English Literature STANDARD XII
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Indian Scholar
ISSN 2350-109X Indian Scholar www.indianscholar.co.in An International Multidisciplinary Research e-Journal THE RISE AND GROWTH OF CHILDREN’S POETRY IN MALAYALAM LITERATURE Kavya. T Guest Lecturer in English MPMMSN Trusts College, Shoranur It is a quintessential human nature to compare, contrast and weigh the value of anything in the world. Perhaps it is our need to put order into an otherwise chaotic life that drives us to categorize everything. Our culture, tradition, art and literature are not exempted from this grading process. Thus it is quite natural that children’s literature got relegated to the peripheries of mainstream literature. This marginalization is universal and Malayalam literature too avoided it as trivial and childish. But now a days Children’s literature is gaining popularity in academic circles with many a scholars opening up new areas of researches in the field. Thus it would be meaningful to trace the trajectory of poems for children in Malayalam literature. A child’s acquaintance with poetry starts from the womb itself. This grows into much stronger relation as he/she is tucked into sleep with sweet lullabies by mother. Thus poetry is the first literature presented to a child.Offering comfort and happiness in rhythm and sounds these verses prepare the developing minds to receive longer forms of literature. But still there are debates regarding the characteristics of verses that can be categorized as children’s poems. Sheila aEgoff in Thursday’s Child questions “Is poetry for children a separate territory, or is -
Tamil New Poetry: Twentieth Century Tamil Poets #9788189020460 #2005 #Katha, 2005
Tamil New Poetry: Twentieth Century Tamil Poets #9788189020460 #2005 #Katha, 2005 Tamil New Poetry: Twentieth Century Tamil Poets Most of Jeffersâ™ poetry was written in classic narrative and epic form, but today he is also known for his short verse, and considered an icon of the environmental movement. He is generally considered to be among the greatest American poets of the twentieth century. The old South Boston Aquarium stands in a Sahara of snow now. Its broken windows are boarded. So modern poetry is essentially a private art form and it contains very much a story of individual poets. The most striking thing in twentieth-century English literature is the revolution in poetic taste and practice. Various movements and changes had a greater influence upon modern poetry. Though poets are often influenced by each other and sometimes, share a common outlook, their style and the ways of writing differ from each other. So modern poetry is essentially a private art form and it contains very much a story of individual poets. T. S. Eliot. He is one of the most remarkable of English poets. He had great influence on poetry for more than forty years. He has used a new form of poetry to describe his new experience. His language has great life and energy. Conclusion. This list of Indian poets consists of poets of Indian ethnic, cultural or religious ancestry either born in India or emigrated to India from other regions of the world. Amulya Barua (1922â“1946), first published posthumously in 1964. Atul Chandra Hazarika (1903â“1986), poet, dramatist, children's story writer and translator. -
IJRSS May19 Special Issue.Pdf
International Journal of Research in Social Sciences Vol. 9 Issue 5, May 2019, (Special Issue) ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gate as well as in Cabell‘s Directories of Publishing Opportunities, U.S.A One-Day National-Level Conference Literatures of Resistance: Voices of the Marginalised 25th April 2019 Organised by Department of English Seshadripuram College No. 27, Nagappa Street, Seshadripuram, Bengaluru – 560 020 NAAC Acreditted ‗A‘ www.spmcollege.ac.in 1 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496Impact Factor: 7.081 ABOUT THE CONFERENCE „I would have liked to tell you the story… Had they not slit my lips‟ --Samih al-Qassim The word ‗Resistance‘ was observed for the first time in 1996 in Palestinian Literature as written by the Palestinian writer and critic, Ghassan Kanafani. ‗Resistance‘ means to counter an ideology or action or raise objections to the existing dominant, hegemonic dogmas and practices that are hierarchical and only subjugate the inferior furthermore. Resistance is bi-dimensional, carried out both through reading and writing of texts and may be applied to a gamut of discourses such as: colonial discourse, imperial culture, gender issues, caste and class differences, imbalances due to cultural clashes and so on. Resistance has existed as long as human history and culture that it attempts to counter and will continue to exist as long as civilisation does. -
Ssdec2006.Pdf
