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Nusrat Fateh Ali Khan: a Sufi Music Master Revived
Nusrat Fateh Ali Khan: A Sufi Music Master Revived : NPR http://www.npr.org/templates/story/story.php?storyId=12201563 Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. NPR Home | News | Arts & Life | NPR Programs DONATE | NPR Shop | NPR Social Media | Login | Register SEARCH FIND A STATION Nusrat Fateh Ali Khan: A Sufi Music Master Revived by Anil Mundra Listen on All Things Considered add to playlist | download August 7, 2007 - Resurrecting the dead is nothing new in music. Remember Natalie Cole singing and dancing with her late father, Nat King Cole? The latest luminary to be revived is the Pakistani singer Nusrat Fateh Ali Khan. August 16 marks the tenth anniversary of his death. In his short life, Nusrat was the world's greatest singer of qawwali, a boisterous and passionate music of mystical Photo: Ishida Masataka Islam. He embraced western pop music, teaming up with Pakistani singer Nusrat Fateh Ali Khan Peter Gabriel and Eddie Vedder. Now, Nusrat returns with (1948-1997) was considered the finest qawwali singer of his generation. the help of Italian dub reggae producer Gaudi. Their new CD is called Dub Qawwali. SONGS FROM 'DUB QAWWALI' Gaudi is a veteran producer with 11 solo albums over the past two decades. He specializes in dub reggae, a style that Hear old Nusrat recordings dressed up in dub reggae beats by producer often reworks existing material, mixing booming bass and Gaudi. drums with electronic effects. 'Ena Akhiyan Noo' After dabbling in punk music, Gaudi began experimenting add with synthesizers, and was fully steeped in reggae when he first heard one of Nusrat Fateh Ali Khan's records in the 'Bethe Bethe Kese Kese' mid-1980s. -
Radiowaves Will Be Featuring Stories About WPR and WPT's History of Innovation and Impact on Public Broadcasting Nationally
ON AIR & ONLINE FEBRUARY 2017 Final Forte WPR at 100 Meet Alex Hall Centennial Events Internships & Fellowships Featured Photo Earlier this month, WPR's To the Best of Our Knowledge explored the relationship between love WPR Next" Initiative Explores New Program Ideas and evolution at a sold- out live show in Madison, We often get asked, "Where does WPR come up with ideas for its sponsored by the Center programs?" First and foremost, we're inspired by you, our listeners for Humans in Nature. and neighbors around the state. During our 100th year, we're looking Excerpts from the show, to create the public radio programs of the future with a new initiative which included storyteller called WPR Next. Dasha Kelly Hamilton (pictured), will be We're going to try out a few new show ideas focused on science, broadcast nationally on pop culture, life in Wisconsin, and more. You can help our producers the show later this month. develop these ideas by telling us what interests you about these topics. Sound Bites Do you love science? What interests you most ---- do you wonder about new research in genetics, life on other planets, or ice cover on Winter Pledge Drive the Great Lakes? What about pop culture? What makes a great Begins February 21 book, movie or piece of music, and who would you like to hear WPR's winter interviewed? How about life in Wisconsin? What do you want to membership drive is know about our state's culture and history? What other topics would February 21 through 25. -
National Endowment for the Arts Annual Report 1996
TO THE CONGRESS OF THE UNITED STATES: It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support ing our museums and theaters, our dance companies and symphony orches tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in New York City, a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free dom. And let us keep that lamp brightly burning now and for all time. -
MEDIA KIT Radio Net Rate Card MPB Radio Is Our Statewide Radio Service, Carrying Local and NPR Programming
RADIO MEDIA KIT www.mpbonline.org Radio Net Rate Card MPB Radio is our statewide radio service, carrying local and NPR programming. Sponsorships are available. Radio Program / All rates net to station Time Period :15 Net Rate Day Part AM Drive Time M-F 6 AM - 9 AM $150 Day Time M-F 6 AM - 4 PM $75 PM Drive Time M-F 4 PM - 7 PM $125 Night Time M-F 7 PM - 6 AM $25 Weekend AM Sat 8 AM - 11 AM Sun 8 AM - 10 AM $75 Weekend Day Time Sat 11 AM - 8 PM Sun 10 AM - 6 PM $35 Weekend Night Time Sat 8 PM - 8 AM Sun 6 PM - 6 AM $25 Premium Programming Sponsoring Adjacent to Morning Edition M-F 5 AM - 8:30 AM $150 Mississippi Edition M-F 8:30 AM - 9 AM $150 Deep South Dining (Mon.) Money Talks (Tues.) Fix It 101 (Wed.) M-F 9 AM - 10 AM $150 Creature Comforts (Thur.) Gestalt Gardener (Fri.) All Things Considered M-F 4 