DOCSLIB.ORG

The Chieftains 3 Album Download MQS Albums Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Chieftains 3 Album Download MQS Albums Download the chieftains 3 album download MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) [FLAC 24bit/96kHz] Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) FLAC (tracks) 24-bit/96 kHz | Time – 38:56 minutes | 815 MB | Genre: Rock Studio Master, Official Digital Download | Front Cover | © Legacy Recordings. “Irish Heartbeat”, a collaboration album with Van Morrison, was Van’s first attempt to reconcile his Celtic roots with his blues and soul music. It was also The Chieftains’ first full blown collaboration album. Although there were worries about working with a major rock star, the recording was a success, introducing elements of Van’s unique soul and jazz style singing to traditional songs and music. This was the beginning of an ongoing successful musical relationship between Van and The Chieftains. “Irish Heartbeat” was nominated for a Grammy Award in 1989, and there followed a tour of Europe and the UK. “On their wide musical journeys in the ’80s, the Chieftains decided to collaborate with Van Morrison, who had an artistic peak at the end of the decade. The result was a highlight in both of their ’80s productions: the traditional Irish Heartbeat, with Morrison on lead vocals and a guest appearance from the Mary Black. Morrisonand Moloney’s production puts the vocals up front with a sparse background, sometimes with a backdrop of intertwining strings and flutes, the same way Morrison would later use the Chieftains on his Hymns to the Silence. The arrangement and the artist’s engaged singing leads to a brilliant result, and these Irish classics are made very accessible without being transformed into pop songs. Of the ten tracks included, eight are Irish trads. The title track and “Celtic Ray” are written by Morrison, and also appear on Beautiful Vision and Inarticulate Speech of the Heart, but since they are written in a pseudo traditional style, the folksy treatment given them by the Chieftains makes these versions sound as if they were the originals.” Tracklist: 1. Star of the County Down (2:42) 2. Irish Heartbeat (3:52) 3. Ta Mo Chleamhnas Deanta (3:32) 4. Raglan Road (4:56) 5. She Moved Through the Fair (4:45) 6. I’ll Tell Me Ma (2:31) 7. Carrickfergus (4:25) 8. Celtic Ray (3:42) 9. My Lagan Love (5:21) 10. Marie’s Wedding (3:15) Personnel: Van Morrison, lead vocals, guitar, drums Paddy Moloney, uilleann pipes, tin whistle Martin Fay, fiddle, bones Derek Bell, harp, keyboards, tiompán Kevin Conneff, bodhran, co-lead vocals on “Star of the County Down”, “Tá Mo Chleamhnas Déanta” and “I’ll Tell Me Ma” Matt Molloy, flute Seán Keane, fiddle Ciarán O’Braonáin, bass Mary Black, backing vocals on “Marie’s Wedding” and “Tá Mo Chleamhnas Déanta” Maura O’Connell, backing vocals on “Marie’s Wedding” June Boyce, backing vocals on “Celtic Ray”, “Irish Heartbeat” and “Marie’s Wedding” The Chieftains - Water From the Well (2000) Artist : The Chieftains Title : Water From the Well Year Of Release : 2000 Label : RCA Victor / BMG Classics Genre : Celtic, Folk Quality : FLAC (tracks+.cue, log) Total Time : 1:02:56 Total Size : 379 MB WebSite : Album Preview. 01. Lots of Drops of Brandy (3:44) 02. Bean an Fhir Rua (4:28) 03. Jack of All Trades (2:25) 04. Within a Mile of Dublin / The Old Blackthorn (2:47) 05. The Dusty Miller (5:02) 06. The Lovely Sweet Banks of the Moy (4:51) 07. An Poc ar Buile (3:11) 08. The Dingle Set (2:47) 09. Planxty George Brabazon (2:36) 10. The Donegal Set (5:46) 11. The May Morning Dew (3:27) 12. The Kilfenora Set (3:14) 13. An Buinneán Buí / The County Tyrone / Newry Hornpipe (5:02) 14. Ballyfin Polkas (2:33) 15. Casadh an tSúgáin (3:47) 16. Live From Matt Molloy’s Pub (3:17) 17. An Gaoth Aneas (3:59) The Chieftains 3. The weakest of the group's albums, Chieftains 3 suffers from a sameness to the material. The album starts out rousingly enough with the double- time jig "Strike the Gay Harp," and has a handful of memorable tracks, such