AVATAR VANI BHAGAVAN’S BIRTHDAY MESSAGE YOUR SERVICE TO SOCIETY WILL MAKE SWAMI HAPPY When man emerges from the womb of his mother, one does not find any garland around his neck. There are no jewels made of pearls nor are there glittering gold ornaments. There are no necklaces studded with precious stones like emeralds and diamonds. But there is one garland around his neck. Brahma strings together the consequences of his past deeds into a heavy garland and puts it around his neck at the time of his birth. (Telugu Poem) Embodiments of Love, Students – Boys and freedom from bondage. He should get rid of Girls! the feeling of attachment. Nothing is mine or T IS NOT POSSIBLE TO DESCRIBE thine; everything is one. Develop the feeling in how fortunate a human being is. your heart that all are one. Only then can you I Jantunam Nara Janma Durlabham (of experience truth, peace and bliss. all living beings, human birth is the rarest). Man is not able to realise the value of humanness and is deluded by seeing the ephemeral and transitory objects of the world. Peace and happiness lie in Develop the Feeling of Oneness of spirituality and in nothing else. Mankind You may study, get married, have children and lead a happy life. There The basis of man’s life is not the transitory is nothing wrong in it. But never and ephemeral world. His life on earth is a forget God. Without forgetting God, synthesis of moral, ethical and spiritual values. Man, in fact, is the image of divinity. -
Ecofeminism - Niji C
Ecoaesthetics and Literature ètude A Multidisciplinary Research Journal 1 Ecoaesthetics and Literature ètude - A Multidisciplinary Research Journal PUBLISHED IN INDIA BY The Coordinator, Internal Quality Assurance Cell (IQAC) ètude of the Panampilly Memorial Government College (PMGC) Chalakudy, Potta P.O., Thrissur District, Kerala, India. PIN 680722 A Multidisciplinary email: [email protected] / [email protected] Research Journal http://www.pmgc.ac.in © IQAC-PMGC 2015 The moral rights of the authors have been asserted This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no production of any part may take place without the written permission of the Coordinator, IQAC, Panampilly Memorial Government College, Chalakudy, Kerala, India Published in January 2015 Managing Editor: Dr. Sreevalsa V.G., Principal Chief Editor: C.R. Murukan Babu, Coordinator, IQAC Editorial Board: K. Renuka, Dr. C. C. Babu, Dr. N. A. Jojomon, Dr. Dimpi Divakaran, Dr. B. Parvathy, Dr. N. Sreerekha, Dr. Leena Samuel Issue Editors: Dr. N. Sreerekha (English), Dr. B. Paravathy (Malayalam), Dr. Leena Samuel (Hindi) ISSN: 2394 - 6482 Etude Printed in India by Nirmala Offset Printers, Chalakudy, Kerala +91 480 2701259 Cover design & illustration by Rajiv Babu, CET, Kerala 1 2 Ecoaesthetics and Literature ètude A Multidisciplinary Research Journal Special Inaugural Edition on Ecoaesthetics and Literature Published by IQAC Panampilly Memorial Government College Chalakudy 3 Ecoaesthetics and Literature ètude - A Multidisciplinary Research Journal Contents ètude A Multidisciplinary FOREWORD 6 Research Journal PREFACE 7 SECTION ONE - ENGLISH 9 Introduction - Dr. N. Sreerekha 1. Eco Feminism - An overview - Dr. Prathibha 13 2. Revivifying Woman-Nature Equations: Politics in the Poems of Sugathakumari - Suja T. -
CHAPTER I Women Poets in Indian English Poetry
CHAPTER I Women Poets in Indian English Poetry: The Past and the Present Indian English poetry is now more than one hundred and seventy-five years old if we recall the date of the publication of Derozio’s book of poems entitled Poems. The book Poems appeared from Indian famous city of Calcutta in 1827. Henry Louis Vivian Derozio, born in 1809, was the son of an Indo-Portuguese father and an English mother. He was a conscious and curious child who started writing in his early age. He worked for few days as a clerk in Calcutta (now Kolkata) and at Bhagalpur on an indigo plantation. He tried to search his fortune in journalism also but could not succeed. He became a lecturer at Hindu College, Calcutta. Here, his free, frank and fearless personality bloomed and curious nature came forward. His spirit of inquiry, his passion-for ideas, his reformistic idealism and his romantic enthusiasm and temperament fired the imagination of many a students to a great extent. 2 Derozio was revolutionary not only in his iconoclastic ideas but also in his effort to initiate a new form of literary composition. Indian English poetry, in fact, has offered over the period of one hundred and seventy-five years a chequered history of growth and development that continuously made, unmade and remade itself through constant experiments in matters of themes and styles. Indian English poetry has undergone several phases of experimentations resulting in varied phenomena a ceaseless poetic activities that vouch for the inner strength of the succeeding poets. The social reforms, the individual ecstasies^ the agonies of living personae as well as mythical characters, love and nature, rejuvenation of legends and metaphysical queries are some of the themes that have been treated and projected by Indian English poets during both the pre-Independence and post-Independence periods. -
Poetic Associations: the Nineteenth-Century English Poetry Collection of Dr
