Serenade James Galway Full Album Download Browse: Charles Gerhardt (Conductor) This Page Lists All Recordings Conducted by Charles Gerhardt

Total Page:16

File Type:pdf, Size:1020Kb

Serenade James Galway Full Album Download Browse: Charles Gerhardt (Conductor) This Page Lists All Recordings Conducted by Charles Gerhardt serenade james galway full album download Browse: Charles Gerhardt (conductor) This page lists all recordings conducted by Charles Gerhardt. Showing 10 results per page. 10 20 30 40. Showing long format results grid. View full details Listen to samples. The Essential James Galway. James Galway (flute) Release Date: 15th Sep 2014 Catalogue No: 88843097832 Label: RCA Length: 1 hour 58 minutes. Awards: Downloads. View full details Listen to samples. Je n'aime pas le classique, mais les musiques de films, j'aime bien ! Tina Guo (cello), The Czech Philharmonic Orchestra, See Siang Wong (piano), John Williams, London Symphony Orchestra, Philharmonic Five, Matheus Jardim (percussion), Luka Sulic (cello), Hauser (cello), Kirsty Whalley (keyboards), Orchestra, Filarmonica della Scala, Massimo Colombo (keyboards), Neal. Release Date: 25th Oct 2019 Catalogue No: 19075981172 Label: Sony Length: 3 hours 50 minutes. 3 CDs. Usually despatched within 1 working day. Captain Blood: Classic Film Scores for Errol Flynn. National Philharmonic Orchestra, Charles Gerhardt. Release Date: 16th Aug 2019 Catalogue No: CDLK4633 Label: Dutton. Format: Hybrid Multi-channel. Usually despatched within 1 working day. View full details Listen to samples. The Essential James Galway. Programmed to feature the two sides to this master musician, CD 1 contains the most beautiful classical music written for flute and CD 2 is a collection of Galway’s most popular pop/crossover repertoire. James Galway (flute) Release Date: 18th Sep 2006 Catalogue No: 82876803182 Label: Sony Length: 2 hours 12 minutes. Downloads. View full details Listen to samples. Presto! World's Fastest Classics. Peter Serkin (piano), Boston Pops Orchestra, Boston Symphony Orchestra, The Philadelphia Orchestra, Robert Merrill (baritone), Chicago Symphony Orchestra, John Browning (piano), James Galway (flute) Fritz Reiner, Arthur Fiedler, Charles Munch, Eugene Ormandy, Erich Leinsdorf, Charles Gerhardt. Release Date: 3rd Feb 1998 Catalogue No: G010000476560M Label: RCA Length: 63 minutes. Downloads. View full details Listen to samples. Classical Essentials, Vol. 1. Barbara Schlick (soprano), Patrice Fontanarosa (violin) Limburger Domsingknaben, Ambrosian Singers, Charles Gerhardt, Klaus Knubben, Douglas Gamley. Release Date: 16th Nov 2018 Catalogue No: PH18206 Label: Profil Medien Length: 38 minutes. Downloads. View full details Listen to samples. Bach - The 50 Best Classical Masterpieces. Bruce Prince-Joseph (organ), Leonid Hambro (harpsichord), Boys' Choir of The Church of The Transfiguration, Stuart Gardner (director), New York Philharmonic Orchestra, Collegiate Chorale, Abraham Kaplan (director), Hilary Hahn (violin), Glenn Gould (piano), Marlboro Festival Orchestra, Chor des Bayerischen. Release Date: 9th May 2014 Catalogue No: G010003117020P Label: Sony Length: 4 hours 17 minutes. Downloads. View full details Listen to samples. Je n'aime pas le classique mais ca j'aime bien. Chicago Symphony Orchestra, London Symphony Orchestra, London Symphony Chorus, Orchester der Tiroler Festspiele, London Musici, Nigel Woodhouse (mandolin), Michael Gläser (chorus master), Chor des Bayerischen Rundfunks, Symphonie-Orchester des Bayerischen Rundfunks, Radio-Sinfonie-Orchester Frankfurt. Release Date: 12th Jul 2010 Catalogue No: G0100019223292 Label: Sony Length: 2 hours 25 minutes. Downloads. View full details Listen to samples. Romantic Classics. Baroque Chamber Orchestra, Boston Pops Orchestra, Leonard Pennario (piano), Festival Strings Lucerne, Finnish Radio Symphony Orchestra, Boston Symphony Orchestra, London Symphony Orchestra, James Brown (horn), Tom Kelly (clarinet), David Theodore (oboe), National Philharmonic Orchestra, David Watkins. Release Date: 10th Aug 1993 Catalogue No: G0100004777859 Label: RCA Length: 68 minutes. Downloads. View full details Listen to samples. Liszt, Mozart, Steiner & Händel. Earl