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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
WNYC Schedule 12.14.17
Monday - Friday Saturday Sunday 93.9 FM AM 820 93.9 FM AM 820 93.9 FM AM 820 5:00 AM 5:00 AM BBC World Service 5:00 AM BBC World Service BBC World Service BBC World Service 5:30 BBC World Service 5:30 The Capitol Connection 5:30 6:00 Morning Edition 6:00 6:00 Reveal Left, Right & Center The Splendid Table The Capitol Pressroom 6:30 Morning Edition 6:30 6:30 7:00 Marketplace Morning Rpt. 6:50 & 8:50 7:00 7:00 On the Media Innovation Hub On Being Latino USA 7:30 Money Talking: Friday, 5:50 & 7:50 Marketplace Morning Rpt. 6:50 & 8:50 7:30 7:30 8:00 Money Talking: Friday, 5:50 & 7:50 8:00 8:00 8:30 8:30 Weekend Edition Weekend Edition 8:30 9:00 9:00 Saturday Weekend Edition Sunday Weekend Edition 9:00 BBC Newshour The Takeaway 9:30 9:30 Saturday Sunday 9:30 10:00 10:00 The New Yorker 10:00 On the Media 10:30 10:30 Radio Hour 10:30 The Brian Lehrer Show The Brian Lehrer Show 11:00 11:00 Wait, Wait Wait, Wait 11:00 Studio 360 Specials 11:30 11:30 Don't Tell Me Don't Tell Me 11:30 NOON NOON The New Yorker NOON Radiolab Ask Me Another 12:30 PM 12:30 PM Radio Hour 12:30 PM The Leonard Lopate Show The Leonard Lopate Show 1:00 1:00 Planet Money 1:00 This American Life This American Life 1:30 1:30 How I Built This The Sunday Show 1:30 2:00 Fresh Air (Monday-Thursday) 2:00 Jonathan Schwartz 2:00 1A The Moth Freakonomics Radio On Being 2:30 Science Friday (Friday) 2:30 2:30 3:00 3:00 3:00 The Takeaway BBC Newshour Ask Me Another Studio 360 On the Media 3:30 3:30 3:30 4:00 4:00 Wait, Wait 4:00 Freakonomics Radio BBC Newshour BBC Newshour 4:30 4:30 Don't -
Natural Resources Conservation Service
2018 $ ATMs Pre-Order Ride & LARPENTEUR AVE Game Ticket Pick Ups Accessible Parking Public Parking # Admission Gates Accessible Restrooms Blue Ribbon Bargain Book & State Fair Poster Carts Accessible Restrooms with Baby Changing Stations BUFFALO LOT CAMEL LOT Care & Assistance Bicycle NRCS Accessible Restrooms with Family Lot First Aid HOYT AVE HOYT AVE AVE SNELLING & Baby Changing Facilities Metro TIGER LOT Mobility 3 ROOSTER LOT Drop Hand Wash StationsExhibits Restrooms Campground Expo The Pet Place X-Zone Information Booths Restrooms with Pavilions Baby Changing Stations MURPHY AVE Lost & Found SkyGlider Severe Weather Shelter $ Merchandise/Shopping Smoking – Designated Area Music/Performance Stages Giant Trolley Routes ( a.m.- p.m., p.m.) Sing OWL Along $ ST COSGROVE Parade Route ( p.m. daily) Uber & Lyft LOT Old Iron Show ST COOPER LEE AVE 4 Park & Ride and Metro Transit Drop O & Pick Up State Fair Express Bus Wheelchair, Electric Scooter, WAY ELMER DAN Eco UNDERWOOD ST UNDERWOOD Little Experience Drop O/Pick Up Stroller & Wagon Rentals Farm Progress AVE SNELLING Hands The Center North Police Wi-Fi Hotspot Woods B $ U Laser Encore’s F Laser Hitz O RANDALL AVE 18 Show R Bicycle Math D Lot RANDALL AVE On-A-Stick Fine Pedestrian & Arts Service Vehicle Entrance Center Great Family Fair Big Wheel CHARTER BUSES Baldwin ROBIN LOT Park Alphabet -H Forest Building WRIGHT AVE Park &Transit Ride Buses Hub $ Education Building SNELLING AVE SNELLING Horton ST COOPER Cosgrove Pavilions Kidway Home ST COSGROVE Stage Transit Hub at Heron Improvement Express Buses Park Building Grandstand Schilling $ $ Plaza & Amphitheater $ Ticket Oce Creative Elevator ST UNDERWOOD Activities History & 16 Elevator Buttery Visitors & Annex Heritage $ Grandstand SkyGlider House $ Plaza Center The Veranda $ DAN PATCH AVE $ West End $ U of M $ Market $ The MIDWAY $ FAN Garden Merchandise PARKWAY Skyride Health Central Fair 11 Mart WEST DAN PATCH AVE Ramp Carousel Libby Conf. -
The Federal Music Project: an American Voice in Depression-Era Music
