Balancing Japanese Musical Elements and Western Influence Within an Historical and Cultural Context
FENCE, FLAVOR, AND PHANTASM: BALANCING JAPANESE MUSICAL ELEMENTS AND WESTERN INFLUENCE WITHIN AN HISTORICAL AND CULTURAL CONTEXT Kelly Desjardins, B.M., M.A. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2018 APPROVED: Eugene Migliaro Corporon, Major Professor Darhyl Ramsey, Committee Member Dennis Fisher, Committee Member Nicholas Williams, Interim Chair of the Division of Conducting and Ensembles Warren Henry, Interim Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Desjardins, Kelly. Fence, Flavor, and Phantasm: Balancing Japanese Musical Elements and Western Influence within an Historical and Cultural Context. Doctor of Musical Arts (Performance), May 2018, 99 pp., 14 tables, 44 musical examples, bibliography, 63 titles. Given the diversity found in today's Japanese culture and the size of the country's population, it is easy to see why the understanding of Japanese wind band repertoire must be multi-faceted. Alongside Western elements, many Japanese composers have intentionally sought to maintain their cultural identity through the addition of Japanese musical elements or concepts. These added elements provide a historical and cultural context from which to frame a composition or, in some cases, a composer's compositional output. The employment of these elements serve as a means to categorize the Japanese wind band repertoire. In his studies on cultural identities found in Japanese music, Gordon Matthews suggests there are three genres found within Japanese culture. He explains these as "senses of 'Japaneseness' among Japanese musicians." They include Fence, Flavor, and Phantasm.
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