Wild (piano), Robert Bloom (oboe) Columbia Symphony Orchestra, Philadelphia Orchestra, National Philharmonic Orchestra, André Kostelanetz, Eugene Ormandy, Charles Gerhardt. James Galway. Sir James Galway , OBE (born 8 December 1939) is an Irish [1] [2] virtuoso flute player from Belfast, nicknamed "The Man With the Golden Flute". Following in the footsteps of Jean-Pierre Rampal, he became one of the first flute players to establish an international career as a soloist. Contents. Early life and education. Galway was born in East Belfast near the Belfast docks as one of two brothers. His father, who played the flute, was employed at the Harland and Wolff shipyard until the end of World War II and spent night-shifts cleaning buses after the war, while his mother, a pianist, was a winder in a flax- spinning mill. Surrounded by a tradition of flute bands and many friends and family members who played the instrument, he was taught the flute by his uncle at the age of nine and joined his Fife and drum corps; at the age of eleven he won the junior, senior and open Belfast flute Championships in a single day. His first instrument was a five-key Irish flute, and at the age of twelve or thirteen, he received a Boehm instrument. He left school at the age of fourteen and worked as an apprentice to a piano repairer for two years. [3] [4] [5] He subsequently went to London to study the flute at the Royal College of Music under John Francis and then at the Guildhall School of Music under Geoffrey Gilbert. He then studied at the Paris Conservatoire under Gaston Crunelle and Jean-Pierre Rampal and also privately with Marcel Moyse. [ citation needed ] Career. After his education he spent fifteen years as an orchestral player. [6] He played with Sadler's Wells Opera, Covent Garden Opera, the London Symphony Orchestra and the Royal Philharmonic Orchestra. [6] He auditioned for the Berlin Philharmonic Orchestra under Herbert von Karajan, and was principal flute of that orchestra from 1969 to 1975. To Karajan's surprise and dismay, after a period of some disagreement, Galway decided that he would leave to pursue a solo career. [7] [ page needed ] In addition to his performances of the standard classical repertoire, he features contemporary music in his programmes, including new flute works commissioned by and for him by composers including David Amram, Malcolm Arnold, William Bolcom, John Corigliano, John Wolf Brennan, Dave Heath, Lowell Liebermann and Joaquín Rodrigo. The album James Galway and The Chieftains in Ireland by Galway and The Chieftains reached number 32 in the UK Albums Chart in 1987. [8] Galway still performs regularly and is one of the world's most well-known flute players. His recordings have sold over 30 million copies. [9] In 1990, he was invited by Roger Waters to play at The Wall – Live in Berlin concert, held in Potsdamer Platz; he played Pink Floyd's songs "Goodbye Blue Sky" and "Is There Anybody Out There?". Galway performed for the Academy Award-winning ensemble recording the soundtracks of Peter Jackson's The Lord of the Rings film trilogy, composed by Howard Shore. In June 2008, he was inducted into the Hollywood Bowl Hall of Fame along with Liza Minnelli and B. B. King. [ citation needed ] He currently performs on Nagahara flutes, as well as some Muramatsu Flutes. Conn-Selmer produces his line of flutes, "Galway Spirit Flutes". Galway is president of a global organisation called Flutewise, [10] a charitable organisation which supports young flute players, [6] run by Liz Goodwin. In 2003 he formed the Music Education Consortium together with Julian Lloyd Webber, Evelyn Glennie and Michael Kamen to pressure the British Government into providing better music education in schools. He is an Ambassador for the National Foundation for Youth Music, a UK charity. [11] He was made an Officer of the Order of the British Empire (OBE) in 1977, and was knighted in 2001, [6] the first wind player ever to receive that honour. [12] He is a National Patron of Delta Omicron, an international professional music fraternity. [13] In December 2013 Galway launched First Flute , an online interactive series of lessons for beginning flute students of all