. To support a traveling Gods, Kings, and Tigers," exhibition tided "Gothic," at the Harvard University Independent Curators, lnc. with accompanying cata­ Art Museums, with accom­ New York, NY $7,500 logue and education pro­ panying catalogue and To support a traveling grams. education programs. photography exhibition "Making It Real," with International Center of Henry Gallery Association accompanying catalogue. Photography Seattle, WA $30,000 New York, NY $45,000 To support the traveling To support a traveling exhibition "Chris Burden: exhibition of the work of Sculpture," with accompa­ British photographer nying catalogue and educa­ W.H.E Talbot (1800q877), tion programs. with accompanying cata­ logue and education pro­ ffapanese American Massachusetts Institute of Mexican Fine Arts Center National Museum Technology Chicago, IL $10,000 Los Angeles, CA $10,000 Cambridge, MA $35,500 To support an exhibition To support a traveling To support an exhibition "Dia de los Muertos: A exhibition of the work of "Mirror Images: Women, Celebration of Family," Bruce and Norman Surrealism, Self-Represen­ with accompanying cata­ Yonemoto, with accompa­ tation,,’ with accompanying logue and education pro­ nying catalogue and educa­ catalogue and education grams. tion programs. programs. Michigan State University ffewisb Museum Mattress Factory East Lansing, MI $8,000 New York, NY $20,000 Pittsburgh, PA $30,000 To support the presentation To support costs associated To support an exhibition of of an exhibition of Swedish with planning an exhibition individual installations by folk art at the Michigan of the work of French Yayoi Kusama, Greer State University Museum, painter Chaim Soutine Lankton, and Andre organized by the Museum of (1893-1943) Walker. International Folk Art in Santa Fe, and accompanying ffoslyn Art Museum Metropolitan Museum of education programs. Omaha, NE $20,000 Art To support a traveling New York, NY $25,000 Mid-America Arts Alliance exhibition of the work of To support an exhibition of Kansas City, MO $10,000 American artist Lyonel the work of Giovanni To support a traveling Feininger (1871-1956), with Battista Tiepolo (1696­ exhibition organized by accompanying catalogue 1770) and accompanying ExhibitsUSA, "Inescapable and education programs. education programs. Histories: Mel Chin," with accompanying catalogue. Korean American Mexic-Arte Museum, Inc. Austin, TX $5,000 Mint Museum of Art, Inc. Los Angeles, CA $5,000 To support the presentation Charlotte, NC $7,500 To support costs associated of the exhibition To support the costs of with borrowing the exhibi­ "Guillermo Kahlo, 1872­ borrowing an exhibition, tion "Vessels of a Culture: 1941: A Retrospective," at "Animals in African Art: Three Kingdoms and the Mexic-Arte Museum, From the Familiar to the Chosun Ceramics from organized by the National Marvelous" from the Korea" from the Asian Art Council for the Arts in Museum for African Art, Museum of San Francisco, Mexico, with accompanying with accompanying educa­ with accompanying educa­ catalogue and education tion programs. tion programs. programs.

7~ Moore College of Art and Museum of Contemporary New York State Historical Design Art, San Diego Association Philadelphia, PA $10,000 La Jolla, CA $30,000 Cooperstown, NY $10,000 To support an exhibition of To support a traveling To support the presentation the work of Swiss artist exhibition of the work of of the exhibition "James Roman Signer with accom­ American artist Sarah and John Bard, Picture panying catalogue and Charlesworth, with accom­ Painters," at the Fenimore education programs at the panying catalogue and House Museum in Co.oper­ College’s Goldie Paley education programs. stown, New York, with Gallery. accompanying publication Museum of Fine Arts, and education programs. Muckenthaler Cultural Houston Center Foundation Houston, TX $40,000 New York University Fullerton, CA $5,000 To support the exhibition New York, NY $20,000 To support the presentation "Picasso and Photography," To support the exhibition of the exhibition "Roycroft with accompanying cata­ " Le Mouvement Quotidien: Desktop" at the Mucken­ logne and education pro­ Aspects of French Art in the thaler Cultural Center, grams. Nineties," and an accompa­ originally organized by the nying catalogue Burchfield-Penny Art Museum of Modern Art Center, Buffalo, NY. New York, NY $20,000 Oakland Museum of To support a traveling California Foundation Museum of American Folk retrospective of the work of Oakland, CA $20,000 Art American artist Jasper Johns To support a traveling New York, NY $25,000 and an accompanying exhibition of paintings by To support a touring catalogue and education Frank Day (1902-1976), exhibition "Sign Sculpture: programs. with accompanying cata­ Shop and Cigar Store logue and education pro­ Figures in America," with Museum of New Mexico grams. accompanying catalogne Foundation and education programs. Santa Fe, NM $10,000 Ohio State University To suport an exhibition of Research Foundation Museum of Contemporary the photographic work of Columbus, OH $13,500 Art, Los Angeles Laszlo Moholy-Nagy. To support the presentation Los Angeles, CA $25,000 of the exhibition "Forces of To support a traveling National Museum of the Fifties: Selections from exhibition "Out of Actions: Women in the Arts, Inc. the Mbright-Knox Art Performance and The Washington, DC $25,000 Gallery" at the Wexner Object," with accompany­ To support an exhibition of Center, with accompanying ing catalogue and education the work of Lavinia Fontana catalogue and education programs. (1552-1614), with accompa­ programs. nying catalogue and educa­ tion programs.

76 Old Jail Art Center Phillips Academy Real Art Ways, Inc. Albany, TX $5,000 Andover, MA $20,000 Hartford, CT $15,000 To support the presentation To support a traveling To support "RAW Speci­ of the exhibition "The exhibition of the work of fics," an ongoing series of Figure in 20th-century American photographer site-specific public art Sculpture," drawn from the Wendy Ewald, with accom­ projects by contemporary collections of the Ulrich panying artist book/cata­ artists and accompanying Museum of Art, Wichita, logue, residency, and educa­ publications. Kansas, and the Wichita tion programs at the Museum of Art, with Addison Gallery of Ameri­ Renaissance Society at the accompanying education can Art. University of Chicago programs. Chicago, IL $25,000 Phillips Collection To support an exhibition of Parrisb Art Museum, Inc. Washington, DC $40,000 the work of American artist Southampton, NY $10,000 To support a traveling Raymond Petribon, with To support a traveling retrospective exhibition of accompanying catalogue exhibition, "Painting and the work of American artist and education programs. Patronage: The Tenth Richard Diebenkorn, with Street Studios," with accompanying catalogue Rhode Island School of accompanying catalogue and education programs. Design and education programs. Providence, RI $45,000 Phoenix Art Museum To support a traveling Peabody Museum of Salem Phoenix, AZ $15,000 exhibition of faience (earthen­ and Essex To support the presentation ware) from ancient Egypt, Salem, MA $10,000 of the exhibition "Converg­ with accompanying catalogue To support the exhibition ing Cultures: Art and and education programs. "Profusion of Color: Identity in Spanish Amer­ Korean Costumes and ica," at the Phoenix Art Robert W. Woodruff Arts Wrapping Cloths of the Museum. Center, Inc. Chosun Dynasty," organized Atlanta, GA $10,000 by the Asian Art Museum in Photographic Resource To support an exhibition, San Francisco. Center, Inc. "Thomas Woodruff: Nose Boston, MA $10,000 Gays and Knuckle Sand­ Philadelphia Museum of To support the traveling wiches," with accompanying Art exhibition "Anxious catalogue and education Philadelphia, PA $60,000 Libraries: Photography and programs. To support the exhibition the Fate of Reading," with "Earl Horter: A Modernist’s accompanying education Salina Art Center, Inc. Collection Lost and programs. Salina, KS $10,000 Found," with accompanying To support the traveling catalogue and education exhibition, "Of Matter and programs. Spirit: African Arts from Kansas Collections," with accompanying catalogue and education programs.

77 Detail from Tennessee Botanical the work of Gardens and Fine Arts Black Hawk Center, Inc. (c. 1880), part Nashville, TN $5,000 of an exhibition To support a traveling of 19th century exhibition of the work of American artist William Plains Indian Edmondson (1870?- 1951), ledger drawings with accompanying cata­ organized by logue and education pro­ the Drawing grams at the Cheekwood Center and Museum of Art. touring in United Society of Shakers 1996-97. Courtesy Fenimore House Museum. Poland Spring, ME $25,000 San Francisco Museum of To support the exhibition Storefront for Art and "Quiet in the Land, Every­ Modern Art Architecture, Inc. San Francisco, CA $15,000 New York, NY $15,000 day Life, Contemporary Art and the Shakers," with To support a traveling To support the exhibition accompanying _catalogue exhibition of the work of "New York Masjid" (New and education programs. American artist Sargent York Mosque), with accom~ Claude Johnson, with panying catalogue and University of Arizona accompanying catalogue education programs. Tucson, AZ $15,000 and education programs. Studio Museum in To support the exhibition Southeastern Center for Harlem, Inc. "Sea Change: The Seascape Contemporary Art New York, NY $5,000 in Contemporary Photogra­ Winston-Salem, NC phy," with accompanying To support the presentation catalogue and education $15,000 at the Studio Museum of To support a traveling programs at the Center for the exhibition "Ceremony Creative Photography. exhibition of the work of of Spirit: Nature and American artist Maya Lin, Memory in Contemporary University of California at with accompanying Latino Art," organized by Berkeley, Regents of the catalogue, and education the Mexican Museum, San Berkeley, CA $20,000 programs. Francisco. To support a traveling exhibition on Giambattista Tacoma, WA $10,000 Tiepolo and his circle, with accompanying catalogue To support an exhibition and education programs. of the work of American artist Betye Saar, with accompanying gallery guide and video and education programs.

78 University of California at University of Pennsylva­ Virginia Beach Center for Los Angeles, Regents of the nia, Trustees of the the Arts Los Angeles, CA $23,500 Philadelphia, PA $15,000 Virginia Beach, VA $5,000 To support the Armand To support the exhibition TO support the presentation Hammer Museum of Art’s "Three Stanzas on Melan­ of the exhibition "Dawoud traveling exhibition "Scene choly," with an accompany­ Bey: Portraits 1975-1995" of the Crime," with accom­ ing catalogue. at the Virginia Beach panying catalogue and Center for the Arts, with education programs. University of Rochester accompanying education Rochester, NY $15,000 programs. University of California at To support the exhibition, Los Angeles, Regents of the "The Wheel of Time: A Virginia Commonwealth Los Angeles, CA $60,000 Tibetan Kalachakra Sand University Richmond, VA $15,000 To support a traveling Mandala" with accompany­ exhibition and catalogue on ing education programs and To support the exhibition Yoruba beaded arts, with cultural events. "Presumed Innocence," accompanying education with accompanying cata­ programs. University of Wyoming logue, at the Anderson Laramie, WY $10,000 Gallery. University of Georgia To support the traveling Athens, GA $15,000 exhibition "The Painted Virginia Museum of Fine Arts To support the Georgia Photograph: Hand-Colored Museum of Art’s traveling Photography, 1839 to the Richmond, VA $5,000 exhibition "The American Present," with accompany­ To support the presentation Scene and the South: ing catalogue and education of "Jacob Lawrence: The Paintings and Works on programs at the University Frederick Douglass and Paper, 1930-1946," with of Wyoming Art Museum. Harriet Tubman Series of accompanying catalogue Narrative Paintings." and education programs. University of the Arts Philadelphia, PA $5,000 Wads-worth Atheneum University of Miami To support a traveling Hartford, CT $30,000 Coral Gables, FL $5,000 exhibition of the work of To support a series of To support the presentation American artist Jon Kessler, exhibitions of the work of of "Masterworks in Haitian with accompanying Lee Lozano, Spencer Finch, Art from the Collection of brochure, artist’s publica­ Mierle Laderman Ukeles, the Davenport Museum of tion, and lecture. and Carl Pope, with accom­ Art" at the Lowe Art panying artist sheets and Museum, with accompany­ education programs. ing education programs. Walker Art Center Williams College CATALOGUE Minneapolis, MN $10,000 Williamstown, MA $30,000 18 awards $262,500 To support a traveling To support a traveling exhibition of the prints of exhibition of the work of Bass Museum of Art, American artist Frank American artist Tony Friends of the Stella, with accompanying Oursler, with accompanying Miami Beach, FL $10,000 catalogue and education catalogue and education programs. programs, at the Williams To support scholarly College Museum of Art.. research on the Museum’s Walters Art Gallery, collection of architectural Trustees of the Worcester Art Museum drawings and vintage Baltimore, MD $65,000 Worcester, M_A_ $15,000 photographs of designs by L. Murray Dixon and To support a traveling ¯ To support the presentation Morris Lapidus. exhibition, "In the Mind’s at the Worcester Art Eye: Dutch Painting from Museum of the exhibition Cleveland Museum of Art Utrecht in the Golden "Grant Wood: An American Cleveland, OH $20,000 Age," with accompanying Master Revealed," with catalogue and education To support the publication accompanying education of Asian Selections, a hand­ programs. programs. book surveying Chinese, Wellesley College Yale University Japanese, Cambodian, Wellesley, MA $40,000 New Haven, CT $20,000 Korean, and Indian master­ works in the permanent To support a traveling To support a traveling collection. exhibition on the Arts and exhibition of British art Crafts Movement in Boston from the collections of.the Dance Theatre of Harlem and surrounding communi­ State Hermitage Museum New York, NY $15,000 ties, with accompanying in St. Petersburg, Russia, To support the documenta­ catalogue and education with accompanying cata­ programs, at the Davis logue. tion and archival storage of Museum and Cultural the Dance Theatre of Center. Yale University Harlem’s photography New Haven, CT $65,000 collection. Whitney Museum of To support a traveling American Art Fisk University exhibition of the art of the Nashville, TN $15,000 New York, NY $50,000 Baule people of the Ivory To support the scholarly To support an exhibition of Coast, with accompanying work created by the New catalogue. documentation of the Fisk University Galleries’ York Dada artists, with accompanying catalogue collection of African- and education programs. American art and archives.

8O Five Colleges, Inc. Philbrook Museum of Art University of Arizona Amherst, MA $15,000 Tulsa, OK $12,500 Tucson, AZ $5,000 To support the first phase in To support the publication To support manuscript the development of a of Native American Painting preparation for two issues of comprehensive database at the Pbilbrook Museum of The Archive, the Center for documenting the art collec­ Art. Creative Photography’s tions of the consortium’s scholarly journal exploring member institutions. Printmaking Workshop aspects of its permanent New York, NY $10,000 collection. George Eastman House To support the completion Rochester, NY $11,000 of the Workshop’s effort to University of Utah To support the computer­ document and archivally Salt Lake City, UT $15,000 ized documentation of the house its permanent collec­ To support the publication 19th-century British pho­ tion. of a handbook highlighting tography collection. the most important works Saint Louis Art Museum in the Utah Museum of Henry Francis du Pont St. Louis, MO $17,500 Fine Arts’ permanent Wintertbur Museum, Inc. To support the computer­ collection. Winterthur, DE $17,000 ized documentation of the To support costs associated Museum’s collection of Virginia Museum of Fine with preparing Quilts and prints, drawings, and Arts Their Fabrics. photographs. Richmond, VA $20,000 To support the publication International Center of of a scholarly catalogue Photography Seattle, WA $22,000 discussing the collection of New York, NY $10,000 To support the preparation Indian art. To support scholarly docu­ of Long Steps Never Broke a mentation of the archive of Back: African Art from the Wichita Art Museum, the work of Weegee (Arthur Seattle Art Museum. Friends of the Fellig, American, 1899­ Wichita, KS $17,500 1968). Smith College To support the publication Northampton, MA. $17,500 of A SEARCH FOR IDEN­ North Carolina Museum of To support the publication TITY:: lmages of the Land and Art Foundation of a scholarly catalogue of the People from the l/Vichita Raleigh, NC $12,500 master drawings from the Art Museum Collection of To support the publication Smith College Museum of American Art. of Handbook of the Collections, Art. an easy-to-use, illustrated guide which highlights the most important works in the permanent collection.

81 PRESENTATION OF Fabric Workshop, Inc. Museum of Modern Art COLLECTIONS Philadelphia, PA $30,000 New York, NY $18,500 21 awards $570,000 To support several exhibi­ To support an exhibition tions and related education surveying the role of prints Brooklyn Institute of Arts programs from a six-part and illustrated books in and Sciences series highlighting works in contemporary art from Brooklyn, NY $50,000 the permanent collection. 1980 to 1995 and related To support the reinstalla­ education programs. tion of the museum’s Jewish Museum significant collection of New York, NY $20,000 Museum of New Mexico American painting and To support the exhibition Foundation sculpture and related and tour of contemporary Santa Fe, NM $30,000 education programs. art from the permanent To support an exhibition of collection and related Navajo textiles from the Center for Puppetry Arts education programs. permanent collection of the Atlanta, GA $15,000 Museum of Indian Arts and To support the development Milwaukee Art Museum Culture and related educa­ Milwaukee, WI $20,000 of a visible storage gallery tion programs. to give students, puppet To support the reinstalla­ scholars, and the public tion of the museum’s Newark Museum more access to the perma­ extensive collection of folk Association nent collection. art and related education Newark, NJ $25,000 programs. To support the exhibition Dayton Art Institute "Craftsmen of Ancient Dayton, OH $40,000 Museum Associates Rome" and related educa­ To support the reinstalla­ Los Angeles, CA $40,000 tion programs. tion of the museum’s To support the reinstalla­ encyclopedic collection. Of tion of the museum’s South Phoenix Art Museum North American, European, and Southeast Asian collec­ Phoenix, AZ $20,000 Asian, African, Oceanic, and tions and related education To support.the reinstalla­ pre-Columbian art and programs. tion of the museum’s Asian related education programs. art collection and related Museum of Fine Arts, education programs. Emory University Boston Atlanta, GA $35,000 Boston, MA $37,000 Rhode Island School of To support the permanent To support the reinstalla­ Design installation of the Michael tion of the museum’s Providence, RI $37,000 C. Carlos Museum’s sub- collection of early Greek art To support the reinstalla­ Saharan African collection, from the Geometric, tion of the museum’s related education programs, Orientalizing, and Archaic collection of European and accompanying periods (1000 to 480 B.C.) painting, sculpture, and brochure. and related education decorative arts from the programs. Middle Ages to the early 19th century and related education programs.

82 Southern Arts Federation Whitney Museum of Children’s Museum of Atlanta, GA $20,000 American Art Manhattan To support a traveling New York, NY $15,000 New York, NY $10,000 exhibition program serving To support a series of small- To support an after-school rural sites in the South. scale exhibitions highlight­ program which combines ing masterworks as well as object-based learning in the Textile Museum of D. C. lesser-known works from museum with literacy Washington, DC $20,000 the permanent collection. activities for students and To support the exhibition teachers. "Symmetry and Pattern in Worcester Art Museum Oriental Carpets" and Worcester, MA $20,000 Contemporary Arts Center related education programs. To support an exhibition of Cincinnati, OH $10,000 master drawings from the To support "Vital Visions," Tucson Museum of Art permanent collection and a program serving fifth- Tucson, AZ $20,000 related education programs. grade students and teachers To support the reinstalla­ from inner-city schools. tion of the museum’s pre- Columbian, Spanish Colo­ EDUCATION Corcoran Gallery of Art, 28 awards $417,885 nial, and Mexican folk art Trustees of the collections. Washington, DC $10,000 " Arkansas Arts Center To support teacher training University of Chicago Foundation and the development of a Chicago, IL $40,000 Little Rock, AR $26,000 teacher resource center at To support the reinstalla­ To support the center’s the museum. tion of the Oriental Insti­ mobile gallery program. tute Museum’s collection of Delaware Art Museum monumental stone reliefs Art Institute of Chicago Wilmington, DE $10,000 from the palace of King Chicago, IL $32,000 To support the development Sargon II of Assyria and To support an exhibition for of a school program for 6th­ related education programs. young audiences in the grade students and teachers. education gallery. University of Illinois at Dia Center for the Arts Urbana-Cbampaign Brandywine Graphic New York, NY $10,000 Champaign, IL $17,500 Workshop, Inc. To support an intensive art To support the reinstalla­ Philadelphia, PA $12,500 education training program for junior high school tion of the Asian Art To support a high-school Gallery at the Krannert Art art program that includes teachers. Museum and related educa­ student training in comput­ Eldridge Street Project tion programs. ers and multi-media pro­ duction. New York, NY $10,000 To support a school pro­ gram for 4th through 6th­ grade students on New York’s Lower East Side.

83 Franklin Furnace Archive Minneapolis Society of Fine Ohio State University New York, NY $25,000 Arts Research Foundation To support the expansion of Minneapolis, MN $20,400 Columbus, OH $12,500 "Sequential Art for Kids," To support the third year of To support two teacher an art education outreach a five-year longitudinal training initiatives for 500 program based on the book aesthetic development study teachers in grades K-12 at as an art form. in collaboration with the the Wexner Center for the Byron, Minnesota public Arts. Friends of Photography schools. San Francisco, CA $8,000 Photographic Resource To support a year-long Museum of Contemporary Center, Inc. docent program for local Art, Chicago Boston, MA $8,000 junior and senior high Chicago, IL $20,000 To support a series of school students. To support a school pro­ symposia bringing together gram for junior high and the voices of contemporary Henry Street Settlement high school students and artists, cultural historians, New York, NY $12,000 teachers utilizing the theoreticians, and social To support an architecture museum’s permanent commentators from various and design program for collections. intellectual disciplines. students in grades 6 to 10. Museum of Contemporary Polk Museum of Art, Inc. Institute of Contemporary Art, Los Angeles Lakeland, FL $8,285 Art, Boston Los Angeles, CA $15,000 To support an education Boston, MA $20,000 To support an outreach outreach program that To support a teen docent program to introduce the addresses issues of program for inner-city museum and contemporary nomadism, migration, and youth. art to diverse audiences of acculturation. all ages. Isabella Stewart Gardner Research Foundation of Museum Museum of Fine Arts, State University of New Boston, MA $9,200 Houston York To support the expansion of Houston, TX $15,000 Albany, NY $15,000 "Project Explore," a pro­ To support the third phase To support "Writing gram for inner-city teens of a five-year program Through the Arts," the and young adults from designed to cultivate a Neuberger Museum’s Boston’s economically diverse audience utilizing curriculum-based art and underserved communities. the museum’s permanent literacy program serving collection. area high schools. Mexican Fine Arts Center Chicago, IL $12,500 San Francisco Museum of To support in-service Modern Art training for 75 teachers in San Francisco, CA $22,000 the Chicago public schools. To support a media arts education program for high school students and teachers.

84 Toledo Museum of Art MUSEUM TRAINING Corporation of the Fine Toledo, OH $17,000 21 awards $246,900 Arts Museums To support a multi-visit San Francisco, CA $10,000 school program for 6th­ American Law Institute To support a graduate-level grade students based on the Philadelphia, PA $10,000 internship in the Fine Arts Museums’ Department of museum’s ancient collec­ To support stipends for tions. museum professionals to Africa, Oceania, and the attend a three-day course of Americas. University of Houston- study on legal problems of Denver Art Museum University Park museum administration Denver, CO $10,000 Houston, TX $7,500 conducted by the American To support the Sarah Law Institute at the Carne­ To support an internship in Campbell Blaffer Gallery’s gie Museums in Pittsburgh. the education department. art education program for pre-teen and teenage Asia Society Harvard University students from schools in New York, NY $10,000 Cambridge, MA $10,000 economically disadvantaged To support an internship for To support an advanced neighborhoods. an advanced graduate stu­ graduate internship at the dent at the Asia Society Harvard University Art Walters Art Gallery, Gallery. Museums in the Department Trustees of the of Paintings and Sculpture. Baltimore, MD $20,000 Cincinnati Museum To support the development Association Honolulu Academy of Arts of a multicultural high Cincinnati, OH $10,000 Honolulu, HI $5,000 school art history course To support an eight-month To support an undergradu­ entitled, "Art and Artifacts: graduate level internship in ate or graduate-level intern­ Clues to Distant Cultures." the Deparunent of Prints, ship in the Department of Drawings, and Photographs. Western Art. Williams College Williamstown, MA $20,000 Cleveland Museum of Art Joslyn Art Museum To support a program Cleveland, OH $10,000 Omaha, NE $10,000 designed to give teachers To support an internship in To support a graduate-level and students greater access the Museum’s Department internship in the curatorial, to the Williams College of Education and Public education, and collections Museum of Art’s collections Programs. management departments. and programs.

8~ Metropolitan Museum of Santa Monica Museum University of Southern Art of Art California New York, NY $15,000 SantaMonica, CA $10,000 Los Angeles, CA $10,000 To support a summer To support a curatorial To support honoraria for internship program for internship at the Santa speakers, travel, and college juniors, seniors, and Monica Museum of Art. stipends for Students in the recent graduates in the university’s graduate pro­ museum’s curatorial,, educa­ Socrates Sculpture Park gram in museum studies. tion, conservation, or Long Island City, NY administrative departments. $12,500 University of Texas at To support an ini:ernship Austin New York University and apprenticeship program Austin, TX $10,000 New York, NY $12,500 for graduate and undergrad­ . To support the Huntington To support stipends for uate students and high Gallery’s graduate intern­ students and honoraria for school seniors at the ship program which is lecturers in the Graduate Socrates Sculpture Park. designed to complement the Program in Curatorial Stu­ University of Texas at dies offered by the Institute University of Kansas Main Austin’s art, art history, and of Fine Arts and the Metro­ Campus museum education graduate politan Museum of Art. Lawrence, KS $12,500 degree programs. To support the Spencer Philadelphia Museum of Museum of Art’s Museum Walker Art Center Art Training Program providing Minneapolis, MN $19,500 Philadelphia, PA $27,000 stipends for graduate To support graduate-level To support a post-graduate students in art history and internships in the curatorial internship program in the art education to work in the and education departments. Department of Prints, museum’s curatorial depart­ Drawings, and Photographs. ments and the registrar’s office. SPECIAL PROJECTS Restoration College Association University of New Mexico *Institute of Museum Mount Carroll, IL $10,400 Main Campus Services To support a series of work­ Albuquerque NM $10,000 Washington, DC $100,000 shops and seminars on ¯ To support a graduate-level An interagency transfer as collections care management curatorial internship in the part of a collaboration with at the Campbell Center. University Art Museum’s IMS, the National Endow­ department of prints and ment for the Humanities, Rutgers, Tbe State photographs. and the National Science University of New Jersey Foundation and private Piscataway, NJ $12,500 partners to support a five- To support a graduate-level year project called internship in the Depart­ "Research in Learning in ment of Prints and Draw­ Museums." ings at the Jane Voorhees Zimmerli Art Museum at Rutgers University.

86 *AMERICAN JAZZ Ars Chamber Choral Cross-Ties, Inc. MASTERS Singers, Inc. Pordand, OR $3,000 3 awards $60,000 Boulder, CO $3,000 To support salaries of To support staff salaries and chorus singers for three The following jazz legends fees of the artistic director, concerts during the 1996-97 were each awarded an rehearsal accompanist, and season. American Jazz Masters five professional singers Fellowship and a $20,000 within the ensemble. Chorus America, grant. Association of Professional Ascension Music Chorus & Vocal Ensembles Billy Higgins Orchestra, Inc. Philadelphia, PA $18,000 Los Angeles, CA New York, NY $5,000 To support the annual Milt Jackson To support the fees of conference of Chorus Teaneck, NJ singers for up to four America. concerts during 1996-97. Anita O’Day Cindnnati Musical San Jacinto, CA Austin Vocal Arts Festival Association Ensemble, Inc. Cincinnati, OH $3,000 Austin, TX $3,000 To support fees of the team ENSEMBLES: To support the salary of a of artistic personnel leading CHORUSES staff member to assist the the May Festival Chorus 32 awards $200,268 Ensemble’s Executive and during 1996-97. Artistic Directors. American Boychoir School Connecticut Choral Artists Princeton, NJ $3,300 Cantata Singers, Inc. New Britain, CT $4,000 Cambridge, MA $3,000 To support the presentation To support salaries of artistic of American and multi­ To support artistic expenses personnel and a part-time marketing assistant. cultural choral music, related to the Boston engagement of a choral premiere of"Jonah," a work conductor, and participation set to Biblical text by Dale Warland Singers Minneapolis, MN $22,000 in a residency in rural West American composer Mar­ Virginia communities. jorie Merryman. To support artistic stipends of ensemble members and " American Choral Directors Choral Arts Sodety of salaries of the artistic staff, Association Washington including the Music Direc­ Lawton, OK $4,500 Washington, DC $3,000 tor and Assistant Conduc­ To support salaries related To support fees for vocal tor/Accompanist. to the publication of the soloists for the Choral Arts Choral Journal. Society’s concerts during 1996-97 at the Kennedy Center Concert Hall.

