Borobudur Temple 度尼西亚世界遗产遗址之一 婆罗浮屠庙 Borobudur 婆罗浮屠 October 2017
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Semester Khusus 2014/2015 Sma Negeri 2
LAPORAN INDIVIDU LAPORAN PROGRAM PENGALAMAN LAPANGAN (PPL) SEMESTER KHUSUS 2014/2015 SMA NEGERI 2 BANGUNTAPAN Glondong, Wirokerten, Banguntapan, bantul DISUSUN OLEH : PRAMESWARI 12406241024 PRODI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN SEJARAH FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI YOGYAKARTA 2015 KATA PENGANTAR Puji syukur Penelis panjatkan kepada Tuhan Yang Maha Esa yang telah memberikan rahmat dan karunia–Nya kepada kami sehingga dapat menyelesaikan Program Pengalaman Lapangan (PPL) Semester Khusus Universitas Negeri Yogyakarta di SMA Negeri 2 Banguntapan dengan tepat waktu. Laporan PPL ini disusun sebagai pertanggungjawaban tertulis dari pelaksanaan PPL, yang terhitung mulai tanggal 10 Agustus 2015 sampai dengan 12 September 2015. Telaksananya program kerja KKN ini tidak lepas dari dukungan berbagai pihak, maka Penulis mengucapkan terima kasih kepada: 1. Bapak Ngadiya, selaku Kepala Sekolah di SMA Negeri 2 Banguntapan yang telah memberikan kami ijin untuk melaksanakan praktek mengajar di sekolah yang beliau pimpin. 2. Ibu Sri Tukiyantini, selaku Guru Pamong yang telah membimbing kami di sekolah dalam melaksanakan kegiatan pembelajaran di dalam kelas. 3. Bapak Sabar Nurohman, M.Pd. Si, selaku koordinator LPPMP yang telah membimbing kami dalam pelaksanaan PPL. 4. Bapak Sudrajat, M.Pd selaku Dosen Pembimbing Lapangan yang telah memberikan motivasi dan bimbingan kepada kami dalam menjalankan kegiatan PPL . 5. Teman-teman satu kelompok yang telah bersedia berbagi pengetahuan dan saling membantu dalam terselesesaikannya kegiatan PPL dan penyususnan Laporan PPL. 6. Seluruh siswa SMA Negeri 2 Banguntapan yang telah menerima pembelajaran dari kami dan memberikan respon dan sambutan yang positif terhadap rangkaian kegiatan pembelajaran selama terlaksananya program PPL. Penulis menyadari bahwa penulisan laporang ini masih jauh dari sempurna oleh karena itu kami memohon kritik dan saran yang membangun untuk perbaikan selanjutnya. -
Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
Plataran Borobudur Encounter
PLATARAN BOROBUDUR ENCOUNTER ABOUT THE DESTINATION Plataran Borobudur Resort & Spa is located within the vicinity of ‘Kedu Plain’, also known as Progo River Valley or ‘The Garden of Java’. This fertile volcanic plain that lies between Mount Sumbing and Mount Sundoro to the west, and Mount Merbabu and Mount Merapi to the east has played a significant role in Central Javanese history due to the great number of religious and cultural archaeological sites, including the Borobudur. With an abundance of natural beauty, ranging from volcanoes to rivers, and cultural sites, Plataran Borobudur stands as a perfect base camp for nature, adventure, cultural, and spiritual journey. BOROBUDUR Steps away from the resort, one can witness one the of the world’s largest Buddhist temples - Borobudur. Based on the archeological evidence, Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is one of Indonesia’s most iconic tourism destinations, reflecting the country’s rich cultural heritage and majestic history. BOROBUDUR FOLLOWS A remarkable experience that you can only encounter at Plataran Borobudur. Walk along the long corridor of our Patio Restaurants, from Patio Main Joglo to Patio Colonial Restaurant, to experience BOROBUDUR FOLLOWS - where the majestic Borobudur temple follows you at your center wherever you stand along this corridor. -
Gamelan Gender Wayang of Bali: Form and Style