ages. [14] Personal. Galway has been married three times. His first marriage, to a Frenchwoman, produced a son. He married his second wife, Anna (Annie) Renggli, a daughter of a well-known local architect, in 1972, and moved from Berlin to Lucerne, Switzerland, her hometown. The couple had twin daughters and a son. In 1978 he recorded for her an instrumental version of John Denver's "Annie's Song". It peaked at no. 3 in the UK Singles Chart. [4] [8] After their divorce he moved to Meggen, Switzerland, a village next to Lucerne, where he resides now with his third wife, the American-born Jeanne Galway (née Cinnante), whom he married in 1984. They often tour together playing duets. In addition, they give master classes for flutists of all levels. [16] [17] Galway is a dedicated Christian who visits various types of churches while travelling (as long as they are not modern and "happy-clappy") and prays before his concert performances. [18] He also wears a cross pendant, about which he says, "It's not jewellery. It's something that reminds me of what I should be doing and how I should be behaving." In August 1977, Galway was run over by a large speeding motorcycle in Lucerne, breaking his left arm and both legs and requiring a four-month hospital stay. [3] [4] He has the eye condition nystagmus, and is a patron of the Nystagmus Network, a UK-based support group for people with the condition. [19] On 23 December 2009, he fell down a flight of stairs at his home, fracturing
Recommended publications
  • The Chieftains 3 Album Download MQS Albums Download
    the chieftains 3 album download MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) [FLAC 24bit/96kHz] Van Morrison & The Chieftains – Irish Heartbeat (Remastered) (1988/2020) FLAC (tracks) 24-bit/96 kHz | Time – 38:56 minutes | 815 MB | Genre: Rock Studio Master, Official Digital Download | Front Cover | © Legacy Recordings. “Irish Heartbeat”, a collaboration album with Van Morrison, was Van’s first attempt to reconcile his Celtic roots with his blues and soul music. It was also The Chieftains’ first full blown collaboration album. Although there were worries about working with a major rock star, the recording was a success, introducing elements of Van’s unique soul and jazz style singing to traditional songs and music. This was the beginning of an ongoing successful musical relationship between Van and The Chieftains. “Irish Heartbeat” was nominated for a Grammy Award in 1989, and there followed a tour of Europe and the UK. “On their wide musical journeys in the ’80s, the Chieftains decided to collaborate with Van Morrison, who had an artistic peak at the end of the decade. The result was a highlight in both of their ’80s productions: the traditional Irish Heartbeat, with Morrison on lead vocals and a guest appearance from the Mary Black. Morrisonand Moloney’s production puts the vocals up front with a sparse background, sometimes with a backdrop of intertwining strings and flutes, the same way Morrison would later use the Chieftains on his Hymns to the Silence. The arrangement and the artist’s engaged singing leads to a brilliant result, and these Irish classics are made very accessible without being transformed into pop songs.
    [Show full text]
  • The Chieftains Boil the Breakfast Early Mp3, Flac, Wma
    The Chieftains Boil The Breakfast Early mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Boil The Breakfast Early Country: US Style: Folk, Celtic MP3 version RAR size: 1255 mb FLAC version RAR size: 1271 mb WMA version RAR size: 1718 mb Rating: 4.2 Votes: 401 Other Formats: MP2 AHX DXD TTA MP1 APE VOX Tracklist 1 Boil The Breakfast Early 3:56 2 Mrs. Judge 3:43 3 March From Oscar And Malvina 4:16 4 When A Man's In Love 3:40 5 Bealach An Doirín 3:46 6 Ag Taisteal Na Blárnan 3:21 7 Carolan's Welcome 2:53 8 Up Against The Buachalawns 4:04 9 Gol Na Mban San Ár 4:20 Chase Around The Windmil (Medley) (5:01) 10.a Toss The Feathers 10.b Ballinasloe Fair 10.c Cailleach an Airgid 10.d Cuil Aodha Slide 10.e The Pretty Girl Companies, etc. Copyright (c) – CBS Records Inc. Phonographic Copyright (p) – Claddagh Records Ltd. Manufactured By – Columbia Records Recorded At – Windmill Lane Studios Mixed At – Windmill Lane Studios Credits Bagpipes [Uilleann Pipes], Tin Whistle – Paddy Moloney Bodhrán, Vocals – Kevin Conneff Cello – Jolyon Jackson Drums – The Rathcoole Pipe Band Drum Corps* Engineer – Brian Masterson Fiddle – Seán Keane* Fiddle, Bones – Martin Fay Flute, Tin Whistle – Matt Molloy Harp [Neo Irish Harp, Mediaval Harp], Dulcimer [Tiompan] – Derek Bell Liner Notes – Ciarán Mac Mathúna Producer – Paddy Moloney Notes Originally recorded in 1979. Barcode and Other Identifiers Barcode: 0 7464 36401 2 Other (DADC Code): DIPD 071877 Other versions Category Artist Title (Format) Label Category Country Year Boil The Breakfast