Musical Offerings Volume 9 Number 2 Fall 2018 Article 1 10-3-2018 The Federal Music Project: An American Voice in Depression-Era Music Audrey S. Rutt Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Composition Commons, Economic Policy Commons, Education Policy Commons, Ethnomusicology Commons, Fine Arts Commons, Latin American Studies Commons, Music Education Commons, Musicology Commons, Music Performance Commons, Music Theory Commons, and the Social Welfare Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Rutt, Audrey S. (2018) "The Federal Music Project: An American Voice in Depression-Era Music," Musical Offerings: Vol. 9 : No. 2 , Article 1. DOI: 10.15385/jmo.2018.9.2.1 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol9/iss2/1 The Federal Music Project: An American Voice in Depression-Era Music Document Type Article Abstract After World War I, America was musically transformed from an outsider in the European classical tradition into a country of musical vibrance and maturity. These great advances, however, were deeply threatened by the Wall Street crash of 1929 and the consequent Great Depression. -
Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
Eeo Public File Report for the Woi Radio Group Woi-Am Woi
EEO PUBLIC FILE REPORT FOR THE WOI RADIO GROUP WOI-AM WOI-FM 1 EEO PUBLIC FILE REPORT FOR WOI-AM and WOI-FM Licensed to: Iowa State University, Ames, Iowa October 1, 2017 – September 30, 2018 This report below lists all full-time vacancies filled during the reporting period. All full-time positions are posted on the Iowa Public Radio website: http://iowapublicradio.org/careers-ipr. Mailing Address: Telephone Number: 515-725-1705 2022 Communications Building Contact Person: Kelly Edmister Iowa State University E-mail Address: [email protected] Ames, IA 50011 Total Interviewees Selected Hire Recruitment Sources Utilized, Job Title Interviewed Source of Referral Source of Referral From Attachment A Iowa Public Radio On-Air 1 – 3; 6; 8 – 11; 13; 14; 16 – 18; 21; 22; Account Executive 3 Announcement (2), Iowa Public Radio Iowa Public Radio Website 24; 31; 33 – 36 Website (1) Iowa Public Radio On-Air Iowa Public Radio On-Air Development Director 5 Announcement (2), Current Employee 2; 4; 5 Announcement Referral (1), Aureon (Oasis) HR (2) Iowa Public Radio On-Air 1 – 3; 8; 11 – 13; 17; 21; 22; 24; 30; 31; Development Specialist 5 Announcement (3), Current Employee Current Employee Referral 33 – 35 Referral (2) Current Employee Referral (1), 1 – 3; 7; 8; 11 – 13; 19 – 23; 27 – 29; Western Iowa Reporter 4 Corporation for Public Broadcasting Current Employee Referral 31 – 35 (2), Friend or other referrals (1) 2 WOI-AM and WOI-FM EEO Public File Report Attachment “A” Recruitment Sources used for Full-Time Job Openings: 1. Iowa Public Radio On-Air Announcements 2. -
Federal Register / Vol. 61, No. 99 / Tuesday, May 21, 1996 / Notices
25528 Federal Register / Vol. 61, No. 99 / Tuesday, May 21, 1996 / Notices DEPARTMENT OF COMMERCE Closing Date, published in the Federal also purchase 74 compressed digital Register on February 22, 1996.3 receivers to receive the digital satellite National Telecommunications and Applications Received: In all, 251 service. Information Administration applications were received from 47 states, the District of Columbia, Guam, AL (Alabama) [Docket Number: 960205021±6132±02] the Commonwealth of Puerto Rico, File No. 96006 CTB Alabama ETV RIN 0660±ZA01 American Samoa, and the Commission, 2112 11th Avenue South, Commonwealth of the Northern Mariana Ste 400, Birmingham, AL 35205±2884. Public Telecommunications Facilities Islands. The total amount of funds Signed By: Ms. Judy Stone, APT Program (PTFP) requested by the applications is $54.9 Executive Director. Funds Requested: $186,878. Total Project Cost: $373,756. AGENCY: National Telecommunications million. Notice is hereby given that the PTFP Replace fourteen Alabama Public and Information Administration, received applications from the following Television microwave equipment Commerce. organizations. The list includes all shelters throughout the state network, ACTION: Notice, funding availability and applications received. Identification of add a shelter and wiring for an applications received. any application only indicates its emergency generator at WCIQ which receipt. It does not indicate that it has experiences AC power outages, and SUMMARY: The National been accepted for review, has been replace the network's on-line editing Telecommunications and Information determined to be eligible for funding, or system at its only production facility in Administration (NTIA) previously that an application will receive an Montgomery, Alabama. announced the solicitation of grant award. -
