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Hannah Garza, Mechelen, Belgium, January 2016
Understanding the Recent Phenomena of Holocaust Remembrance in the Form of National Holocaust Museums and Memorials in Belgium, France, and Germany Hannah Elizabeth Garza Universiteit van Amsterdam Graduate School of Humanities A thesis submitted for the degree of Masters in Holocaust and Genocide Studies Spring 2017 !1 Abstract This thesis will focus on national Holocaust museums and memorials in Europe, in specific regards to the national Holocaust museums of Belgium and France, and the national Holocaust memorial of Germany. This dissertation will begin with a brief overview of the scholars used within each chapter, along with a discussion on the development of national Holocaust museums in Europe in the introduction chapter. Following the introduction, the first chapter will discuss the Kazerne Dossin Memorial Museum in Mechelen, Belgium. Chapter two will then cover the Mémorial de la Shoah in Paris, France. Finally, chapter three will then focus on the Memorial to the Murdered Jews of Europe in conjunction with its underground information center in Berlin, Germany. This thesis will endeavor to explore the themes represented in each museum in relation to German compliance, and the role of the bystanders from each Nation. The goal is to understand how each of these national institutions discussed within the text, portray their involvement in the events of the Holocaust and Second World War by way of State compliance and the actions of their bystanders. Through the initiatives of the museum and memorials published catalogs, personal -
Wagner Intoxication
WAGNER INTOXICATION: LISTENING TO GOTTFRIED H. WAGNER — 1/27/21, Holocaust Remembrance Day “The Truth Nobody Wants to Hear” From Left: Michael Shapiro, Gottfried Wagner, John Corigliano, William M. Hoffman, Lawrence D. Mass, 1995, at the home of Michael Shapiro, Chappaqua, New York _________ Lawrence D. Mass, M.D., a specialist in addiction medicine, is a co- founder of Gay Men’s Health Crisis and was the first to write about 1 AIDS for the press. He is the author of We Must Love One Another or Die: The Life and Legacies of Larry Kramer. He is completing On The Future of Wagnerism, a sequel to his memoir, Confessions of a Jewish Wagnerite. For additional biographical information on Lawrence D. Mass, please see: https://en.wikipedia.org/wiki/Lawrence_D._Mass Larry Mass: For Gottfried Wagner, my work on Wagner, art and addiction struck an immediate chord of recognition. I was trying to describe what Gottfried has long referred to as “Wagner intoxication.” In fact, he thought this would make a good title for my book. The subtitle he suggested was taken from the title of his Foreword to my Confessions of a Jewish Wagnerite: “Redemption from Wagner the redeemer: some introductory thoughts on Wagner’s anti- semitism.” The meaning of this phrase, “redemption from the redeemer,” taken from Nietzsche, is discussed in the interview with Gottfried that follows these reflections. Like me, Gottfried sees the world of Wagner appreciation as deeply affected by a cultish devotion that from its inception was cradling history’s most irrational and extremist mass-psychological movement. -
Raul Hilberg and the Destruction of European Jews
BTNG-RBHC, XXI, 1990, 1-2, pp.110-124 THE INCOMPLETENESS OF A MASTERPIECE Raul Hilberg and The Destruction of European Jews BY GIE VAN DEN BERGHE Doctor in Ethics Raul Hilberg, an Austrian Jew (Vienna °1926), emigrated with his family to the United States in 1939. In 1944 he returned, in an American army uniform. After the liberation he took part in one of the Neurenberg trials, as a witness of the U.S. Department of Justice. Twenty-six close relatives (uncles, aunts, nieces) of Hilberg died as a consequence of nazi persecutions1. This personal background deter- mined the investigations to which Hilberg applied himself from 1948 onwards. In 1955 he defended his doctoral thesis2. One year later he began teaching political science at the