87 Glen Ellyn Children’s Los Angeles Master Performing Arts Chorus Chorale Association Association of Orange Glen Ellyn, IL $4,318 Los Angeles, CA $7,150 County-Pacific Chorale To support costs related to a To support conductor’s and Santa Aria, CA $3,000 choral workshop and the singers’ fees for concerts, as To support the salary of the "Musical Experience for well as for the Chamber Pacific Chorale’s artistic Children" Program. Singers who teach in the director and the fees of its Chorale’s educational professional singers and Gregg Smith Singers, Inc. outreach program. guest soloists. New York, NY $4,000 To support costs related to Milwaukee Symphony Philadelphia Singers the Gregg Smith Singers’ Orchestra, Inc. Philadelphia, PA $4,000 1996 Summer Adirondack Milwaukee, WI $8,000 To support salaries for Festival of American Music. To support salaries and fees professional singers for for core singers of the concerts during 1996-97. Handel and Haydn Society Milwaukee Symphony Boston, MA $13,500 Orchestra Chorus, the Phoenix Bach Choir . To support rehearsal and Choral Director and Associ­ Phoenix, AZ $5,000 performance fees for the ate Conductor, and key­ To support costs of salaries chorus singers, Chorusmas­ board accompanists. for the Phoenix Bach Choir’s ter, rehearsal pianist, and professional singers for guest soloists. Minnesota Chorale concerts during 1996-97. Minneapolis, MN $4,125 His Majestie’s Clerkes To support the Professional Plymouth Music Series Chicago, IL $4,000 Singer Program, which Minneapolis, MN $6,200 To support singer’s fees for provides salaries for the To support professional fees four programs during the paid core of 21 singers. paid to the associate con­ 1996-97 season. ductor, rehearsal accompa­ Music of the Baroque nist, and members of the Kitka, Inc. Concert Series Ensemble Singers. Oakland, CA $3,575 Chicago, IL $7,500 To support performance To support choral salaries Pomerium Musices, Inc. fees for the ensemble’s 12 and vocal soloists’ fees for New York, NY $3,000 singers and the salary of the rehearsals and concerts. To support singers’ fees for artistic director. rehearsals and performances. Oregon Repertory Singers Pordand, OR $3,000 San Francisco Chanticleer To support the salaries of San Francisco, CA $22,000 the music director and the To support the salaries of accompanist during the San Francisco Chanticleer’s 1996-97 season. artists.

88 San Francisco Choral CHAMBER/JAZZ California E.A.R. Unit Artists ENSEMBLES Foundation San Francisco, CA $3,300 49 awards $200,000 Los Angeles, CA $3,000 To support fees and salaries To support artist fees and of singers, the music direc­ American Brass Chamber related costs for the perfor­ tor, associate conductor, and Music Association mance of new music during the executive director. New York, NY $3,000 a four-concert series at the To support artists’ fees for Los Angeles County San Francisco Girls the performance of cham­ Museum of Art. Chorus, Inc. ber music by the American San Francisco, CA $8,000 Carnegie Chamber Players Brass Quintet during a New York, NY $3,000 To support salaries and concert series in New York guest artists’ fees for the City. To support artists’ fees and Master Teacher Program related costs of a chamber and Chorus School. music residency in the Amherst, MA $4,420 Upper Valley of Vermont San Francisco Symphony To support guest artists’ and New Hampshire. San Francisco, CA $8,800 fees in the performance of Chamber Music America To support the salaries of 30 early music with the F01ger professional choristers in the Consort. New York, NY $29,500 San Francisco Symphony To support a technical Chorus during 1996-97. Amherst Saxophone assistance program and Society, Inc. costs of the magazine Syracuse Children’s Williamsville, NY $3,000 Chamber Music. Chorus, Inc. To support a chamber music Chamber Music Society of Camillus, NY $3,000 residency by the Amherst To support a series of three Lincoln Center, lnc. Saxophone Quartet in the New York, NY $8,850 concerts designed to blend City of Buffalo and Erie an educational and musical County. To support artists’ fees and experience for young related costs for the perfor­ singers during 1996-97. Boston Musica Viva, Inc. mance of chamber music Boston, MA $3,000 programs at Mice Tully Hall. To support artistic fees and Chicago Chamber related expenses for the Musicians performance of chamber Chicago IL $3,000 music during the Fifth Annual Family Concert and To support artists’ fees and related educational activities. related expenses for the performance of chamber music during the "First Monday" concert series. Debussy Trio Music Maelstrom Percussion Foundation San Francisco, CA $3,000 Ensemble, Ltd. Los Angeles, CA $3,000 To support artists’ fees and Buffalo, NY $3,000 To support artists’ fees and related expenses for the To support artists’ fees for related costs of a Contem-. performance of new music the performance of new porary American Music during a three-concert music during a concert series Residency at the University series. and "Day of Percussion for of OregonsEugene in fall Schools and Communities" 1996. Goliard Concerts, Inc. outreach activities. Astoria, NY $3,000 Detroit Chamber Winds To support artists’ fees in Musica Antigua de Royal Oak, MI $3,000 the performance of cham­ Albuquerque, Inc. To support artists’ fees and ber music concerts. Albuquerque, NM $3,000 related expenses for up to To support artists’ fees for six performances of cham­ Hesperus the performance of four ber music. Arlington, VA $3,000 early music programs. To support the costs of five Dinosaur Annex Music chamber music concerts at New Millennium Ensemble, Inc. three venues in the Wash­ Ensemble, Inc. Boston, MA $3,000 ington, DC area. New York, NY $3,000 To support artists’ fees for To support artists’ fees and the performance of three Intersection related costs for the perfor­ new music concerts in the San Francisco, CA $3,500 mance of chamber music in Boston area. To support artists’ fees for a two-concert series. the performance of vocal Dorian Woodwind Quintet music. New Music Consort, Inc. Foundation, Inc. New York, NY $3,550 New York, NY $3,000 Kronos peoCorming Arts To support artists’ fees and To support artists’ fees and Association related costs for the perfor­ related expenses for the San Francisco, CA $8,850 mance of a new music performance of chamber To support the costs for the concert series. music. performance of new music concerts in San Francisco. New Sounds Music, Inc. Early Music America, Inc. New York, NY $3,500 Cleveland, OH $7,500 La Capriole To support artists’ fees and To support technical assis­ Williamsburg, VA $3,000 related costs for a new music tance workshops and the To support artists’ fees residency by the PRISM production of the organiza­ associated with the perfor­ Quartet, Saxophone, and tion’s publications. mance of early music during MIDI Ensemble. a concert series in Wil­ liamsburg and Norfolk, VA.

90 New York Festival of Song Philadelphia Renaissance Quintet of the Americas New York, NY $3,000 Wind Band New York, NY $5,000 To support artists’ fees and Philadelphia, PA $3,000 To support artists’ fees and related expenses for a series To support artists’ fees and related costs associated with of vocal chamber music related costs for the perfor­ two concert series. concerts. mance of early music in a continuing series of con­ Relacbe, Inc. Newberry Library certs. Philadelphia, PA $3,000 Chicago, IL $3,000 To support artists’ fees and To support artists’ fees for Pittsburgh Early Music related expenses for the the performance of early Ensemble performance of new music music concerts and senior Pittsburgh, PA $3,000 during an eight-concert citizen matinees by the To support artists’ fees for series in Philadelphia. Newberry Consort. the performance of early music during a concert S.E.M. Ensemble, Inc. North Country Chamber series. Brooklyn, NY $3,000 Players, lnc. To support artis’ts’ fees and Franconia, NH $3,000 Pittsburgh New Music related costs for the perfor­ To support artists’ fees and Ensemble mance of new music in a related costs for the perfor­ Pittsburgh, PA $3,000 five-concert series at various mance of chamber music To support artists’ fees and venues in New York City. during "An American related costs for the perfor­ Chamber Music Retrospec­ mance of five new music San Francisco tive" concert series. concerts. Contemporary Music Players Odyssey Chamber Players Present Music, Inc. San Francisco, CA $3,830 Marion, MA $3,000 Milwaukee, WI $4,000 To support artists’ fees and To support artists’ fees and To support artists’ fees and related costs for the perfor­ related costs for the perfor­ related costs for the perfor­ mance of new music in a mance of chamber music mance of new music during concert series and educa­ during the "MusicFest" an eight-concert series in tional activities. festival. Milwaukee, WI. Sea Cliff Chamber Players Performers’ Committee Quintessence Chamber Sea Cliff, NY $3,000 New York, NY $3,000 Ensemble, Inc. To support artists’ fees and To support artists’ fees and Phoenix, AZ $3,000 related expenses for the related expenses for the To support artists’ fees and performance of chamber performance of new music related costs for the perfor­ music during the Chamber during a concert series in mance of chamber music in Music in Sea Cliff concert New York City. a concert series. series.

91 Southwest Chamber Music Theater Chamber Players ENSEMBLES: Sodety Washington, DC $3,000 ORCHESTRAS Pasadena, CA $3,000 To support artists’ fees for 58 awards $3,835,000 To support artists’ fees for the performance of cham­ the performance of cham­ ber music during four.pairs Albany Symphony ber music during educa­ of concerts to be performed Orchestra tional programs in the at the Kennedy Center for Albany, NY $7,600 1996-97 season. the Performing Arts and the To support orchestra Bradley Hills Presbyterian Speculum Musicae, Inc. musicians’ salaries for the Church. performance of eight full New York, NY $3,000 orchestra concerts. To support artists’ fees and Third Angle New Music related costs for the perfor­ Ensemble Amarillo Symphony mance of new music during Portland, OR $3,000 Amarillo, TX $4,000 a three-concert series. To support artists’ fees and To support community related costs for the perfor­ outreach and educational St. Luke’s Chamber mance of contemporary programs and engagement Ensemble, Inc. chamber music during a of American guest artists. New York, NY $4,500 five-concert series. To support artists’ fees for American Composers the performance of cham­ Voices of Change Orchestra ber music during a five- Dallas, TX $3,000 New York, NY $17,300 concert series at Weill To support artists’ fees for To support the artistic and Recital Hall of Carnegie the performance of new production costs of an Hall in New York City. music in two concert series. additional rehearsal for four concerts. Thamyris, Inc. Western Wind Vocal Atlanta, GA $3,000 Ensemble, Inc. American Symphony To support artists’ fees for New York, NY $5,000 Orchestra League the performance of new To support artists’ fees and Washington, DC $210,600 music during a five-concert related costs for the perfor­ To support the League’s series at various venues mance of vocal chamber education, training, and throughout the metropoli­ music during a two-concert information services to the tan Adanta area. series and activities associ­ field. ated with "The Western Wind Goes to School." American Symphony Orchestra Zeitgeist New York, NY $9,600 St. Paul, MN $3,000 To support orchestra To support artists’ fees and musicians’ salaries for the related costs for the perfor­ preparation and perfor­ mance of new music in a mance of a six-concert concert series. series of theme-based concerts.

92 Anchorage Symphony Baltimore Symphony Binghamton Symphony Orchestra Orchestra and Choral Society, Inc. Anchorage, AK $4,000 Baltimore, MD $100,200 Binghamton, NY $4,000 To support chamber con­ To support costs related to To support costs for two certs and in-school perfor­ the performance of concerts performances of a concert. mances by ensembles in the Celebrity series. comprised of orchestra Boston Symphony musicians. Bangor Symphony Orchestra Orchestra Boston, MA $122,900 Ann Arbor Symphony Bangor, ME $4,000 To support youth concerts Orchestra To support orchestra to be performed in Sym­ Ann Arbor, MI $4,100 musicians’ fees for a . phony Hall. To support in-school regional tour to four rural ensemble performances. and underserved communi­ Brooklyn Philharmonic ties in Maine.. Symphony Orchestra Augusta Symphony Brooklyn, NY $15,600 Augusta, GA $4,000 Baton Rouge Symphony To support orchestra To support orchestra musi­ Association musicians’ fees for the cians’ salaries for the prepa­ Baton Rouge, LA $6,000 performance of theme- ration and performance of To support expenses related based programs, arts educa­ concerts for the Master- to performances of Master­ tion, and community Works Series I and II. works Series concerts. outreach.

Austin Symphony Bay Area Women’s Buffalo Philharmonic Orchestra Society Philharmonic Orchestra Society Austin, TX $9,200 San Francisco, CA $4,000 Buffalo, NY $25,500 To support orchestra To support orchestra To support orchestra musi­ musicians’ salaries for the musicians’ fees for a full cians’ salaries for "Sight, preparation and perfor­ orchestra concert perfor­ Sound, and Symphony" mance of concerts. mance. concerts, run-out concerts, and outreach concerts in Baltimore Chamber Berkeley Symphony public parks and communi­ Orchestra Orchestra ties in rural regions of Owings Mills, MD $4,000 Berkeley, CA $4,000 western New York. To support fees for Ameri­ To support rehearsal costs can soloists and musicians associated with the prepara­ California Symphony tion and presentation of Orchestra for the performance of a $4,000 concert featuring contem­ David Sheinfeld’s "Sym­ Orinda, CA porary works. phony no. 1, Polarities." To support orchestra musicians’ fees for prepara­ tion and two performances of a concert in the main home series.

93 Canton Symphony Chicago Sinfonietta, Inc. Colonial Symphony Orchestra Chicago, IL $6,200 Basking Ridge, NJ $4,000 Canton, OH $10,400 To support orchestra To support performances of To support remuneration of musicians’ salaries for the American music and pre­ musicians who comprise the performance of 11 concerts sentation of American guest and ensem­ at two venues. artists. bles for education and outreach activities. Chicago String Ensemble Colorado Springs Chicago, IL $4,000 Symphony Orchestra Cayuga Chamber To support orchestra Colorado Springs, CO Orchestra musicians’ and soloists’ fees $8,800 Ithaca, NY $4,000 for five concerts to be To support Young People’s To support orchestra performed in Chicago and and Family Adventure musicians’ fees for the repeated in Evanston and Concerts. performance of seven LaGrange, Illinois. chamber orchestra concerts. Colorado Symphony Cincinnati Symphony Association Cedar Rapids Symphony Orchestra Denver, CO $28,600 Orchestra Association, Inc. Cincinnati, OH $96,100 To support Youth Concerts Cedar Rapids, IA $5,600 To support fees for guest and a statewide "Up Close To support salaries of the artists and conductors and Musical" tour. Symphony String Quartet who will appear with the and engagement of addi­ orchestra. Columbus Symphony tional orchestra musicians Orchestra for 75th anniversary events. Classical Pbilbarmonic of Columbus, OH $44,700 Northern California To support educational Charleston Symphony San Leandro, CA $4,000 programs, including Orchestra To support an additional engagement of an education Charleston, SC $7,500 rehearsal for each of five director and part-time To support salaries of core concerts. support staff. orchestra musicians. Cleveland State University Concert Royal, Inc. Charlotte Symphony Cleveland, OH $4,000 New York, NY $4,000 Orchestra Society To support orchestra To support orchestra Charlotte, NC $26,500 musicians’ fees for second musicians’ and American To support costs related to performances of six Ameri­ guest soloists’ fees, pre- the orchestra portion of a can works that were com­ concert talks and post- collaborative production of missioned by other chamber concert discussions, and "The Tempest" with the orchestras after 1980. additional rehearsals. Charlotte Repertory Theatre.

94 Dallas Symphony Detroit Symphony Eugene Symphony Association Orchestra Hall, Inc. Association Dallas, TX $78,000 Detroit, MI $94,600 Eugene, OR $4,800 To support costs related to To support engagement of To support orchestra the performance of African American guest artists and musicians’ salaries for American and Hispanic conductors featured in performance of concerts in Festival Concerts and Classical, Young People’s, the Classical Series. educational "Amazing and Tiny Tots concerts and Music" concerts. the Christmas Festival. Evansville Philharmonic Orchestra Dayton Philharmonic Eastern Connecticut Evansville, IN $5,700 Orchestra Association Symphony To support orchestra musi­ Dayton, OH $16,700 New London, CT $4,000 cians’ salaries for perfor­ To Support orchestra To support a performance mances of Family and Youth musicians’ salaries for of George Gershwin’s Porgy Concerts, and in-school Coffee and Casual Classics and Bess as part of the ensemble performances. Concerts and the In-School orchestra’s 50th anniversary Ensembles Program. celebration. Fairfield Orchestra Norwalk, CT $4,000 Delaware Symphony E1 Paso Symphony To support orchestra Association Orchestra Association musicians’ fees and travel Wilmington, DE $8,500 E1 Paso, TX $4,000 costs for preparation and To support orchestra To support orchestra performance of up to six musicians’ salaries for musicians’ salaries for concerts. ¯ concerts in Wilmington and performances of concerts in southern Delaware commu­ the Classical Series. Flint Institute of Music nities. Flint, MI $4,000 Elgin Symphony Orchestra To support Flint Symphony Des Moines Symphony Association Orchestra musicians’ salaries Association Elgin, IL $4,000 for up to four "Music Where Des Moines, IA $6,000 To support the engagement You Live" Concerts. To support orchestra of an Assistant Principal musicians’ salaries for an Bassist and increased Florida Orchestra additional Youth Concert remuneration for the Tampa, FL $17,000 and engagement of three Assistant Concertmaster To support orchestra American guest artists. and Assistant Principal musicians’ salaries and Violist. American guest artists’ fees for the performance of up Erie Philharmonic to 14 concerts in the "Mas­ Erie, PA $4,000 terworks Series." To support increased remuneration for orchestra musicians.

9Y Florida Philharmonic Greensboro Symphony Indiana State Symphony Orchestra Society Society Ft. Lauderdale, FL $31,000 Greensboro, NC $4,600 Indianapolis, IN $69,700 To support orchestra To support educational To support the Indianapolis musicians’ salaries for the programs. Symphony Orchestra’s Mid~ performance of programs in Winter Festival. the "Masterworks Series" Greenville Symphony and educational programs. Assodation Jacksonville Symphony Greenville, SC $4,000 Association Fort Wayne Philharmonic To support "A Gospel Jacksonville, FL $20,800 Orchestra Celebration" holiday To support orchestra Fort Wayne, IN $18,800 concert. musicians’ salaries for the To support the salaries of 18 performance of the educa­ principal players of the Handel and Haydn Society tion programs and commu­ Philharmonic and its Boston, MA $18,200 nity outreach concerts. chamber orchestra. To support orchestra musicians’ fees for period- Kalamazoo Symphony Fort Worth Symphony instrument performances. Society Orchestra Association, Inc. Kalamazoo, MI $6,200 Ft. Worth, TX $28,000 Hartford Symphony To support concerts to be To support the Fort Worth Orchestra performed in the Sym­ Symphony Orchestra’s Hartford, CT $13,800 phonic Series and a runout touring and outreach To support up to three performance. program as it visits up to 17 Family Matinee concerts smaller communities across and the distribution of free Kansas City Symphony the state. tickets to disadvantaged Kansas City, MO $31,200 individuals to attend these To support concerts to be Grand Rapids Symphony performances. performed in the Main Society Series. Grand Rapids, MI $27,700 Houston Symphony Society To support the salaries of Houston, TX $85,800 Lake Forest Symphony core orchestra musicians. To Support orchestra Association, Inc. musicians’ salaries for three Lake Forest, IL $4,600 Greater Akron Musical performances of 18 con­ To support orchestra Association, Inc. certs. musicians’ salaries for the Akron, OH $5,500 performance of Young To support orchestra Illinois Philharmonic People’s and Family Educa­ musicians’ salaries for Orchestra tional concerts. education and outreach Park Forest, IL $4,000 programs. To support a chamber orchestra concert at Moraine Valley Community College.

96 Lansing Symphony Los Angeles Chamber Matin Symphony Assodation Orchestra Society Association Lansing, MI $4,000 Los Angeles, CA $36,400 San Rafael, CA $4,000 To support engagement of To support orchestra To support increased additional string section musicians’ salaries and guest remuneration for orchestra musicians. artists’ fees for the perfor­ musicians. mance of concerts in the Lehigh Valley Chamber Connoisseur and Regency Meet the Composer, lnc. Orchestra Series. New York, NY $33,000 Lehigh Valley, PA $4,000 To support the orchestra To support addition!l string Los Angeles Philharmonic residency portion of the sectional and string princi­ Association New Residencies Program pal rehearsals for eight Los Angeles, CA $122,900 which allows a composer to concerts. To support Upbeat Live work with an orchestra, pre-concert lectures and another performing arts Lexington Philharmonic discussions, Green organization, and a commu­ Sodety Umbrella and family nity or human development Lexington, KY $5,200 concerts, and free Neigh­ agency organization. To support education and borhood concerts. community outreach Memphis Orchestral performances and travel Louisiana Philharmonic Society expenses for musicians Orchestra Memphis, TN $10,600 hired from outside of New Orleans, LA $9,400 To support salaries of core Lexington. To support orchestra orchestra musicians for musicians’ salaries for an performance of educational Lincoln Orchestra additional week of services, and outreach services. Assodation education and outreach Lincoln, NE $4,000 programs, and American Milwaukee Symphony To support orchestra guest artists’ fees. Orchestra, Inc. musicians’ salaries for the Milwaukee, WI $55,800 performance of two free Louisville Orchestra To support orchestra concerts performed in parks Louisville, KY $14,700 musicians’ salaries for the in Lincoln and the sur­ To support orchestra performance of classical rounding area. musicians’ salaries for the subscription concerts, performance of concerts in including the "Classical Long Beach Symphony the Masterworks and Coffee Conversations" series; Association Concerts series. youth, high school, and Long Beach, CA $18,200 family concerts; and touring To support performance of Madison Symphony throughout Wisconsin. contemporary American Orchestra repertoire. Madison, WI $4,000 To support orchestra musicians’ salaries for the performance of education programs.

97 Minnesota Orchestral Modesto Symphony National Chamber Association Orchestra Orchestra Society, Inc. Minneapolis, MN $120,600 Modesto, CA $4,000 Rockville, MD $4,000 To support education and To support American guest To support artistic and outreach programs, Ameri­ artists’ fees and orchestra administrative costs’associ­ can artists’ fees, and East musicians’ salaries for the ated with performance of and B~est Coast tours. performance of a family American music, engage­ matinee concert and four ment of American artists, Minnesota Sinfonia, educational performances and increased rehearsal Friends of the for elementary students. time. Minneapolis, MN $4,000 To support orchestra Monterey County National Symphony musicians’ fees for prepara­ Symphony Association Orchestra Association of tion and performance of Carmel, CA $4,000 Washington, D.C. four concerts to be per­ To support additional Washington, DC $110,200 formed in "The Great rehearsals. To support the performance Winter Festival." of six concertos composed Music of the Baroque by American composers. Mississippi Symphony Concert Series Orchestra Association Chicago, IL $6,500 New Hampshire Symphony Jackson, MS $4,000 To support orchestra Manchester, ~ $4,000 To support orchestra musicians’ salaries, Ameri­ To support orchestra musicians’ salaries for the can instrumental soloists’ musicians’ salaries for two performance of statewide fees, and administrative performances of six concerts run-out and touring con­ expenses related to orches­ held at the Palace Theatre certs throughout Mississippi tral programs. in Manchester, NH. and distribution of free tickets to underprivileged Musical Arts Association ¯ New Haven Symphony and disabled citizens attend­ Cleveland, OH $122,900 Orchestra, Inc. ing the Ovation Series. To support the Cleveland New Haven, CT $8,600 Orchestra’s musicians’ To support orchestra Missouri Symphony Society salaries and American guest musicians’ salaries for seven Columbia, MO $4,000 artists’ and conductors’ fees concert performances. To support an audience for performance of Thurs­ development effort and day, Friday, and Saturday New Jersey Symphony distribution of free tickets evening concerts. Orchestra to disadvantaged residents Newark, NJ $28,000 who will attend subscription Nashville Symphony To support the education concerts. Assodation program. Nashville, TN $17,100 To support musicians’ salaries for performance of community outreach and Ensembles in Schools programs.

98 New Mexico Symphony Northwest Indiana Oregon Symphony Orchestra Symphony Society, Inc. Association Albuquerque, NM $11,700 Munster, IN $4,700 Portland, OR $54,600 To support educational To support artistic expenses To support orchestra programs and touring related to the Great Ameri­ musicians’ salaries for three throughout New Mexico. can Concerto Project. performances of 14 concert programs in the Classical New Worm Symphony, Inc. Oakland East Bay Series, run-out concerts, Miami Beach, FL $15,600 Symphony and concert broadcasts. To support fees for guest Oakland, CA $4,700 artists’ and conductors’ who To support the performance Orpheon, Inc. $7,800 wi!l be featured with the of American Theater New York, NY orchestra in the perfor­ Classics repertoire as a To support additional mance of 13 concerts. portion of programming in rehearsal time, preparation subscription concerts and and performance of Ameri­ New York Chamber Young People’s Concerts. can music, outreach and Symphony, Inc. education programs, and New York, NY $19,700 Ohio Chamber Orchestra presentation of American To support orchestra Society guest artists. musicians’ fees for two Beachwood, OH $4,700 performances of eight To support orchestra Orpheus Chamber concerts. musicians’ salaries and guest Orchestra artists’ fees for the perfor­ New York, NY $21,700 North Carolina Symphony mance of free outdoor To support orchestra Society, Inc. concerts and related educa­ musicians’ salaries for the Raleigh, NC $41,600 tional activities. performance of concerts in To support orchestra the Carnegie Hall and musicians’ salaries for the Omaha Symphony Satellite Series, regional and performance of full orches­ Association national touring, and the tra educational concerts and Omaha, NE $14,600 preparation and perfor­ new American music. To support orchestra mance of new American musicians’ salaries for music. Northwest Chamber education programs, tour­ Orchestra ing activities, and run-out Owensboro Symphony Seattle, WA $4,000 concerts. Orchestra, lnc. Owensboro, KY $4,000 To support artistic costs related to the performance Orchestral Association To support principal musi­ of a concert on the sub­ Chicago, IL $122,900 cians’ remuneration and scription series. To support the Chicago regional in-school educa­ Symphony Orchestra’s tional programs. festival of contemporary music with Pierre Boulez conducting.

99 Pbilharmonia Baroque Orchestra San Francisco CA $7,500 To support orchestra musicians’ fees for the period-instrument perfor­ mances of Haydn’s oratorio "The Seasons."

Philharmonia Virtuosi Corp. Dobbs Ferry, NY $4,100 To support a five-concert tour in Florida.

Philharmonic Center for the Arts, Inc. Naples, FL $6,200 To support guest conduc­ tors’ fees for Naples Phil­ Photo courtesy Pacific Symphony Orchestra. harmonic concerts, educa­ tion programs, and The Pacific Symphony Peoria Symphony collaborative performances French horn Association Orchestra with the Miami City Ballet. section of Santa Ana, CA $31,200 Peoria, IL $4,700 the Pacific To support engagement of To support increased Philharmonic Society of American soloists and guest remuneration for orchestra Northeastern Pennsylvania Symphony conductors and orchestra musicians, pre-concert Avoca, PA $5,000 Orchestra musicians’ salaries for lectures, and music appreci­ To support orchestra performs in preparation and perfor­ ation classes for retirement musicians’ salaries and Santa Ana, mance of contemporary home residents. American guest artists~ fees California. American works and Youth for two performances of five Concerts performed at the Philadelphia Orchestra concerts and costs related to Orange County Performing Association two free Independence Day Arts Center. Philadelphia, PA $117,000 community concerts. To support orchestra Pasadena Symphony musicians’ salaries for the Association performance of concerts at Pasadena, CA $9,500 the Academy of Music. To support orchestra musicians’ salaries and guest artists’ fees for the perfor­ mance of five concerts and education programs.