as "Carolan's Concerto"; "The Trip to Sligo," a haunting theme-and- variations piece; and "Sonny's Mazurka," a beautiful piece written by a departed colleague of the band, played with poignant, inspiring intensity. It is clear on repeated listening, however, that the group had reached an impasse in repertory after three full LPs. The presence of guest lilter Pat Kilduff on "The Hunter's Purse" shows the Chieftains trying to broaden their musical range. It wasn't until the next album, Chieftains 4, with the addition of Derek Bell on the harp, that the group would take the next major step in its development and break away from its status outside of Ireland as only a successful cult act. The Essential Chieftains. RCA Legacy's The Essential Chieftains breaks the legendary Irish collective's career into two sections. The first disc focuses on 18 of the group's finest traditional works like "Boil the Breakfast Early," "The Wind That Shakes the Barley/The Reel with the Beryle," and "Donegal Set," while the second disc relies on 17 of the band's billion or so collaborations, such as "Mo Ghile Mear" with Sting, "Shenandoah" with Van Morrison, and "Foggy Dew" with Sinéad O'Connor. At this point in their long and storied career -- 40 albums over 40 years -- a truly comprehensive anthology would have required the box set to end all box sets, but this Essential collection is fair enough for purists and accessible enough for casual fans to fill the void until that time comes. The Essential Chieftains. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $22.49. The Essential Chieftains. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Paddy Moloney, Composer - Paddy Moloney, Arranger - Paddy Moloney, Producer - Paddy Moloney, Mixing Engineer - Brian Masterson, Engineer - Kieran Lynch, 2nd Engineer - Greg Calbi, Mastering Engineer - The Chieftains, Performer - Michael Secher, Mixing Engineer - Traditional, Composer - Jeffrey Lesser, Mixing Engineer. (P) 2000 BMG Music. Seán Keane, Fiddle - Michael Tubridy, Flute - Derek Bell, Timpani - Derek Bell, Harp - Derek Bell, Oboe - Kevin Cunniffe, Vocal - Kevin Cunniffe, Bodhran - Martin Fay, Fiddle - The Chieftains, Performer - Michael Turbridy, Arranger - Traditional, Composer - Traditional, Lyricist - Matt Molloy, Flute - Paddy Moloney, Uilleann Pipes. (P) 1977 Claddagh Records Limited. Jeffrey Lesser, Mixing Engineer - Kevin Conneff, Bodhran - Kevin Conneff, Vocal - The Chieftains, Performer - Eoin O Beaglaoich, Performer - Laurence Courtney, Vocal - Laurence Courtney, Banjo - Ashley MacIsaac, Dancer - Ashley MacIsaac, Fiddle - Traditional, Composer - Kieran Lynch, 2nd Engineer - Michael Secher, Mixing Engineer - Daithí OSé, Vocal - Seamus Begley, Vocal - Seamus Begley, Acordeon - Seán Keane, Fiddle - Paddy Moloney, Arranger - Paddy Moloney, Producer - Paddy Moloney, Mixing Engineer - Paddy Moloney, Uilleann Pipes - Paddy Moloney, Whistles - Paddy Moloney, Acordeon - Matt Molloy, Flute - Martin Fay, Fiddle - Brian Masterson, Engineer - Derek Bell, Harp - Derek Bell, Harpsichord - Derek Bell, Piano - Derek Bell, Performer - Greg Calbi, Mastering Engineer. (P) 2006 BMG Music. Seán Keane, Fiddle - The Belfast Harp Orchestra, Performer - Derek Bell, Harp - Brian Masterson, Engineer - Martin Fay, Fiddle - The Chieftains, Performer - Traditional, Composer - Matt Molloy, Flute - Paddy Moloney, Arranger - Paddy Moloney, Uilleann Pipes - Paddy Moloney, Producer - Janet Harbison, Conductor - Kevin Conneff, Performer. (P) 1992 BMG Music. Doug Bennett, Engineer - Seán Keane, Fiddle - Michael Tubridy, Flute - Derek Bell, Harp - Lawrence Cohn, Re-Issue Producer - Martin Fay, Fiddle - The Chieftains, Performer - Michael Turbridy, Arranger - Traditional, Composer - Traditional, Lyricist - Paddy Moloney, Producer - Paddy Moloney, Uilleann Pipes - David Mitson, Mastering Engineer - Kevin Conneff, Bodhran. (P) 1978 Claddagh Records Limited. Seán Keane, Fiddle - Michael Tubridy, Flute - Derek Bell, Timpani - Derek Bell, Harp - Derek Bell, Oboe - Kevin Cunniffe, Vocal - Kevin Cunniffe, Bodhran - Lawrence Cohn, Producer - Martin Fay, Fiddle - The Chieftains, Performer - Traditional, Composer - Traditional, Lyricist - Matt Molloy, Flute - Paddy Moloney, Arranger - Paddy Moloney, Uilleann Pipes. (P) 1978 Claddagh Records Limited. Seán Keane, Fiddle - Michael Tubridy, Flute - Derek Bell, Timpani - Derek Bell, Harp - Derek Bell, Oboe - Kevin Cunniffe, Vocal - Kevin Cunniffe, Bodhran - Martin Fay, Fiddle - The Chieftains, Performer - Traditional, Composer - Traditional, Lyricist - Matt Molloy, Flute - Paddy Moloney, Uilleann Pipes - Paddy Moloney, Arranger. (P) 1979 Claddagh Records Limited. Sean O'Riada, Composer - Seán Keane, Fiddle - Derek Bell, Harp - Derek Bell, Performer - Derek Bell, Harpsichord - Brian Masterson, Engineer - Martin Fay, Fiddle - Martin Fay, Performer - The Chieftains, Performer - Traditional, Composer - Matt Molloy, Flute - Matt Molloy, Whistles - Paddy Moloney, Uilleann Pipes - Paddy Moloney, Producer - Paddy Moloney, Arranger - Paddy Moloney, Composer - Paddy Moloney, Whistles - Kevin Conneff, Bodhran. (P) 2006 BMG Music. Chinese Traditional Ensemble, Performer - Seán Keane, Fiddle - Derek Bell, Harp - Derek Bell, Performer - Martin Fay, Fiddle - Martin
Load more

Recommended publications
  • The Chieftains Boil the Breakfast Early Mp3, Flac, Wma
    The Chieftains Boil The Breakfast Early mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Boil The Breakfast Early Country: US Style: Folk, Celtic MP3 version RAR size: 1255 mb FLAC version RAR size: 1271 mb WMA version RAR size: 1718 mb Rating: 4.2 Votes: 401 Other Formats: MP2 AHX DXD TTA MP1 APE VOX Tracklist 1 Boil The Breakfast Early 3:56 2 Mrs. Judge 3:43 3 March From Oscar And Malvina 4:16 4 When A Man's In Love 3:40 5 Bealach An Doirín 3:46 6 Ag Taisteal Na Blárnan 3:21 7 Carolan's Welcome 2:53 8 Up Against The Buachalawns 4:04 9 Gol Na Mban San Ár 4:20 Chase Around The Windmil (Medley) (5:01) 10.a Toss The Feathers 10.b Ballinasloe Fair 10.c Cailleach an Airgid 10.d Cuil Aodha Slide 10.e The Pretty Girl Companies, etc. Copyright (c) – CBS Records Inc. Phonographic Copyright (p) – Claddagh Records Ltd. Manufactured By – Columbia Records Recorded At – Windmill Lane Studios Mixed At – Windmill Lane Studios Credits Bagpipes [Uilleann Pipes], Tin Whistle – Paddy Moloney Bodhrán, Vocals – Kevin Conneff Cello – Jolyon Jackson Drums – The Rathcoole Pipe Band Drum Corps* Engineer – Brian Masterson Fiddle – Seán Keane* Fiddle, Bones – Martin Fay Flute, Tin Whistle – Matt Molloy Harp [Neo Irish Harp, Mediaval Harp], Dulcimer [Tiompan] – Derek Bell Liner Notes – Ciarán Mac Mathúna Producer – Paddy Moloney Notes Originally recorded in 1979. Barcode and Other Identifiers Barcode: 0 7464 36401 2 Other (DADC Code): DIPD 071877 Other versions Category Artist Title (Format) Label Category Country Year Boil The Breakfast
    [Show full text]
  • Rhythm Bones Player a Newsletter of the Rhythm Bones Society Volume 10, No
    Rhythm Bones Player A Newsletter of the Rhythm Bones Society Volume 10, No. 3 2008 In this Issue The Chieftains Executive Director’s Column and Rhythm As Bones Fest XII approaches we are again to live and thrive in our modern world. It's a Bones faced with the glorious possibilities of a new chance too, for rhythm bone players in the central National Tradi- Bones Fest in a new location. In the thriving part of our country to experience the camaraderie tional Country metropolis of St. Louis, in the ‗Show Me‘ state of brother and sisterhood we have all come to Music Festival of Missouri, Bones Fest XII promises to be a expect of Bones Fests. Rhythm Bones great celebration of our nation's history, with But it also represents a bit of a gamble. We're Update the bones firmly in the center of attention. We betting that we can step outside the comfort zones have an opportunity like no other, to ride the where we have held bones fests in the past, into a Dennis Riedesel great Mississippi in a River Boat, and play the completely new area and environment, and you Reports on bones under the spectacular arch of