University of Vermont, and he is still doing this today. Already in 1961 his epoch-making study The destruction of European Jews was published3. What Hilberg modestly describes as 'the first words on a difficult subject' (p. vii), was in fact the first scientific attempt to find out how a highly civilized, 20th century nation succeeded in setting aside all juridical, administrative, psycho- logical and moral obstacles, in order to almost completely destroy a population. Forty years after the liberation the revised, extensively completed 1. Interview with R. HILBERG in, L. FERRY et S. PASQUTJBR 'Les fonctionnaires du génocide', in: L'Express International, 27.5.1988, pp. 50-58. 2. Prologue to Annihilation. A Study of Identification, Impoverishment and Isolation of the Jewish Victims of Nazi Policy. Columbia University, New York. 3. Chicago, 1961, 788 p. -
Documented , Two Files in 32 Parts Introduction to Securing My Traces
My archive ( 225 boxes / moving boxes ) , documented , two files in 32 parts Introduction to securing my traces : 35 pages with photos – as of 4th December, 2020 Securing my traces – first file – 1st to 16th part Motto: “Tell me what you are looking for and I will tell you who you are “ cf. www.gottfriedhwagner.eu – with 26 films – GWA ZBZ 1st part: my school education, secondary education, my time at university. My work in direction, dramaturgies— Kurt Weill – 22 pages 2nd part: My way to Kurt Weill - Lotte Lenya – my Weill and Brecht book - 3 pages 3rd part: my short biography - Ralph Giordano on me - 3 pages 4th part : my themes and stages from 1953 up to 2021 - 56 pages 5th part: survey of the contents of my 225 moving boxes/ boxes - 13 pages – as of 04.12.2020 6th part: My Post Shoah Dialog with Abraham J. Peck [GHW-AJP] - 2 pages 7th part: Our Zero Hour– the joint book [GHW AJP] - 19 pages 8th part : Content of Our Zero Hour [GHW-AJP] - 10 pages 9th part : My post Shoah Dialog with the composer Janice Hamer - 17 pages 10th part: My notes on the Tel Aviv performance of Lost Childhood - 4 pages 11th part: My Shoah and Post Shoah work in box 13 to box 40 - 98 pages 12th part: Richard Wagner and consequences – My dark “Wagner legacy” - 80 pages 13th part: My experiences with the 2nd and 3rd Wagner clan generations - 64 pages * 14th part: From Wagner to Hitler and New Bayreuth: The conflict with my father Wolfgang and grandmother Winifred Wagner and their connections – Wolfgang Wagner - 86 pages * 15th part: My indemnity and my father’s revenge, his lawyers: - 36 pages * 16th part: My discussions with my aunts: Gertrud Wagner and Verena Lafferentz-Wagner-13 pages* ”Second File – Securing my traces: 17. -
The Judgment of “Privileged” Jews in the Work of Raul Hilberg R
CHAPTER 2 THE JUDGMENT OF “PRIVILEGED” JEWS IN THE WORK OF RAUL HILBERG R To a Jew this role of the Jewish leaders in the destruction of their own peo- ple is undoubtedly the darkest chapter of the whole dark story. It had been known about before, but it has now been exposed for the fi rst time in all its pathetic and sordid detail by Raul Hilberg. —Hannah Arendt, Eichmann in Jerusalem: A Report on the Banality of Evil The limit of judgment in relation to “privileged” Jews is crucially im- portant to a consideration of Hilberg’s work, the widespread impact of which cannot be underestimated. His seminal study, The Destruction of the European Jews, has been praised by many as “the single most important work on the Holocaust,” and Hilberg himself has been char- acterized as “the single most important historian” in the fi eld.1 Fur- thermore, the above epigraph makes clear that Arendt’s controversial arguments regarding Jewish leaders (see the introduction) drew heav- ily on Hilberg’s pioneering work. This chapter investigates the part of Hilberg’s work that deals with “privileged” Jews, in order to provide a thematic analysis of the means by which Hilberg passes his overwhelm- ingly negative judgments on this group of Holocaust victims. Hilberg’s judgments are conveyed in diverse ways due to the eclec - tic nature of his publications, in which the subject of the Judenräte— which has received considerable attention in Holocaust historiography— This open access library edition is supported by Knowledge Unlatched. Not for resale. The Judgment of “Privileged” Jews in the Work of Raul Hilberg 77 makes frequent appearances. -