100 Philharmonic-Symphony Queens Symphony Robert W. Woodruff Arts Society of New York, Inc. Orchestra, Inc. Center, Inc. New York, NY $122,900 Long Island City, NY Atlanta, GA $94,600 To support the New York $4,000 To support fees of guest Philharmonic’s Rush Hour To support the continuation artists who will perform and Casual Saturday con­ of its community outreach with the Atlanta Symphony certs, Philharmonic Cele­ and audience development Orchestra in performances brations, Philharmonic activities. of Family and Holiday Variations, the School concerts as well as concerts Partnership Program, and Reading Symphony in the Master Season series. flee parks concerts. Orchestra Association Reading, PA $4,700 Rochester Philharmonic Phoenix Symphony To support increased Orchestra, Inc. Association remuneration for orchestra Rochester, NY $27,300 Phoenix, AZ $22,700 musicians, additional To support orchestra To support the performance rehearsals, outreach activi­ musicians’ salaries for the of concerts in the Classics ties, and American guest performance of three weeks Series and fees of guest soloists’ fees. of Philharmonic Subscrip­ conductors who will be tion Concerts in the East- finalists in the orchestra’s Rhode Island Philharmonic man Theatre. music director search. Orchestra Providence, RI $4,600 Rockford Symphony Pittsburgh Symphony To support costs related to Orchestra, Inc. Society the Music in Our Schools Rockford, IL $4,000 Pittsburgh, PA $119,600 Program and the Rhode To support a collaborative To support the performance Island Philharmonic Youth performance of A Midsum­ of six weekends of concerts. Orchestra. mer Night’s Dream and a chamber orchestra concert. Portland Maine Symphony Richmond Symphony Orchestra Richmond, VA $15,600 Sacramento Symphony Portland, ME $12,800 To support musicians’ Association To support orchestra salaries for the performance Sacramento, CA $13,400 musicians’ salaries for the of concerts in the Double To support the Music performance of seven Exposure Series, and Director/Conductor’s and concerts in the Classical statewide touring. core orchestra musicians’ Series. salaries, per-service orches­ Riverside Symphony, Inc. tra musicians’ fees, Ameri­ ProMusica Chamber New York, NY $4,000 can guest artists’ fees, and Orchestra of Columbus To support orchestra education and outreach Columbus, OH $4,000 musicians’ fees for the programs. To support costs related to a performance of free Com­ runout concert to Delaware, munity Concerts, additional Ohio. rehearsals, and free concerts for children at the Kathryn Bache Miller Theatre.

101 Saginaw Symphony San Diego Chamber Santa Rosa Symphony Association Orchestra Association Saginaw, MI $4,000 Rancho Santa Fe, CA Santa Rosa, CA $4,000 To support engagement of $4,000 To support engagement of principal section players for To support additional the Music Director/Con­ performance of concerts in rehearsals in the perfor­ ductor. the Masterworks Series. mance space, engagement of American guest artists, Savannah Symphony Saint Louis Symphony performance of American Society, Inc. Society music, and a runout concert Savannah, GA $9,900 St. Louis, MO $121,200 to E1 Centro. To support orchestra To support orchestra musicians’ salaries for musicians’ salaries for the San Francisco Chamber performances of education performance of concerts in Symphony programs. the orchestral series. San Francisco, CA $4,000 To support musicians’ Seattle Symphony Saint Luke’s Chamber salaries for the performance Orchestra, Inc. Ensemble, Inc. of four concerts. Seattle, WA $67,600 New York, NY $10,000 To support orchestra To support orchestra San Francisco Symphony musicians’ salaries for two musicians’ and guest artists’ San Francisco, CA $122,900 performances of 18 concerts fees for the performance of To support orchestra in the Masterworks Series. four concerts at Carnegie musicians’ salaries and guest Hall. artists’ and conductors’ fees South Bend Symphony for the performance of six Orchestra Association, Inc. Saint Paul Chamber Sunday Matinee concerts. South Bend, IN $5,200 Orchestra Society To support salaries of the St. Paul, MN $70,200 San Jose Symphony core orchestra musicians. To support artistic costs for Association the performance of concerts San Jose, CA $28,600 Southwest Florida in the Masterworks, Basi­ To support orchestra Symphony Orchestra and cally Baroque, and Morning musicians’ salaries for the Chorus Association, Inc. Coffee Series. performance of concerts on Fort Myers, FL $4,000 the Signature Series and To support distribution of free community outreach free tickets to at-risk and concerts, disadvantaged children, and educational activities. Santa Barbara Symphony Orchestra Assodation Spokane Symphony Society Santa Barbara, CA $5,700 Spokane, WA $11,200 To support Sunday matinee To support orchestra concerts. musicians’ remuneration.

102 Springfield Symphony Toledo Orchestra Washington Chamber Orchestra Association, lnc. Symphony Springfield, MA $4,600 Toledo, OH $15,300 Washington, DC $4,000 To support Music Matters To support presentation of To support the performance educational activities and four guest artists and the of American music and the performance of American performance of four works engagement of an American music and presentation of by American composers in conductor and guest artists. American guest artists in concerts to be performed in concerts performed in the the Classics Concerts series West Shore Symphony Great Performers Series. and in-school performances Orchestra and clinics by orchestra Muskegon, MI $4,000 Stamford Symphony ensembles. To support costs related to Orchestra, Inc. an additional full orchestra Stamford, CT $4,000 Tulsa Philharmonic rehearsal for seven concerts. To support educational Society, Inc. programs, and distribution Tulsa, OK $7,600 Westfield Symphony of free and discounted To support salaries of the Westfield, NJ $4,000 tickets to students, the orchestra’s core musicians. To support a performance elderly, and economically of Carmen and education disadvantaged residents. University of Illinois at and outreach activities. Urbana-Champaign Symphony Society of San Champaign, IL $4,000 FVilliam Paterson College Antonio To support performance of of New Jersey San Antonio,TX $26,900 American music, American Wayne, NJ $4,000 To support education and soloists’ fees, and orchestra To support a concert outreach activities and musicians’ fees for a fourth devoted to American music preparation and perfor­ rehearsal for each of six performed by the Wayne mance of new American concerts. Chamber Orchestra. works as part of the Music of the Americas project. Utah Symphony Society Winston-Salem Symphony Salt Lake City, UT $50,100 Association Syracuse Symphony To support the In-School Winston-Salem, NC Orchestra, Inc. Concerts and Fifth Grade $10,400 Syracuse, NY $19,300 Docent Concerts programs. To support musicians’ To support educational salaries for performance of programs for area youth Virginia Symphony educational services and and rtmout performances to Norfolk, VA $12,300 additional rehearsals. underserved regional areas. To support orchestra musicians’ salaries for performance of education and outreach programs.

103 SPECIAL PROJECTS JAZZ SERVICES/ Lincoln Center for the 4 awards $515,000 SPECIAL PROJECTS Performing Arts 11 awards $140,000 New York, NY $13,000 *Chamber Music America To support costs for tran­ New York, NY $200,000 American Federation of scribing and copying A cooperative agreement to ffazz Societies, Inc. compositions from original support the first two years West Sacramento, CA recordings of jazz masters’ of a pilot Chamber Music $4,000 works. America/Arts Endowment To support artists’ fees and Music Performance Pro­ related expenses for jazz Manchester Craftsmen’s gram for small music clinics sponsored by the Guild ensembles. AFJS Statesmen of Jazz, the Pittsburgh, PA $13,000 production of the AFJS To support the costs of an *Chamber Music America newsletter, and the annual on-line service which will New York, NY $200,000 AFJS convention. serve as a depository of oral To support artist fees and histories and related infor­ related costs incurred by American Music Center mation on jazz musicians. ensembles participating in New York, NY $14,000 the Chamber Music Rural To support costs associated National Jazz Service Residencies program. with the expansion and Organization dissemination of the Ameri­ Washington, DC $7,000 *Chamber Music America can Music Center’s collec­ To support expansion of the New York, NY $100,000 tion of jazz scores, record­ Technical Assistance Pro­ To support the Chamber ings, and artifacts. gram and to continue the Music Rural Residencies development of the NffSO program in 1997-98. Arts Midwest Journal. Minneapolis, MN $7,000 New Performing Arts To support costs associated Southern Arts Federation Louisville, KY $15,000 with the production of two Atlanta, GA $18,000 To support planning and issues of the quarterly jazz To support costs for a tour administration of a chamber newsletter Midwest Jazz and of jazz artists to Historically music rural residency for the development of a Black Colleges and Univer­ through several community jazz directory for the sities; technical assistance colleges in Kentuckv, Midwest region. and professional develop­ ment programs; expansion *International Association of a radio program; and of Jazz Educators production costs for a Manhattan, KS $20,000 newsletter. To support the continued costs of the National Endowment for the Arts American Jazz Masters Awards Concert.

104 Strings for Schools, Inc. SERVICES TO Meet the Composer, Inc. Wayne, PA $4,000 COMPOSERS New York, NY $32,000 To support the costs of 6 awards $75,000 To support fees for com­ workshops and perfor­ posers’ participation in mances by the John Blake American Composers performances of their music Quartet in public schools. Orchestra, Inc. through the Meet the New York, NY $4,000 Composer Fund. *Thelonious Monk To support costs associated Minnesota Composers Institute of ffazz with recruitment, reading Washington, DC $20,000 Forum sessions, and mentors for six St. Paul, MN $4,000 To support after-school and emerging American com­ Saturday morning instru­ posers. To support costs associated ment training at two Wash­ with the Forum’s National ington area high schools in American Music Center Services Initiative. 1996-97 in Jazz Sports New York, NY $27,000 D.C., an extension of Jazz To support costs associated Sports L.A., an education CONSORTIUM with the center’s informa­ COMMISSIONING AND outreach project linking jazz tion services. and basketball. COMPOSER-IN­ RESIDENCE Bay Area Women’s ~belonious Monk Philharmonic Institute of Jazz San Francisco, CA $4,000 Meet the Composer, Inc. Washington, DC $20,000 To support costs associated New York, NY $100,000 To support after-school and with two new music reading A cooperative agreement to Saturday morning instru­ sessions for emerging support the Meet the ment training at two South American women corn- Composer Commissioning Central Los Angeles high posers. Program which awards schools as part of the Jazz- funds to consortia of music Basketball Initiative. Composers Conference and organizations for commis­ Chamber Music Center sioning works in concert Wellesley, MA $4,000 music, opera, musical To support fees of guest theater, and jazz. composers and coaching staff, and related adminis­ trative costs for the 52nd Annual Composers Confer­ ence.

105 PROFESSIONAL Black Ensemble Theater Central City Opera House COMPANIES Corporation Association 85 awards $2,025,000 Chicago, IL $4,000 Denver, CO $4,000 To support expenses associ­ To support expenses associ­ American Music Theater ated with the production of ated with the production of Festival, lnc. a new work by Jackie Taylor The Ballad of Baby Doe. Philadelphia, PA $17,000 based on the life of Lor­ To support expenses associ­ raine Hansberry. Chautauqua Institution ated with the production of Chautauqua, NY $3,000 Punch &Judy Get Divorced. Boston Lyric Opera To support expenses associ­ Company ated ¯ with the production of American Musical Theatre Boston, MA $12,000 The Ballad of Baby Doe. of San Jose To support artists’ perfor­ San Jose, CA $9,000 mance and rehearsal fees, Chicago Opera Theater To support in part the coaching, housing and Chicago, IL $3,000 salaries of artistic staff. transportation costs related To support the expenses to the production of associated with the produc­ American Repertory Haydn’s Armida. tion of Stephen Paulus’s The Theatre Postman Always Rings Twice. Cambridge, MA $11,000 Casa Manana Musicals Fort Worth, TX $4,000 To support expenses for the Civic Light Opera production of Puncb &Judy To support artistic, produc­ Association Get Divorced and The bland tion, and outreach salaries Pittsburgh PA $12,000 of Anyplace. for the production of To support expenses associ­ Dodswortb, a world premiere ated with the production of Appalshop, Inc. musical by Steven Cole and Desert Song. Whitesburg, KY $4,000 Jeffery Saver, based on the Sinclair Lewis novel. To support touring expenses Coconut Grove Playhouse associated with the tours of State Theatre of Florida Center Stage Associates Corporation South of the Mountain, Baltimore, MD $4,000 Mountain Tales and Music, Miami, FL $3,000 Junebug Jack, Borderline, and To support expenses associ­ To support expenses associ­ a new work. ated with the production of ated with the production of the premiere of Triumph, a the musical Rags by Charles Augusta Opera Association new musical based on Strouse. Augusta, GA $3,000 ¯ Marivaux’s The Triumph of To support production Of Love. Dallas Opera Marc Blitzstein’s Regina. Dallas, TX $70,000 Center Theatre Group of To support expenses Los Angeles associated with productions Austin Lyric Opera Los Angeles, CA $17,000 Austin, TX $6,000 of Carmen and Der To support expenses associ­ Rosenkavalier To support production ated with the production of expenses associated with two musical theater works. The Ballad of Baby Doe.

106 Early Music Foundation Goodspeed Opera House Lime Kiln Arts, Inc. New York, NY $3,000 Foundation Lexington, VA $3,000 To support the tours of East Haddam, CT $63,000 To support expenses associ­ Danid and the Lions and The To support expenses associ­ ated with the production of Play of Mary Magdalene. ated with the production of the musical Stonewall Paper Moon by Martin Country. East-West Players, Inc. Cassella, Larry Grossman, Los Angeles, CA $4,000 and Ellen Fitzhugh. Long Beach Opera To support expenses associ­ Long Beach, CA $6,000 ated with the production of Houston Grand Opera To support expenses associ­ Stephen Sondheim’s Pacific Association ated with the production of Overtures. Houston, TX $142,000 Hopper,s Wife. To support expenses associ­ Florida Grand Opera ated with the production of Lyric Opera of Chicago Miami, FL $30,000 Boris Godunov and a new co­ Chicago, IL $177,000 To support expenses associ­ production of Salome. To support expenses associ­ ated with the production of ated with the production of Monteverdi’s L’incoronazione International Arts Un Re In Ascolto and II di Poppea. Relations, Inc. Trittico. New York, NY $3,000 George Coates Performance To support production Madison Opera Company expenses for the world Madison, WI $3,000 San Francisco, CA $4,000 premiere of the musical To support the expenses To support production of Orisba. associated with the produc­ original musical .theater tion of Faust. works by resident composer June Opera Festival of Marc Ream and artistic New Jersey Metropolitan Opera director George Coates. Princeton Jct., NJ $4,000 Association To support expenses associ­ New York, NY $300,000 George Street Playhouse ated with the production of To support expenses associ­ New Brunswick, NJ $3,000 Stravinsky’s The Rake’s ¯ ated with the productions of To support expenses associ­ Progress. Andrea Chenier and A ated with the production of Midsummer Night’s Dream. the world premiere of the Kentucky Opera new musical Houdini by Association Michigan Opera Theatre Robert Nassif Lindsey. Louisville, KY $12,000 Detroit, MI $3,000 To support expenses associ­ To support the statewide Glimmerglass Opera ated with the production of touring expenses associated Cooperstown, NY $17,000 Don Giovanni. with the productions of To support expenses associ­ Nanabusb and Hansel and ¯ ated with the production of Gretel. Jack Beeson’s Lizzie Borden.

107 Michigan Opera Theatre Musical Traditions North Shore Community Detroit, MI $30,000 San Francisco, CA $3,000 Arts Foundation To support expenses associ­ To support expenses associ­ Beverly, MA $4,000 ated with the productions of ated with an eight-week To Support expenses associ­ Carmen and The Flying tour of Ocbo Rios by Path ated with the production of Dutchman. Dresher and Eric Over­ Crazy For You. myer, and The Strange Last Mill Mountain Playhouse Voyage of Donald Crowburst Odyssey Theatre Company by Steve Mackey and Rinde Foundation Roanoke, VA $3,000 Eckert. Los Angeles, CA $3,000 To support expenses associ­ To support expenses associ­ ated with the production of New Cleveland Opera ated with the production of Dream, Dream, Dream. Company Lynn Ahrens and Stephen Cleveland, OH $5,000 Flaherty’s Lucky Stiff. Minnesota Opera Company To support expenses associ­ Minneapolis, MN $45,000 ated with the production of Opera Carolina To support expenses associ­ Faust. Charlotte, NC $4,000 ated with the production of To support expenses associ­ Carmen and The Magic New Federal Theatre ated with the production of Flute. New York, NY $3,000 La Fille du Regiment. To support expenses associ­ Mobile Opera ated with the production of Opera Colorado Mobile, AL $4,000 the musical Home. Denver, CO $10,000 To support expenses for the To support expenses associ­ production of Don Giovanni. New Orleans Opera ated with the production of Association Carmen. Music Center Opera New Orleans, LA $4,000 Association To support expenses associ­ Opera Company of Los Angeles, CA $65,000 ated with production of Philadelphia To support expenses associ­ l/Verther. Philadelphia, PA $7,000 ated with the production of To support expenses associ­ II Ritorno D’Ulisse in Patria ated with the production of and The Barber of Seville. New York, NY $110,000 Verdi’s Falstaff. To support expenses associ­ Music-Theatre Group, Inc. ated with the productions of Opera Orchestra of New New York, NY $23,000 Bellini’s La Sonnambula and York, lnc. To support expenses associ­ David Diamond’s The New York, NY $4,000 ated with the production of Noblest Game. To support expenses associ­ Three of Hearts by Mary ated with the concert opera Rodgers and You Don’t Miss New York City Opera production of Verdi’s Alzira. Water by Diedre Murray New York, NY $4,000 and Cornelius Eady. To support production expenses associated with the tour of La Bobeme.

108 Opera San 57ose Linsay San Jose, CA $7,000 Cummings To support expenses associ­ portrays the ated with the production of orphaned Puccini’s La Boheme. Addie Loggins in Opera Theatre at Wildwood Little Rock, AZ $4,000 the new musical To support expenses associ­ ated with the production of Paper Moon Sondheim’s A Little Night at the Music. Goodspeed Opera Opera Theatre of Northern House in Virginia East Arlington, VA $4,000 Haddam, To support expenses associ­ Connecticut. ated with the production of The Phantom Toll Booth.

Opera Theatre of Saint Louis St. Louis, MO $61,000 To support expenses associ­ ated with the productions of Monteverdi’s 0rj~0 and Lee Hoiby’s Summer and Smoke. Photo by Diane Sobolewski. Orlando Opera Company Orlando, FL $5,000 Pittsburgh Opera Portland Opera Association To support expenses for the Pittsburgh, PA $12,000 Portland, OR $4,000 production of Verdi’s II To support expenses associ­ To support expenses associ­ Trovatore. ated with the production of ated with the production of Don Carlo. The Merchant of Venice. Paper Mill Playhouse Millburn, NJ $57,000 Playwrights Horizons, Inc. San Diego Opera To support expenses associ­ New York, NY $3,000 Association ated with the productions of To support expenses for the San Diego, CA $44,000 Gigi and Man of La Mancba. production of Everything on To support expenses associ­ ~Toite Bread by David ated with the productions of Bucknam. The Conquistador and Turandot.

109 San Frandsco Mime Troupe Shreveport Opera Tbeatreworks~SA San Francisco, CA $3,000 Shreveport, LA $4,000 Corporation To support expenses associ­ To support expenses associ­ New York, NY $4,000 ated with the musical ated with the production of To support expenses associ­ theater portion of the Rigoletto. ated with the production of touring production season. the musical Peter Rabbit by Skylight Opera Theatre Peter Gialloreto and San Frandsco Mime Troupe Milwaukee, WI $4,000 Michael Slade. San Francisco, CA $8,000 To support expenses associ­ To support expenses associ­ ated with the production of TheatreworksFUSA ated with the production of Elixir of Love. Corporation a musical theater work. New York, NY $3,000 Tennessee Repertory To support expenses associ­ San Frandsco Opera Theatre Trust ated with the tour of Curi­ Assodation Nashville, TN $4,000 ous George by Timothy San Francisco, CA $170,000 To support expenses associ­ Brown. To support expenses associ­ ated with the production of ated with the productions of Dream: A Broadway Musical Triangle Opera Theater Aida, Salome, and Harvey Romance. Durham, NC $3,000 Milk. To support expenses associ­ Thalia Spanish Theatre ated with the production of Santa Fe Opera Association Sunnyside, NY $3,000 Fidelio. Santa Fe, NM $100,000 To support expenses associ­ To support expenses associ­ ated with the production of Tulsa Opera ated with the production of the "zarzuela" La Taberna Tulsa, OK $14,000 Stravinsky’s The Rake’s del Puerto by Pablo Soroza­ To support expenses associ­ Progress and ’s bal, Federico Romero, and ated with the production of Emmdine. Guillermo Fernandez-Shaw. Bizet’s The Pearl Fishers.

Sarasota Opera Association Theatre Under the Stars Utah Opera Company Sarasota, FL $6,000 Houston, TX $8,000 Salt Lake City, UT $4,000 To support expenses for the To support expenses associ­ To support expenses associ­ production of Puccini’s La ated with the production of ated with the production of Boheme. My Fair Lady. Benjamin Britten’s The Turn of the Screw. Seattle Opera Assodation, Theatre Works Seattle, WA $75,000 Palo Mto, CA $4,000 Village Theatre To support expenses associ­ To support expenses associ­ Issaquah, WA $4,000 ated with the productions of ated with the production of To support expenses for a Werther and Xerxes. the musical Sweet and Hot: new musical. The Songs of Harold Arlen.

110 Vivian Beaumont Theater SERVICES TO THE New York Public Library New York, NY $25,000 FIELD Astor, Lenox and Tilden To support fees associated 6 awards $75,000 Foundations with the production of Juan New York, NY $6,000 Darien. Lyric Opera of Chicago To support the videotaping Chicago, IL $3,500 of up to four musical Washington Opera To support the fees of guest theater productions during Washington, DC $74,000 artists for readings of the the 1996-97 season by the To support expenses associ­ work-in-progress of Lyric Library’s Theatre on Film ated with the productions of Opera’s fifth composer-in­ and Tape Archive. El Gato Montes and The residence, Shulamit Ran. Ballad of Baby Doe. OPERA America, Inc. Meet the Composer, Inc. Washington, DC $34,000 Western Opera Theater New York, NY $9,000 To support expansion of San Francisco, CA $4,000 To support pre-residency OPERA America’s land­ To support salaries and training institutes for up to mark "Words! Music! travel costs for professional five new residencies in Opera!" curriculum and singers, musicians, and Round Four of Opera- textbooks into local school technicians associated with Musical Theater Residen­ systems. the tour of a new produc­ cies. tion of The Barber of Seville. National Alliance for Wolf Trap Foundation for Musical Theatre, Inc. the Performing Arts New York, NY $11,000 Vienna, VA $3,000 To support the 1996 Festi­ To support expenses associ­ val of New Musicals, which ated with the production of will present readings of Xerxes. eight new musicals in a two- day period, in conjunction York Theatre Company with the Alliance’s Fall New York, NY $3,000 Membership conference. To support expenses associ­ ated with the production of National Public Radio, Inc. the musical The Times. Washington, DC $11,500 To support the recording and broadcast of a new production by an American regional opera company for the 1996 "World of Opera" radio series.

111 PRESENTING Artist Series at the Pabst NETWORKS Milwaukee, WI $5,000 4 awards $150,000 111 awards $1,750,000 To support costs associated with the Chamber Music Alternate ROOTS, Inc. Alverno College and Jazz subscription series Atlanta, GA $20,500 Milwaukee, WI $5,000 as well as the inauguration To support costs associated To support the presentation of a jazz festival. with a fee subsidy program and residency activity of R. for southeastern presenters Carlos Nakai. Artists Collective, Inc. of theater, storytelling, Hartford, CT $5,000 dance performances, and American Dance Festival To support the presentation related activities. Durham, NC $29,300 of a series of concerts and To support artists’ fees performances celebrating the Appalshop, lnc. associated with the Interna­ cultural contributions of Whitesburg, KY $31,500 tional Choreographers African, Caribbean, and La­ To support artists’ fees and Commissioning Program tin American communities. costs associated with the and the presentation of American Festival Project. Merce Cunningham Dance Asia Society Company, Pilobolus Dance New York, NY $7,000 Dance Theater Workshop Theatre, Dayton Contem­ To support artists’ fees and New York, NY $85,000 porary Dance Company and other costs associated with To support costs associated others, the presentation of the with dance, music, and Vietnamese Water Puppets, theater residencies and the Anchorage Concert Sardono Kusumo, and annual meeting of member Association Crossovers: The Drum in presenters in the National Anchorage, AK $14,000 Asia, Africa, and America. Performance Network. To support artists’ fees and costs associated with the Baltimore Museum of Art Dancing in the Street, Inc. presentation of New Eng­ Baltimore, MD $5,000 New York, NY $13,000 land Ragtime Ensemble To support artists’ fees and To support artists’ fees, with Gunther Schuller, the costs associated with the commissions, travel, and Martha Graham Dance "Off the Walls," "Celebrate administrative costs associ­ Company, and Manhattan the African Spirit," and the ated with the Environmen­ Tap.. "Summer Jazz Series." tal Performance Network. Appalsbop, lnc. Bates College Whitesburg, KY $18,000 Lewiston, ME $5,000 To support costs associated To support residencies for with the "Seedtime on the Contraband, Liz Lerman Cumberland" and "Old Dance Exchange, Doug Time Weekends" series. Varone, Nia Love, and Eiko and Korea.

112 Boise State University Center for Puppetry Arts City Parks Foundation Boise, ID $5,000 Adanta, GA $5,000 New York, NY $5,000 To support artists’ fees and To support costs associated To support artists’ perfor­ related costs for the Boise with the Summer Festival mance and commissioning Chamber Music Series. 1996 to be presented in fees, production expenses, collaboration with the and creation of promotional Brooklyn Academy of Atlanta Committee for the literature such as a multi- Music, Inc. Olympic Games Cultural language brochure associ­ Brooklyn, NY $115,700 Olympiad. ated with the 1996 Sum­ To support costs associated merStage Dance Series. with BAM Opera, BAN[ Center for Women & Their Theater, the Next Wave Work City of San Antonio Festival, the Performing Arts Austin, TX $5,000 San Antonio, TX $15,000 Program for Young People, To support the New Perfor­ To support the Carver and the presentation of the mance Series. Center’s presentation of Harlem Nutcracker. Jam on the Groove, Centro Cultural de la Raza Lewitzky Dance Company, Carnegie Hall Corporation San Diego, CA $7,000 and "Crossing the Broken New York, NY $25,000 To support costs associated Bridge." To support artistic fees for a with the presentation of special tribute to Marian Pamela Z, Francisco Gon­ Ciorfotk Anderson and the Ira zalez and Yolanda Broyles, Dayton, OH $14,100 Gershwin Centennial and Guillermo Gomez- To support costs associated Concert. Pena. with presentations of Rhythm in Shoes, Inti- Celebrity Series of Boston Chamber Music Society of Illimani, a three-concert Boston, MA $5,000 St. Cloud, Inc. Celtic series, Keith Terry To support artists’ fees for St. Cloud, MN $5,000 and I Wayan Dibia, a cajun arts education programs. To support artists’ fees and dance and music concert, related costs for the presen­ and the annual Jazz Tradi­ Center for Contemporary tation of the Brentano tions Series. Arts of Santa Fe, Inc. String Quartet, the Shang­ Santa Fe, NM $10,000 hai String Quartet, and the Colorado Dance Festival Boulder, CO $17,600 To support costs associated New York Philomusica. with the Latino Perfor­ To support artists’ fees and mance Writers Series, the Children’s Theatre Board presentation costs associ­ Visual Performance Series, of Winston-Salem ated with performances by the Composers Perform Winston-Salem, NC $5,000 Jimmy Slyde and Sarah with Performance Series, To support costs associated Petronio, Chuck Davis’s and the New Works for with the presentation of the African-American Dance Solo Woman’s Voice Series. Cleo Parker Robinson Ensemble, and the Dances Dance Ensemble. of the Spirit series.

113 Columbia College Da Camera Society of Dancing in the Street, Inc. Chicago, IL $7,500 Texas New York, NY ’ $8,000 To support artists’ fees and Houston, TX $6,000 To support artists’ fees and presentation costs associ­ To support a George production and administra­ ated with performances Tsontakis commission, a tive expenses for free public during the Chicago On Tap series of concerts at the site presentations and II festival, DanceAfrica/ Houston Zoo, the presenta­ related residency activities Chicago ’96, The Edge tion of a three-concert including the "Dances for Project, and a six-week series of the music of Wave Hill" series. festival of contemporary Mexico, a jazz series, and Japanese dance. the series "Inventing the Danspace Project, Inc. 20th Century." New York, NY $5,000 Community Arts Project To support artists’ fees, Columbus, OH $5,000 Dance Theater Workshop technical salaries, commis­ To support artists’ fees, New York, NY $88,100 sioning funds, and promo­ marketing, and artist travel To support artists’ fees and tional expenses associated costs associated with the production and administra­ with the presentation of presentation of "Ancestral tive costs associated with dance artists Beppie Legacy: Discover the the presentation of the Big Blankert, Ellen Cornfield, Treasures." City Musics, Physical Lance Gries, David Alan Comedies, Public Imagina­ Harris and Vicky Shick. Contemporary Dance tions festivals, and the Theater Schonberg Dancing series. Davis & Elkins College Cincinnati, OH $5,000 Elldns, WV $5,000 To support artists’ fees and Dance Umbrella To support artists’ fees technical and production Austin, TX $5,000 associated with the Concert expenses for the Guest To support artists’ fees and Series. Artist Series at The Dance costs associated with "The Hall and at the new Aronoff Men At Work" dance series. District Curators, Inc. Center for the Arts. Washington, DC $15,000 Dancers Collective of To support artists’ fees D.C. Wbed Productions Atlanta associated with the 1996 Washington, DC $5,000 Atlanta, GA $5,000 Full Circle Festival. To support dance perfor­ To support costs associated mances and residencies with three residencies: DiverseWorks, Inc. costs associated with the Pilobolus, Liz Lerman Houston, TX $10,000 presentation of Bebe Miller Dance Exchange, and Light To support artists’ fees for Dance Company, Kank­ Motion. the 4 + 4 + 4 Spring Dance ouran, Tap Dance Festival, series. Liz Lerman Dance Exchange, and Moving Black Artists.