St. Louis. the membership will respond with the fervor we NTCMA But this bones Fest represents more than just have come to know from Bones Fests. We're bet- another great party, with lots of bones playing ting that the rhythm bone players who live out in History of Bones opportunity, it's a chance for us bone players to Missouri, Kansas, Illinois, Oklahoma, and Ne- in the US, Part 4 relive a part of our own history, and show the braska will be as excited about our foray into their people of Missouri that rhythm bones continue (Continued on page 2) Russ Myers’ Me- morial Update Norris Frazier Bones and the Chieftains: a Musical Partnership Obituary What must surely be the most recognizable Paddy Maloney.
    [Show full text]
  • Irish Bands of the 60S & 70S | Sample Answer
    Irish Bands of the 60s & 70s | Sample answer Ceoltóiri Cualann was an Irish group formed by Sean O’Riada in 1961. O’Riada had the idea of forming Ceoltóiri Cualann following the success of a group he had put together to perform music for the play “The Song of the Anvil” in 1960. Ceoltóiri Cualann would be a group to play Irish traditional songs with accompaniment and traditional dance tunes and slow airs. All folk music recorded before that time had been highly orchestrated and done in a classical way. Another aim of O’Riada’s was to revitalise the work of harpist and composer Turlough O’Carolan. Ceoltóiri Cualann was launched during a festival in Dublin in 1960 at an event called Recaireacht an Riadaigh and was an immediate success in Dublin. The group mainly played the music of O’Carolan, sean nós style songs and Irish traditional tunes, and O’Riada introduced the bodhrán as a percussion instrument. Ceoltóiri Cualann had ceased playing with any regularity by 1969 but reunited to record “O’Riada” and “O’Riada Sa Gaiety” that year. “O’Riada Sa Gaiety” was not released until after O’Riada’s death in 1971. The members of Ceoltóiri Cualann, some of whom went on to form “The Chieftains” in 1963 were O’Riada (harpsichord and bodhrán), Martin Fay, John Kelly (both fiddle), Paddy Moloney (uilleann pipes), Michael Turbidy (flute), Sonny Brogan, Éamon de Buitléir (both accordian), Ronnie Mc Shane (bones), Peadar Mercer (bodhrán), Seán Ó Sé (tenor voice) and Darach Ó Cathain (sean nós singer. Some examples of their tunes are “O’ Carolan’s Concerto” and “Planxty Irwin”.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • CA Activities Update - January 18, 2014
    CA Activities Update - January 18, 2014 Lifestyle Department January 18, 2014 Click here to access the CA Activities Calendar Onsite • The Studebakers, January 22, 6 - 8 p.m., SCB, $11 • Red Alert – Rock N Roll Dance, January 24, 7 - 10 p.m., $11 pp • Mars Curiosity: Amazing Mission, January 28, 1 p.m., SCB, $5 pp Outings • 3 Laps in a Lamborghini, February 21, $172 pp • "Spurs Nation" Basketball, February 26, $100 pp • Celtic Music - The Chieftains at The Riverbend Centre, February 26, $92 pp • The Olympics of the Violin & Dinner at BRIO, Saturday, March 1, $110 pp Extended Travel • The Gardens of London • New York City • Canadian Rockies by Train • Royal Caribbean Alaska Cruise Tour • Scenic Switzerland by Train • Trains of the Colorado Rockies • Colorado Springs Getaway • Fall Foliage Cruise Onsite The Studebakers – Performance Wednesday, January 22, 6 - 8 p.m., SCB, $11 Open Seating Cabaret Style Harmonizing since 1993, The Studebakers are influenced by The Andrews Sisters, The Boswell Sister, The Chenille Sister, Glenn Miller, Tommy Dorsey and The Manhattan Transfer. Jill Montgomery started the group, wanting to bring back the marvelous melodies and lyrics of the songs from the ’20s, ’30s and ’40s and deliver them with the clarity and close harmony that made them such big favorites. The band consists of five members: Jill Montgomery, Becky Cavanaugh and Sharon Maner are the core trio, singing tunes made famous by the Andrews Sisters and Boswell Sisters among others; Randy Seybold plays virtuoso bass and guitar and sings baritone; and Marilyn Rucker joins in on keyboards and vocals.