..................~~.~.~.. ~------------------ WESLEYAN UNIVERSITY Gamelan Gender Wayang of Bali: Form and Style by Kalafya Brown A thesis submitted to the facuIty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts in Music May, 2000 Middletown, Connecticut My teacher, Kak Luweng, and myself playing gender (above) and just sitting (below), 2 Introduction and Acknowledgements I began studying gamelan music in 1994 while I was an undergraduate at the Massachusetts Institute of Technology. No one tends offhand to associate gamelan with MIT. but there it is. Professor Evan Ziporyn has been directing the gong kebyar ensemble Gamelan Galak Tika at MIT since 1993, and I was an active member from 1994 until 1997. Unfortunately the pressure of my studies at Wesleyan has not allowed me to play with Galak Tika as much as I would like in the past few years. For the three years of my tenure with Galak Tika we were blessed with the artistry of the Balinese husband and wife team of I Nyoman Catra and Desak Made Suarti Laksmi. The magnificent teaching and performance prowess of Evan, Catra and Desak formed the basis of my introduction to gamelan music. In 1997 I came to Wesleyan University to study for the degree of Master of Arts in Music, of which this thesis is a part. Here at Wesleyan I have had the great honor of studying with I. M. Harjito and Sumarsam, two Javanese artists. I sincerely thank them for broadening my awareness of the multifaceted natures of Indonesian music and for sharing with me the great beauty of the central Javanese court gamelan. -
Space and Myth in Surakarta Kasunanan Palace, Indonesia
SPACE AND MYTH IN SURAKARTA KASUNANAN PALACE, INDONESIA A PRELIMINARY INVESTIGATION OF SPATIAL AND MYTHICAL QUALITIES OF THE PALACE AND HOW THEY RELATE TO THE POWER AND AUTHORITY OF THE K1NG/DOM By WAHYU DEWANTO (Architect) SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ARCHITECTURE & URBAN DESIGN UNIVERSITY OF TASMANIA LAUNCESTON U-S-T-R-A-L—I-A NOVEMBER 1997 STATEMENT OF AUTHENTICITY OF MATERIAL This dissertation contains no material which has been accepted for the award of any other degree or diploma in any institution and to the best of my knowledge and belief, the research contains no material previously published or written by another person, except where due reference has been made in the text of the dissertation. ahyu Dewanto Launceston, 21 November 1997 STATEMENT OF AUTHORITY OF ACCESS TO LOAN AND COPYING The University of Tasmania and its approved officers and representatives are authorised to loan or make limited copies of this dissertation for general dispersal in the interests of academic research, subject to the Copyright act 1968. Signed Wahyu Dewanto Launceston, 21 November 1997 111 abstract Surakarta Kasunanan palace, in central Java, is an important part of the heritage of the Indonesian nation. It is regarded as a centre of Javanese culture. The architecture of the palace represents the complexity of Indonesian culture, where local tradition and external social, cultural and religious influences are manifested in the form and structure. Surakarta Kasunanan palace as a whole is considered a sacred place, gives a religious impression and reflects the characteristics of the kingdom. -
Challenges in Conserving Bahal Temples of Sri-Wijaya Kingdom, In
International Journal of Engineering and Advanced Technology (IJEAT) ISSN: 2249 – 8958, Volume-9, Issue-1, October 2019 Challenges in Conserving Bahal Temples of Sriwijaya Kingdom, in North Sumatra Ari Siswanto, Farida, Ardiansyah, Kristantina Indriastuti Although it has been restored, not all of the temples re- Abstract: The archaeological sites of the Sriwijaya temple in turned to a complete building form because when temples Sumatra is an important part of a long histories of Indonesian were found many were in a state of severe damage. civilization.This article examines the conservation of the Bahal The three brick temple complexes have been enjoyed by temples as cultural heritage buildings that still maintains the authenticity of the form as a sacred building and can be used as a tourists who visit and even tourists can reach the room in the tourism object. The temples are made of bricks which are very body of the temple. The condition of brick temples that are vulnerable to the weather, open environment and visitors so that open in nature raises a number of problems including bricks they can be a threat to the architecture and structure of the tem- becoming worn out