114 Duke University Flynn Theatre for the Henson Foundation Durham, NC $5,000 Performing Arts, Ltd. New York, NY $7,500 To support artists’ fees for Burlington VT $75,000 To support the artistic fee the New Directions and To support administrative and other direct costs Dance series. costs and artists’ travel and incurred in the presentation subsistence expenses for the of Alice Farley at the 1996 Early Music Guild of presentation of Aterbaletto, Festival of Puppet Theater Seattle Mark Morris, Tharp!, to be held in New York Seattle, WA $5,000 Elizabeth Streb/Ringside, City. To support artists’ fees Maria Benitez, and three festivals. Hult Center for the associated with the five- Performing Arts concert International Series $6,500 and the three-concert Friends of the Davis Eugene, OR. Recital Series. Center, Inc. To support artists’ fees New York, NY $34,200 associated with the presen­ Earshot yazz Society of To support costs associated tation of the Dance Theatre Seattle with the "International of Harlem. Seattle, WA $12,500 Series," an educational To support artists’ fees for program for children in *International Alliance of the Living Spirit of Jazz Harlem schools. First Night Celebrations Series and the Duke Elling­ Boston, MA $30,000 ton Sacred Music Concerts. Guadalupe Cultural Arts To support the development Center of a plan to hold First Night Elaine Kaufman Cultural San Antonio, TX $14,000 Celebrations in several Center-Lucy Moses School To support costs associated cities on the eve of the for Music and Dance with the 16th annual Tejano Millennium. New York, NY $5,000 Conjunto Festival To support artists’ fees Jacob’s Pillow Dance associated with the Zoom: Helena Presents Festival Composers Close Up, New Helena, MT $41,600 Lee, MA $73,300 Sounds, and Jazz Waves To support artists’ fees and To support artists’ fees in series. other direct costs associated the presentation of the with performances by the Miami City Ballet, Erick Festival International de Paul Dresher Ensemble, Hawkins Dance Company, Louisiane Cassandra Wilson, the and Jazz Tap programs by Lafayette, LA $5,000 Philip Glass Ensemble, Jimmy Slyde, guest artists To support the costs of Sankai Juku, Diedre Mur­ and the Bross Townsend royalties, artists’ fees, travel, ray, and the Western Opera Trio. Theater. and the purchase of techni­ ¯ Japan Society, Inc. cal equipment in the areas New York, NY $5,000 of theater and dance. To support artists’ fees incurred in the presentation of the actors and musicians of "Dragon Bond Pdte." Japanese American Junebug Productions La Pena Cultural Center Cultural and Community New Orleans, LA $5,000 Berkeley, CA $10,000 Center To support guest artists’ To support artists’ fees for Los Angeles, CA $15,000 fees for the Environmental performances of multicul­ To support artists’ fees Justice project. rural music, dance, and incurred in the presentation theater. of dance artists Kazuo and Kings Majestic Corporation Yoshito Ohno, the Warabi­ Brooklyn, NY $10,000 Lafayette College za ensemble of To support artists’ fees Easton, PA $18,100 and dance, and classical/folk incurred during the presen­ To support artists’ fees dance and music artist tation of Carnival d’Afrique incurred by the Williams Kotohajime. Caribbean, A New Orleans Center for the Arts in the Mardi Gras, Yenenga, and A presentation of the Orpheus John E Kennedy Center la vue d’un seul oeil. Chamber Orchestra. for the Performing Arts Washington, DC $20,000 Koncepts Cultural Gallery Lincoln Center for the To support artists’ fees Oakland, CA $5,000 Performing Arts associated with the presen­ To support artists’ fees and New York, NY $40,000 tation of the Paul Taylor advertising costs incurred in To support artists’ fees Dance Company. the presentation of "Dou­ incurred during the presen­ ble-Up," an annual event of tation of the Lyon Opera Joyce Theater Foundation jazz duos featuring national Ballet as part of the Lincoln New York, NY $24,600 and regional jazz artists. Center Festival. To support artists’ fees associated with the presen­ Kuumbwa Jazz Society Mayfair, Inc. tation of Pilobolus. Santa Cruz, CA $5,000 Allentown, PA $5,000 To support artists’ fees To support artists’ fees Jubilee Community Arts incurred in the presentation incurred in the presentation Knoxville, TN $5,000 of jazz performers Geri of Turtle Island String To support international Allen, Bobby Hutcherson, Quartet as part of the 10th and regional American Billy Childs, and Cedar annual, five-day, multidisci­ musicians’ and dancers’ fees Walton. plinary performing arts incurred in the presentation festival. of the International Jubilee La Mama Experimental and the Jubilee Festival. Theatre Club Miami-Dade Community New York, NY $!2,500 College Jump-Start Performance To support artists’ fees Miami, FL $5,000 Company incurred in the presentation To support costs associated San Antonio, TX $5,000 of a new operatic collabora­ with the one-week resi­ To support artists’ fees tion by John Kelly and dency and presentation of incurred in the presentation Slovenia’s Glej Theater and Sleep, a new work co­ of the Festival de Libre a work by choreographer commissioned from the Pat Enganche. Alice Farley and composer Graney Company. Henry Threadgill.

116 Mount Saint Mary’s Northeast Ohio Jazz Performance Space 122 College Society New York, NY $23,500 Los Angeles, CA $11,500 Cleveland Height, OH To support advertising costs To support artists’ fees $5,000 incurred in the presentation incurred in the presentation To support costs associated of dance artists Ron Brown, of Sequentia, Alexander­ with the presentation of Marlies Yearby, Yvonne Clayton-Hamilton Trio, pianist Marcus Roberts. Meier, and Frank Conver­ Players, sant, and music artists Brentano String Quartet Ohio State University Butch Morris, David Van with David Shift:in, Capella Research Foundation Teighem, and Pauline Nova, and Meridian Arts Columbus, OH $29,400 Oliveros. Ensemble. To support artists’ fees and costs for performing arts Philadelphia Chamber Music Center of Los events related to the exhibi­ Music Society Angeles County tion of "Art and Film," a Philadelphia, PA $5,000 Los Angeles, CA $22,800 Mark Morris residency, and To support concert hall To support artists’ fees the Christian McBride rental fees incurred in the incurred by the Music Quartet. presentation of the Beaux Center Education Division’s Arts Trio, the Borromeo, presentation of Ballet Old Town School of Folk Emerson, Guarneri, Juil­ Folclorico do Brasil, Chuna Music liard, Muir, Tokyo, and McIntyre, Japanese Festival Chicago, IL $6,500 American String Quartets, Sounds, World Kulintang To support artists’ fees and solo artists Andras Institute, L.A. Physical incurred in the presentation Schiff and Joshua Bell. Theatre Project, and others. of a festival of Cajun music entided "Louisiana on the Pittsburgh Chamber Music National Black Arts Lake" and the 13th Annual Society Festival Festival of Latin Music. Pittsburgh, PA $6,000 Atlanta, GA $12,000 To support artists’ fees To support artists’ fees On the Boards incurred in the presentation incurred in the presentation Seattle, WA $47,500 of the New Millennium of a tribute to jazz musician To support artists’ and Ensemble with mezzo- Louis Armstrong as part of commissioning fees soprano Mimi Lerner and the National Black Arts incurred in the presentation the with Festival. of new works by artists guitarist Eliot Fisk. Amanda Miller, Reggie New Orleans Ballet Wilson, Bill T. Jones, Pittsburgh Children’s Association Alfredo Castro, and Harry Festival New Orleans, LA $5,000 deWitt. Pittsburgh, PA $5,000 To support artists’ fees To support artists’ fees incurred in the presentation incurred in the presentation of Sankai Juku. of the Theatergroup Wed­ erzijds as part oft_he 1996 Pittsburgh Childrens’s Festival.

117 Seattle jazz Pittsburgh Dance Council master Pittsburgh, PA $14,600 Buddy To support artists’ fees and Catlett other direct costs of pre­ performs on senting performances and multi-week residencies with the Earshot the Martha Graham Com­ Jazz "Living pany, Joe Chvala and the Spirit of Flying Foot Forum, and Jazz" series. Philadanco.

Portland Performing Arts Portland, ME $12,000 To support artists’ fees and other direct costs of perfor­ mances and residencies as part of the House Island Project annual concert series entitled "Big Sounds From M1 Over."

Quad City Arts, Inc. Rock Island, IL $9,000 To support artists’ fees and other direct costs of pre­ senting the Visiting Artist Series of music, dance, and theater performances.

Renaissance and Baroque Society of Pittsburgh Pittsburgh, PA $5,000 Photo © Steve Robinson. To support artists’ fees and an administrative salary St. Ann Center for San Francisco Early Music associated with the presen­ Restoration and the Arts Society tation of early music. Brooklyn NY $7,500 Berkeley, CA $7,500 To support artists’ fees for To support artists’ fees and the presentation of other direct costs of the "Petrarch’s Mr," the "Leg­ Chamber Concert Series end of King Arthur," and and Artists in Residence "Slain in the Spirit: The Program. Promise of Jim Jones."

118 San Francisco Spoleto Festival U.S.A. University Musical Society Performances, Inc. Charleston, SC $10,000 Ann Arbor, Mr $30,000 San Francisco, CA $15,000 To support performing To support a weekend To support artists’ fees for artists’ fees for the presenta­ residency of the Cleveland the mainstage series and the tion of jazz and chamber Orchestra in October of Concerts with Conversation music at the 1996 Spoleto 1996 and a residency of the and Meet the Artist pro­ Festival U.S.A. New York City Opera grams. National Company. Stanford yazz Workshop Schubert Club, Inc. Stanford, CA $5,000 University of Arizona St. Paul, MN $5,000 To support artists’ fees for Tucson, AZ $10,000 To support artists’ fees and the presentation of Duke To support artists’ fees other direct costs of pre­ Ellington’s "Black, Brown, incurred by the Office of senting the International and Beige." Cultural Affairs in its Artist Series, Keyboard presentation of American Conversations, and the Hill Stanford University Visions-American Voices, House Concerts. Stanford, CA $5,000 Classic Encounters, World To support artists’ fees Stage, and The Millenium Seattle International associated with the presen­ Project. Children’s Festival tation of the Ying String Seattle, WA $5,000 Quartet and ODC/San University of California at To support artists’ fees in Francisco. Berkeley, Regents of the the 1996 festival presenta­ Berkeley, CA $58,200 tion of music, theater, Symphony Space, Inc. To support artists’ fees dance, and puppetry. New York, NY $7,500 incurred during the presen­ To support artists’ fees tation of Mark Morris, Pina Sheboygan Arts involved with presenting Bausch, the Grand Kabuki, Foundation, Inc. "Wall to Wall" and "Face Sankai Juku, James Galway, Sheboygan, WI $5,000 the Music and Dance." Joshua Redman, and the To support artists’ fees and Carnegie Hall Jazz Band. administrative costs Theater Artaud incurred by the John San Francisco, CA $7,500 Michael Kohler Arts Center To support artists’ fees and in presenting its perfor­ other direct costs of pre­ mance/residency series senting Asian-American entided "FOOTLIGHTS." dance companies in perfor­ mance and residency.

119 University of California at University of Minnesota- University of Wyoming Santa Barbara, Regents of Twin Cities Laramie, WY $5,000 Santa Barbara, CA $20,500 Minneapolis, MN $5,000 To support artists’ fees for To support artists’ fees for To support artists’ fees for the presentation of the performances byAngeles the presentation of the Cavani String Quartet, String Quartet with Jeffrey Northrop Dance Series, the Andras Shift, Barry Dou­ Kahan, Muir String Quar­ Jazz Series, and the Discov­ glas, The Acting Company, tet, A Noise Within, erSeries. and the Feld Ballet. National Theatre of the Deaf, Naa Kahidi Theater, University of Nebraska at Virginia Museum of Fine The Whirling Dervishes, Lincoln Arts Baaba Maal, Parsons Dance Lincoln, NE $5,000 Richmond, VA $5,000 Company and others. To support artists’ fees for To support artists’ fees and the presentation of the other costs of presenting University of Illinois at Alvin Ailey American Dance the "Fast/Forward" series of Urbana-Champaign Theater and Sweet Honey presentations. Champaign, IL $8,200 in the Rock. To support artists’ fees for Walker Art Center the presentation of the University of Pennsflva­ Minneapolis, MN $104,200 Philip Glass Ensemble, nia, Trustees of the To support artists’ fees, Anna Deavere Smith, and Philadelphia, PA $11,700 educational activities and the Chicago Symphony To support artists’ fees and other direct costs associated Orchestra: other direct costs incurred with the presentation of by the Annenberg Center in Eiko and Korea, Elizabeth University of Iowa presenting the 1996 Streb, Liz Lerman, Joe Iowa City, IA $29,400 Philadelphia International Goode, , To support artists’ fees for Theatre Festival for Chil­ Meredith Monk, and Jon the presentation of Ballet dren and in planning the Jang. Hispanico, the Joffrey 1997 Festival. Ballet, the Mvin Alley Washington Performing American Dance Theater, University of Washington Arts Sodety and the Lincoln Center Jazz Seattle, WA $8,000 Washington, DC $64,100 Orchestra. To support artists’ fees for To support artists’ fees for commissions of new work orchestras and chamber University of Kansas Main for the Le0ntovych String ensembles. Campus Quartet, June Watanabe, Lawrence, KS $12,900 Trisha Brown, and Stephen Washington University To support artists’ fees for Petronio. St. Louis, MO $5,000 the presentation of Merce To support artists’ fees for Cunningham, the Berlin the presentation of String Philharmonia String Quar­ Trio of New York & Bang tet, and Sankai Juku. On A Can All-Stars.

120 World Music Institute, Inc. CONSOLIDATED New England Foundation New York, NY $29,900 PRESENTING for the Arts To support artists’ fees INITIATIVE Boston, MA $25,000 associated with the 1996-97 6 awards $150,000 To support artists’ fees and presentation Of folk and related administrative costs ethnic concerts and the Arts Midwest for regional presenters of contemporary American Minneapolis, MN $25,000 dance throughout Con­ music series, Interpreta­ To support artists’ fees and necticut, Maine, Massachu­ tions. setts, New Hampshire, related administrative costs Rhode Island, and Vermont. for regional presenters of World Music, Inc. dance throughout Illino.is, Cambridge, MA $5,000 Southern Arts Federation Indiana, Iowa, Michigan, Adanta, GA $25,000 To support artists’ fees in Minnesota, North Dakota, the presentation of three Ohio, South Dakota, and To support artists’ fees and world music events. Wisconsin. related administrative costs for regional presenters of Young Men’s & Young Mid Atlantic Arts dance throughout Mabama, Women’s Hebrew Foundation Florida, Georgia, Kentucky, Association Baltimore, MD $25,000 Louisiana, Mississippi, New York, NY $26,000 To support artists’ fees and North Carolina, South To support artists’ fees and related administrative costs Carolina, and Tennessee. administrative costs for regional presenters of Western States Arts incurred by the 92nd Street dance throughout the YM-YWH~s Tisch Center Federation District of Columbia, Santa Fe, NM $25,000 for the Arts and the Dance Delaware, Maryland, New Center in presenting Jersey, New York, Pennsyl­ To support artists’ fees and "America 2000," "Com­ vania, Virginia, the Virgin related administrative costs posers," "Music from Islands, and West Virginia. for regional presenters of Moab," the Schubertiade, dance throughout Alaska, and Harkness Dance. Mid-America Arts Alliance Arizona, California, Col­ Kansas City, MO $25,000 orado, Hawaii, Idaho, Montana, Nevada, New To support artists’ fees and related administrative costs Mexico, Oregon, Utah, Washington, and Wyoming. for regional presenters of dance throughout Arkansas, Kansas, Missouri, Nebraska, Oklahoma, and Texas.

121 PROFESSIONAL Actors Theatre of Louisville Alley Theatre THEATER COMPANIES Louisville, KY $50,000 Houston, TX $23,000 269 awards $3,471,000 To support the Classics In To support the presentation Context Festival which will of The Greeks, the seven- A Contemporary Theatre examine the work of John hour tale of the history of Seatde, WA $10,000 Steinbeck; a theatrical the world. To support production costs adaptation of East Of Eden will be the centerpiece of American Conservatory for Cheap by playwright Theatre Foundation Tom Topor. the festival. San Francisco, CA $25,000 A Travelingyewisb Actors Theatre of Maine To support the development Theatre Leeds, ME $4,000 of new works through the San Francisco, CA $9,000 To support touring perfor­ Multicultural Play Commis­ To support the development mances of a variety of plays sioning Project. of a new work focussing on to rural, underserved areas .the aging process by com­ in New England and the American Museum of pany member Naomi development of community Vaudeville, Inc. Newman, writer/dancer/ sponsors and presenters in Wellfieet, MA $4,000 choreographer Remy the rural locations. To support development Charlip, and director/dra­ and production costs and maturg Martha Boesing. Adaptors, lnc. artists’ compensation Brooklyn, NY $5,000 associated with a new play Access Theatre, Inc. To support the creation and entided Wake Up/by the Santa Barbara, CA $8,000 production of a new, large- Wellfleet Harbor Actors To support artistic and scale, multimedia move­ Theater. production expenses related ment theater piece. to six weeks of rehearsal and American Place Theatre two weeks of performance Alabama Shakespeare New York, NY $4,000 of an original work, Flight, Festival, Inc. To support the Humor created by Rod Lathim, Montgomery, AL $15,000 Hatchery, a program that Artistic Director, and writer To support the production discovers and develops new Ty Granaroli. of Keith Glover’s play, expressions of humorous Thunder Knocking On The playwriting by emerging Actors Express, Inc. Door, to be directed by American writers. Adanta, GA $5,000 Edward G. Smith with To support production costs original blues music by for Sandra Deer’s play recording artist Keb’ Mo’. Sailing to Byzantium. Alice B. Theatre Association Seattle, WA $5,000 To support the development and production of A Good List by Andrew Mellen.

122 American Repertory Arden Party, Inc. Atlantic Theater Company Theatre New York, NY $4,500 New York, NY $4,000 Cambridge, MA $90,000 To support the development To support the marketing To support artists’ fees and and production of "The costs associated with the salaries of resident artists in Medieval Mystery Plays" production of Minutes From order to preserve the inte­ from the Wakefield Cycle. The Route, a new play by grity of the resident acting Tom Donaghy. ensemble and to make Arden Theatre Company available resident artist posi­ Philadelphia, PA $4,000 Available Potential tions in directing, design, To support the Arden Enterprises, Limited movement, and voice. Professional Apprenticeship Northampton, MA $6,000 Program offering compre­ To support the No The­ Antenna Theater hensive, highly structured, atre’s creation of "Road To Sausalito, CA $5,000 and supervised training in Hell," a 12-part cycle of To support Aurora and the all facets of theater opera­ short medieval morality Army Corps of Engineers, a tions to aspiring theater plays set in the present. hybrid nature walk/theater professionals. performance/scientific Barrow Group, Inc. debate/radio mystery show Arizona Theatre Company New York, NY $4,000 that will take place outdoors Tucson, AZ $7,500 To support the costs associ­ in the hills of Matin To support the develop­ ated with the creation of a County, California. ment, rehearsal, and presen­ new play by Steven Dietz, tation of an original silent which will include a series Appalshop, Inc. theater piece featuring the of readings and workshops, Whitesburg, KY $40,000 physical comedy of mime culminating in a full-scale To support Roadside GeoffHoyle. production of the com­ Theater’s three residencies pleted work. with the national touring/ Arkansas Repertory education/access project. Theatre Company Barter Foundation, Inc. Little Rock, AR $7,000 Abingdon, VA $5,000 Archipelago Company, Inc. To support the development To support production costs Chapel Hill, NC $5,500 and production of Fort for Girl of My Dreams, To support artists’ salaries Chaffee, a play with music Doctor’s and Diseases, The in two productions based on that chronicles the intern­ Moving of Lilla Barton, and the theme of intimacy ment of Cuban refugees at The Baby Dance. entitled Binky’s Bar and Grill an army post in the Ozark Presents Private Billboards Mountains in Arkansas, and Another Time, Another with the intent of reaching Place... Someone Else. the Hispanic community.

123 Berkeley Repertory Theatre Borderlands Carter Family Puppet Berkeley, CA $50,000 Tbeater/Teatro Fronterizo Theater To support the arts educa­ Tucson, AZ $5,000 Seattle, WA $5,000 tion programs including a To support performances To support the research, school touring production and educational activities to design, creation, rehearsal, and the TEAM program underselwed secondary high and performance of The (Theater Educates and school students. Further Adventures of Pinoc­ Motivates) through which chio. students see mainstage Brava! for Women in the productions. Arts Center Stage Associates San Francisco, CA $8,000 Baltimore, MD $50,000 Big Apple Circus, Ltd. To support the salary of the To support the production New York, NY $30,000 literary associate and the of Galileo by Bertolt Brecht To support the creation, work of the Literary to be directed by Irene rehearsal, and touring of a Department. Lewis. new production built around turn of the century Bushfire Theatre of Center Theatre Group of vaudeville and variety Performing Arts Los Angeles shows. Philadelphia, PA $5,000. Los Angeles, CA $70,000 To support the development To support the development Bilingual Foundation of and presentation of a new of Mark Taper Forum’s the Arts, Inc. play by Richard Pierce, The New Work Development Los Angeles, CA $6,000 Last Time Bobby Sings The Project, comprised of the To support the creation, Blues. annual New Work Festival, development, and presenta­ Blacksmyths, Other Voices, tion of Isabel Allende’s La Butterfly Educational Arts and the new Asian Theatre Casa de los Espiritus (The Northampton, MA $4,000 Workshop. Hous~ of Spirits) in both To support the development Spanish and English. and production of a new Center for Puppetry Arts play at Chrysalis Theatre by Adanta, GA $60,000 Bloomsburg Theatre artistic director and play­ To support the mainstage Ensemble, Inc. wright Andrea Hairston. production of Frankenstein, Bloomsburg, PA $7,000 (part of the New Directions To support the Theatre in Carpetbag Theatre, Inc. Series for adult audiences) the Classroom production Knoxville, TN $5,000 and Charlotte’s Web, Rainfor­ of In Our Veins. To support a Women est, and The Court of King Audiences Touring (WAT) Arthur from the Center’s program which serves Family Series. incarcerated women and women in adult literacy programs through perfor­ mance of Ce Nitram Sacul, a play about the issues of family violence and mental illness.

124 Chicago Children’s Children’s Theater Circle Repertory Theatre Theatre, Inc. Company and School Company Evanston, IL $4,000 Minneapolis, MN $22,000 New York, NY $15,000 To support expenses associ­ To support the development To support education/access ated with two productions and production of a new activities in which audiences at the Skyline Stage at Navy work, A Mark Twain Story­ become involved in the Pier with a potential audi­ book, scheduled for work­ creation, development, and ence of 9,000 to 15,000 shop and preview perfor­ presentation of new plays. school children, teachers, mances in the fall of 1996 and families. and followed by an Circuii Playhouse, Inc. extended tour during the Memphis, TN $4,000 Chicago Dramatists 1996-97 season. To support Playhouse on Workshop the Square’s production of Chicago, IL $5,000 Childsplay, Inc. The Diary of Anne Frank. To support "Playwrights Tempe, AZ $10,000 For The ’90’s - The Annual To support the dramatiza­ Circus Arts Foundation of Production of Short Plays," tion of Ophelia’s S’hadow Missouri featuring the work of Theatre, adapted from St. Louis, MO $7,000 several playwrights chosen Michael Ende’s book, which To support artists’ fees and from a field of 150 plays will use state of the art development of a new show presented in readings, visual/lighting technology at the site of Circus Flora’s workshops, and festivals to tell a story exploring the winter quarters in St. Louis during the prior year. concept of "shadow." County, MO.

Chicago Theatre Group Cincinnati Playhouse in City Lit Theatre Company Chicago, IL $90,000 the Park Chicago, IL $4,000 To support the production Cindnnati, OH $5,000 To support the stage adap­ of a new play entided The To support actors’ compen­ tation and production of Story of the Seven Princesses. sation during the 1996-97 Tina McElroy Ansa’s novel, theater season. Ugly Ways. Child’s Play Touring Theatre Circle in the Square, Inc. City Theatre Company Chicago, iL $4,000 New York, NY $4,000 Pittsburgh, PA $6,000 To support a multifaceted To support the development To support City Theatre’s theatrical and educational and presentation of a new outreach residency project . program entitled Kids For play, Defying Gravity, by which develops partnerships President. Jane Anderson. between professional theater artists and human service and educational organizations in the Pitts­ burgh region. Nora (Megan Connecticut Player’s Follows), Foundation, Inc. dutiful wife to New Haven, CT $54,000 Torvald To support development and presentation of Long (Stephen Wharf Theatre’s classic Pelinski), revivals and seven new faces the works as part of the "Cele­ disintegration bration of Classic and of her mar­ Contemporary Excellence" riage in the project. Guthrie Contemporary American Theater’s Theater Festival, Inc. production of Shepherdstown, WV A Doll’s $4,000 House by Photo by Michal Daniel. To support the development Henrik Ibsen. and production of Bad Girls byJoyce Carol Oates and Cleveland Play House Cleveland Signstage Octopus byJon Klein. Cleveland, OH $8,000 Theatre, Inc. To support a new play Cleveland, OH $4,000 Cornerstone Theater development program, Next To support a program for Company Stage, which is comprised high school students which Santa Monica, CA $7,000 Of a Playwright’s Unit to includes a performance of To support the Live/Work/ support emerging writers, a The Glass Menagerie staged Play in L.A. Project which workshop which refines new in American Sign Language links communities citywide scripts, and mainstage (ASL) and spoken English, through theater by creating production of a play from and pre- and post-show a new multiple community the playwriting workshop. workshops on the play, the residency project and the playwright, and ASL. development and produc­ Cleveland Public Theatre tion of a musical to be Cleveland, OH $4,000 Coconut Grove Playhouse written by Jose Rivera. To support the double State Theatre of Florida performance project, Tales of Corporation Coterie, lnc. Time, adaptations of A Miami, FL $4,000 Kansas City, MO $6,000 Thousand and One Nights To support Mr. Rickey Calls To support the development and The Master and Mar­ A Meeting by Ed Schmidt, a and production of Sounder garita. play commemorating the based on the novel by 50th anniversary of Jackie William H. Armstrong, In Robinson breaking the the Suicide Mountains, color barrier in major adapted by James Still from league baseball, premiering the writing of John Gard­ at the opening of the 1997 ner, and Whale by David baseball season. Holman.