Introduction Walter H
Introduction Walter H. Pehle and René Schlott R I am not a man who gives in. Raul Hilberg in Weimar, 1995 Anyone who investigates the persecution and murder of the Jews during National Socialism and World War II knows the name of Raul Hilberg. His work, The Destruction of the European Jews, remains in- dispensable even today. There are many other texts, however, in which Raul Hilberg offers important contributions to various debates in this field. A few of these still relatively inaccessible texts are now published together in one collection in their original language. This volume of Hilberg’s texts also invites interested readers and Holocaust researchers to trace the development of his scientific work over more than five decades. The thirteen texts presented here were published between 1965, just a few years after the appearance of The Destruction of the European Jews, and 2007, the year Hilberg died. In them, Raul Hilberg not only reflects on the results of his research and the controversies it generated, but also describes his perception of the ways the Holocaust is remembered. And, finally, the texts recount Hilberg’s own memories of archival visits gathering material for his research work. They convey a sense of how the true extent of what was then known as the “Final Solution” was only gradually understood through the difficult process of digesting tens of thousands of admin- istrative and court files after World War II. They show how the Ho- locaust became the subject of academic study and how this research developed into its current, highly professionalized form. -
Legacies of the Nuremberg SS-Einsatzgruppen Trial After 70 Years
Loyola of Los Angeles International and Comparative Law Review Volume 39 Number 1 Special Edition: The Nuremberg Laws Article 7 and the Nuremberg Trials Winter 2017 Legacies of the Nuremberg SS-Einsatzgruppen Trial After 70 Years Hilary C. Earl Nipissing University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/ilr Recommended Citation Hilary C. Earl, Legacies of the Nuremberg SS-Einsatzgruppen Trial After 70 Years, 39 Loy. L.A. Int'l & Comp. L. Rev. 95 (2017). Available at: https://digitalcommons.lmu.edu/ilr/vol39/iss1/7 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles International and Comparative Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. 07 EARL .DOCX (DO NOT DELETE) 1/16/17 4:45 PM Legacies of the Nuremberg SS- Einsatzgruppen Trial after 70 Years HILARY EARL* I. INTRODUCTION War crimes trials are almost commonplace today as the normal course of events that follow modern-day wars and atrocities. In the North Atlantic, we use the liberal legal tradition to redress the harm caused to civilians by the state and its agents during periods of State and inter-State conflict. The truth is, war crimes trials are a recent invention. There were so-called war crimes trials after World War I, but they were not prosecuted with any real conviction or political will. -
50 Jahre Richard-Wagner-Verband Saarland 1956-2006 25
Inhalt Dank 2 Grußworte 3 Ehrenmitglieder und Vorstand 2006 10 Festkonzert 30. April 2006 11 Programm 12 Mitwirkende 14 Prof. Dipl.