PM - 6 PM $100 Marketplace M-F 6 PM - 6:30 PM $150 All rates are net. Radio production is included and voiced by an MPB radio announcer. Certain minimums apply. All sponsorship messages must be approved by MPB to meet FCC guidelines for non-commercial stations. Rates and programming are subject to change. Please check with your account executive for current offerings. Biloxi WMAH 90.3 | Booneville WMAE 89.5 | Bude WMAU 88.9 | Greenwood WMAO 90.9 Jackson WMPN 91.3 | Meridian WMAW 88.1 | MS State WMAB 89.9 | Oxford WMAV 90.3 CEDRIC GRIZZELL THOMAS LAMBERT 601.432.6615 [email protected] 601.432.6309 [email protected] AM Weekday 9Mornings Southern cuisine is world-renowned, and there’s so much more to cooking Mon. -
Public Broadcasting Atlanta (PBA) Atlanta, GA
LEADERSHIP PROFILE President and Chief Executive Officer Public Broadcasting Atlanta (PBA) Atlanta, GA We inspire a community of life-long learners. --PBA Mission THE OPPORTUNITY Public Broadcasting Atlanta (PBA) is a trusted epicenter of news, culture and storytelling in Atlanta, the 10th largest U.S. media market. PBA reaches 1.4 million viewers and listeners a month via WABE, the dominant NPR station, ATL PBA TV, a full-service PBS station, and award-winning podcasts and other compelling digital and educational offerings. PBA is integral to the metro Atlanta community. Most of its $14.7 million budget is funded by local donors and underwriters. In the past five years, WABE has doubled its news team, resulting in near-daily story pickup by NPR. PBA has exponentially grown its younger and more diverse audiences. This is a time of promise at PBA. The organization has transformed itself with world-class talent and storytelling that is platform-agnostic. It has a culture of boldness and innovation. At a moment of epic global challenges and intense media competition, PBA is poised to leverage reporting and storytelling, deepen relationships with current and emerging audiences, focus on increasing donor support and revenues, and capitalize on its local and national profile. The new CEO will have the exciting mandate to lead PBA into its next era. PBA has built a world-class team that collaborates across platforms and has amplified and diversified its audiences and offerings. The organization has an elevated profile. PBA’s mission, vision and plan are a clarion call to ongoing transformation, extraordinary content and financial growth. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Telling Public Radio's Story
Cincinnati Public Radio Local Services Report- FY 2018 1. Describe your overall goals and approach to address identified community issues, needs, and interests through your station’s vital local services, such as multiplatform long and short- form content, digital and in-person engagement, education services, community information, partnership support, and other activities, and audiences you reached or new audiences you engaged. Cincinnati Public Radio believes that to stay relevant and vital to listeners’ lives, as well as to grow audience, WGUC and WVXU must move from a mass media broadcast mentality to a pro-active engagement model that sets it apart and focuses on building community and providing meaningful content, especially local content, whenever and wherever listeners are seeking it. As such, local programming includes the programs Cincinnati Edition, Around Cincinnati, and Cincinnati Spotlight, as well as local podcasts Start Hear and Looking Up. Content from these programs addressed issues of importance to the community - such as the 2017 local, state and national elections, racial disparities in health care, Aging issues and living solutions, children and gun violence, sexual assault, immigration policy and refugee placement, organ donation, Ohio’s In-Demand Jobs Week, neighborhood activities and arts performances – and was available via on-air broadcasts, as well as online and mobile platforms. The station apps and website made the live broadcast streams easily accessible and offered links to individual content segments. Educational programs introducing children to classical music (Classics for Kids®) and voting and the political process (Democracy and Me) provided expanded outreach to students and teachers. Station personnel are active and visible in the community, interacting with listeners and community leaders to learn their needs and concerns - and representing the station across the region. -
MEDIA ALERT BAM Announces Moderator Michel Martin (NPR) And