    [Show full text]
  • Rhythm Bones Player a Newsletter of the Rhythm Bones Society Volume 10, No
    Rhythm Bones Player A Newsletter of the Rhythm Bones Society Volume 10, No. 3 2008 In this Issue The Chieftains Executive Director’s Column and Rhythm As Bones Fest XII approaches we are again to live and thrive in our modern world. It's a Bones faced with the glorious possibilities of a new chance too, for rhythm bone players in the central National Tradi- Bones Fest in a new location. In the thriving part of our country to experience the camaraderie tional Country metropolis of St. Louis, in the ‗Show Me‘ state of brother and sisterhood we have all come to Music Festival of Missouri, Bones Fest XII promises to be a expect of Bones Fests. Rhythm Bones great celebration of our nation's history, with But it also represents a bit of a gamble. We're Update the bones firmly in the center of attention. We betting that we can step outside the comfort zones have an opportunity like no other, to ride the where we have held bones fests in the past, into a Dennis Riedesel great Mississippi in a River Boat, and play the completely new area and environment, and you Reports on bones under the spectacular arch of St. Louis. the membership will respond with the fervor we NTCMA But this bones Fest represents more than just have come to know from Bones Fests. We're bet- another great party, with lots of bones playing ting that the rhythm bone players who live out in History of Bones opportunity, it's a chance for us bone players to Missouri, Kansas, Illinois, Oklahoma, and Ne- in the US, Part 4 relive a part of our own history, and show the braska will be as excited about our foray into their people of Missouri that rhythm bones continue (Continued on page 2) Russ Myers’ Me- morial Update Norris Frazier Bones and the Chieftains: a Musical Partnership Obituary What must surely be the most recognizable Paddy Maloney.
    [Show full text]
  • Irish Bands of the 60S & 70S | Sample Answer
    Irish Bands of the 60s & 70s | Sample answer Ceoltóiri Cualann was an Irish group formed by Sean O’Riada in 1961. O’Riada had the idea of forming Ceoltóiri Cualann following the success of a group he had put together to perform music for the play “The Song of the Anvil” in 1960. Ceoltóiri Cualann would be a group to play Irish traditional songs with accompaniment and traditional dance tunes and slow airs. All folk music recorded before that time had been highly orchestrated and done in a classical way. Another aim of O’Riada’s was to revitalise the work of harpist and composer Turlough O’Carolan. Ceoltóiri Cualann was launched during a festival in Dublin in 1960 at an event called Recaireacht an Riadaigh and was an immediate success in Dublin. The group mainly played the music of O’Carolan, sean nós style songs and Irish traditional tunes, and O’Riada introduced the bodhrán as a percussion instrument. Ceoltóiri Cualann had ceased playing with any regularity by 1969 but reunited to record “O’Riada” and “O’Riada Sa Gaiety” that year. “O’Riada Sa Gaiety” was not released until after O’Riada’s death in 1971. The members of Ceoltóiri Cualann, some of whom went on to form “The Chieftains” in 1963 were O’Riada (harpsichord and bodhrán), Martin Fay, John Kelly (both fiddle), Paddy Moloney (uilleann pipes), Michael Turbidy (flute), Sonny Brogan, Éamon de Buitléir (both accordian), Ronnie Mc Shane (bones), Peadar Mercer (bodhrán), Seán Ó Sé (tenor voice) and Darach Ó Cathain (sean nós singer. Some examples of their tunes are “O’ Carolan’s Concerto” and “Planxty Irwin”.