Poetic Associations: The Nineteenth-Century English Poetry Collection of Dr. Gerald N. Wachs Poetry, usually considered a solitary art, is often produced within social circles and communities, shaped by friendships, rivalries, and collaborations. The same can be said of book collecting, an activity at once completely individualistic and yet pursued within a network of other collectors, booksellers, librarians, scholarly and collecting organizations. Poets read and revise each other’s drafts, dedicate their works to each other, review them, and send each other copies of their publications, sometimes with personal inscriptions. Book collecting also creates deep friendships and stiff competition. The nineteenth-century English poetry collection of Dr. Gerald N. Wachs (1937-2013) was formed in close association with bookseller Stephen Weissman and within a circle of bibliophilic and scholarly associations as well as other collec- tors and dealers, many vying for the same material. The Wachs collection, which numbers nearly 900 titles, includes works published from the start of the age we now call Romantic to the beginning of the twentieth century. The collection was started in 1970 and grew over a period of 40 years. It was guided throughout by Volume 3, covering 1800-1900, of The New Cambridge Bibliography of English Literature (1969-77). Books selected for the Wachs collection are nearly all “special” copies: in splendid condition, often one of very few known copies, and many with extraordinary inscriptions that illustrate personal and poetic associations. It is difficult to single out representative examples from such a rich assemblage. Some are little- known works by famous authors, and often quite unimpressive in appearance. -
UG-TELUGU.Pdf
Department of Modern Indian Languages and Literary Studies University of Delhi Delhi-110 007 TELUGU Syllabus for UG Courses under CBCS (For B.A./B.Com./B.Sc. Programme/ Honours) Based on Learning Outcome-based Curriculum Framework (LOCF) (For candidates admitted from the academic year 2019-2020 onwards) 1 INDEX Paper Name Page Number Indian Language under CBCS Core Course (Compulsory): Telugu (A) 3 Indian Language under CBCS Core Course (Compulsory): Telugu (B) 13 Indian Language under CBCS Core Course (Compulsory): Telugu (C) 24 Indian Language under CBCS Core Course (Compulsory): Telugu 36 (For candidates who studied Telugu up to Class XII) Discipline Specific Elective Indian Language under CBCS Core Course (Compulsory): Telugu 47 (For candidates who studied Telugu up to Class XII) I Year / Semester – I: AECC / MIL Communication (TELAECC-101) Indian Language under CBCS Core Course (Compulsory): TELUGU 49 SKILL ENHANCEMENT COURSE (SEC): Telugu (A) & (B) B.A (Honours) & B.Com (Honours) & B.Sc (Honours): 53 Generic Elective under CBCS: Telugu Indian Language under CBCS Core Course (Compulsory): Telugu 68 (For candidates who studied Telugu up to Class XII) 2 DEPARTMENT OF MODERN INDIAN LANGUAGES AND LITERARY STUDIES University of Delhi, Delhi-110007 STRUCTURE OF B.A (PROGRAMME) Indian Language under CBCS Core Course (Compulsory): Telugu (A) (For candidates who studied Telugu up to Class XII) {Semester number (Odd or Even) may vary as per the requirement of respective colleges} I Year / Semester – I: Functional Telugu grammar and skills -
The Āmuktamālyada of Kṛṣṇadevarāya Language, Power & Devotion in Sixteenth Century South India
The Āmuktamālyada of Kṛṣṇadevarāya Language, Power & Devotion in Sixteenth Century South India By Srinivas G. Reddy A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in South and Southeast Asian Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor George L. Hart, Chair Professor Alexander von Rospatt Professor Harsha Ram Fall 2011 Abstract The Āmuktamālyada of Kṛṣṇadevarāya Language, Power & Devotion in Sixteenth Century South India by Srinivas G. Reddy Doctor of Philosophy in South and Southeast Asian Studies University of California, Berkeley Professor George L. Hart, Chair The Āmuktamālyada of the sixteenth century Vijayanagara monarch Kṛṣṇadevarāya is a poetic masterpiece of the highest order. It stands out as a landmark in Telugu literary history, not only for its poetic beauty, but also because of the unique religious and political themes embedded within its central narrative. Unlike most contemporaneous Telugu poets who based their works on Sanskrit purāṇas or other Indo-Aryan mythological sources, Kṛṣṇadevarāya turned to the southern Tamil tradition for his inspiration. The Āmuktamālyada is in essence a richly poetic hagiography of the Vaiṣṇava poet-saintess Āṇṭāḷ, or Goda as she is referred to throughout the text. And unlike the great kāvyas of Sanskrit (or even most coeval sixteenth century Telugu prabandhas) that often centered around male heroes, Āmuktamālyada tells the story of an adolescent Tamil girl in love with god. The notion of a female protagonist was surely common to Tamil epic literature, as in the famous Cilappatikāram, Maṇimekalai and Cīvakacintāmaṇi. This geo-cultural shift by Kṛṣṇadevarāya evidences a marked reorientation of the Telugu tradition towards the South, not only in terms of literary source materials and bhakti related themes, but also in a very concrete political sense as the power center of the post- Vijayanagara state system moved to the Tamil country. -