    [Show full text]
  • Concert & Dance Listings • Cd Reviews • Free Events
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona.
    [Show full text]
  • Heckelphone / Bass Oboe Repertoire
    Heckelphone / Bass Oboe Repertoire by Peter Hurd; reorganized and amended by Holger Hoos, editor-in-chief since 2020 version 1.2 (21 March 2021) This collection is based on the catalogue of musical works requiring heckelphone or bass oboe instrumen- tation assembled by Peter Hurd beginning in 1998. For this new edition, the original version of the repertoire list has been edited for accuracy, completeness and consistency, and it has been extended with a number of newly discovered pieces. Some entries could not (yet) be rigorously verified for accuracy; these were included nonetheless, to provide leads for future investigation, but are marked clearly. Pieces were selected for inclusion based solely on the use of heckelphone, bass oboe or lupophone, without any attempt at assessing their artistic merit. Arrangements of pieces not originally intended for these instruments were included when there was clear evidence that they had found a significant audience. The authors gratefully acknowledge contributions by Michael Finkelman, Alain Girard, Thomas Hiniker, Robert Howe, Gunther Joppig, Georg Otto Klapproth, Mark Perchanok, Andrew Shreeves and Michael Sluman. A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z To suggest additions or corrections to the repertoire list, please contact the authors at [email protected]. All rights reserved by Peter Hurd and Holger H. Hoos, 2021. A Adès, Thomas (born 1971, UK): Asyla, op. 17, 1997 Duration: 22-25min Publisher: Faber Music (057151863X) Remarks: for large orchestra; commissioned by the John Feeney Charitable Trust for the CBSO; first performed on 1997/10/01 in the Symphony Hall, Birmingham, UK by the City of Birmingham Symphony Orchestra under Simon Rattle Tags: bass oboe; orchestra For a link to additional information about the piece, the composer and to a recording, please see the on-line version of this document at http://repertoire.heckelphone.org.
    [Show full text]
  • Port Na Bpúcaí Title Code 1 Altan 25Th Anniversary Celebration with The
    Port na bPúcaí Title Code Aberlour's Save the last drop 9,95 1 Abbey Ceili Band Bruach at StSuiain 9,95 1 Afro Celt Sound System POD (CD & DVD) CDRW 116 18,95 Afro Celt Sound System Vol 1 - Sound Magic CDRW61 14,95 Afro Celt Sound System Vol 2 - Release CDRW76 14,95 1 Afro Celt Sound System Vol 3 - Further in time CDRW96 14,95 Afro Celt Sound System Anatomic CDRW133 16,95 Afro Celt Sound System Seed CDRWG111 Altan 25th Anniversary Celebration with the ALT001 16,95 2 RTE concert orchestra Altan Altan ( Frankie & Mairead ) GLCD 1078 16,95 Altan another sky... 724384883829 12,95 Altan Best of, The (2CDs) GLCD 1177 16,95 1 Altan The best of Altan - The Songs 7, 24354E+11 9,95 Altan Blackwater CDV2796 12,95 Altan Blue Idol, The CDVE961/ 8119552 16,95 Altan Finest, The CCCD100 8,95 Altan First ten years 1986-1995, The GLCD 1153 14,95 Altan Glen Nimhe - The Poison Glen COM4571 16,95 Altan harvest storm GLCD 1117 16,95 Altan horse with a heart GLCD 1095 16,95 Altan island angel GLCD 1137 16,95 1 Altan Local ground VERTCD069 19,95 Altan Runaway sunday CDV2836 12,95 Altan Red crow, The GLCD 1109 16,95 Altan The widening gyre 16,95 1 Ancient voice of Ireland Haunting Irish melodies 9,95 2 Anúna Anúna DANU21 9,95 1 Anúna Deep dead blue DANU020 14,95 Anúna Illumination DANU029 Anúna Invocation DANU015 14,95 Anúna Sanctus DANU025 14,95 Anúna Winter Songs DANU 16 14,95 Arcade Fire The subburbs 6,95 5 Arcady After the ball..