-Ing. Dieter Heinz Hermann Levi – Ein Start in Saarbrücken vom Ludwigsplatz Stengels zum Festspielhaus Wagners in Bayreuth 18 Marcus-Johannes Heinz 50 Jahre Richard-Wagner-Verband Saarland 1956-2006 25 Stipendiaten 91 Wagner-Inszenierungen in Saarbrücken 105 Quellen und Bildnachweise 108 1 Dank … an die Sponsoren, die das Festkonzert erst ermöglicht haben … an unsere Verbandsmitglieder für private Spenden … an die Kooperationspartner des Festkonzerts … an die Unionstiftung für die Unterstützung bei der Publikation dieser Festschrift 2 Grußwort des Leiters der Bayreuther Festspiele Sicherlich wird niemand behaupten, dass Saarbrücken eine ausgesprochene Wagnerstadt ist, aber seit einem Halbjahrhundert nun existiert und wirkt dort ein sympathischer Richard-Wagner-Verband, der sich in der großen, weltumspannenden Vereinigung aller Wagner-Verbände seit langem Achtung und Anerkennung erwerben konnte. Die zahlreichen und bleibenden Verdienste im einzelnen hervorzuheben und zu rühmen, ist hier nicht der Platz, doch ich möchte meine herzlichen Glückwünsche zum Jubiläum verbinden mit der Zuversicht, dass nicht allein Rückschau gehalten wird, sondern die vergangenen 50 Jahre als solides Fundament Anerkennung finden, auf dem die Zukunft mit Begeisterung und Ideenreichtum errichtet wird. Das Engagement innerhalb der Stipendienstiftung ist gewiss die wichtigste und schönste Aufgabe, der sich die Mitglieder des Verbands widmen. Denn gerade mit dem behutsamen Heranführen junger Menschen an Werk und Wirkung Richard Wagners erfüllt ein Verband ganz Wesentliches und leistet bedeutende Arbeit. Und darüber hinaus wäre es ja möglich, dass auf solche Art und Weise sogar Nachwuchs- Mitglieder gewonnen werden. Ein Jubiläum ist stets eine kleine Zäsur, ein kurzes Innehalten, ein Besinnen und Atemholen, natürlich auch ein Bilanzieren des Gewesenen. -
INTRODUCTION Drawn from Life: Mary Douglas's Personal Method
INTRODUCTION Drawn from life: Mary Douglas’s personal method Richard Fardon Mary Douglas (1921–2007) was the most widely read British anthropolo- gist of the second half of the twentieth century. Her writings continue to inspire researchers in numerous fields in the twenty-first century.1 This vol- ume of papers, first published over a period of almost fifty years, provides insights into the wellsprings of her style of thought and manner of writing. More popular counterparts to many of Douglas’s academic works – either the first formulation of an argument, or its more general statement – were often published around the same time as a specialist version. These first thoughts and popular re-imaginings are particularly revealing of the close relation between Douglas’s intellectual and personal concerns, a convergence that became more overt in her late career, when Mary Douglas occasionally wrote autobiographi- cally, explaining her ideas in relation to her upbringing, her family, and her experiences as both a committed Roman Catholic and a social anthropologist in the academy. The four social types of her theoretical writings – hierarchy, competition, the enclaved sect, and individuals in isolation – extend to remote times and distant places, prototypes that literally were close to home for her. This ability to expand and contract a restricted range of formal images allowed Mary Douglas to enter new fields of study with startling rapidity, to link unlikely domains of thought (through analogy, most frequently with religion), and to accommodate the most diverse examples in comparative frameworks. It was the way, to put it baldly, she made things fall into place. -
The German Exile Literature and the Early Novels of Iris Mur- Doch
University of Szeged Faculty of Arts Doctoral Dissertation The German Exile Literature and the Early Novels of Iris Mur- doch Dávid Sándor Szőke Supervisors: Dr. Zoltán Kelemen Dr. Anna Kérchy 2021 Acknowledgements I have a great number of people to thank for their support throughout this thesis, whether this support has been academic, financial, or spiritual. First of all, I would like to thank my supervisors, Dr Zoltán Kelemen and Dr Anna Kérchy for their unending help, encouragement and faith in me during my research. Their knowledge about the Holocaust, 20th century English woman writers and minorities has given exceptional depth to my understanding of Murdoch, Steiner, Canetti and Adler. The eye-opening essays and lectures by Dr Peter Weber about the Romanian painter and Holocaust survivor Arnold Daghani’s time in England provided a genesis for this thesis. Had it not for him, I would not have thought about putting Murdoch’s thinking in the context of Cen- tral European refugee literature