quickly, damaged and overgrown with ples. Intervention is still possible if it is related to the structure mold (A. Siswanto, Farida, Ardiansyah, 2017; Mulyati, and material conditions of the temples which have been alarming 2012). The construction of the temple's head or roof appears and predicted to cause damage and durability of the temple. This study used a case study method covering Bahal I, II and III tem- to have cracked the structure because the brick structure ples, all of which are located in North Padang Lawas Regency, does not function as a supporting structure as much as pos- North Sumatra Province through observation, measurement, sible. -
Gandharan Origin of the Amida Buddha Image
Ancient Punjab – Volume 4, 2016-2017 1 GANDHARAN ORIGIN OF THE AMIDA BUDDHA IMAGE Katsumi Tanabe ABSTRACT The most famous Buddha of Mahāyāna Pure Land Buddhism is the Amida (Amitabha/Amitayus) Buddha that has been worshipped as great savior Buddha especially by Japanese Pure Land Buddhists (Jyodoshu and Jyodoshinshu schools). Quite different from other Mahāyāna celestial and non-historical Buddhas, the Amida Buddha has exceptionally two names or epithets: Amitābha alias Amitāyus. Amitābha means in Sanskrit ‘Infinite light’ while Amitāyus ‘Infinite life’. One of the problems concerning the Amida Buddha is why only this Buddha has two names or epithets. This anomaly is, as we shall see below, very important for solving the origin of the Amida Buddha. Keywords: Amida, Śākyamuni, Buddha, Mahāyāna, Buddhist, Gandhara, In Japan there remain many old paintings of the Amida Triad or Trinity: the Amida Buddha flanked by the two bodhisattvas Avalokiteśvara and Mahāsthāmaprāpta (Fig.1). The function of Avalokiteśvara is compassion while that of Mahāsthāmaprāpta is wisdom. Both of them help the Amida Buddha to save the lives of sentient beings. Therefore, most of such paintings as the Amida Triad feature their visiting a dying Buddhist and attempting to carry the soul of the dead to the AmidaParadise (Sukhāvatī) (cf. Tangut paintings of 12-13 centuries CE from Khara-khoto, The State Hermitage Museum 2008: 324-327, pls. 221-224). Thus, the Amida Buddha and the two regular attendant bodhisattvas became quite popular among Japanese Buddhists and paintings. However, the origin of this Triad and also the Amida Buddha himself is not clarified as yet in spite of many previous studies dedicated to the Amida Buddha, the Amida Triad, and the two regular attendant bodhisattvas (Higuchi 1950; Huntington 1980; Brough 1982; Quagliotti 1996; Salomon/Schopen 2002; Harrison/Lutczanits 2012; Miyaji 2008; Rhi 2003, 2006). -
Mon Buddhist Architecture in Pakkret District, Nonthaburi Province, Thailand During Thonburi and Rattanakosin Periods (1767-1932)
MON BUDDHIST ARCHITECTURE IN PAKKRET DISTRICT, NONTHABURI PROVINCE, THAILAND DURING THONBURI AND RATTANAKOSIN PERIODS (1767-1932) Jirada Praebaisri* and Koompong Noobanjong Department of Industrial Education, Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang, Bangkok 10520, Thailand *Corresponding author: [email protected] Received: October 3, 2018; Revised: February 22, 2019; Accepted: April 17, 2019 Abstract This research examines the characteristics of Mon Buddhist architecture during Thonburi and Rattanakosin periods (1767-1932) in Pakkret district. In conjunction with the oral histories acquired from the local residents, the study incorporates inquiries on historical narratives and documents, together with photographic and illustrative materials obtained from physical surveys of thirty religious structures for data collection. The textual investigations indicate that Mon people migrated to the Siamese kingdom of Ayutthaya in large number during the 18th century, and established their settlements in and around Pakkret area. Located northwest of the present day Bangkok in Nonthaburi province, Pakkret developed into an important community of the Mon diasporas, possessing a well-organized local administration that contributed to its economic prosperity. Although the Mons was assimilated into the Siamese political structure, they were able to preserve most of their traditions and customs. At the same time, the productions of their cultural artifacts encompassed many Thai elements as well, as evident from Mon Buddhist temples and monasteries in Pakkret. The stylistic analyses of these structures further reveal the following findings. First, their designs were determined by four groups of patrons: Mon laypersons, elite Mons, Thai Humanities, Arts and Social Sciences Studies Vol.19(1): 30-58, 2019 Mon Buddhist Architecture in Pakkret District Praebaisri, J. -