MEDIA ALERT BAM announces moderator Michel Martin (NPR) and exclusive live stream for American Fault Line: Race and the American Ideal—Ken Burns & Henry Louis Gates, Jr.—March 16 A candid and wide-ranging conversation on race in America in anticipation of the upcoming PBS films Jackie Robinson and Black America Since MLK: And Still I Rise BAM Howard Gilman Opera House (30 Lafayette Ave) Mar 16 at 8pm Tickets available to the general public via BAM.org on Jan 26 (BAM Member on sale Jan 19) As previously announced, on March 16th acclaimed documentarian Ken Burns and historian and professor Henry Louis Gates, Jr. will share the BAM Howard Gilman Opera House stage and engage in a dialogue about race in America, one that began in Charleston, SC on December 9 and continues in Austin, TX at SXSW on March 12 and Washington, DC on March 14 before coming to BAM. These live conversations contextualize the national broadcasts of their upcoming films on PBS: Burns’ Jackie Robinson (April 11 & 12) and Gates’ Black America Since MLK: And Still I Rise (fall 2016). Today BAM is pleased to announce that NPR host Michel Martin will join the BAM date as the evening’s moderator and that the candid and wide-ranging conversation will be live-streamed via BAM.org. BAM is the final stop on the nationwide tour and the only venue to live stream the event. Press and media will be able to embed the BAM video directly on their own sites, or send their audience to BAM.org to view the program. -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
September 2015 AETN Magazine
Magazine SEPTEMBER 2015 A Magazine for the Supporters of the AETN Foundation Learn more on page 18 Arkansas Educational Television Network From the Director AETN Foundation celebrates the life of Jane Krutz Jane Krutz dedicated her life to being a successful been able to use one-half of the earnings for its business woman, professional speaker, loving wife, Volunteer Program, helping to offset some of the Dear friends and season 7 will be ready for broadcast early next mother and grandmother, and to serving others volunteer program expenses. fellow AETN year, along with the final season of “Downton through volunteerism. Foundation Abbey” in January 2016. But, before we get Our long term goal is to build the endowment large members, there, we’ve got the PBS Arts Fall Festival be- AETN was humbled by her incredible commit- enough that one-half of the generated interest will ginning in October, “Earth’s Natural Wonders” ment to public television in Arkansas and the many cover the expenses of the entire Volunteer Program, roles she played on its behalf from the very begin- including a staff position. September is here, and “Making North America” in November, ning – from Commissioner to public speaker to and with it comes and perhaps a holiday surprise or two in on-air talent during fundraising campaigns. This will allow more of our annual fundraising dol- another fantastic fall December! lars to be used towards purchasing and creating the season of program- Ms. Jane was recognized and loved by people great programming you love on AETN. ming! We’re excited Find more details about AETN’s fall schedule throughout Arkansas, and has been missed since to bring you several new shows, as well as the as you read this and future issues of AETN her passing in 2012. -
The Voices of NPR
Episode 11 – Michael Goldfarb – All Along the Watchtower The Voices of NPR And now a personal word, Michael Goldfarb has the voice of a journalist who has witnessed important events. He speaks with weariness and authority. His voice evokes a chorus of NPR announcers who report from near and distant places. Writer Dierdre Mask noted in an article in the Atlantic magazine, “We can’t see NPR reporters, so we have to picture them. And because they are with us in our most private moments—alone in the car, half-asleep in bed—we start to think we know them.” And we do think we know them. Their voices are iconic: distinct, informative, comforting, familiar. Their voices are the sounds of our better selves when we are bright and learned and engaged in the affairs of the world. No matter the day’s events, they give us hope that in a crazy world, sense and sensibility will prevail. Here are a few names I grew up with: Susan Stamberg, Bob Edwards, Carl Kasell, Noah Adams, Linda Wertheimer, Robert Siegel, Scott Simon, Cokie Roberts, and Bob Mondello. Each name evokes a voice, a style, a beat, that is the news soundtrack of our lives and shared imagination. We hear their stories as they report from bureaus from foreign capitals: Eleanor Beardsley, Paris; Rob Gifford, London; Ofiebea Quist-Arcton, Dakar; and, of course, Sylvia Poggioli, Rome. We hear war correspondents in the thick of battle: Michael Golfarb in Northern Ireland and Bosnia; Kelly McEvers in the midst of death and kidnapping in the Arab Spring, Tom Bowman among the fire and mortars of Helmand Province, and David Gilkey ambushed and killed by the Taliban.