    [Show full text]
  • Geoffrey Gilbert
    I Letters to the Editor 3 Why I Play the Flute John Francis 4 Developing Baroque Ornamentation Skills Berry Bang Mather 8 PAN I BFS Rules the World 12 The Journal of the British Flute Society Richard Adeney talks to The Editor 14 President James Galway Portrait Gallery 22 President for 1988 Patricia Lynden Vice President Albert Cooper ( Member's Platform 23 from 1st January 1988 I History Pages 25 Council: Edward Blakeman Chairman Reflections of a "London West End Super Juliet Keeling Secretary Mole" on four seasons in the Royal Opera Simon Hunt Ediror House Pit Patricia Lynden 28 Jenny Wray Membership Secretary Jonathan Myall Treasurer James Dower Events Co-ordinator 'Friend! Look for the first allegro': Trevor Wye Events Co-ordir~aror Some thoughts on the flute in Haydn's Andrew Thomson Publicity O//icer Symphonies Edward Blakeman 3 1 Adrian Brett Publiciry Oflicer Robin Soldan Educational and FIute Clubs Representative The Season in Malta Tom Cotterell 36 Susan Bruce Hon. Legal Adviser I Jonathan Pickford Hon. Auditor The British Flute Society was formed in January 1983. 1 The Flute Player in Art 38 from the constitution: 'The objects of the Society shall be to advance the education of the public I East Anglian Flute Group 39 in the Art and Science of Music and in particular the Art and Science of Flute playing in all its aspects by the presentation of public concerts Flute Events Section 40 and recitals and by such other ways as the Society through its Council I shaU determine from time to time.' Bath Summer School of Baroque Music 43 The Editor warmly welcomes contributions to Pan, and invites manuscripts - typed if possible - by post to 40 Portland Road, Lon- don W 11 4LG.
    [Show full text]
  • CA Activities Update - January 18, 2014
    CA Activities Update - January 18, 2014 Lifestyle Department January 18, 2014 Click here to access the CA Activities Calendar Onsite • The Studebakers, January 22, 6 - 8 p.m., SCB, $11 • Red Alert – Rock N Roll Dance, January 24, 7 - 10 p.m., $11 pp • Mars Curiosity: Amazing Mission, January 28, 1 p.m., SCB, $5 pp Outings • 3 Laps in a Lamborghini, February 21, $172 pp • "Spurs Nation" Basketball, February 26, $100 pp • Celtic Music - The Chieftains at The Riverbend Centre, February 26, $92 pp • The Olympics of the Violin & Dinner at BRIO, Saturday, March 1, $110 pp Extended Travel • The Gardens of London • New York City • Canadian Rockies by Train • Royal Caribbean Alaska Cruise Tour • Scenic Switzerland by Train • Trains of the Colorado Rockies • Colorado Springs Getaway • Fall Foliage Cruise Onsite The Studebakers – Performance Wednesday, January 22, 6 - 8 p.m., SCB, $11 Open Seating Cabaret Style Harmonizing since 1993, The Studebakers are influenced by The Andrews Sisters, The Boswell Sister, The Chenille Sister, Glenn Miller, Tommy Dorsey and The Manhattan Transfer. Jill Montgomery started the group, wanting to bring back the marvelous melodies and lyrics of the songs from the ’20s, ’30s and ’40s and deliver them with the clarity and close harmony that made them such big favorites. The band consists of five members: Jill Montgomery, Becky Cavanaugh and Sharon Maner are the core trio, singing tunes made famous by the Andrews Sisters and Boswell Sisters among others; Randy Seybold plays virtuoso bass and guitar and sings baritone; and Marilyn Rucker joins in on keyboards and vocals.
    [Show full text]
  • Concert & Dance Listings • Cd Reviews • Free Events
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona.
    [Show full text]
  • Heckelphone / Bass Oboe Repertoire
    Heckelphone / Bass Oboe Repertoire by Peter Hurd; reorganized and amended by Holger Hoos, editor-in-chief since 2020 version 1.2 (21 March 2021) This collection is based on the catalogue of musical works requiring heckelphone or bass oboe instrumen- tation assembled by Peter Hurd beginning in 1998. For this new edition, the original version of the repertoire list has been edited for accuracy, completeness and consistency, and it has been extended with a number of newly discovered pieces. Some entries could not (yet) be rigorously verified for accuracy; these were included nonetheless, to provide leads for future investigation, but are marked clearly. Pieces were selected for inclusion based solely on the use of heckelphone, bass oboe or lupophone, without any attempt at assessing their artistic merit. Arrangements of pieces not originally intended for these instruments were included when there was clear evidence that they had found a significant audience. The authors gratefully acknowledge contributions by Michael Finkelman, Alain Girard, Thomas Hiniker, Robert Howe, Gunther Joppig, Georg Otto Klapproth, Mark Perchanok, Andrew Shreeves and Michael Sluman. A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z To suggest additions or corrections to the repertoire list, please contact the authors at [email protected]. All rights reserved by Peter Hurd and Holger H. Hoos, 2021. A Adès, Thomas (born 1971, UK): Asyla, op. 17, 1997 Duration: 22-25min Publisher: Faber Music (057151863X) Remarks: for large orchestra; commissioned by the John Feeney Charitable Trust for the CBSO; first performed on 1997/10/01 in the Symphony Hall, Birmingham, UK by the City of Birmingham Symphony Orchestra under Simon Rattle Tags: bass oboe; orchestra For a link to additional information about the piece, the composer and to a recording, please see the on-line version of this document at http://repertoire.heckelphone.org.