126 Court Theatre Fund Dallas Theater Center Dell’Arte, Inc. Chicago, IL $5,000 Dallas, TX $25,000 Blue Lake, CA $12,000 To support production of To support the development To support the develop­ The Ipbigenia Cycle. and production of Life is a ment, performance, and Dream by Octavio Solis, and touring of REACH, a Crossroads, Inc. Cousin Belle by Lynn Siefert. regionally based New Brunswick, NJ touring/performance $40,000 Das Puppenspiel Puppet project. To support the development Theatre, Inc. and presentation of a new West-field, NY $4,000 Denver Center for the play by former Poet Laure­ To support the development Pe~orming Arts ate Rita Dove, The Darker of "The Puppet Tree." Denver, CO $25,000 Face of the Earth, an adapta­ To support the collabora­ tion of the classic Oedipus Deaf West Theatre tion of theater artists from story set in the ante-bellem Company, Inc. Sweden, Burkina Faso, and American south. Los Angeles, CA $4,000 the Czech Republic in the To support a production of development and presenta­ CSC Repertory, Ltd. Romeo and ffuliet in Ameri­ tion of new theater works New York, NY $8,000 can Sign Language by a cast examining the centrality To support production costs of deaf, hearing impaired, and universality of fables in for Garcia Lorca’s The and hearing actors. world cultures. House of Bernarda Alba and a new play by Migdalia Cruz Deep Ellum Theatre Group Double Edge Theatre entided Another Part of the Dallas, TX $10,000 Productions, Inc. House. To support artists’ compen­ Ashfield, MA $5,000 sation during the produc­ To support the creation, Cucaracha Theatre tion of four plays selected touring, and training New York, NY $4,000 from works by writers activities of Keter & Hid­ To support three produc­ including Naomi Iizuka, den Territories. tions, including Collosus, a John O’Keefe, Howard new play by Clive Barker Barker, Octavio Solis, and Downtown Art Co., Inc. and a co-production with Erin Cressida Wilson. New York, NY $4,000 Classic Stage Company, as To support the development well as the Late Night Delaware Theatre and production of four new Series, The Children’s Company works as part of the "All Project, and the Monday Wilmington, DE $5,000 Over Town" project which Night Reading Series. To support the 2nd Biennial produces new performance Connections Competition, by emerging artists working a competition, for a new outside of traditional American play concerning theater settings. inter-racial dynamics in America.

127 East-West Players, Inc. Ensemble Studio Theatre First Stage Milwaukee Los Angeles, CA $4,500 New York, NY $4,000 Milwaukee, WI $4,000 To support the development To support the production To support the commission­ and production of three of the 1997 MARATHON ing, development, and plays including VVomenfrom of New One-Act Plays. production of a theatrical the Other Side of the World by adaptation of The Island of Linda Faigao Hall. Ensemble Theatre the Blue Dolphin by Scott Houston, TX $8,000 Odell. E1 Teatro Campesino To support the production San Juan Bautista,.CA of two works featuring Florida Studio Theatre $7,000 Claude Purdy and Woodie Sarasota, FL $4,000 To support the production King as guest directors and To support the Young of two contemporary plays, guest artist Ella Joyce. Playwrights Festival, a six- El Paso Blue by Octavio week program which Solis and Short Eyes by Eugene O’Neill Memorial professionally produces Miguel Pinero. Theater Center outstanding short plays Waterford, CT $25,000 created by students in El Teatro de la Esperanza To support the National grades K-12 from schools San Francisco, CA $12,000 Playwrights Conference, a throughout the southeast­ To support the production project that identifies, ern United States. of Deporting the Divas by assembles, and assists twelve Guillermo Reyes and a promising playwrights to Fountain Theatre touring production of When develop and refine a play Los Angeles, CA $4,000 El Cucui Walks by Roy through workshops, staged To support a six-month Conboy. readings, and follow-up process to create, develop, discussions. and produce Sweet Nothing Empty Space Association in My Ear, a new play Seattle, WA $8,500 Fiji Theater Company, Inc. confronting the issue of To support the development New York, NY $20,000 cochlear implants, seen by of a theatrical adaptation of To support the development some as a scientific miracle Charlotte Bronte’s classic and production of The Viet and by others as a threat to novel VFuthering Heights, Nam Project, exploring deaf culture. relations between the East En Garde Arts, Inc. and the West, and Undesir­ Friends of Olympia Station New York, NY $6,000 able Elements, a community-. Santa Cruz, CA $7,500 To support the co-produc­ specific work concerning To support the creation, tion of a new music-theater cultural identity. development, and presenta­ adaptation of Homer’s tion of a new theater work Odyssey, written and by New Pickle Circus that directed byJoAnne Akalaitis will blend the vocabulary of with original music by physical theater, circus arts, Philip Glass. contemporary dance, and original music.

128 Gala Inc. Grupo de Guadalupe Cultural Arts Horse Cave Theatre 76, Inc. Artistas Latinoamericanos Center Horse Cave, KY $4,000 Washington, DC $7,000 San Antonio, TX $8,000 To support expenses associ­ To support the adapatation, To support the commission­ ated with the ten-week development, and presenta­ ing and production of a new rehearsal and performance tion of La Pergola de Las play based on the life of period of Desert Flower, a Flores (The Pergola of noted Mexican-American new play by Kentucky Flowers), by Chilean writer actress Beatriz "La Chata" writer Betty Peterson. and folklorist, Lisidora Noloesca. Aguirre, to be presented in Huntington Theatre Spanish and English during Cruthrie Theater Company, Inc. the 1996-97 season. Foundation Boston, MA $7,000 Minneapolis, MN $100,000 To support the productions George Coates Performance To support producti?ns of A of Pearl Cleage’s play, Blues Works Midsummer Night’s Dream for an ,4labama Sky, and San Francisco, CA $15,000 by William Shakespeare, .4 Journey to the West, an To support the development Doll House" by Henrik adaptation of a Chinese and production of an Ibsen, The Cherry Orchard novel by adaptor/director original multi-media work by Anton Chekhov, and Mary Zimmerman. tided Pavlov’s God. Philadelphia, Here I Come by Brian Friel. Hystopolis Productions, Inc. George Street Playhouse River Forest, IL $4,000 New Brunswick, NJ $6,000 Hartford Stage Company To support an adaptation of To support the Touring Hartford, CT $75,000 Bram Stoker’s Dracula. Theatre, reaching over To support productions of 70,000 students. The Imaginary lnvalid by Idris Ackamoor and Moliere and a play by Cultural Odyssey Group I Acting Company William Shakespeare. San F~ancisco, CA $7,500 New York, NY $11,000 To support the salary of a To support the production Heart of the Beast Theatre Community Outreach of Mud, River, Stone, a new Milmeapolis, MN $18,500 Coordinator who will play by Lynn Nonage. To support the creation and develop education/access presentation of an original programming during the Growth and Prevention work entided Songs for a 1996-97 season. Theater Millennium. Seattle, WA $4,000 Illusion Theater and Honolulu Theatre for School, Inc. To support expenses associ­ Minneapolis, MN $4,000 ated with the research, Youth writing, and production of a Honolulu, HI $22,000 To support the annual Fresh new play focusing on the To support the development Ink series of six to eight effects of discrimination on and presentation of two theatrical works-in-progress, people with disabilities. world premiere plays new works, and multidisci­ developed through Hot­ plinary collaborations. house: Center for New Play Development.

129 Imago, The Theatre Mlask International Arts Jewish Repertory Theatre Ensemble Relations, Inc. New York, NY $4,000 Portland, OR $6,000 New York, NY $9,000 To support a community To support the development To support the Festival of outreach campaign enabling and production of a new New Works featuring three the theater to reach a larger work adapted from Step­ new plays by emerging and more diverse audience. penwolf, by Herman Hesse, Latino writers during the in the style of the Waylang 1996-97 theater season. Jomandi Productions, Inc. Kulit, using shadow puppets Atlanta, GA $18,000 and performed with a Intiman Theatre To support the development Gamelan Orchestra. Seattle, WA $5,000 and productions of Keep the To support the presentation Faith, by Jeff Stetson, and Independent Eye, Ltd. of Having Our Say, by Underground, a musical Philadelphia, PA $5,000 Emily Mann, an oral history from the story by Valerie To support The Genesis based oh the best-selling Benning and book by Tom Ensemble, a collaboration book by Sarah and Eliza­ Jones. of artists developing new beth Delany. works through improvisa­ frump-Start Performance tion, staging experiments, Irish Repertory Theatre Company staged readings, community Company, Inc. San Antonio, TX $5,000 outreach workshops, and New York, NY $6,000 To support the commission intensive ensemble work. To support the development and production of Simplicity of a musical adaptation of by Paul Bonin-Rodriguez, lndiana Repertory Theatre James Joyce’s "The Dead" Eyes of Zapata by Sandra Indianapolis, IN $12,000 involving composer Shaun Cisneros, and French Kisses To support artists’ salaries Davey and director Jack by Sterling Houston. and costs associated with Hofsiss, with book and enrichment/educational lyrics by Richard Nelson Junebug Productions programs and supplemen­ and musical direction by New Orleans, LA $10,000 tary materials developed to Charles Prince. To support the develop­ introduce audiences to ment, production, and challenging and issue- Irondale Productions, Inc. touring of How Come You’re oriented work. New York, NY $4,000 So Stuck Up This Morning, To support the creation and based on stories from New production of a new theater Orleans and set in the piece exploring violence in Treme community, and a American culture, with a new work to be directed by series of educational work­ Steven Kent. shops accompanying this piece while on tour.

130 ffungle Theater Latino Chicago Theater Louisville Children’s Minneapolis, MN $4,000 Company, Inc. Theatre Stage One To support Theater Arts Chicago, IL $4,000 Louisville, KY $5,000 Workshops for Youth which To support artists’ fees, To support the 1996-97 provides training by Jungle transportation, housing, and regional tour of theater for Theater’s staff and associ­ per diem for playwrights young audience productions ated theater artists for and production and distrib­ serving more than 10,000 young people in neighbor­ ution of a catalogue for the children. hood performing arts first annual "Thick Accents programs. ---A Showcase for Latino MA- YI Filipino Theater Playwrights...And Whom It Ensemble, Inc. Kitchen Dog Theater May Concern" project. New York, NY $5,000 Company To support artists’ fees for Dallas, TX $4,000 Live Bait Theatrical the production of Flipzoids: To support the presentation Company Adventure in White, a new of The Empire Builders by Chicago, IL $4,000 play in ten cycles by Ralph French playwright Boris To support production of a Pena with original music by V]an. new play by Sharon Evans, Fabian Obispo, Jr. and Starving Artists, the pre­ directed by Loy Arcenas. L A Public Theatre, Inc. miere of which will coincide Auburn, ME $4,000 with a 40-year retrospective Mabou Mines Development To support the Student of Chicago art at The Foundation, Inc. Matinee Program providing Museum of Contemporary New York, NY $30,000 discounted or free tickets to Art. To support the presentation performances, study guides of reconstructed produc­ for pre-performance class­ Lookingglass Theatre tions of Lear, Hajj, Company, room preparation, and post- Company and I~orstward Ho, and the performance discussions Chicago, IL $5,000 production of Animal- with the director, actors, To support the production Magnetism. and designers. of an original play, The Vanishing Twin, written and Mad Horse Theatre La Mama Experimental directed by Bruce Norris. Company Theatre Club, Inc. Portland, ME $4,000 New York, NY $60,000 Los Angeles Poverty To support the production To support the revival of Departraent of Woyzeck by the play­ three works of international Los Angeles, CA $5,000 wright Georg Buchner. renown: Carmilla by Wil­ To support the development ford Leach, Architect and and production of a theater Emperor of Assyria by piece evolving from the Fernando Arrabal, and histories, memories, and Trojan Women, by Andrei experiences of participants Serban. from LAPD’s free, weekly workshops in Skid Row.

131 Madison Repertory Manbites Dog Theater Merrimack Repertory Theatre, Inc. Company Theatre, Inc. Madison, WI $4,000 Durham, NC $5,000 Lowell, MA $4,000 To support the presentation To support a production of To support the Arena Stage of two plays from the Slavs] by Tony Kushner, Series project during the African-American Theater which will be an area 1996-97 theater season. Series.. premiere, directed by a guest director and followed Metro Theater Company Magic Theatre Foundation by audience discussions. St. Louis, MO $7,500 Omaha, NE $14,000 To support the development To support the develop­ Manhattan Class and tour of a community- ment, commission, and Company, Inc. based piece created in installation of "Performance New York, NY $4,000 collaboration with Eileen Explor-Atori-Yum," an To support a "Summer Play Cherry and Pamela Ster­ event in which 13 perfor­ Party" MCC Theater Pass, ling, and workshops with mances will be presented a ticket subsidy program to young people and adults in simultaneously in an inter­ plays written by an ethni­ communities on the tour. active, walk-through, cally diverse high school experimental format. student population. Mettawee Theatre Company, Inc. Magic Theatre, Inc. Manhattan Theatre Club Salem, NY $6,000 San Francisco, CA $8,000 New York, NY $31,000 To support the develop­ To support the development To support expenses for the ment, production, and and presentation of A Fair development and world touring of an ensemble- Country, written and premiere of the new play, created work based on the directed byJon Robin Baitz. Corpus Christi, by Terrence myth of Persephone and McNally. Demeter and adapted into a Make a Circus, Inc. script by the playwright San Francisco, CA $4,000 Marin Theatre Company Luis Santiero. To support Make*A’Circus Mill Valley, CA $4,000 Summer Festival Days which To support the Playwrights’ Millan Theatre Company brings free professional Lab, providing opportuni­ Detroit, MI $4,000 circus/theater to under- ties for San Francisco Bay To support the development served communities in parks Area playwrights to explore and production of the first throughout California. and develop their work. play in the 1996-97 season.

McCarter Theatre Milwaukee Repertory Company Theater Princeton, NJ $30,500 Milwaukee, WI $53,000 To support the third annual To support the development New Play Festival during and presentation of Benito the 1996-97 theater season. Cereno by Robert Lowell.

132 Missouri Repertory National Black Theatre New Dramatists, Inc. Theatre, Inc. Workshop New York, NY $10,000 Kansas City, MO $8,000 New York, NY $4,000 To support artists’ compen­ To support the creation and To support the development sation for the play reading presentation of Oedipus the and production of Nzingba’s and workshop component King by Sophocles. Children by Veona Thomas of the playwright develop­ and The Fruits of Miss ment program. Mixed Blood Theatre Morning by Elmo Terry Company Morgan. New Federal Theatre, Inc. Minneapolis, MN $15,000 New York, NY $15,000 To support the development National Black Touring To support "The Revival and production of an Circuit, Inc. Project," the production of adaptation of Charles New York, NY $5,000 three classic plays by Schuyler’s classic, Black No To support the development African-American play­ More and Syl Jones’ plays of a new work that includes wrights GunPlay, Ring of Fire, and poetry by Amiri Baraka and Baby, Baby.t to be directed by music of the Harlem New Freedom Theatre, Inc. Jack Reuler. Renaissance to be per­ Philadelphia, PA $12,000 formed at the Schomburg To support a production of Musical Traditions Center for Black Culture in Black Nativity, by Langston San Francisco, CA $4,000 Harlem, NY. Hughes, and the residency To support costs associated of guest director Clinton with producing and market­ National Theatre of the Turner Davis. ing a two week San Fran­ Deaf, Inc. cisco season, a national tour, Chester, CT $20,000 New Hampshire Mime and the development of To support the develop­ Company original productions. ment, production, and Portsmouth, NH $5,000 touring of Curiouser & To support Pontine’s National Asian-American Curiouser, an adaptation of Touring Program which Theatre Company works by Lewis Carroll, A will provide artistic and New York, NY $4,000 World of Whys, by Brian educational programs for To support artists’ compen­ Jennings, and "Shakespeare the general public, K-12 sation for the production of Unmasked," which will schools, and colleges Awake and Sing by Clifford introduce students to the throughout New England. Odets and Picnic by William works of Shakespeare. Inge. New Jersey Shakespeare New City Theater Festival of Morris County Seattle, WA $5,000 Madison, NJ $4,000 To support the development To support production costs and premiere of Like 1 Say, a for Two Gentlemen of Verona. New City/Theater Zero commissioned play by Len Jenldn.

133 New Theatre New York Theatre Old Globe Theatre St. Louis, MO $4,000 Workshop, Inc. San Diego, CA $68,000 To support the production New York, NY $8,000 To support the world of Eric Bogosian’s SubUrbia, To support a production of premiere of Play On.t, a new and an accompanying Elizabeth Egloff’s play, The jazz musical based on educational outreach Devils, based on the Dosto­ Shakespeare’s Twel~b Night program. e~csky novel. and featuring music of Duke Ellington. New York Deaf Theatre North Carolina New York, NY $4,000 Shakespeare Festival, Inc. Omaha Theater Company To support the production High Point, NC $4,000 Omaha, NE $6,000 of two new plays written by To support salaries and To support the New Plays deaf playwrights which will related costs for actors, Project consisting of the be performed in American directors, designers, and production of two new plays Sign Language and spoken technicians; direction and for young audiences com­ English by a mixed cast of management; and produc­ missioned from playwright deaf and hearing actors. tion costs for an Educa­ Mark Medoff. tional Outreach Program. New York Shakespeare Ontological-Hysteric Festival Northlight Theatre Theater, Inc. New York, NY $85,000 Evanston, IL $7,500 New York, NY $16,000 To support the productions To support expenses associ­ To support the development of Timon of Athens and Henry ated with a production of and production of a new Vby William Shakespeare at Russell Vandenbroucke’s play by Richard Foreman the Delacorte Theater in Atomic Bombers, including entided Supreme Beings & Central Park. additional actors, rehearsal. Special Talents which exam­ time, increased costume ines spiritual and philosoph­ New York Street Theatre costs, and an expanded ical obsessions in relation to Caravan, Inc. STAR program for students. human behavior. Jamaica, NY $4,000 To support the completion Odyssey Theatre Oregon Shakespeare and performances of a Foundation Festival Association work-in-progress entitled Los Angeles, CA $4,000 Ashland, OR $26,000 The Fugitives, a full~length To support the American To support the Professional drama inspired by Richard premiere of the interna­ Advancement Project which Adams’ novel Plague Dogs. tional theater work Bremen provides actors and other Freedom, by German theater artists with opportu­ filmmaker-playwright nities to sharpen and develop Ranier Werner Fassbinder. their professional skills.

134 Otrabanda Company People’s Light & Theatre Pick-Up Performance New York, NY $6,000 Company Company, Inc. To support the creation and Malvern, PA $11,500 New York, NY $5,000 development of new text- To support the production To support the scripting and based movement theater of Lou Lippa’s translation development of Silent works through collabora­ of Pirandello’s Have It Your Movie, an evening-length, tions with playwrights to V~y, Horton Foote’s Trip To multi-disciplinary theater explore ways in which ideas Bountiful, and Project work written by David and emotions are mani­ Discovery, an arts education Gordon and Ain Gordon. fested physically. program which serves 15,000 to 18,000 students. Pittsburgh Public Theater Pan Asian Repertory Corporation Theatre, Inc. Perseverance Theatre Pittsburgh, PA $12,000 New York, NY $15,000 Douglas, AK $20,000 To support the Young To support the development To support the development People’s Theater Initiative, and presentation of two new and production of Moun­ a comprehensive artists plays: The Innocence of Ghosts tains Of Light by Juneau education program by Rosanna Staffa and As writer David LaChapelle designed for young audi­ The World Evolves (The and Bus Stop by William ences with a teachers’ Galapagos Story) by Richard Inge. education component. Haratani. Philadelphia Theatre Playwrights Horizons, Inc. Paper Bag Players, Inc. Company New York, NY $37,000 New York, NY $10,000 Philadelphia, PA $5,000 To support the production To support the develop­ To support the production of Fit To Be Tied by Nicky ment, production, and tour of a two-week festival of Silver and .Baby Anger by of a new company work for plays by students and Peter Hedges. young audiences. alumni of the Philadelphia Young Playwrights Festival Playwrights Theatre of Penumbra Theatre program. New Jersey, Inc. Company, Inc. Madison, NJ $4,000 St. Paul, MN $12,000 Phoenix Theatre Academy To support The Immigrant To support a strategic plan Atlanta, GA $5,000 Project, a multi-genre to insure organizational To support artists’ compen­ examination of the immi­ stability. sation for the Academy grant experience, past and Theatre for Youth’s 1996-97 present, which will culmi­ Tour of five plays including nate in an original perfor­ post-performance drama mance piece. workshops on issues facing young people in the audi­ ence.

135 Playwrights’ Center, Inc. Portland Stage Company Puppet Co. Minneapolis, M_N $8,000 Portland, ME $8,000 Glen Echo, MD $5,000 To support PlayLabs, the To support the Little To support production costs center’s national play Festival of the Unexpected, for A Midsummer Night’s development workshop, and a week-long festival of new Dream. the Playwright’s Lab, the work and new voices. center’s largest script Quest Theatre & Institute development program. Potomac Theatre Project West Palm Beach, FL Middlebury, VT $4,000 $4,500 Pope Theatre Company To support winter produc­ To support the commission­ Manalapan, FL $4,000 tions of three plays. ing of a multi-genre theater To support the Educational piece for a solo actress and Initiative, a series of pro­ Pregones Touring Puerto chamber music trio entided grams designed to provide Rican Theatre Charcoal Sketches. educational theatrical Bronx, NY $18,000 experiences for audiences of To support artists’ salaries, Red Eye Collaboration all ages. touring personnel, and Minneapolis, MN $5,000 marketing expenses for the To support the development Portland Center Stage Touring Program of perfor­ and production of a new Pordand, OR $5,000 mances, master classes, and collaboratively-created To support production of lecture demonstrations to multimedia theatrical work William B. Sheridan’s The reach wider audiences in tided The Makropoulos Rivals in collaboration with Texas, Louisiana, and Secret. Peter Schickele (P.D.Q. Florida. Bach), and Chamber Music Repertory Theatre of St. Northwest. Primary Stages Company Louis New York, NY $5,000 St. Louis, MO $4,000 Portland Repertory To support the development To support the development Theater and production of a new and production of new Pordand, OR $4,000 play, There, by African works by emerging play­ To support the Young American writer Herman wrights through the Lab Playwrights Festival, an Daniel Farrell III. Development Project. outgrowth of the Play­ wrights-in-Progress pro­ Puerto Rican Traveling Ridiculous Theatrical gram in local schools Theatre Company, Inc. Company designed to foster artistic New York, NY $8,000 New York, NY $28,000 expression. To support the development To support the production and presentation of The of a revival of Charles Cross In The Mirror by Ludlum’s musical farce, Argentinean writer Coral Corn, and Everett Quinton’s Agnirre. adaptation of Charles Dickens’ Oliver Twist.

136 Road Company SOON 3 Theatre San Francisco Mime Johnson City, TN $6,000 San Francisco, CA $4,000 Troupe To support the development To support the creation and San Francisco, CA $30,000 and residency of Zero presentation of a new To support the creation, Moment at Jump Start "performance architecture development, and national Productions in San Anto­ work," conceived as a tour of I3 Dias/13 Days by nio, Texas. continuation of a visual Noan Holden. "text" series. Robert W. Woodruff Arts San Jose Repertory Theatre Center, Inc. Sacramento Theatre San Jose, CA $5,500 Atlanta, GA $32,000 Company To support fees and wages To support the creation, Sacramento, CA $4,000 for playwrights, dramaturgs, development, and presenta­ To support two outreach directors, and actors for tion of two new plays: The projects: Acting Out, a The New America Play­ Last Night of Ballyhoo by touring program of plays wright Festival which serves Alfred Uhry, and Bourbon at that are tailored to school emerging playwrights from the Border by Pearl Cleage. curriculums, and SELT traditionally under-repre­ (Students Experiencing sented cultural groups. Round House Theatre, Inc. Live Theatre), which brings Silver Spring, MD $5,000 students from disadvan­ Saratoga International To support the 1996-97 taged areas into the theater. Theater Institute Arts Day Program in which New York, NY $7,500 children grades 1-5 partici­ Saint Louis Black To support the revision and pate free of charge in classes Repertory Company, Inc. presentation of Small Lives/ including creative drama, St. Louis, MO $6,000 Big Dreams at the 1996 movement, character To support artists’ fees for Cultural Olympiad in development, and explo­ the production of Gospel at Adanta. ration of playwrights’ texts. Colonus created by Lee Breuer. Seattle Children’s Theatre Roundabout Theatre Association Company, Inc. San Diego Repertory Seattle, WA $20,000 New York, NY $8,000 Theatre, Inc. To support production of To support the Sign Inter­ San Diego, CA $18,000 Suzan Zeder’s new play, The preted Series, a special To support the expenses of Taste of Sunrise: Tuc’s Story, subcription series of plays. the "Teatro Sin Fronteras" including the commission initiative comprising an and workshop process, S. U. Theatre Corporation array of programs to reach research and supplies for Syracuse, NY $6,000 the regional Latino commu­ educational supplements, To support the production nity, provide forums and and all production expenses. of Coming of the Hurricane commissions for Latino by Keith Glover. artists, and a subsidized subscription program.

137 Seattle Group Theatre ¯ Seven Stages, Inc. Shakespeare Theatre Seattle, WA $14,000 Adanta, GA $10,000 Washington, DC $35,000 To support the NEXUS To support production of To support the arts educa­ Education Program which three new plays by South­ tion program TEXT includes a student matinee ern writers: Blue Monk by ALIVE!, a comprehensive program, cultural work­ Robert Earl Price, The Knee curriculum- based program shops, and an intern train­ Desires the Dirt by Julie for local high. school stu­ ing program. Hebert, and Whispering to dents, with in-school, in- Horses byJo Carson. theater workshops, perfor­ Seattle Repertory Theatre mances, and activities that Seattle, WA $62,000 Shadow Box Theatre, Inc. involve students in theater. To support expenses includ­ New York, NY $4,000 ing a guest director’s fee To support the newly Sierra Repertory Theatre associated with the main- established Family Theater Sonora, CA $4,000 stage production of King Center which offers a To support the salaries and Lear. variety of enrichment fees for two plays that will programs at affordable tour as part of the commu­ Second Stage Theatre, Inc. prices, enabling families to nity and educational out­ New York, NY $6,000 attend weekend and holiday reach program. To support the development productions. and production of Stories I Signature Theatre Ain’t Told Nobody Yet byJo Shakespeare & Company Company Carson, The Notebook by Lenox, MA $7,000 New York, NY $7,000 Wendy Kesselman, The To support the presentation To support the premiere of Questions of Sara by Susan of three productions in the a new play written by Sam ICam, and Carole’s Wedding Shakespeare Series, two Shepard and directed by by Tina Howe. Shakespeare plays, and the Joseph Chaikin. three parts of "Women of Seven Loaves, Inc. Will: Following the Femi­ Signature Theatre, Inco New York, NY $4,000 nine in Shakespeare’s Plays." Arlington, VA $4,000 To support the production To support the development and presentation of The Shakespeare Repertory of a new work entided Lives Golem, premiering at the Chicago, IL $5,000 of the Saints by John Strand. International Puppet To support production costs Festival; Hamlet, using both for Henry V. Skysaver Productions, Inc. puppets and live actors; and New York, NY $5,000 The Wandering Egg, short To support the development story theater for youth. and presentation of Journey to the Island, a site-specific performance work.

138 Soho Repertory Theatre Steppenwolf Theatre Talking Band, Inc. New York, NY $5,000 Chicago, IL $15,000 New York, NY $5,000 To support the presentation To support the commission­ To support the development of a new play by Howard ing and workshop of new and production of a new Korder based on the life of plays through the New Play site-specific theater work, nineteenth century writer Lab. Home Entertainment by and producer Salmi Morse. Diane Brown and Ellen Studio Theatre School Maddow. South Coast Repertory, Inc. Corporation Costa Mesa, CA $50,000 Buffalo, NY $6,000 Target Margin Theater To support the Collabora­ To support the production New York, NY $4,500 tion Laboratory (Colab), a of Tom Stoppard’s Arcadia. ¯ To support the development comprehensive new play and production of the program including an Studio Theatre, Inc. American premiere of South Hispanic Playwrights Washington, DC $5,000 by Julian Green. Project. To support the development and production of a com­ Tears of Joy Theatre Spanish Theatre Repertory missioned translation of Vancouver, WA $5,000 Co., Ltd. Mabagonny by Bertolt To support the development New York, NY $65,000 Brecht and Kurt Well and and presentation of Aladdin To support the "Schoolday Cryptogram by David and His Magic Lamp and The Matinee" project which Mamet. Amazing Adventures of Coco- offers performances of Kaba as part of the Pro­ Spanish-language drama Sundance Children’s gramming Along the and musicals to junior and Theatre, Inc. Columbia project. senior high school and Salt Lake City, UT $4,000 college students nationally. To support the 1997 Sun- Teatro Avante, Inc. dance Playwrights Labora­ Miami, FL $8,000 Stages, Inc. tory, an intensive three- To support the development Los Angeles, CA $4,000 week program in which and production of Pancho To support artists’ compen­ selected playwrights are Diablo by Carlos Morton, sation for the production of matched with a full resource and Escrito y Sellado by Isaac Looking Into The Stands, an team of theater artists to Chocron. English adaptation of develop new work. Mirando Al Tendido by Venezuelan playwright Tacoma Actors Guild Rodolfo Santana. Tacoma, WA $4,500 To support the production of a classic play in the 1996­ 97 Mainstage season, outreach programs to the community, and education programs for youth and adults.