    [Show full text]
  • Montana Kaimin, February 20, 1985 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 2-20-1985 Montana Kaimin, February 20, 1985 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, February 20, 1985" (1985). Montana Kaimin, 1898-present. 7685. https://scholarworks.umt.edu/studentnewspaper/7685 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Wednesday February 20, 1985 Missoula, Montana Vol. 87, No. 66 Montana - mK maimin ................. ..... .... — UM makes budget requests By Jeff McDowell Schwinden to reduce the rec­ that a foreign language pro­ Kaimin Legislative Reporter ommendations by two percent fessor at UM could earn an Cost increases associated to about $35.9 million for extra $2000 annually in the with changing academic pro­ each year. m same position in some Mon­ grams and enrollment patter­ The legislative fiscal analyst tana school districts. Repre­ ns were the focus of testi­ has calculated appropriations sentatives from both UM and mony yesterday as the Univer­ that would maintain the MSU gave examples of faculty sity of Montana presented its present level of operation at members receiving offers Legislative budget requests.
    [Show full text]
  • The Chieftains
    FOR IMMEDIATE RELEASE MAY 22, 2012 RIVER ROCK CASINO RESORT PRESENTS THE CHIEFTAINS THURSDAY, OCTOBER 11 Richmond, BC – Six-time Grammy winners, The Chieftains have long been recognized for bringing traditional Irish music to the world’s attention. They have uncovered the wealth of traditional Irish music that has accumulated over the centuries making their music their own with a style that is as exhilarating as it is definitive. The Chieftains were formed in 1962 by Paddy Moloney from the ranks of the top folk musicians in Ireland. Although their early following was purely a folk audience, the range and variations of their music very quickly captured a much broader public making them the best known Irish band in the world today. The trappings of fame have not altered The Chieftains’ love of and loyalty to their roots … they are as comfortable playing spontaneous Irish sessions as they are headlining a concert at Carnegie Hall. On top of their six Grammy Awards, they have been honoured in their own country by being officially named Ireland’s Musical Ambassadors. As well, they have performed during Pope John Paul II’s Papal visit to Ireland in 1979 and just last year, they performed for Queen Elizabeth II during her historical visit to Ireland. This year marks the group’s 50th anniversary and to commemorate, they’ve released their new album, Voice of Ages which finds Moloney, Kevin Conneff and Matt Molloy collaborating with some of modern music’s fastest rising artists including Bon Iver, The Decemberists and Paolo Nutini. Also to celebrate the major milestone, they’ll be touring worldwide which will include a one-night performance at the River Rock Casino Resort on October 11, 2012.
    [Show full text]
  • [Title of the Collection]
    Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b.
    [Show full text]
  • Blas International Summer School of Irish Traditional Music and Dance
    Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick FIDDLE TUTORS JOHN CARTY John Carty is one of Ireland’s finest traditional musicians having been awarded the Irish Television station, TG4’s Traditional Musician of the Year in 2003. He joins previous acclaimed winners Matt Molloy (Chieftains flautist), Tommy Peoples (Master Fiddler), Mary Bergin (whistle player, Dordan), Máire Ní Chathasaigh (Harpist) and Paddy Keenan (Uilleann Piper), all of whom are considered to be the leading exponents of their instruments within the Irish tradition. Carty already has three solo fiddle albums, two banjo albums, two group albums and a sprinkling of recorded tenor guitar and flute music recordings under his belt so it’s little wonder he should have joined such elusive ranks. John is a tutor at the Irish World Academy. www.johncartymusic.com Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick EILEEN O’BRIEN Eileen is the bearer of a musical dynasty which can be traced back through generations on both sides of her family, the legendary, O’Brien family from Newtown, Nenagh and her mother’s family, the Seerys from Dublin who were founder members of C.C.E. Eileen’s father, Paddy O’Brien established the B/C accordion-playing style in the 1950’s. His innovative style both as a musician and a prolific composer continues to have a profound influence on Irish traditional music. Eileen carries this musical tradition forward through performance, teaching and composition.
    [Show full text]