    [Show full text]
  • Montana Kaimin, February 20, 1985 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 2-20-1985 Montana Kaimin, February 20, 1985 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, February 20, 1985" (1985). Montana Kaimin, 1898-present. 7685. https://scholarworks.umt.edu/studentnewspaper/7685 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Wednesday February 20, 1985 Missoula, Montana Vol. 87, No. 66 Montana - mK maimin ................. ..... .... — UM makes budget requests By Jeff McDowell Schwinden to reduce the rec­ that a foreign language pro­ Kaimin Legislative Reporter ommendations by two percent fessor at UM could earn an Cost increases associated to about $35.9 million for extra $2000 annually in the with changing academic pro­ each year. m same position in some Mon­ grams and enrollment patter­ The legislative fiscal analyst tana school districts. Repre­ ns were the focus of testi­ has calculated appropriations sentatives from both UM and mony yesterday as the Univer­ that would maintain the MSU gave examples of faculty sity of Montana presented its present level of operation at members receiving offers Legislative budget requests.
    [Show full text]
  • October 1982 Crgnsas (Itts Music Ani 'F.Jntertainment ~Wsfafer Issue 22 · Hac · , Chieftains to Th E Irl~ Re Omlng
    BULK RATE u.s. POSTAGE PAID Permit No. 2419 K.C.,MO ;~~KC PITCtI FREE October 1982 CRgnsas (itts Music ani 'f.Jntertainment ~wsfafer Issue 22 · hAC · , Chieftains to Th e Irl~ re omlng. View Stockyards? Bijou & Fine Arts Calendars .................. p. 8, 9,10 Beyond the Beaver ...................... p.ll Juvenile Delinquency Film Festival ...................... p.ll Hollywood Hoopla inKC The Chieftains. Seated are Dereck Bell and Paddll;MQlQ~"~~•• will plQY at The Lyric Theater October 20. Blue Riddim Band ,~...... .J __ ~0m,Qjj~~IH.:!la:!JSH~df Westport and through Rockhurst College Ticket Information Center, 926-4127. by DWight Frizzell Stones on more than one occasion during the Chieftains play, an audience that broke A Sunsplash Smash their last tour. At the historic concert at Slain all pr~vious attendance records set by the Castle in Dublin, Kevin Conneff presented Rolling Stones, the Beatles and the Bee Willi Me What Irish group has performed with the Rolling Stones drummer Charley Watts with Gees. Paddy Maloney modestly told the Rolling Stones, Paul McCartney and a a bodhran. What followed was an impromp­ Pitch, "It wasn't our gig. The Pope was the Chinese tradition music ensemble, has work­ Montego Bay, Jamaica. Kansas City's tu jam backstage, after which Watts promis­ headliner." ed with Stanley Kubrick, holds the world own reggae aficionados, The Blue Riddim ed that he would play the bodhran on at least The Chieftains achieved yet another first record for playing before the largest live au­ Band, did their bit to ensure themselves a when they played with a traditional Chinese dience, performed for Pope John Paul II and page in musical history.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable.
    [Show full text]
  • 2016 SDF 5.5X8.5 NFA Book.Pdf 1 6/24/16 7:56 AM
    National Flute Association 44th Annual Convention SanSan Diego,Diego, CACA August 11–14, 2016 SDF_5.5x8.5_NFA_Book.pdf 1 6/24/16 7:56 AM C M Y CM MY CY CMY K YOUR VOICE ARTISTRY TOOLS SERVICES unparalleled sales, repair, & artistic services for all levels BOOTH 514 www.flutistry.com 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 3 nfaonline.org 4 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 nfaonline.org 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 5 nfaonline.org INSURANCE PROVIDER FOR: ALL YOU NEED TO KNOW ABOUT FLUTE INSURANCE www.fluteinsurance.com Located in Florida, USA or a Computer Near You! FL License # L054951 • IL License # 100690222 • CA License# 0I36013 6 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 nfaonline.org TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators ............................................................... 14 From the Convention Program Chair ................................................. 21 2016 Awards ..................................................................................... 23 Previous Lifetime Achievement and Distinguished Service Award Recipients ....................................................................................... 26 Instrument Security Room Information and Rules and Policies .......... 28 General Hours and Information ........................................................
    [Show full text]