139 Teatro del Sesenta, Inc. Tennessee Repertory Theatre for a New San Juan, PR $15,000 Theatre Trust Audience, Inc. To support the development Nashville, TN $4,000 New York, NY $4,000 and presentation of two new To support the production To support Theatre for a plays: El Bombon De Elena, of Shakespeare’s The Tempest New Audience’s production based on the classic ­ as part of the Humanities of King Lear to be directed ian play by Vinicius de Outreach Tennessee by Cicely Berry, the voice Moraes, and Piscolabis a Program. director of The Royal social comedy written by Shakespeare Company of Flora Perez Garay. Theater for the New City England and author of The Foundation, Inc. Actor and the Text. Teatro Hispano de Dallas New York, NY $10,000 Dallas, TX $5,000 To support artists’ fees for Theatre Gad, Ltd. To support production development and produc­ Atlanta, GA $4,000 expenses for a new play, Of tion of six plays by Ameri­ To support artists’, techni­ The Many Oceans We Belong can playwrights as part of a cal, and administrative 7b..., based on the differ­ playwright development salaries for "The Irish- ences and similarities project. American Project," an inherent in American exploration of the experi­ myths. Theater For You, Inc. ence of Irish immigrants in Boise, ID $5,000 America involving the Teatro Vista... Theatre with To support the Idaho production of two plays. a View, Inc. Schools Tour which brings Chicago, IL $4,000 theater for youth to more Theatre in the Square, Inc. To support an original than 100,000 students ~nd Marietta, GA $5,000 adaptation of Memory of Fire: educators, K-12. To support the production Genesis by Eduardo Galeano, of two plays, Zion! and a multidisciplinary, bilingual Theatre & Arts Smoke On The Mountain. theater work produced in Foundation of San Diego collaboration with the County Theatre IV Mexican Fine Arts Center La Jolla, CA $28,000 Richmond, VA $4,000 Museum in Chicago. To support the development To support artists’ compen­ of La Jolla Playhouse’s sation during the develop­ production of Diana Son’s ment, production, and play, Boy. educational outreach of a touring musical theater Theatre de la ffeune Lune piece for young audiences. Minneapolis, MN $20,000 To support the development and production of Part II of "America Project," which examines social values and America as an ideological construct.

140 Theatre of Yugen TheatreMoves, Inc. Trinity Repertory Company San Francisco, CA $5,000 New York, NY $4,000 Providence, RI $40,000 To support salaries of To support the development To support the development administrative personnel for and tour of a new work and production of Peter the establishment of a using personal narrative, Parnell’s adaptation of the planning and stabilization movement, and computer- John Irving novel The Cider initiative designed to sampled soundtracks as well House Rules, and a Shake­ increase visibility on tour, as the redirection of a piece speare play. build a stronger audience in the theater’s repertory. base, and increase artistic Truscus, Inc. programming. Thick Description Columbia, SC $5,000 San Francisco, CA $4,000 To increase institutional Theatre Rhinoceros To support the development stability by supplementing San Francisco, CA $4,000 and production of the artistic and administrative To support the production premiere of Under I/Vestern salaries. of Deporting the Divas by Eyes by Karen Amano, a Guillermo Reyes, in associ­ contemporary adaptation of Ujima Company, Inc. ation with E1 Teatro de la Joseph Conrad’s novel. Buffalo, NY $4,000 Esperanza, a bilingual To support the production theater in San Francisco’s Thick Description of several performances of Mission District. San Francisco, CA $8,000 Long Time Since Yesterday by To support artists’ compen­ E J. Gibson, to be marketed Theatre Workshop sation for the production of in conjunction with the Kansas City, MO $4,000 Gravity Falls from Trees by "Curtains Up!" event To support the production Sunj J. Rivo, Bullet Headed sponsored by the Theatre of From The Mississippi Birds by Kan Gotanda, and District Association of Delta, by Ednesha Ida a new work by Naomi Buffalo. Holland. Tizuka. Underground Railway Theatre X, Inc. Thunder Bay Ensemble Puppets & Actors, Inc. Milwaukee, WI $6,000 New York, NY $4,500 Arlington, MA $4,000 To support the development To support the development To support the creation and and presentation of a new and presentation of a new tour of a new work, Twisted play during the 1996-97 ensemble-created piece, The Figures,with writings by theater season. Barrier Reef. Caryl Rivers, Randall Dottin, Paul Kahn, and Wes Toucbstone Sanders which focus on the Bethlehem, PA $4,000 impact of media on our To support the development lives. and production of a new performance piece using improvisational and move­ ment-based techniques.

141 Unidentified Moving Vigilante Players, Inc. Wilma Theater Objects Company, Inc. Bozeman, MT $6,000 Philadelphia, PA $9,000 Vashon, WA $4,000 To support actors’ wages, To support the production To support the development health insurance, and travel of The Ruling Class by Peter and production of Body costs for a regional tour that Barnes. Inheritance Movement includes Montana, Idaho, and Memory of Bones to be North and South Dakota, Women’s Project and directed by Ruth Zaporah. and eastern Oregon. Productions New York, NY $4,000 University of North Vineyard Theatre and To support the development Carolina at Chapel Hill Workshop Center, Inc. and production of a new Chapel Hill, NC $4,000 New York, NY $7,000 work by playwright Maria To support the Associate To support a residency Irene Fornes entitled Artists Program, a collabo­ program for playwrights Summer in Gossemass. ration between the resident culminating in Lab produc­ company and promising tion of the playwright’s new Woolly Mammoth Theatre young directors and design­ work. Company ers. Washington, DC $6,000 Vivian Beaumont Theater To support the development Via Theater, Inc. New York, NY $43,000 and production of Puddin N’ New York, NY $4,000 To support artists’ compen­ Pete by Cheryl West and To support the development sation for the world pre­ Sleeptbink by Kia Cothron. of The Musical Theater miere production of a new Project: Alien Love, a new play, An American Daughter Wooster Group, Inc. American musical with by . New York, NY $35,000 direction and libretto by To support development Brian Jucha, composition Washington Drama and production of two plays and musical direction by Society, Inc. by Eugene O’Neill, The Waiter Thompson, and Washington, DC $65,000 Emperor Jones and The Hairy choreography by Doug To support production of Ape, and a work by Ten­ Elkins. Voir Dire by Joe Sutton. nessee Williams.

Victory Gardens Theater We Tell Stories Inc. Working Theatre Chicago, IL $9,000 Los Angeles, CA $7,000 Company, Inc. To support the production To support the creation of New York, NY $4,000 of Up From 47th Street by new work and free perfor­ To support the development Charles Smith. mances for children in the and production of Belmont Los Angeles, Orange, and Avenue Social Club by Bruce Ventura counties who might Graham. otherwise lack a theater experience.

142 Workshop of the Players SPECIAL PROJECTS SERVICES TO THE Art Foundation, Inc. 2 awards $1,009,000 FIELD New York, NY $5,000 2 awards $690,000 To support community *Theatre Communications outreach and audience Group BHK Arts Consultants development activities to New York, NY $300,000 Washington, DC $675,000 bring young people into the A cooperative agreement for A cooperative agreement to theater and to involve local the continuation of the support administration and community and business NEA/TCG Career Devel­ coordination of site report leaders. opment Programs for activities for theater and Directors and for Designers. musical theater applicants. Yale University These two ongoing projects New Haven, CT $58,000 provide emerging directors New 42nd Street, Inc. To support production of and designers with support New York, NY $15,000 First Lady by Katharine services, residencies with To support presentation of Dayton and George S. professional theater compa­ the Jim Henson Founda­ Kaufman. nies, and mentor relation­ tion’s International Festival ships with master stage of Puppet Theater. Young Playwrights, Inc. directors and designers. New York, NY $15,000 To support the development *Theatre Communications and production of the Group Young Playwrights Festival, New York, NY $709,000 which identifies and devel­ A cooperative agreement to ops talented new writers, 18 support a residency program years and younger, for the for playwrights to work with theater. professional theater compa­ nies to develop new work, to encourage new work within the community, and to bring new cultural and aesthetic viewpoints to theaters.

143 ARTISTS Headlands Center for the VISUAL ARTISTS COMMUNITIES Arts ORGANIZATIONS 10 awards $125,000 Sausalito, CA $20,000 105 awards $1,065,000 To support ten three-month Centrum Foundation residencies for artists from 1078 Gallery, Inc. Port Townsend, WA $7,500 across the United States. Chico, CA $5,000 To support costs associated MacDowell Colony To support five group with housing, travel, mate­ exhibitions. rials, and stipends for 35 Peterborough, NI-I $12,500 resident artists. To support seven visual 80 Langton Street, Inc. artists in residence for one San Francisco, CA $17,500 Corporation of Yaddo month each during the To support costs associated Saratoga Springs, NY 1996-97 season. with exhibitions and accom­ $12,500 panying education pro­ Millay Colony for the Arts To support the artists’ grams and publications. residencies project and the Austerlitz, NY $12,500 artists’ travel project. To support one-month Alternative Center for residencies for nine visual InternationM Arts Djerassi Resident Artists artists, composers, and New York, NY $10,000 Program writers. To support the exhibition Woodside, CA $12,500 Ragdale Foundation "American History Paint­ To support costs associated ings" by Jerry Kearns and a with the residencies of 17 Lake Forest, IL $12,500 catalogue. artists. To support four-week residencies for six to eight Armory Center for the Arts Dorland Mountain Arts artists from across the Pasadena, CA $10,000 Colony country. To support four exhibitions Temecula CA $7,500 Virginia Center for the and commissioned installa­ To support in part the tions that explore the salaries of the three signifi­ Creative Arts Sweet Briar, VA $12,500 intersections of the visual cant staff members who arts with other disciplines provide support to the To support the cost for and relate the visual arts artists in residence. eight artists working in new to the daily life of the genres to be in residence for community. Fine Arts Work Center in 30 days each. Provincetown, Inc. Art Awareness, Inc. Provincetown, MA $15,000 Lexington, NY $7,500 To support residencies for To support four exhibitions four writers and four visual and installations during the artists at crucial early stages 1996 season. in their careers.

144 Art in General, Inc. Atlanta Art Papers, Inc. Bronx Council on the Arts New York, NY $17,500 Adanta, GA $12,500 Bronx, NY $12,500 To support four exhibitions, To support three issues of To support two group five project residencies, four Art Papers, a Southeastern exhibitions and the Long- audio projects, and seven regional publication. wood Arts Journal, a year­ window installations, end catalogue that docu­ Atlaa ments each exhibition with Art Institute of Chicago Phoenix, AZ $7,500 curatorial statements and Chicago, IL $22,500 To support the Native Arts artists’ writings. To support the distribution Registry and Native Arts of twelve video tides and Update, a quarterly publi­ Capp Street Project the production of four cation distributed interna­ San Francisco, CA $15,000 videotape interviews with tionally. To support the residency, artists by the Video Data- creation, and installation of Bank. Baltimore Clayworks, Inc. new work by the Chicago Baltimore, MD $5,000 artists collaborative Haha. Art Re Grup, Inc. To support a mural project, San Francisco, CA $5,000 a workshop series, and an Center for Contemporary To support two exhibitions artist’s residency. Arts of Santo Fe, Inc. and a related performance Santa Fe, NM $15,000 series. Bemis Center for To support an exhibition, Contemporary Arts video screenings, and visual Artist Trust: A Resource Omaha, NE $25,000 arts workshops for the Teen for Washington To support residencies of Project. Seattle, WA $7,500 three to six months each for To support information 18 visual artists. Center for Exploratory and services and technical Perceptual Art, Inc. assistance for visual artists Brandywine Graphic Buffalo, NY $12,500 in Washington state. Workshop, Inc. To support two exhibitions, Philadelphia, PA $7,500 a public art project, and a Artists Space, Inc. To support 11 visiting film/video screening. New York, NY $10,000 artists residencies at the To support five exhibitions new Offset Institute and the Center for Women & Their for the 1996-97 season. exhibition "Inside Out: Work, lnc. Japanese and Japanese- Austin, TX $12,500 Asian American Arts American Artists Prints." To support four exhibitions Centre, Inc. and accompanying gallery New York, NY $7,500 Bridge Center for lectures. To support four exhibitions Contemporary Art during the 1996-97 season. E1 Paso, TX $7,500 To support six exhibitions and a symposium. Center on Contemporary Cincinnati Artists’ Group Delta Axis Inc. Art Effort, Inc. Memphis, TN $5,000 Seattle, WA $7,500 Cincinnati, OH $5,000 To support up to three To support two exhibition To support four month­ exhibitions featuring work components of the center’s long exhibitions and instal­ by various artists. 1996 season: "The Project lations with an emphasis on Room" and "Non-Ironic artists from the Great Lakes Dialogue, Inc. Painting." region. Columbus, OH $5,000 To support the May/June Centro Cultural de la Raza Contemporary Art for San 1996 issue of Dialogue: Arts San Diego, CA $12,500 Antonio in the Midwest. To support two exhibitions San Antonio, TX $20,000 during the 1996-97 season: To support two exhibitions DiverseWorks, Inc. "Los Veteranos" and "Zinc with accompanying cata­ Houston, TX $15,000 Show." logues: "The Art Guys" and To support three exhibitions "Delphi." in the 1996-97 season and Chicago Artists’ Coalition an Artist Resource Center. Chicago, IL $15,000 Corcoran Gallery of Art, To support ten issues of the Trustees of Documents Magazine, Inc. monthly nev~sletter Artists’ Washington, DC $12,500 Brooklyn, NY $7,500 News, updating and revi­ To support a 20-year To support issues of Docu­ sions for five informational retrospective exhibition of ments magazine, a nationally lists for artists, and updating the work of Washington distributed journal on of Artists’ Yellow Pages. artist Martha Jackson-Jarvis. contemporary art.

Chicago New Art Craft Emergency Relief Drawing Center, Inc. Association Fund, Inc. New York, NY $12,500 Chicago, IL $12,500 Montpelier, VT $10,000 To support one solo and To support ten issues of the To support an interest-free one group exhibition: New Art Examiner, a nation­ loan program for craft "Louise Bourgeois: Draw­ ally distributed publication. artists who experience ings" and "Selections: work-interrupting emer­ Summer ’96." Chinese-American Arts gencies such as fire, theft, Council illness, and natural disasters, Exit Art/The First World New York, NY $10,000 New York, NY $t0,000 To support up to four solo Creative Time, Inc. To support "From Franken­ and two group exhibitions New York, NY $30,000 stein to Terminator: at Gallery 456 and a large To support the "Art in the Mechanical Sculpture and group show at Lincoln Anchorage" program which the Popular Imagination," Center’s Cork Gallery. features installations by "Culture/Counter Culture: artists who use sound and ¯ Artist Publications & Alter­ technology in their work. native Spaces in the U.S. 1960-1995," and "Martin Wong Retrospective."

146 Fabric Workshop, Inc. Friends of Photography Harvestworks, Inc. Philadelphia, PA $22,500 San Francisco, CA $7,500 New York, NY $12,500 To support residencies by To support publication of To support production costs nine regional, national, and the quarterly journal See. for two visual artists to work international artists, and with computer-based four exhibitions. Galeria Studio 24 _ multimedia equipment. San Francisco, CA $7,500 Forecast Public Artworks To support an exhibition Houston Center for St. Paul, MN $7,500 called "Growing into Photography $12,500 To support two issues of the Your Cultural Skin" by the Houston, TX publication Public Artreview. Bay Area artist Chico To support the summer MacMurtrie. 1996 issue of Spot magazine Foundation for Advanced and educational outreach Critical Studies, Inc. Galveston Arts Center, Inc. programs. West Hollywood, CA Galveston, TX $7,500 $7,500 To support two projects: the Intermedia Arts of To support five editions of exhibition, and accompany­ Minnesota, Inc. Art Issues magazine. ing catalogue, tided "Burn­ Minneapolis, MN $7,500 ing Issues," and the educa­ To support a group installa­ Foundation for Art tion/outreach workshop and tion and exhibition of the Resources, Inc. accompanying exhibition work of artists from the Los Angeles, CA $10,000 titled "Project Galveston." upper Midwest region TO. support three projects: called "Death, Corn, and the "Art Talk Art" lecture Glass Art Society, Inc. Relocations." series, "Open Proposals" Seattle, WA $5,000 artists’ projects, and exhibi­ To support the 27th annual International Arts conference of this national Relations, Inc. tions in the Full Moon $12,500 Gallery. service organization in New York, NY Tucson, AZ, in April 1997. To support two exhibitions Franklin Furnace Archive at the INTAR Gallery: New York, NY $7,500 Guadalupe Cultural Arts "Presence: Contemporary To support "The Future of Center Dominican Visual Artists" the Book: In the Flow," an San Antonio, TX $7,500 and "Works on Paper." exhibition that will explore To support costs associated the changing nature of with three exhibitions, the Legion Arts, Inc. Cedar Rapids, IA $7,500 artistic authorship in the age Annual Juried Women’s Art of information. Exhibit, and visiting critic To support costs for an Lucy Lippard. exhibition series and publi­ cation of the quarterly Hallwalls, Inc. Tractor. Buffalo, NY $5,000 To support costs associated with three solo exhibitions.

147 The work of Mexic-Arte Martina Lopez Austin, TX $10,000 was featured in To support up to three "The Next Wave: exhibitions of regional and Digital Images" local artists. exhibition at Mobius, Inc. North Carolina’s Boston, MA $5,000 The Light To support the "Installation Factory. Series" and the "Perfor­ mance Art Series."

N.A.M.E. Gallery Image by Martina Lopez, courtesy The Light Factory. Chicago, IL $5,000 To support one group Light Factory Los Angeles Contemporary exchange exhibition, two Charlotte, NC $5,000 Exhibitions, Inc. video installations, two To support "The Next Los Angeles, CA $7,500 performances, two panel Wave: Digital Revision," an To support two exhibitions, discussions, and two public exhibition of work by five two video projects, and a art projects. artists who use computer or series of store-front window electronic technology as an installations. National Association of integral element in the Artists’ Organizations, Inc. creation of their work. Manchester Craftsmen’s Washington, DC $20,000 Guild To support planning the Light Work V~sual Studies Pittsburgh, PA $5,000 next national conference, Syracuse, NY $10,000 To support the "Clay the publication of four issues To support four month-long Traditions and Frontiers" of the Bulletin, and distribu­ residencies by photographers and "Distinguished Lec- tion of the membership Miriam Romais, Danny turer Series in Photogra- directory. Tisdale, Lou Draper, and phy" visiting artist series. Stanley Greenberg and National Council on publication of their work in Mayor’s Advisory Education for the Ceramic Contact Sheet. Committee on Art and Arts Culture Flushing, NY $5,000 Los Angeles Center for Baltimore, MD $5,000 To support the 1997 annual Photographic Studies To support up to five conference, which serves as Los Angeles, CA $7,500 exhibitions during the a national forum for the To support two exhibitions: 1996-97 season. exchange of ideas and "Rank and File" and the information in the field of "Photo Arts Annual." ceramic arts.

148 Nexus, Inc. Pittsburgh Center for the Pyramid Arts Center, Inc. Atlanta, GA $15,000 Arts Rochester, NY $7,500 To support a major group Pittsburgh, PA $7,500 To support up to six group/ exhibition during the 1996 To support the "1996 thematic and three solo Centennial Olympic Games Pittsburgh Biennial" for exhibitions. and an artist residency at regional artists. Nexus Press. Pyramid Atlantic, Inc. Printed Matter, Inc. Riverdale, MD $5,000 Oregon Center for the New York, NY $15,000 To support two two-week Photographic Arts To support production and residencies for artists Basia Portland, OR $10,000 distribution of this service Ireland and Josette Urso to To support a series of six organization’s annual create new work in paper photography exhibitions catalogue, which lists tides and prints. which present the work of and descriptions of hun­ ten artists in two-person dreds of artist-made publi­ Randolph Street Gallery shows and one large group cations. Chicago, IL $15,000 SHOW. To support up to six group Printmaking Workshop exhibitions and visually- Painted Bride Art Center New York, NY $10,000 based performances at this Philadelphia, PA $10,000 To support residencies for multidisciplinary artist-run To support two exhibitions four guest artists to work space. during the 1996-67 season: with three master printers. "Defining the Edge" and Real Art Ways, Inc. "Independent Curator’s Project Artaud Hartford, CT $10,000 Exhibition." San Francisco, CA $10,000 To support one solo, one To support up to three group, and an anniversary Photographic Resource exhibitions highlighting the exhibition. Center, Inc. work of Bay Area artists at Boston, MA $7,500 the Southern Exposure Richmond Art Center To support a solo, a group, gallery. Richmond, CA $7,500 and a 20th anniversary To support exhibitions of exhibition. Public Art Fund, Inc. the work of Bay Area artists. New York, NY $10,000 Pilchuck Glass School To support public art San Francisco Seattle, WA $7,500 installations, a lecture Camerawork, Inc. To support the Artists-in- series, and a newsletter. San Francisco, CA $12,500 Residence Program, which To support two photogra­ invites artists who have not Public Art Works phy exhibitions and two worked in glass before to San Rafael, CA $12,500 issues of the publication use facilities and equipment. To support up to two Camerawork: A Journal of permanent public art Photoffrapbic Arts. projects and up to three temporary installations.

149 Santa Barbara Sheboygan Arts Space One Eleven, Inc. Contemporary Arts Forum Foundation, Inc. Birmingham, AL $5,000 Santa Barbara, CA $10,000 Sheboygan, WI $15,000 To support a program of To support a 20th anniver­ To support residencies in visiting artists and four sary project, including an the Arts/Industry program group exhibitions with exhibition, performances, and five exhibitions with accompanying public pro­ and lectures. accompanying interpretive grams such as lectures, materials, workshops, and workshops, and publications. Santa Monica Museum of gallery talks at the Kohler Art Arts Center. Spaces SantaMonica, CA $12,500 Cleveland, OH $7,500 To support installations by Side Street Projects To support costs associated up to three artists in the Santa Monica, CA $7,500 with Spaces’ participation in Artist Projects Series. To support two group "Urban Evidence: Contem­ exhibitions and two solo porary Artists Reveal Cleve­ Sculpture Space, Inc. installation projects. land," a collaborative project Utica, NY $10,000 with two other visual arts To support residencies of Snug Harbor Cultural organizations in Cleveland. two months each for ten Center, Inc. artists. Staten Island, NY $7,500 Storefront for Art and To .support an installation Architecture, Inc. Second Street Gallery, Inc. project and associated New York, NY $30,000 Charlottesville, VA $5,000 exhibitions. To support two exhibitions To support artists’ fees for a with related public pro­ series of exhibitions at this Society for Photographic grams and one publication. regional artist-run space. Education, Inc. Dallas, TX $5,000 Textile Arts Centre Segue Foundation, Inc. To support eight regional Chicago, IL $5,000 New York, NY $7,500 conferences organized by To support the exhibition To support the tenth this national service organi­ "Bridging Worlds," a anniversary issue of zation for photographers. collaboration with the M/E/A/N/I/N/G, an artist- Philadelphia College of directed publication. Society of North American Textiles & Science. Goldsmiths Self-Help Graphics and Tampa, FL $5,000 Thread Waxing Space Arts, Inc. To support the quarterly New York, NY $7,500 Los Angeles, CA $7,500 publication Metalsmitb To support a series of To support residencies for Magazine. exhibitions by emerging 15 artists to produce new artists in the Project Room. work in various screenprint Socrates Sculpture Parle .techniques. Long Island City, NY $12,500 To support two exhibitions during the 1996 season.

lyO Urban Glass/New York Watershed Center for the Hambidge Center for Contemporary Glass Ceramic Arts Creative Arts Center, Inc. Newcasde, ME $5,000 Rabun Gap, GA $6,000 Brooklyn, NY $5,000 To support residencies for To support a conference of To support an exhibition six artists in three two-week the Alliance of Arts Com­ entided "People in Glass sessions. munities on "American Houses..." Creativity at Risk." White Columns, Inc. Urban Institute for New York, NY $7,500 *NAMES Project Contemporary Arts To support a series of Foundation Grand Rapids, MI $5,000 exhibitions for emerging San Francisco, CA $100,000 To support the exhibition artists in the YVhite Room. To support the documenta­ "Expanded Visions." tion, storage, and retrieval of the AIDS Memorial I~tntal AIDS for the Arts SPECIAL PROJECTS Quilt on CD-ROM. New York, NY $12,500 $ awards $329,000 To support five projects of New York Foundation for this national service organi­ California College of Arts the Arts, Inc. zation dedicated to height­ and Crafts New York, NY $18,000 ening public awareness of San Francisco, CA $5,000 To support continuation of the impact of AIDS on our To support "No Blood/No the Visual Artist Informa­ culture. Foul," a public site-specific tion Hodine service. performance taking place Visual Studies Workshop on a downtown Oakland Rochester, NY $22,500 basketball court. To support one ofle-person exhibition, four residencies *College of Santa Fe for book artists, and the Santa Fe, NM $200,000 publication of up to ten To support continued issues of Afterimage. development and imple­ mentation of a Millennium Survey of the United States, which will hire photogra­ phers, writers, and video artists to record the the spirit and essence of Ameri­ can life and culture at the beginning of the next millennium. ARTS EDUCATION Florida Division of Minnesota State Arts PARTNERSHIP GRANTS Cultural Affairs Board 52 awards $2,830,000 Tallahassee, FL $42,000 St. Paul, MN $97,000 Georgia Coundl for the Arts Alabama State Coundl on Mississippi Arts the Arts Atlanta, GA $42,200 Commission Montgomery, AL $45,000 Jackson, MS $89,600 Idaho Commission on the Alaska State Council on Arts Missouri State Council on the Arts the Arts Boise, ID $34,000 St. Louis, MO $71,500 Anchorage, AK $53,000 Illinois Arts Coundl American Samoa Council Chicago, IL $56,500 Montana Arts Coundl Helena, MT $30,000 on the Arts, Culture & Indiana Arts Commission Humanities Indianapolis, IN $36,000 Nebraska Arts Council Pago Pago, AS $21,000 Omaha, NE $77,000 Iowa Arts Council Arizona Commission on Des Moines, IA $43,000 Nevada State Council on the Arts the Arts Phoenix, AZ $86,600 Kansas Arts Commission Carson City, NV $34,000 Topeka, KS $68,500 Arkansas Arts Council New Hampshire State Little Rock, AR $31,800 Kentucky Arts Council Council on the Arts Frankfort, KY $65,000 California Arts Council Concord, NH $49,600 Sacramento, CA $73,500 Louisiana Division of New Jersey State Council the Arts, Department of on the Arts Colorado Council on the Culture, Recreation, & Trenton, NJ $99,000 Arts Tourism Denver, CO $43,000 Baton Rouge, LA $40,500 New York State Council on Connecticut Commission on the Arts Maine Arts Commission New York, NY $93,500 the Arts Augusta, ME $38,500 Hartford, CT $97,500 North Carolina Arts Maryland State Arts Coundl Delaware Division of the Council Raleigh, NC $54,100 Arts Baltimore, MD $39,500 Wilmington, DE $25,700 North Dakota Council on Massachusetts Cultural the Arts Council Bismarck, ND $36,800 Boston, MA $47,000 Northern Marianas Michigan Coundl for Arts Commonwealth Council for and Cultural Affairs Arts & Culture Detroit, MI $49,000 Saipan, MP $11,000 **Includes a $10,000 amendment to a FY9 Y grant to Galef lnstitute.