A Lesson from Borobudur
5 Changing perspectives on the relationship between heritage, landscape and local communities: A lesson from Borobudur Daud A. Tanudirjo, Jurusan Arkeologi, Fakultas Ilmu Budaya, Universitas Gadjah Mada, Yogyakarta Figure 1. The grandeur of the Borobudur World Heritage site has attracted visitors for its massive stone structure adorned with fabulous reliefs and stupas laid out in the configuration of a Buddhist Mandala. Source: Daud Tanudirjo. The grandeur of Borobudur has fascinated almost every visitor who views it. Situated in the heart of the island of Java in Indonesia, this remarkable stone structure is considered to be the most significant Buddhist monument in the Southern Hemisphere (Figure 1). In 1991, Borobudur 66 Transcending the Culture–Nature Divide in Cultural Heritage was inscribed on the World Heritage List, together with two other smaller stone temples, Pawon and Mendut. These three stone temples are located over a straight line of about three kilometres on an east-west orientation, and are regarded as belonging to a single temple complex (Figure 2). Known as the Borobudur Temple Compound, this World Heritage Site meets at least three criteria of the Operational Guidelines for the Implementation of the World Heritage Convention: (i) to represent a masterpiece of human creative genius, (ii) to exhibit an important interchange of human values over a span of time or within cultural area of the world, on developments in architecture or technology, monumental arts, town planning or landscape design, and (iii) to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literacy works of outstanding universal value (see also Matsuura 2005). -
The Concept of Existence (Bhava) in Early Buddhism Pranab Barua
The Concept of Existence (Bhava) in Early Buddhism Pranab Barua, Mahachulalongkornrajavidyalaya University, Thailand The Asian Conference on Ethics, Religion & Philosophy 2021 Official Conference Proceedings Abstract The transition in Dependent Origination (paṭiccasamuppāda) between clinging (upādāna) and birth (jāti) is often misunderstood. This article explores the early Buddhist philosophical perspective of the relationship between death and re-birth in the process of following bhava (uppatti-bhava) and existing bhava (kamma-bhava). It additionally analyzes the process of re- birth (punabbhava) through the karmic processes on the psycho-cosmological level of becoming, specifically how kamma-bhava leads to re-becoming in a new birth. The philosophical perspective is established on the basis of the Mahātaṇhāsaṅkhaya-Sutta, the Mahāvedalla-Sutta, the Bhava-Sutta (1) and (2), the Cūḷakammavibhaṅga-Sutta, the Kutuhalasala-Sutta as well as commentary from the Visuddhimagga. Further, G.A. Somaratne’s article Punabbhava and Jātisaṃsāra in Early Buddhism, Bhava and Vibhava in Early Buddhism and Bhikkhu Bodhi’s Does Rebirth Make Sense? provide scholarly perspective for understanding the process of re-birth. This analysis will help to clarify common misconceptions of Tilmann Vetter and Lambert Schmithausen about the role of consciousness and kamma during the process of death and rebirth. Specifically, the paper addresses the role of the re-birth consciousness (paṭisandhi-viññāṇa), death consciousness (cūti-viññāṇa), life continuum consciousness (bhavaṅga-viññāṇa) and present consciousness (pavatti-viññāṇa) in the context of the three natures of existence and the results of action (kamma-vipāka) in future existences. Keywords: Bhava, Paṭiccasamuppāda, Kamma, Psycho-Cosmology, Punabbhava iafor The International Academic Forum www.iafor.org Prologue Bhava is the tenth link in the successive flow of human existence in the process of Dependent Origination (paṭiccasamuppāda). -