and culture during and after the Second World War. This thesis owes much to the 2017 Holocaust Conference in Szeged (19 October) and the 2019 International Holocaust Conference in Halle (14-16 November). I would like to express my gratitude to the March of the Living Hungary, the Holocaust Memorial Centre Budapest, the Memory Point of Hódmezővásárhely, the synagogues of Szeged and Hódmezővásárhely, Professor Werner Nell (Martin-Luther-Universität Halle-Wittenberg), Professor Thomas Bremer (Martin-Luther-Universität Halle-Wittenberg), Professor Sue Vice (University of Shef- field), and Dr Zoltán Kelemen for making these events possible. During my PhD, as part of the Erasmus ++ programme I spent an entire year at Martin- Luther-Universität Halle-Wittenberg, where I made a great deal of research about the German coming to terms with the past. -
Worcester Historical
Strassler Center for Holocaust and Genocide Studies 11 Hawthorne Street Worcester, Massachusetts ARCHIVES 2019.01 Kline Collection Processd by Casey Bush January 2019 1 TABLE OF CONTENTS Series Page Box Collection Information 3 Historical/Biographical Notes 4 Scope and Content 4 Series Description 5 1 Anti-Semitic material 7-15 1-2, 13 2 Holocaust material 16-22 2-3, 13 3 Book Jackets 23 4-9 4 Jewish History material 24-29 10-11, 13 5 Post-war Germany 30-32 12 6 The Second World War & Resistance 33-37 28 7 French Books 38-41 14 8 Miscellaneous-language materials 42-44 15 9 German language materials 45-71 16-27 10 Yiddish and Hebrew language materials 72-77 29-31 11 Immigration and Refugees 78-92 32-34 12 Oversized 93-98 35-47 13 Miscellaneous 99-103 48 14 Multi-media 104-107 49-50 Appendix 1 108 - 438 2 Collection Information Abstract : This collection contains books, pamphlets, magazines, guides, journals, newspapers, bulletins, memos, and screenplays related to anti-Semitism, German history, and the Holocaust. Items cover the years 1870-1990. Finding Aid : Finding Aid in print form is available in the Repository. Preferred Citation : Kline Collection – Courtesy of The Strassler Center for Holocaust and Genocide Studies at Clark University, Worcester, Massachusetts. Provenance : Purchased in 1997 from Eric Chaim Kline Bookseller (CA) through the generosity of the following donors: Michael J. Leffell ’81 and Lisa Klein Leffell ’82, the Sheftel Family in memory of Milton S. Sheftel ’31, ’32 and the proceeds of the Carole and Michael Friedman Book Fund in honor of Elisabeth “Lisa” Friedman of the Class of 1985. -
The First Australian to Sing at the Bayreuth Festival
The first Australian to sing at the Bayreuth Festival The soprano Norma Gadsden was the first Australian to sing at the Bayreuth Festival, performing there in 1937 just two years before the outbreak of the Second World War. Born Dorothy Smith in Sydney in 1898, she moved with her family to Melbourne as a teenager. Known to her friends and colleagues as Dolly, she attended the Albert Street Conservatorium hoping, initially, to establish a career as a pianist. There she discovered that she also had a fine voice and was given singing lessons, including by Melba during one of her visits home. In July 1917, when she was only seventeen, Dolly married Norman Gadsden, scion of a well-off packaging and jute importing family. He embarked for the war just a few days after their marriage. The young couple had two beautiful children but their marriage did not work out and, at twenty-two, Dolly decided to leave her husband and two children, to see if her voice held the key to her future. 1 Lieutenant Norman Gadsden in 1917. In 1929 Dolly travelled to Paris where she found lodgings in the same house as Marjorie Lawrence who was the girlfriend of the landlady’s son and was therefore given the best room in the house! Dolly worked for a year in Breslau studying German and the Wagnerian repertoire. With her warm voice, placed between a mezzo and a soprano, she attracted the notice of the conductor Franz von Hoesslin, and she was engaged to sing Sieglinde for her Monte Carlo debut on 22 January 1937.