152 Ohio Arts Council Virginia Commission for *Music Educators National Columbus, OH $110,000 the Arts Conference Richmond, VA $57,000 Washington, DC $10,000 Oklahoma, State Arts To support the National Council of Washington State Arts Coalition for Education in Oklahoma City, OK $53,000 Commission the Arts, a group of more Olympia, WA $52,800 than 30 arts and arts educa­ Oregon Arts Commission tion organizations, in its Salem, OR $43,000 West Virginia Arts & efforts to implement a series Humanities Section of arts education initiatives Pennsylvania Council on Charleston, WV $24,200 over a two-year period. the Arts Harrisburg, PA $55,500 Wisconsin Arts Board *National Assembly of Madison, WI $39,300 State Arts Agencies Puerto Rican Culture, Washington, DC $140,000 Institute of Wyoming Am Council San Juan, PR $27,000 Cheyenne, WY $49,500 A cooperative agreement to support professional devel­ Rhode Island State Coundl opment assistance for state on the Arts SPECIAL PROJECTS arts agencies’ Arts in Educa­ Providence, RI $77,000 8 awards $1,190,000 tion coordinators. *National Assembly of South Carolina Arts *Council of Chief State Commission State Arts Agencies School Officers Washington, DC $145,000 Columbia, SC $97,500 Washington, DC $360,000 To amend a cooperative South Dakota Arts Council A cooperative agreement to agreement to support the Pierre, SD $69,000 support the Goals 2000 Arts Goals 2000 Arts Education Education Parmership. Leadership Fund. Tennessee Arts Commission Nashville, TN $53,500 *Kennedy Center for the *Southern Arts Federation Performing Arts Atlanta, GA $30,000 Washington, DC $200,000 Texas Arts Commission To support the Southern Austin, TX $33,000 A cooperative agreement to Arts Federation’s Regional support the implementation Partnerships for Arts Utah Arts Council of the ArtsEdge national Education Program in Salt Lake City, UT $63,000 arts education information 1996-97. network. Vermont Council on the Arts *Southern Arts Federation Montpelier, VT $50,800 *Kennedy Center for the Atlanta, GA $30,000 Performing Arts Washington, DC $275,000 To support the Southern Arts Federation’s Regional To amend a cooperative Partnerships for Arts agreement for a National Education Program in Arts Education Dissemina­ 1997-98. tion Network. Akron Art Museum Henry Gallery Association National Foundation for Akron, OH $1 Seattle, WA $235,000 Advancement in the Arts To support the augmenta­ To support the augmenta­ Miami, FL $150,000 tion of the Akron Art tion of the endowment for To support the augmenta­ Museum’s endowment. the Henry Art Gallery. tion of the National Foun­ dation for Advancement in American Repertory Hubbard Street Dance the Arts’ endowment. Theatre Chicago Cambridge, MA $235,000 Chicago, IL $150,000 New HampshireSymphony To support the augmenta­ To support establishment of Manchester, NH $125,000 tion of the American Reper­ the Hubbard Street Dance To support the augmenta­ tory Theatre’s endowment. Company’s endowment. tion of the New Hampshire Symphony’s endowment. Barter Foundation, Inc. Institute for Contemporary Abingdon, VA $150,000 Art, P.S. I Museum and Norton Gallery and School To support the augmenta­ the Clocktower Gallery of Art, Inc. tion of the endowment for Long Island City, NY West Palm Beach, FL the Barter Theatre. $200,000 $200,000 To support the establish­ To support the augmenta­ Cindnnati Symphony ment of an endowment for tion of the Norton Gallery Orchestra the Institute of Contempo­ and School of Art’s endow­ Cincinnati, OH $185,000 rary Art. ment. To support the augmenta­ tion of the Cincinnati Jazz in the City Oregon Shakespeare. Symphony Orchestra’s San Francisco, CA $100,000 Festival Association endowment. To support the establish­ Ashland, OR $125,000 ment of an endowment and To support the augmenta­ Dia Center for the Arts augmentation of Jazz in the tion of the Oregon Shake­ New York, NY $200,000 City’s cash reserve. speare Festival Association’s To support augmentation of endowment. the DIA Center for the Municipal Art Society of Arts’ endowment. New York Portland Art Museum New York, NY $75,000 Pordand, OR $150,000 Franklin Furnace Archive To support the establish­ To support augmentation of New York, NY $100,000 ment of the Municipal Art the Pordand Art Museum’s To support the establish­ Society’s cash reserve. endowment. ment of a cash reserve for the Franklin Furnace Museum of Contemporary Archive. Art, Los Angeles Los Angeles CA $125,000 To support the augmenta­ tion of the Museum of Contemporary Art’s endow­ ment. c~muumnmm

Rider University Hubbord Lawrenceville, NJ $1’50,000 Street To support augmentation of Donce the Westminster Choir Chi¢ogo’s College endowment. Ron de San Francisco Symphony Jesus ond San Francisco, CA $150,000 Rhondo To support the augmenta­ Henriksen. tion of the San Francisco Symphony’s endowment.

Seattle Symphony Orchestra, Inc. Seattle, WA $150,000 To support the augmenta­ tion of the Seattle Sym­ phony Orchestra’s endow­ ment.

Sitka Summer Music Festival, Inc. Anchorage, AK $75,000 Photo by Lois Greenfield. To support the augmenta­ tion of the endowment held University of North Mark Anderson by the Sitka Summer Music Carolina at Greensboro Los Angeles, CA $165,607 Festival Foundation. Greensboro, NC $100,000 A cooperative agreement to Symphony Space, Inc. To support the augmenta­ complete independent tion of the endowment for management assessment New York, NY $200,000 the Weatherspoon Art reports for up to 300 FY 97 To support augmentation of Gallery. and FY 98 Planning and Symphony Space’s endow­ Stabilization applications. ment. WNYC Foundation New York, NY $285,000 To support the establish­ ment of an endowment to provide arts programming by the WNYC Foundation. PLANNING/ Arts Council ~ ~peka, Inc. Cibola Arts Council, Inc. STABILIZATION Topeka, KS ~’~ $39,380 Grants, NM $34,890 G RANTS To support efforts to To support the council’s 31 awards $1,005,000 stabilize local arts organiza­ Community Arts Program tions by improving techni­ as part of the Cibola *American Association of cal assistance services, County’s Future Family Museums expanding arts programs for Foundation Center project. Washington, DC $105,000 children, and strengthening the council’s administrative City of Berkdey, California To support the Cultural functions. Berkeley, CA $21,870 Tourism Leadership Initiative. To support a stabilization Arts North Carolina, Inc. ¯ initiative that will provide Raleigh, NC $8,750 Arts Council of Oklahoma services and programs to City To support Arts North artists and arts organiza­ Oklahoma City, OK $12,690 Carolina’s professional tions in Berkeley. development programs for To support a planning . local arts agencies around City of Edmonds, process to develop the Stage the state. Washington Center performing arts Edmonds, WA $6,880 facility into a venue for Bronx Council on the Arts To support the commis­ diverse and creative arts Bronx, NY $35,000 activities. sion’s efforts to strengthen To support a new outreach community arts groups Arts Council of Roanoke program designed to foster through leadership training Valley partnerships between arts sessions. Roanoke, VA $17,290 organizations and commu­ nity-based organizations. City of Portland, Maine To support efforts to Portland, ME $21,000 stabilize the arts in Roanoke California Assembly of through programming for To support a collaboration Local Arts Agencies between the Portland Arts local artists, arts organiza­ San Francisco, CA $35,000 tions, and children. and Cultural Alliance and To support the assembly’s the City of Portland, Maine Arts Council of Santa professional development to develop Portland’s first Clara County programs for 300 local arts cultural plan. San Jose, CA $35,000 agencies and service providers throughout City of South Lake Tahoe To support the community California. South Lake Tahoe, CA cultural planning process of $11,590 the Arts Council of Santa Catamount Film and Clara County in conjunc­ To support a technical Arts Co. assistance program for tion with the City of San St.Johnsbury, VT $39,380 Jose Office of Cultural artists, arts organizations, Affairs. To support the expanding and other cultural groups in education programs and the Tahoe Basin. partnerships with human service and community development agencies.

156 Colquitt/Miller Arts Lower Manhattan Cultural Metropolitan Arts Council Council, Inc. Council, Inc. Omaha, NE $31,500 Colquitt, GA $14,000 New York, NY $26,250 To support the council’s To support technical work­ To support the creation of a efforts to stabilize the arts shops and administrative digital arts center in collab­ with an accessible, quality staff to enhance the presen­ oration with New York City venue for presenting art, tation of a folk life play Partnership, a non-profit and a program of resources based on the history of consortium representing and technology services for ¯ southwest Georgia. business interests in lower artists. Manhattan. Copper Village Museum Missoula Cultural and Arts Center of Deer Madera County Arts Exchange Lodge County Council Missoula, MT $29,430 Anaconda, MT $12,250 Madera, CA $13,120 To support the council’s To support the development To support an arts educa­ stabilization project, of a new earned income tion program in the ele­ emphasizing arts education venture that will produce a mentary schools of Madera and cultural tourism. long-term revenue source County. for the Copper Village National Assembly of Local Museum and Arts Center. Merced Regional Arts Arts Agencies Council, Inc. Washington, DC $200,000 Fairbanks Arts Association Merced, CA $10,240 A cooperative agreement Fairbanks, AK $15,400 To support programming for Services to the Field. To support a long-range for the Merced Multicul­ planning process to develop tural Arts Center, a multi­ Network of Local Arts a community cultural plan disciplinary facility for arts Agencies of Washington for Fairbanks. training, performances, State education, exhibits, and Olympia, WA $24,500 Lake Agassiz Arts Council youth services. To support the network’s Fargo, ND $43,750 efforts to stabilize its To support the Lake Agassiz MetroArts of the Capital services for local arts Arts Council, in partnership Region agencies around the state. with the North Dakota Harrisburg, PA $39,380 Local Arts Council Consor­ To support a stabilization Pasadena Arts Council tium, with a stabilization project that will assist small, Pasadena, CA $21,000 project to strengthen the diverse, emerging arts To support "The Children’s state’s eight local arts organizations in Harrisburg Center for the Arts" pro­ agencies. to reach organizational and gram in cooperation with artistic excellence. the Pasadena Unified School District, providing in-depth visual and per­ forming arts experiences to elementary school students. Pierce County Arts *WRITERS CORPS California Assembly of Commission 6 cooperative Local Arts Agencies Tacoma, WA $35,000 agreements $581,765 San Francisco, CA $37,500 To support the expansion of To provide additional the commission’s First WritersCorps Programs funding for San Francisco Night arts festival into four Writers Corps. county locations, providing An interagency partnership new earned income for the with the Corporation for Humanities Council of D. C. commission and stimulating National & Community Washington, DC $37,500 greater participation in arts Service to support the To support the Washington, activities. second year of Writers D.C. Writers Corps. Corps, a project that offers Public Corporation for the opportunities for 75 Ameri­ National Association of Arts of the City of Long can writers to work directly Service & Conservation Beach with local social service Corps Long Beach, CA $35,000 providers, community Washington, DC $95,594 To support a comprehensive activists, and schools to To support the National technical assistance pro­ enhance learning for chil­ Writers Corps project. gram for artists and arts dren and adults who lack organizations in Long basic academic skills in Beach. creative writing. ARTS FOR YOUTH 1 cooperative Wayne County Council for Bronx Council on the Arts agreement $120,000 the Arts Bronx, NY $308,450 Lyons, NY $12,960 To support the Bronx The YouthArts To support a five-county Writers Corps. Development Project needs assessment and Bronx Council on the Arts A consortium of three local community planning arts agencies from Pordand, process. Bronx, NY $25,000 To provide additional Oregon, San Antonio, funding for Bronx Writers Texas, and Adanta, Georgia, Wisconsin Assembly of to expand successful proto­ Local Arts Agencies, Inc. Corps. types for Arts for Youth Madison, WI $17,500 Caliber Associates programs. To support the.assembly’s programs that strengthen Washington, DC $17,988 the organizational capacity To support the National of Wisconsin’s 70 local arts Writers Corps project. agencies. California Assembly of Local Arts Agencies San Francisco, CA $59,733 To support an evaluation of the Writers Corps project. BASIC STATE GRANTS Washington, DC $296,000 Maryland State 56 awards $18,528,699 Council Florida Division of Baltimore, MD $341,000 Basic State Grant activities Cultural Affairs support artists and arts Tallahassee, FL $378,699 Massachusetts Cultural organizations on a statewide Council level. Georgia Council for the Boston, MA $352,000 Arts Alabama State Council on Atlanta, GA $362,000 Michigan Council for Arts the Arts and Cultural Affairs Montgomery, AL $333,000 Guam Council on the Arts Detroit, MI $387,000 and Humanities Alaska State Council on Agana, GU $201,000 Minnesota State Arts the Arts Board Anchorage, AK $296,000 Hawaii State Foundation St. Paul, MN $337,000 on Culture and the Arts American Samoa Council Honolulu, HI $302,000 Mississippi Arts on Arts, Culture, & Commission Humanities Idaho Commission on the Jackson, MS $317,000 Pago Pago, AS $200,000 Arts Boise, ID $302,000 Missouri State Council on Arizona Commission on the Arts the Arts Illinois Arts Coundl St. Louis, MO $344,000 Phoenix, AZ $ 332,000 Chicago, IL $410,000 Montana Arts Council Arkansas Arts Council Indiana Arts Commission Helena, MT $299,000 Little Rock, AR $315,000 Indianapolis, IN $349,000 Nebraska Arts Council California Arts Council Iowa Arts Council Omaha, NE $307,000 Sacramento, CA $611,000 Des Moines, IA $319,000 Nevada State Council on Colorado Coundl on the Kansas Arts Commission the Arts Arts Topeka, KS $316,000 Carson City, NV $305,000 Denver, CO $327,000 Kentucky Arts Council New Hampshire State Connecticut Commission on Frankfort, KY $329,000 Council on the Arts the Arts Concord, NH $302,000 Hartford, CT $323’000 Louisiana Division of the Arts, Department of New Jersey State Council Delaware Division of the Culture, Recreation, & on the Arts Arts Tourism Trenton, NJ $371,000 Wilmington, DE $297,000 Baton Rouge, LA $334,000 New Mexico Arts Division District of Columbia Maine Arts Commission Santa Fe, NM $307,000 Commission on the Arts Augusta, ME $303,000 and Humanities New York State Council on South Carolina Arts REGIONAL ARTS the Arts Commission PROGRAMMING New York, NY $476,000 Columbia, SC $327,000 7 awards $2,753,301 North Carolina Arts South Dakota Arts Council Grants went to support Council Pierre, SD $297,000 artists and arts organiza­ Raleigh, NC $362,000 tions on a regional, multi- Tennessee Arts Commission state level. North Dakota Council on Nashville, TN $343,000 the Arts Arts Midwest Bismarck, ND $297,000 Texas Commission on the Minneapolis, MN $440,000 Arts Northern Marianas Austin, TX $478,000 Consortium for Pacific Arts Commonwealth Council for & Cultures Arts & Culture Utah Arts Council Honolulu, HI $166,000 Saipan, MP $200,000 Salt Lake City, UT $310,000 Mid Atlantic Arts Ohio Arts Council Vermont Council on the Foundation, Inc. Columbus, OH $403,000 Arts Baltimore, MD $440,000 Montpelier, VT $296,000 Oklahoma, State Arts Mid-America Arts Alliance Council of Virgin Islands Council on Kansas City, MO $331,000 Oklahoma City, OK the Arts $323,000 St. Thomas, VI $201,000 New England Foundation for the Arts Oregon Arts Commission Virginia Commission for Boston, MA $331,000 Salem, OR $322,000 the Arts Richmond, VA $357,000 Southern Arts Federation Pennsylvania Council on Adanta, GA $494,301 the Arts Washington State Arts Harrisburg, PA $413,000 Commission Western States Arts Olympia, WA $345,000 Federation Institute of Puerto Rican Santa Fe, NM $551,000 Culture West Virginia Division of San Juan, PR $327,000 Culture & History, Arts & Humanities Section Rhode Island State Council Charleston, VVV $309,000 on the Arts Providence, RI $300,000 Wisconsin Arts Board Madison, WI $342,000

Wyoming Arts Council Cheyenne, WY $296,000

160 COLLABORATIVE New England Foundation NATIONAL SERVICES INITIATIVE DANCE for the Arts 3 awards $168,580 ON TOUR Boston, MA $23,570 6 awards $141,420 To support artists’ fees and National Assembly of State related administrative costs Arts Agencies Arts 2Vlidwest for regional presenters of Washington, DC $59,580 Minneapolis, MN $23,570 dance throughout Con­ To amend a cooperative To support artists’ fees and necticut, Maine, Massachu­ agreement. related administrative costs setts, New Hampshire, for regional presenters of Rhode Island, and Vermont. National Assembly of State dance throughout Illinois, Arts Agencies Indiana, Iowa, Michigan, Southern Arts Federation Washington, DC $79,000 Adanta, GA $23,570 Minnesota, North Dakota, A cooperative agreement Ohio, South Dakota, and To support artists’ fees and for National Standard Final Wisconsin. related administrative costs Descriptive Report analysis. for regional presenters of Mid Atlantic Arts dance throughout Alabama, National Assembly of State Foundation Florida, Georgia, Kentucky, Arts Agencies Baltimore, MD $23,570 Louisiana, Mississippi, Washington, DC $30,000 North Carolina, South To support artists’ fees and A cooperative agreement related administrative costs Carolina, and Tennessee. for administering partner­ for regional .presenters of Western States Arts ship consultations between dance throughout the Federation the Endowment and state District of Columbia, arts agencies. Delaware, Maryland, New Santa Fe, NM $23,570 Jersey, New York, Pennsyl­ To support artists’ fees and vania, Virginia, the Virgin related administrative costs Islands, and West Virginia. for regional presenters of dance throughout Maska, Mid-America Arts Alliance Arizona, California, Col­ Kansas City, MO $23,570 orado, Hawaii, Idaho, Montana, Nevada, New To support artists’ fees and Mexico, Oregon, Utah, related administrative costs for regional presenters of Washington, and Wyoming. dance throughout Arkansas, Kansas, Missouri, Nebraska, Oklahoma, and Texas.

161 EXPANSION ARTS Colorado Council on the Michigan Council for Arts " 5 awards $163,440 Arts and Cultural Affairs Denver, CO $33,000 Detroit MI $32,000 Awards were made to To support fieldwork and To support a survey of support re-granting to rural educational projects to traditional arts in Michigan arts organizations identify and present tradi­ leading to a new "Celebra­ Alaska State Council on tional arts and artists of tions" component of the the Arts Eastern Colorado, laying 1996 Festival of Michigan Anchorage, AK $40,000 the groundwork for the Folklife. development of an ongoing regional folk arts program. Nevada State Council on Kansas Arts Commission the Arts Topeka, KS $30,000 Department of Arkansas Carson City, NV $12,400 Mississippi Arts Heritage To support a program Commission Little Rock, AR $60,000 assistant for the Folk Arts Jackson, MS $33,440 To support an ongoing Program at the Nevada project to record, preserve, State Council on the Arts. Tennessee Arts Commission promote the traditional arts Nashville, TN $30,000 of Arkansas. New Hampshire State Council on the Arts Texas Commission on the Iowa Arts Council Concord, NH $40,000 Arts Des Moines, IA $45,000 To support the folk arts Austin, TX $30,000 To support a state folk arts program including the folk coordinator position in arts coordinator position. Iowa. FOLK & New York State Council on TRADITIONAL ARTS Kentucky Arts Council the Arts 31 awards $891,700 Frankfort, KY $35,500 New York, NY $20,000 To support the first annual To support a folk arts Folk Arts Projects Kentucky State Folklife program associate position Festival. at the New York State Alabama State Council on Council on the Arts. the Arts Kentucky Arts Council Montgomery, AL $28,900 Frankfort, KY $35,500 Oregon Arts Commission Salem, OR $33,500 To support a fieldwork To support a survey of local survey to document the folk arts and artists and To support the "Neighbor­ traditional arts and artists of public programs in several hood Arts Program," to the waterway regions of Kentucky State Parks provide technical assistance celebrating local traditions. and artists programming to Alabama; the survey will artists and neighborhood lead to an exhibition that ;will travel to schools and groups in the Multnomah libraries in the region. County region.

162 Oregon Arts Commission Wisconsin Arts Board New ffersey State Council Salem, OR $28,300 Madison, WI $20,800 on the Arts To support the production To support the production Trenton, NJ $30,000 and touring of the exhibit, and enhanced distribution "Masters of Ceremony: of the weekly regional radio New Mexico Arts Division Santa Fe, NM $28,200 Traditional Artists and program, "Down Home Life’s Passages," a five-year Dairyland." North Dakota Coundl on retrospective of artists the Arts participating in the state’s Folk Arts State Bismarck, ND $30,000 traditional apprenticeship Apprenticeships program. Rhode Island State Council Alabama State Council on on the Arts Pennsylvania Council on Providence, ILl $29,900 the Arts the Arts Montgomery, AL $30,000 Harrisburg, PA $29,000 Utah Arts Council To support the development Alaska State Council on Salt Lake City, UT $30,000 of a state folk arts program the Arts through a collaboration Anchorage, AK $10,000 between the Pennsylvania STATE & REGIONAL Council on the Arts and the Georgia Coundl for the 56 awards $2,225,600 Institute for Cultural Arts Partnerships. Adanta, GA $13,000 Alabama State Council on the Arts South Carolina Arts HawaK State Foundation Montgomery, AL $39,300 Commission on Culture and the Arts Columbia, SC $41,300 Honolulu, HI $30,000 Alaska State Council on To support the folk arts the Arts coordinator position. Idaho Commission on the Anchorage, AK $30,500 Arts Washington State Arts Boise, ID $13,000 American Samoa Council Commission on Arts, Culturb, & Olympia, WA $22,000 Kentucky Arts Council Humanities To support the second Frankfort, KY $22,500 Pago Pago, AS $29,100 Washington State American Indian Basketmakers Missouri State Council on Arizona Commission on Gathering. the Arts the Arts St. Louis, MO $30,000 Phoenix, AZ $25,800 Washington State Arts Commission Nevada State Coundl on Arkansas Arts Council Olympia, WA $25,000 the Arts Little Rock, AR $35,000 Carson City, NV $16,500 To support two tapes/book­ California Arts Council lets highlighting "Eastern New Hampshire State Sacramento, CA $83,700 Washington Traditional Council on the Arts Arts and Heritage Tours." Concord, NH $30,000

163 Colorado Council on the Kentucky Arts Council New Hampshire State Arts Frankfort, KY $38,400 Council on the Arts Denver, CO $45,500 Concord, NH $24,800 Louisiana Division of the Connecticut Commission on Arts, Department of New Jersey State Council the Arts Culture, Recreation, & on the Arts Hartford, CT $37,000 Tourism Trenton, NJ $51,000 Baton Rouge, LA $39,500 Delaware Division of the New Mexico Arts Division Arts Maine Arts Commission Santa Fe, NM $33,100 Wilmington, DE $23,100 Augusta, ME $30,000 New York State Council on District of Columbia Maryland State Arts the Arts Commission on the Arts Council New York, NY $46,400 and Humanities Baltimore, MD $41,200 Washington, DC $30,400 North Carolina Arts Massachusetts Cultural Council Florida Division of Council Raleigh, NC $46,300 Cultural Affairs Boston, MA $43,100 Tallahassee, FL $63,000 North Dakota Council on Michigan Council for Arts the Arts Georgia Council for the and Cultural Affairs Bismarck, ND $21,100 Arts Detroit, MI $52,200 Adanta, GA $46,200 Northern Marianas Minnesota State Arts Commonwealth Council for Hawaii State Foundation Board Arts & Culture on Culture and the Arts St. Paul, MN $40,200 Saipan, MP $29,100 Honolulu, HI $31,900 Mississippi Arts Ohio Arts Council Idaho Commission on the Commission Columbus, OH $59,800 Arts Jackson, MS $35,500 Boise, ID $34,200 Oklahoma, State Arts Missouri State Council on Council of Illinois Arts Council the Arts Oklahoma City, OK Chicago, IL $57,700 St. Louis, MO $52,000 $37,000

Indiana Arts Commission Montana Arts Council Oregon Arts Commission Indianapolis, IN $49,400 Helena, MT $31,000 Salem, OR $35,600

Iowa Arts Council Nebraska Arts Council Pennsylvania Council on Des Moines, IA $35,900 Omaha, NE $42,800 the Arts Harrisburg, PA $54,800 Kansas Arts Commission Nevada State Council on Topeka, KS $35,300 the Arts Institute of Puerto Rican Carson City, NV $32,600 Culture San Juan, PR $47,500

164 Rhode Island State Council West Virginia Division of Dance on Tour on the Arts Culture & History, Arts & To support artists’ fees for Providence, RI $38,200 Humanities Section regional presenters of Charleston, WV $45,400 dance. South Carolina Arts Commission Wisconsin Arts Board Arts Midwest Columbia, SC $54,600 Madison, WI $27,400 Minneapolis, MN $82,794

South Dakota Arts Council Wyoming Arts Council Mid Atlantic Arts Pierre, SD $30,800 Cheyenne, WY $26,700 Foundation, Inc. Baltimore, MD $88,324 Tennessee Arts Commission PRESENTING Nashville, TN $50,800 Mid-America Arts Alliance 12 awards $1,000,000 Kansas City, MO $79,884 Texas Commission on the Arts Regional Arts New England Foundation Austin, TX $73,800 Organizations for the Arts Consolidated Boston, MA $48,613 Utah Arts Council Presenting Support Salt Lake City, UT $33,700 Southern Arts Federation To support artists’ fees for Atlanta, GA $77,173 Vermont Council on the regional presenters of Arts. music, opera and theater. Western States Arts Montpelier, VT $30,400 Federation Arts Midwest Santa Fe, NM $73,212 Virgin Islands Council on Minneapolis, MN $106,000 the Arts St. Thomas, VI $29,300 Mid Atlantic Arts Foundation Virginia Commission for Baltimore, MD $94,000 the Arts Richmond, VA $45,000 Mid-America Arts Alliance Kansas City, MO $94,000 Washington State Arts Commission New England Foundation Olympia, WA $42,300 for the Arts Boston, MA $61,000

Southern Arts Federation Atlanta, GA $73,000

l/Vestern States Arts Federation Santa Fe, NM $122,000

165 RESEARCH ACCESSABILITY William James Association Santa Cruz, CA $12,000 Westat, Inc. *The Actors Fund of A cooperative agreement to Rockville, MD $342,100 America work with local arts councils To support the completion New York, NY $50,000 to select artists, train them, of the 1997 National Survey To support the Artists monitor and evaluate three artists’ residencies in of Public Participation in Health Insurance Project, the Arts, including ques­ which will create a national Federal correctional institu­ tionnaire development, pre­ information source for tions in conjunction with testing, and interviewing a health care and insurance the Endowment’s intera­ gency work with the U.S. representative sample of for artists and arts adminis­ 12,000 adults. trators. Department of Justice.

New England Foundation Technical Assistance TECHNOLOGY for the Arts Activities Boston, MA $10,000 $13,500 *The Benton Foundation A cooperative agreement to To support technical assis­ Washington, DC $500,000 support the first phase of a ¯ tance efforts including the cooperative agreement to National Assembly of Local To support the first year of Arts Agencies monograph OPEN STUDIO, a part­ plan and develop a regional symposium to assist the six on "The Arts and Older nership to provide Internet Americans," and accessibil­ access at arts organizations New England states in making their activities fully ity seminars and panels for in all 50 states and to the Southeastern Museums accessible to people with provide 10 World Wide Conference, National disabilities and older adults. Web mentoring sites where Assembly of State Arts artists and arts organiza­ U. S. Department of Agencies, Generations tions will be schooled in United, and the National establishing their own Justice Washington, DC $12,000 Council on Aging. Websites. To support an interagency partnership to provide three one-year residencies in Federal correctional institu­ tions in" Tallahassee, Florida, Minersville, Penn­ sylvania, and Yankton, South Dakota.

166 rivate citizens make up the panels which recommend projects to.be supported from the thousands of applica­ tions we receive each year. Panels are composed of artists, administrators, patrons and at least one layperson who does not work for an arts organiza­ tion. Care is taken that all panels reflect the aesthetic, geographic and ethnic diversity of America. They meet at the Endowment’s headquarters through­ out the year to consider groups of applications and make recommendations to the National Council on the Arts, which in turn advises the Chairman. Panel meetings usually last several days so that a thorough review of all projects may take place. In order to avoid any conflict of interest, no individual may serve on a panel that considers his or her organization’s application. The Endowment uses split panels in some cases, so that individuals affiliated with organiza­ tions may serve on panels which do not consider their organization’s applica­ tion. Where split panels are used, each of the separate panels is listed. Because of funding cutbacks in 1996, some programs used one panel to consider all categories. The National Council on the Arts meets several times each year to review applications and discuss policy issues. The Council may approve or reject those recommended applications; all approved applications are for­ warded to the Chairman who makes the final decision on which grants are awarded.