ALAN HOVHANESS: Meditation on Orpheus the Japan Philharmonic Symphony Orchestra William Strickland, Conducting
ALAN HOVHANESS: Meditation on Orpheus The Japan Philharmonic Symphony Orchestra William Strickland, conducting ALAN HOVHANESS is one of those composers whose music seems to prove the inexhaustability of the ancient modes and of the seven tones of the diatonic scale. He has made for himself one of the most individual styles to be found in the work of any American composer, recognizable immediately for its exotic flavor, its masterly simplicity, and its constant air of discovering unexpected treasures at each turn of the road. Meditation on Orpheus, scored for full symphony orchestra, is typical of Hovhaness’ work in the delicate construction of its sonorities. A single, pianissimo tam-tam note, a tone from a solo horn, an evanescent pizzicato murmur from the violins (senza misura)—these ethereal elements tinge the sound of the middle and lower strings at the work’s beginning and evoke an ambience of mysterious dignity and sensuousness which continues and grows throughout the Meditation. At intervals, a strange rushing sound grows to a crescendo and subsides, interrupting the flow of smooth melody for a moment, and then allowing it to resume, generally with a subtle change of scene. The senza misura pizzicato which is heard at the opening would seem to be the germ from which this unusual passage has grown, for the “rushing” sound—dynamically intensified at each appearance—is produced by the combination of fast, metrically unmeasured figurations, usually played by the strings. The composer indicates not that these passages are to be played in 2/4, 3/4, etc. but that they are to last “about 20 seconds, ad lib.” The notes are to be “rapid but not together.” They produce a fascinating effect, and somehow give the impression that other worldly significances are hidden in the juxtaposition of flow and mystical interruption. -
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
1 Minutes of the Meeting of the Board of Regents Of
MINUTES OF THE MEETING OF THE BOARD OF REGENTS OF THE UNIVERSITY SYSTEM OF GEORGIA HELD AT 270 Washington St., S.W. Atlanta, Georgia November 19 and 20, 2002 CALL TO ORDER The Board of Regents of the University System of Georgia met on Tuesday, November 19 and Wednesday, November 20, 2002, in the Board Room, room 7007, 270 Washington St., S.W., seventh floor. The Chair of the Board, Regent Joe Frank Harris, called the meeting to order at 1:00 p.m. on Tuesday, November 19, 2002. Present on Tuesday, in addition to Chair Harris, were Vice Chair James D. Yancey and Regents Hugh A. Carter, Jr., Connie Cater, William H. Cleveland, Michael J. Coles, Hilton H. Howell, Jr., George M. D. (John) Hunt III, Donald M. Leebern, Jr., Allene H. Magill, Elridge W. McMillan, Martin W. NeSmith, Wanda Yancey Rodwell, J. Timothy Shelnut, Glenn S. White, and Joel O. Wooten, Jr. Chair Harris announced that the Regents had a very productive retreat at the Jolley Lodge on Monday, November 18, 2002, and he thanked the Regents who made time in their schedules to attend. Chair Harris said that the Regents had heard the tragic news regarding the death of William H. (Bill) Weber III, husband of the Secretary to the Board, Gail S. Weber, and that he wanted to begin this meeting with a few words. He stated that Ms. Weber is the Regents’ colleague, friend, and family. Mr. Weber was also dedicated to higher education. He earned his doctorate in Economics from Columbia University and had an esteemed career as a professor at Agnes Scott College and Lyon College in Arkansas. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II.