The Special Theory of Pratītyasamutpāda: the Cycle Of
THE JOURNAL OF THE INTERNATIONAL ASSOCIATION OF BUDDHIST STUDIES EDITOR-IN-CHIEF A.K. Narain University of Wisconsin, Madison, USA EDITORS tL. M.Joshi Ernst Steinkellner Punjabi University University oj Vienna Patiala, India Wien, Austria Alexander W. Macdonald Jikido Takasaki Universile de Paris X University of Tokyo Nanterre, France Tokyo, Japan Bardwell Smith Robert Thurman Carleton College Amherst College Northfield, Minnesota, USA Amherst, Massachusetts, USA ASSISTANT EDITOR Roger Jackson Fairfield University Fairfield, Connecticut, USA Volume 9 1986 Number 1 CONTENTS I. ARTICLES The Meaning of Vijnapti in Vasubandhu's Concept of M ind, by Bruce Cameron Hall 7 "Signless" Meditations in Pali Buddhism, by Peter Harvey 2 5 Dogen Casts Off "What": An Analysis of Shinjin Datsuraku, by Steven Heine 53 Buddhism and the Caste System, by Y. Krishan 71 The Early Chinese Buddhist Understanding of the Psyche: Chen Hui's Commentary on the Yin Chihju Ching, by Whalen Im 85 The Special Theory of Pratityasamutpdda: The Cycle of Dependent Origination, by Geshe Lhundub Sopa 105 II. BOOK REVIEWS Chinese Religions in Western Languages: A Comprehensive and Classified Bibliography of Publications in English, French and German through 1980, by Laurence G. Thompson (Yves Hervouet) 121 The Cycle of Day and Night, by Namkhai Norbu (A.W. Hanson-Barber) 122 Dharma and Gospel: Two Ways of Seeing, edited by Rev. G.W. Houston (Christopher Chappie) 123 Meditation on Emptiness, by Jeffrey Hopkins Q.W. de Jong) 124 5. Philosophy of Mind in Sixth Century China, Paramdrtha 's 'Evolution of Consciousness,' by Diana Y. Paul (J.W.deJong) 129 Diana Paul Replies 133 J.W.deJong Replies 135 6. -
Documenting Endangered Literary Genres in Sasak, Eastern Indonesia
Documenting endangered literary genres in Sasak, eastern Indonesia Peter K. Austin Endangered Languages Academic Programme Department of Linguistics, SOAS ANDC, Australian National University [email protected] 2013-01-30 Draft paper prepared for Indonesian Linguistics Workshop, Tokyo University of Foreign Studies, February 2013 – do not quote or cite without permission Abstract1 The island of Lombok, eastern Indonesia, is linguistically and culturally complex, with several languages being used there, including Sasak, Balinese, Kawi (a form of early modern Javanese) and Indonesian. Sasak shows wide geographical and social variation, with a system of speech levels, apparently borrowed from its western neighbours. The Sasaks also have a literary tradition of writing manuscripts on palm leaves (lòntar) in a manner similar to that of the Balinese (Rubinstein 2000, Creese 1999), and historically, the Javanese. Lombok today remains one of only a handful of places in Indonesia where reading lòntar (called in Sasak, pepaòsan) continues to be practised, however even there the number of people who are able to read and interpret the texts is rapidly diminishing. In this paper I outline the nature of the Sasak literary materials (see also Marrison 1999, 2000, Van der Meij 1996, 2002), how reading is taught, the nature of reading performances, and the role of this genre within contemporary Sasak culture. This work results from fieldwork undertaken in two locations on Lombok, and studies I have carried out with some of the few younger specialists who is able to perform lòntar reading. The paper concludes with discussion of some challenges for language documentation theory and practice (Himmelmann 2002, Woodbury 2011) that arise in the process of recording and analyzing 1 Research on Sasak has been supported at various times by the Australian Research Council, the School of Oriental and African Studies, Tokyo University of Foreign Studies and the Alexander von Humboldt Stiftung.