167 DANCE COMPANY Randall Rosenbaum * SERVICES TO THE GRANTS PANELS Executive Director FIELD Rhode Island State Council on the Arts Panel A Kim Chart * Also Served on Pand B Providence, RI Director of Dance & New Linda Shapiro* Performance Roger Copeland* Choreographer Washington Performing Dance Historian Minneapolis, MN Arts Society Oberlin College Washington, DC Oberlin, OH Kent Stowell Artistic Director Douglas Dunn Migud Delgado Pacific Northwest Ballet Artistic Director Artistic Director Seattle, WA Rio Grande Union, Inc. Teatro Mexicano y Danza New York, NY Los Angeles, CA Mark Taylor Artistic Director Myrna Garry (Layperson) Olga Garay* Pittsburgh Dance Mloy Executive Vice President Director, Cultural Affairs Pittsburgh, PA MGT International Miami-Dade Community Charlotte, NC College Heather Watts Miami, FL Dancer Alonzo King Choreographer/Dance New York, NY Barry Glass Teacher Artistic Director Micki Wesson ~ayperson) San Francisco, CA AMAN International Music Arts Patron & Dance Company West Orange, NJ Ralph Lemon Los Angeles, CA Dancer/Choreographer New York, NY Joan Gray Panel B President Samud Miller Muntu Dance Theatre Executive Director Paul Lewis (Layperson) " New England Foundation Chicago, IL President for the Arts j~linda Lewis-Ferguson Communication Cambridge, MA Management Systems Associate Critic Harborside, ME Dance Magazine Arnecia Patterson Brooklyn, NY Managing Director Septime Webre Dayton Contemporary Artistic Director Arthur :Tacobus (Chair) Dance Company American Repertory Ballet Dayton, OH Executive Director New Brunswick, NJ San Francisco Ballet San Francisco, CA

168 DESIGN PANEL Jennifer Moulton Harry Teague Director of Planning & Architect Herman J. Milligan Development Harry Teague Architects (Layperson) City of Denver Aspen, CO Denver, CO Senior Market Research William Vinyard Analyst Norwest Corporation Barton Phelps Architect Architect Minneapolis, MN Rafael Vinoly Architects Los Angeles, CA New York, NY

EXPANSION ARTS Ricardo Hernandez E. Henry Willett, III ORGANIZATIONS Assistant Director Director Texas Commission on the Alabama Center for Tarabu Betserai Traditional Culture Consultant/Arts Austin, TX Montgomery, AL Administrator/Editor Leah Jaynes Karp Los Angeles, CA Photographer June Cboi Philadelphia, PA Executive Director Joyce Lew (Layperson) Asian American Arts Mliance Director of Allocations (retired) New York, NY United Way of Southern Michigan Detroit, MI

169 FOLK ARTS Steven ff. Loza Catherine Schwoeffermann ORGANIZATIONS Musician/Associate Curator & Program Professor of Director Susan Auerbach Ethnomusicology Roberson Museum & Ethnomusicologist University of California, Science Center Binghamton, NY Altadena, CA Los Angeles Los Angeles, CA Charlotte Herb Steve Siporin Assistant Director for C. Gordon McCann Folklorist/Associate Public Programs (Layperson) Professor of English & National Museum of the Springfield Blue Print History American Indian Company Utah State University Arlington, VA Springfield, MO Logan, UT

Worth Long Judith McCulloh (Chair) Nancy Sweezy Folklorist/Cultural Folklorist/Executive Editor Potter/Cultural University of Illinois Press Historian Conservator Atlanta, GA Champaign, IL Arlington, MA Beverly Patterson Su Zheng Folldife Specialist Assistant Professor of North Carolina Arts Music Council Wesleyan University Chapel Hill, NC Middletown, CT Elizabeth Peterson Folklorist Catonsville, MD

170 INTERNATIONAL Kim Chan CANADA/MEXICO/U.S. PANEL Director of Dance & New PANEL Performance Host Organization Panel Dennis Ferguson Acosta Washington Performing Arts Society (Chair) Katbleen Davis Executive Director Washington, DC (Layperson) Latino Museum of History, Personnel Counselor Olga Garay United States Information Art & Culture Director of Cultural Affairs Los Angeles, CA Agency Miami-Dade Community Washington, DC College James Abbott (Layperson) President & CEO Miami, FL Dennis Ferguson Acosta Zylstra Coinmunications Executive Director Yankton, SD Juana Guzman Latino Museum of History, Development Coordinator Art & Culture Chicago Department of Los Angeles, CA Phyllis ff. Brzozowska Cultural Affairs Executive Director Cityfolk Chicago, IL V~ctor Perera Dayton, OH Educator, School of Renee Levine Packer Journalism Dean of Continuing Studies University of California Dan Calneron Maryland Institute of Art Contemporary Editor Berkeley, CA Baltimore, MD Art & Auction Magazine New York, NY Pablo Scbugurensky Hctor Perera Public Art Program Educator, School of Manager Journalism Washington State Arts University of California Commission Berkeley, CA Seatde, WA

171 CREATIVE Margo Viscusi (Layperson) Richard Howorth WRITING/POETRY Director of Public Affairs & (Layperson) Dana Awards Co-Owner Lucille Cli~on Charles Dana Foundation Square Books Poet/Educator New York, NY Oxford, MS St. Mary’s College Columbia, MD Ellen Bryant Voigt (Chair) Janet Kauffman (Chair) Poet/Educator Fiction Writer/Poet Debora Gregor Cabot, VT Educator, Eastern Michigan Poet/Educator University Hudson, MI University of Florida CREATIVE WRITING/ Gainesville, FL FICTION & CREATIVE Randall Kenan NONFICTION Edward Hirsch Fiction Writer!Editor Poet/Editor/Educator Educator, Sarah Lawrence University of Houston Pinckney Benedict College Houston, TX Fiction Writer/Educator Carrboro, NC Lewisburg, WV Philip Levine Cris Mazza Poet/Educator Robert Coover Fiction Writer California State University, Fiction Writer/Poet Educator, University of Fresno Playwright/Essayist/Editor Illinois Fresno, CA Educator, Brown University Carlsbad, CA Providence, RI Thylias Moss Jewell Parker Rhodes Poet/Writer/Educator William Gaddis Fiction Writer/Editor Ann Arbor, MI Fiction Writer Educator, Arizona State Wainscott, NY University Steve Orlen Scottsdale, AZ Poet/Educator Diane Glancy University of Arizona Fiction Writer/Poet/ Joanna Scott Tucson, AZ Playwright/Essayist Fiction Writer Educator, Malcaster Educator, University of Sherod Santos College Rochester Poet/Educator St. Paul, MN Rochester, NY University of Missouri Columbia, MO Dagoberto Gilb Fiction Writer E1 Paso, TX

William Hjortsberg Fiction Writer/ Screenwriter McLeod, MT

172 ASSISTANCE TO Marc 8mirnoJ~ Fred C. Matbews, III LITERARY MAGAZINES Reviewer (Layperson) Editor, The Oxford American Executive Director Oxford, MS Duncan YMCA Maxine Chernoff (Chair) Chicago, IL Poet/Fiction Writer Art Winslow Educator, San Francisco Executive Editor Arthur J. Rosenthal State University The Nation Publishing consultant, Co-Editor, New American New York, NY former Director ~4ting Harvard University Press Mill Valley, CA New York, NY SMALL PRESS Dawn Davis ASSISTANCE/ C. D. Wright Editor DISTRIBUTION Poet/Educator The New Press Co-Editor, Lost Roads New York, NY Publishers Lisa Freeman Barrington, RI Karen Gates Hildt Director University of Minnesota (Layperson) Karen Tei Yamashita Attorney Press Fiction Writer/Playwright Port Townsend, WA Stillwater, MN Gardenia, CA Benjamin Alire Saenz Edwin S. Grosvenor Poet/Fiction Writer (Chair) Educator, University of Founding Editor & Texas, El Paso Publisher Editor, Equinox Current Books Magazine E1 Paso, TX Bethesda, MD

173 AMERICAN FILM MEDIA ARTS CENTERS/ PROGRAMMING IN INSTITUTE NATIONAL SERVICES THE ARTS

Lynne Dundon (Layperson) Jay Craven Rob Gordon Corporate Trainer Filmmaker Public Radio Station Stone Mountain, GA Barnet, VT Manager Nashville, TN John Giancola William Davis H Film/Telecommunications (Layperson) Charles Hobson Educator Attorney Film/Television Producer University of Tampa Winston-Salem, NC New York, NY Tampa, FL Sam Ho Perrin Ireland Anthony Gittens Film/Vide0 Critic Writer/Media Consultant Director Houston, TX; Cambridge, MA The Black Film Institute Washington, DC Margie Nicholson (Chair) Joan Rabinowitz Media Arts Consultants Producer/ George Schaefer (Chair) Public Service Media & Ethnomusicologist Theater/FilmiTV Director Marketing Seattle, WA Los Angeles, CA Chicago, IL Suzanne Weil Morrie Warshawski Sandra Pedlow Independent Producer Independent Media Associate Director of Los Angeles, CA Management Consultant Cultural, Drama, & Arts St. Louis, MO Programs Television Program Fund, Corporation for Public Broadcasting Washington, DC

John Sloss Entertainment Lawyer New York, NY

Laura Thielen Film Producer/Director Aspen Film Festival San Francisco, CA

174 UTILIZATION OF Pamela McDonald Seonaid McArtbur MUSEUM RESOURCES/ Director of Audience Education Curator PROFESSIONAL Development Museum of Contemporary DEVELOPMENT Fine Arts Museums of San Art, San Diego Francisco San Diego, CA San Francisco, CA Panel A Lawrence Pijeaux, Jr. Helen Abbott ffosepb Risbel Director Manager of Publications & . Curator of European Birmingham Civil Rights Media Painting Before 1900 Institute Seattle Art Museum Philadelphia Museum of Birmingham, AL Seatde, WA Art Philadelphia, PA Timothy Rub Teri Edelstein (Chair) Director Deputy Director Sonnet Takahisa Hood Museum of Art Art Institute of Chicago Co-Director Hanover, NI-I Chicago, IL New York City Museum School Beth Schneider (Chair) Patrida Frost (Layperson) New York, NY Education Director Arts Patron Museum of Fine Arts, Miami, FL Houston Panel B Houston, TX Edmund Barry Gaither Rosa de la Cruz Director & Curator Lewis Sharp (Layperson) Director Museum of the National Director & Treasurer Center of Afro-American Denver Art Museum Eagle Brands, Inc. Denver, CO Artists Key Biscayne, FL Boston, MA Susan Sollins Joseph Dye Jay Gates Co-Founder & Executive Curator of Asiatic Art Director Director Virginia Museum of Fine Dallas Museum of Art Independent Curators, Inc. New York, NY Dallas, TX Richmond, VA

Richard Kinney Director of Publication Services J. Paul Getty Trust Santa Monica, CA

175 SPECIAL EXHIBITIONS C. David Robinson (Chair) Marcia Manbart Architect Executive Director Panel A Polshek & Partners Philbrook Museum of Art Sausalito, CA Tulsa, OK Mark Addison (Layperson) Arts Patron Inez VVolins Lari Pittman Boulder, CO Director/CEO Visual Artist Wichita Art Museum Los Angeles, CA Lisa Corrin Wichita, KS Curator/Educator Samuel Sachs (Chair) The Contemporary Wu Tung Director Baltimore, MD Curator of Asiatic Art Detroit Institute of Arts Museum of Fine Arts, Detroit, MI Louis Grachos Boston Curator Boston, MA Rod Slemmons Musuem of Contemporary Associate Curator of Art, San Diego Photography San Diego, CA Panel B Seattle Art Museum Seattle, WA Madeleine Grynsztejn Neal Benezra Associate Curator, 20th Director of Public Programs/Chief Curator Judith Wilson Century Painting & Hirshhorn Museum & Assistant Professor Sculpture History of Art/ Art Institute of Chicago Sculpture Garden Washington, DC AfricardAfrican- Chicago, IL American Studies Lynne Cooke Yale University Corrine Kratz New Haven, CT Acting Director, Institute of Curator African Studies Dia Center for the Arts Emory University New York, NY Atlanta, GA Elizabeth Kornhauser Dewey Mosby Curator of American Director Paintings, Sculpture & The Picker Art Gallery Drawings Hamilton, NY Wadsworth Atheneum Hartford, CT

176 AMERICAN JAZZ Janet Cowperthwaite Amy Kaiser MASTERS Managing Director Director Kronos Quartet Saint Louis Symphony San Francisco, CA Chorus Terri Lyne Carrington St. Louis, MO Drummer, Composer, Kathy ffudd (Co-Chair) Recording Artist Executive & Artistic Michael Malek Los Angeles, CA Director ExecutiveDirector Music at Gretna Southwest Arkansas Arts Ronald Myers (Layperson) Newmanstown, PA Council Baptist Minister, Physician Hope, AR Belzoni, MS David Shi~n Clarinetist/Artistic Director Jacqueline Pierce Sara Picillo Chamber Music Society of Singer/Administrator Regional Arts Organization Lincoln Center New York, NY Representative New York, NY Washington, DC Maureen Ragan Walter Strauss (Layperson) (Co-Chair, Layperson) Billy Taylor (Chairman) Professor Emeritus Attorney Composer/Pianist Case Western Reserve Lyme, NH New York, NY University Cleveland Heights, OH JAZZ SERVICES TO CHAMBER ENSEMBLES Hiroko Yajima THE FIELD Violinist/Founding Maryann Bonino Member Theresa Jenoure (Co-Chair) Mannes Trio Musician/Educator Musicologist/Administrator Englewood, NJ Curator, Augusta Savage /Educator Art Gallery Prescott, AZ Amherst, MA CHORUS PANEL Lyman Brodie Wendell Logan Professor of Trumpet & Composer/Saxophonist Chair of Music Moses G. Hogan Artistic Director Chairman of Jazz Studies, Department Moses Hogan Chorale Oberlin Conservatory University of Central New Orleans, LA Oberlin, OH Florida Orlando, FL Joseph Jennings Ronald Myers (Layperson) Music Director Baptist Minister/Physician Michael Cameron San Francisco Chanticleer Belz6ni, MS Cellist San Francisco, CA Anderson Quartet Los Angeles, CA Craig Jessop (Co-Chair) Associate Director Mormon Tabernacle Choir Salt Lake City, UT

177 Kenny Rogers Lydia Kontos SERVICES TO Musician/Educator Executive Director COMPOSERS Musical Director, New Elaine Kaufman Cultural Hope Ensemble Center/Lucy Moses New York, NY Jacob Druckman School for Music & Composer Dance Milford, CT Patricia Willard Sussex, NJ Gershwin Consultant in Jazz & Popular Music Robert McClure Libby Larsen Composer Library of Congress (Layperson) Washington, DC Financial Planner Minneapolis, MN Merrill Lynch Cindy McTee (Chair) Century City, CA ORCHESTRA PANEL Composer/Associate Professor of Music " Bruce Ridge Composition Joan Briccetti Bassist North Carolina Symphony University of North Texas Manager of Artistic Denton, TX Planning Orchestra Saint Louis Symphony Raleigh, NC Jeffrey Mumford Orchestra Composer St. Louis, MO Kay George Roberts Violinist/Conductor Washington, DC Cecil Cole Professor of Music, Timothy Savinar Orchestra Manager University of (Layperson) Utah Symphony Massachusetts Real Estate Manager Salt Lake City, UT Cambridge, MA San Francisco, CA Susan Franano (Co-Chair) Peter Smith (Co-Chair) Executive Director Executive Director Columbus Symphony Grand Rapids Symphony Orchestra Grand Rapids, MI Columbus, OH Janice Weber Pianist/Author Faculty, Boston Conservatory Boston, MA Scott Yoo Violinist/Music Director Metamorphosen Chamber Ensemble New York, NY

178 PROFESSIONAL Jackie Taylor Van Kaplan COMPANIES Artistic Director Executive Producer & Black Ensemble Theater General Manager Chicago, IL Casa Manana Musicals Panel A Fort Worth, TX Shirley Verrett Judith Allen (Co-Chair) Singer Michael Price President Warwick, NY Executive Director Blumenthal Performing Goodspeed Opera House Arts Center East Haddam, CT Charlotte, NC Panel B Ann Stanke Anne Farrell Harolyn Blackwell Executive Director General Manager Singer Madison Opera Tacoma Opera Martinique, French West Madison, WI Tacoma, WA Indies Martin Feinstein SERVICES TO THE Peter Hemmings FIELD Senior Consultant (Co-Chair) Maryland Center for the General Director Performing Arts Los Angeles Music Center Rodney Hood (Layperson) McLean, VA Opera Project Manager, National Los Angeles, CA Initiatives Ben Levit NationsBank Ardsdc Director Robert Heuer Washington, DC American Musical Theater General Manager Festival Florida Grand Opera Speigbt Jenkins Wilmington, DE Miami, FL General Director Seatde Opera Stephen Lord Rodney Hood (Layperson) Seatde, WA Music Director Community Investment Opera Theater of St. Louis Coordinator Marjorie SamoJf Bolton, MA NationsBank Producing Director Raleigh, NC American Music Theater Sandra Pay Festival Chairman Linda Jackson Philadelphia, PA San Diego Commission for General Director Arts & Culture 651 Performing Arts San Diego, CA Center Teaneck, NJ Shoko Kato Sevart (Layperson) Rhodessa Jones Attorney Co-Artistic Director Sevart & Sevart Cultural Odyssey Wichita, KS San Francisco, CA

179 PRESENTING Carolelinda Dickey Norman Fischer ORGANIZATIONS Executive Director Violoncellist/Professor/Coo Pittsburgh Dance Council rdinator of Chamber Panel A Pittsburgh, PA Music (Also reviewed Presenting Rice University Networks) John Gingrich Houston, TX President Jackie Z. Davis (Co-Chair) John Gingrich Fran Holden Director Management, Inc. Executive Director Lied Center, University of New York, NY Colorado Council on the Kansas Arts Lawrence, KS Celeste Miller Denver, CO Solo Performer Lawrence J. Simpson Gloucester, MA Alexine C. Jackson (Co-Chair) (Layperson) Managing Consultant Herbert Weissenstein Board Member/Trustee Mogus Group Arts Consultant Potomac, MD Cleveland, OH H.E Weissenstein & Co. Sharon, CT William Lockwood Philip C. Bither Special Programming Director of Programming Director Flynn Theatre Panel B Burlington, VT McCarter Theatre Princeton, NJ James Borders Kenneth C. Fischer Executive Director (Co-Chair) Mark Malkovich, IV Louisiana Division of the Executive Director Director of Marketing & Arts University Musical Society Development Baton Rouge, LA Ann Arbor, MI Newport Music Festival Portsmouth, RI Joan Boyett Charles Helm (Co-Chair) Vice President for Director of Performing Arts Janet Oetinger Education Wexner Center, Ohio State Director of Arts & Lectures The Music Center of Los University University of California, Angeles County Columbus, OH Santa Barbara Los Angeles, CA Santa Barbara, CA Kim Cban Oceola Bragg Director of Dance & New John O’Neal Managing Director Performance Artistic Director David Rousseve/REALITY Washington Performing Junebug Productions New York, NY Arts Society New Orleans, LA Washington, DC Mark Cianca David D. Rodriguez Director of Arts & Lectures Executive Director Series Friends of the Davis Center University of California, New York, NY Santa Cruz Santa Cruz, CA

180 PROFESSIONAL Benjamin Moore Susan Trapnell Moritz COMPANIES Managing Director Managing Director Seattle Repertory Theatre A Contemporary Theatre Panel A Seatde, WA Seatde, WA Tewri Dillion Lisa Mount Bonnie Morris Education Director Managing Director Producing Director Idaho Theater for Youth Seven Stages Illusion Theater Boise, ID Atlanta, GA Minneapolis, MN

Oskar Eustis (Chair) James C. Nicola Robert J. Orchard (Chair) Artistic Director Artisdc Director Managing Director Trinity Rep New York Theatre American Repertory Providence, RI .Workshop Theatre New York, NY Cambridge, MA Barry Grove Managing Director Alexander Speer David Petrarca Manhattan Theatre Club Executive Director Resident Director New York, NY Actors Theatre of Goodman Theatre Louisville Chicago, IL Ronald J. Himes Louisville, KY Producing Director David Saar St. Louis Black Repertory Artistic Director Company Panel B Childsplay, Inc. St. Louis, MO Tempe, AZ Marsha Jackson-Randolph Stephen J. Albert Ann Scott (Layperson) Co-Artistic Director/ Managing Director Arts Patron Hartford Stage Managing Director St. Louis, MO Jomandi Hartford, CT Atlanta, GA Lynette Turner Rodrigo Duarte Clark Producing Director Eduardo Macbado Artistic Director Perseverance Theatre Playwright E1 Teatro de la Esperanza Juneau, AK New York, NY Oakland, CA Ching Valdes-Aran Marsue Cumming Rick Davis Actor/Director/ MacNicol (Layperson) Artistic Director Choreographer Consultant, UNICEF/LA Theater of the First New York, NY Education Committee Amendment Los Angeles, CA Fairfax, VA Morgan Jenness Associate Artistic Producer New York Public Theater New York, NY

181 VISUAL ARTS Ed Love ORGANIZATIONS Professor of Art Florida State University Tre Arenz Tallahassee, FL Visiting Artist/Lecturer University of Washington, Mary MacArthur Griffin Seattle Consultant/Arts Austin, TX Administrator New York, NY Elizabeth (Randi) Fisher (Layperson) Daniel Ranalli Trustee, Patron, Collector Visual Artist/Associate San Francisco, CA Professor of Art History Boston University Karin Higa Boston, MA Curator of Art Japanese American Tad Savinar National Museum Visual Artist/Educator Los Angeles, CA Portland, OR

PARTNERSHIP PANEL Nicki Clarke Vicki Poppen Executive Director Arts Education Program Mary Cambell-Zopf Vermont Council on the Arts Director Arts Education Director Montpelier, VT Regional Arts & Culture Ohio Arts Council Council Victor Kendall Columbus, OH Portland, OR Executive Director Texas Institute for Arts aTennifer Severin Clark Education Executive Director Houston, TX Nebraska Arts Council Omaha, NE Irene Lee Artist/Teacher Honolulu, HI

182 CHALLENGE John E. Marshall, III ADVISORY PANELISTS President Kresge Foundation Kim Chan Elizabeth Jackson Director of Dance & New Birmingham, MI Executive Director Society for Environmental Performance Michael D. Ross Washington Performing Graphic Design Executive & Artistic Boston, MA Arts Society Director Washington, DC Kathryn Bache Miller Mindy Duitz Katy Kline Theatre Arts Consultant Director Columbia University Staten Island, NY List Visual Arts Center New York, NY Cambridge, MA Louise E. Shaw Panelists Invited, but unable yosef Knott Executive Director to attend due to weather Associate Director of Nexus Adanta, GA Tomas Benitez Choral Activities & Arts Consultant Artistic Director of Martin Verdrager Los Angeles, CA Opera Theater Arts Consultant University of Arizona New York, NY Peter Donnelly Tucson, AZ President Laura Waterman- Corporate Council for the Susan Lubowsky Wittstock Arts Director President & Executive Seatde, WA Southeastern Center of Director Contemporary Art American Indian News Kathy A. Magiera Winston-Salem, NC Service Association Administrative Director Minneapolis, MN Seattle Opera Association Seattle, WA

183 LOCAL ARTS Joe Lewis Albert Soto AGENCIES Chair, Arts Department Grants Program Director California State University, Tucson/Pima Arts Council Pam Atchison Northridge Tucson, AZ Executive Director Northridge, CA Shreveport Regional Arts Romalyn Tilghman Council Alfreda B. Norman Arts Consultant/Publisher Shreveport, LA (Layperson) Arts Rag Vice President/Manager Long Beach, CA Janet Brown Retail Sales Executive Director Administration Patryc Wiggins South Dakotans for the Bank of America-Texas Artist Arts Dallas, TX Guild, NH Deadwood, SD Allen L. Nygard Gregory Geissler (Layperson) Arts Administrator Director, Nadve American Denver, CO Business Development Program Kevin Geoghan North Dakota Department Executive Director of Economic Arts of the Southern Finger Development & Finance Lakes Bismarck, ND Corning, NY Alberto Rafols Technical Assistance & Outreach Program Manager Metropolitan Arts Commission Pordand, OR

184 STATE & REGIONAL Barbara Russo (Chair) Cbristine D’Arcy Executive Director Executive Director New Jersey State Council Oregon Arts Commission Panel A on the Arts Salem, OR Also reviewed Regional Arts Trenton, NJ Programming Grants Larry Williams (Layperson) Albert B. Head Panel B Superintendent of Public Executive Director Schools Alabama State Council on John Paul Batiste Great Falls, MT the Arts Executive Director Montgomery, AL Texas Commission on the Arts Pamela Holt Austin, TX Executive Director D.C. Commission on the Will Conner Arts & Humanities Chief Operating Officer Washington, DC Mid-America Arts Alliance Kansas City, MO Michael Marsicano President & CEO Arts & Science Council of Charlotte Charlotte, NC SUMMARY OF FUNDS AVAILABLEI FISCAL YEAR 1996 Regular Program Funds2 $63,499,000 Treasury Funds (to match nonfederal gifts) 9,735,000 Challenge Grant Funds (to match nonfederal gifts) 7,5OO,O0O Planning, Research & Technology3 378,000 Total Federal Appropriations $81,112,000

Nonfederal Gifts4 $668,113 Interagency Transfers4 1,053,558 Unobligated Balance, Prior Year4 4,120,246 Total Funds Available $86,953,917 Excludes administrative operating funds. Not less than 27.5 percent for support of state arts agencies and regional arts groups; not less than 7.5 percent for support through the underserved commumties set aside. Administrative Funds; reflects reprogramming of $42,000. Includes only grantmaldng funds

FUNDS OBLIGATED FISCAL YEAR 1996 LEADERSHIP Dance $ 3,028,580 $ 1,150,000 Design -­ 897,654 Expansion Arts 1,408,000 -­ Folk & Traditional Arts 1,410,000 908,600 International -­ 849,808 Literature 1,610,000 225,000 Media Arts 1,571,000 1,400,000 Multidisciplinary -­ 450,000 Museum 3,697,285 100,000 Music 4,455,268 670,000 Opera-Musical Theater 2,100,000 -­ Presenting 2,020,000 -­ Theater 4,161,000 1,009,000 Visual Arts 1,219,000 -­ Arts in Education 2,830,000 1,190,0005 Local Arts Agencies 1,020,000 1,023,955 State & Regional 21,592,000 -- Underserved Communities Set-Aside 4,281,640 -­ Challenge (including FY 96 commitments) 7,077,9906 -­ Planning, Research & Technology7 389,600 550,000 Millennium Projects8 -­ 1,000,000 Total Funds Obligated~ $ 63,871,563 $ 11,424,017 5 Includes WritersCorps administrative support. 6 Of the $7,077,990 shown, $4,020,462 was obligated in FY 1996. 7 Includes the Office of AccessAbility. 8 Listed within individual programs. 9 Program obligations reflect FY 1996 transactions, and, in some cases, may differ from final allocations due to variations in the obligations of’two-year monies or receipt of gifts and funds from other agencies.

186 APPROPRIATIONS FOR THE NATIONAL ENDOWMENT FOR THE ARTS

Fiscal Year Appropriations Administrative Funds° 1966 $ 2,534,308 $ 727,000 1967 7,965,692 1,019,500 1968 7,174,291 1,200,000 1969 7,756,875 1,400,000 1970 8,250,000 1,610,000 1971 15,090,000 2,660,000 1972 29,750,000 3,460,000 1973 38,200,000 5,314,000 1974 60,775,000 6,500,000 1975 74,750,000 10,783,000 1976 82,000,000 10,910,000 Transition Quarter~ 33,937,000 2,727,000 1977 94,000,000 11,743,000 1978 123,850,000 1979 149,585,000 1980 154,610,000 1981 158,795,000 1982 143,456,000 1983 143,875,000 1984 162,223,000 1985 163,660,000 1986 158,822,240 1987 165,281,000 1988 167,731,000 1989 169,090,000 1990 171,255,000 1991 174,080...737 1992 175,954,680 1993 174,459,382 1994 170,229,000 1995 162,311,000 1996 99,470,000

a From 1966 through 1977, funds were provided jointly for the National Endowment for the Arts and the National Endow­ ment for the Humanities for Administrative costs. b In 1976, the Federal government changed the beginning of the fiscal year from July 1 to October 1, hence the Transition Quarter.

187 Published by the Office of Communications Cherie Simon, Director

Designed by Ellipse Marketing/Design

Edited by Keith Donohue Publications Director

With thanks to the staff for their assistance.

People with visual or learning impairments may obtain a cassette recording of this report by contact the Endowment’s Office for AccessAbility at 202/68225532; Voice/TT: 202/682-5496.

This publication is available online at http://arts.endow.gov, the Arts Endowment’s World Wide Web site.

National Endowment for the Arts 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 202/682-5400

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