Sathya Sai Speaks, Vol 39 (2006) Divine Discourses of Bhagawan Sri Sathya Sai Baba
Sathya Sai Speaks, Vol 39 (2006) Divine Discourses of Bhagawan Sri Sathya Sai Baba Index Of Discourses 1. Discharge your duties with a sense of surrender to God ...................................... 2 2. Control of Senses is the Real Sadhana ................................................................. 13 3. Limit not the all-pervading Brahman with Names and Forms ......................... 26 4. Atma is the Nameless, Formless Divinity ............................................................. 39 5. Experience the Sweetness of Rama’s Name ........................................................ 50 6. Happiness Is Holiness ............................................................................................ 61 7. Do Not Burden Yourself With Limitless Desires ................................................ 72 8. Mother’s love has immense power ...................................................................... 82 9. Attain enlightenment by renouncing desires ....................................................... 93 10. Selfless service to society is true sadhana .......................................................... 102 11. The youth should follow the path of sathya and dharma ................................. 109 12. Develop Broad-mindedness and Live in Bliss ................................................... 118 13. Give up selfishness and strive for self-realisation ............................................. 127 14. Love of God is True Education .......................................................................... -
History of Telugu Literature
History of Telugu Literature Prof. C. Mrunalini Andhra Pradesh Map Telugu language Telugu language has a history of 1500 years • In the first phase, it was in inscriptions that the language took literary shape • Telugu language has been accorded Classical Status along with Sanskrit, Tamil and Kannada by the Government of India Telugu, Italian of the East • Telugu is a vowel-ending language • It is one of the 4 Dravidian Languages • Telugu has been hailed as “Italian of the East’ because of its melodious quality • Telugu is the second highest spoken language of India, after Hindi The Mahabharata • Three poets- – Nannaya – Tikkana – Errana • Translated Vyasa’s Mahabharata into Telugu • Translation of Mahabharata was started by Nannaya in the 11th century on the request of the East Chalukya king Rajaraja Narendra. Mahabharatam The Mahabharata • Nannaya wrote two and a half parvas and Tikkana wrote from 4th parva till the end. Errana completed the part left out by Nannaya in the third, Aranya parva. These three are known as Kavitraya (The poet Trinity) • Mahabharata is the first comprehensive literary text written in telugu (1053 A.D) Major Genres of Classical Age • The main genres from 11th century to 18th century were 3 fold. Important are; – Itihasam, Puranam, Kavyam • Itihasam was the story of kings and gods with some historical basis. The main message would be Truth and dharma • Purana was the story of the Gods and their Avatars mainly intending to inspire devotion and spiritual thinking Major Genres of Classical Age (contd..) • Kavya is a combination of myth and fiction. Meant to please with its style and language. -
Status of Indian English Poetry After Independence
EUROPEAN ACADEMIC RESEARCH Vol. II, Issue 11/ February 2015 Impact Factor: 3.1 (UIF) ISSN 2286-4822 DRJI Value: 5.9 (B+) www.euacademic.org Status of Indian English Poetry after Independence DR. SHANKARANAND JHA Associate Professor & Head Department of English, Jengraimukh College India Abstract: Indian English poetry is nearly 200yrs old. „Indian English Poetry after Independence‟ known as „Post-Independence Indian English poetry‟ is a new genre and has witnessed the most crucial developments. It marks a decisive break or departure from the imitative or the derivative „tradition‟ of pre-independence Indian English poetry and is engaged in technical and thematic innovativeness. The conflict between tradition and modernity at different spheres---social, cultural, familiar, national and cosmopolitan---is evident in the works of the poets of this era. Having freed themselves from the clutches of „Englishness‟, the poets of this age have started writing a verse more in tune with age, its general temper and its literary ethos. The rise of female poetic-voice is the most significant event in the post- independence Indian English poetry which depicts the changing position of a woman in the modern Indian society. A complex blend of aestheticism and activism, the poetry of these poets, produces a kind of bold, ruthless honesty tearing passionately at conventional attitudes to reveal the quintessential woman within. Key-Words: Post-independence, Tradition, Conflict, Englishness, Female-voice. Introduction: Poetry is the oldest form of literature. It is a creative and aesthetic activity having three major components- experience, beauty and emotion. Poetry is an art of communication experience. As such, the communication must be in a language that is close to the poet and the experience must be genuine.