The Appian Way 3 from Casal Rotondo to Frattocchie (Miles VI-XI)
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The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata. -
Percorsi Bici Depliant
The bicycle represents an excel- lent alternative to mobility-based travel and sustainable tourism. The www.turismoroma.it Eternal City is still unique, even by some bicycle. There are a total of 240 km INFO 060608 of cycle paths in Rome, 110 km of useful info which are routed through green areas, while the remainder follow public roads. The paths follow the courses of the Tiber and Aniene rivers and along the line of the coast at Ostia. Bicycle rental: Bike sharing www.gobeebike.it www.o.bike/it Casa del Parco Vigna Cardinali Viale della Caffarella Access from Largo Tacchi Venturi for information and reservations, call +39 347 8424087 Appia Antica Service Centre Via Appia Antica 58/60 stampa: Gemmagraf Srl - copie 5.000 10/07/2018 For information and reservations, call +39 06 5135316 www.infopointappia.it Rome by bike communication Valley of the Caffarella The main path of the Valley of the Caffarella, scene of myths and legends intertwined with the history of Rome, features a wide range of biodiversity as well as important historical heritage, such as a part of the Triopius of Herod Atticus. Entering the park via the Via Latina entrance in correspondence with Largo Tacchi e Venturi, head right up to Via della Caffarella and follow the path to the Appia Antica, approxima- tely 6 km away. Along the way you'll encounter: the Casale della Vaccareccia, consisting of a medieval tower and a sixteenth century farmhouse, built by Caffarelli who, in the sixteenth century, reclaimed the area; the Sepolcro di Annia Regilla, a sepulchral monument shaped like a small temple, and the meandering Almone river, a small tributary of the Tiber, thought to be sacred by the ancient Romans. -
Ancient Roman Tour Walk with the Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD
SHORE EXCURSION BROCHURE FROM THE PORT OF ROME DURATION 10 hr Ancient Roman Tour Walk With The Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD our driver will pick you up at your cruise ship for an experience of a lifetime. YYour Own Italy’s Private Rome shore excursion of Ancient Rome includes the Colosseum, Appian Way, Pantheon, Ancient Rome Forum and much more. Ideal for families and those looking for an in-depth and thoroughly entertaining tour focusing on the life and times of Ancient Romans. First, with your private English-speaking guide, visit the alluring remains of the Ancient Roman Forum. While walking through the ruins of the imposing ancient buildings, you will lis- ten to its history -- peppered with anecdotes about the structure of Roman so- ciety, their beliefs, their social and political life. Learn how the Romans managed to create and control such a vast territory and how that empire declined. hen, avoiding the lines to get in to the Colosseum, you’ll visit the imposing Tarena and relive the days of Ancient Rome! Enjoy a thorough tour of the building, learning about the inner workings of the Colosseum and the special effects and showmanship of the ferocious games played there…the role the Col- osseum had in Roman society…and what it meant to a Roman to attend these games…what different games where held in the amphitheater. Afterwards, you will be taken on a short drive through the center of Rome to see the Pantheon, and learn about the rich history of one of Rome’s most important and beautiful buildings. -
Download the Complete List
Archaeological heritage Last update: 2021-09-22 23:13 1. Acquedotto Alessandrino 15. Arco di Giano Address: Via di Tor Pignattara Address: Via del Velabro, snc 2. Acquedotto di Nerone 16. Area archeologica del Nuovo Mercato di Testaccio Address: Via Statilia Address: Via Galvani, 54 3. Acquedotto Marcio Web site: www.mercatoditestaccio.it/area-archeologica/ Address: Piazza di Porta San Lorenzo, 1 Web site: 17. Area archeologica del Sepolcro degli Scipioni www.sovraintendenzaroma.it/i_luoghi/roma_antica/monumenti/acquedo Address: Via di Porta San Sebastiano, 9 tto_marcio Web site: www.sovraintendenzaroma.it/i_luoghi/roma_antica/monumenti/sepolcro 4. Acquedotto traiano _degli_scipioni Address: Via Aurelia Web site: 18. Area Archeologica del Vicus Caprarius - Insula di www.sovraintendenzaroma.it/i_luoghi/roma_antica/monumenti/acquedo S. Vincenzo - Città dell'acqua tto_traiano Address: Vicolo del Puttarello, 25 - Via di San Vincenzo, 9 Telephone: 339 7786192 info e prenotazione 5. Acquedotto Vergine Web site: www.vicuscaprarius.com Address: Via del Nazareno, 9/a Web site: 19. Area archeologica di Gabii www.sovraintendenzaroma.it/i_luoghi/roma_antica/monumenti/acquedo Address: Via Prenestina Nuova tto_vergine Web site: www.soprintendenzaspecialeroma.it/schede/parco-archeologico-di-gabii 6. Anfiteatro Castrense _3005/ Address: Piazza di Santa Croce in Gerusalemme, 3 06 39967702 Telephone: 20. Area archeologica di Ostia Antica (Scavi di Ostia Web site: www.coopculture.it/heritage.cfm?id=65# Antica) Address: Viale dei Romagnoli, 717 7. Arcate Severiane Telephone: 06 56358099 (Centralino) Via di San Gregorio, 30 Address: Web site: Telephone: 06 39967700 www.beniculturali.it/luogo/parco-archeologico-di-ostia-antica-scavi-di-os Web site: www.coopculture.it/heritage.cfm?id=14# tia-antica-e-museo-ostiense - https://parcoarcheologicostiantica.it/it/orari-e-tariffe 8. -
CPR Newsletter Issue 7Full
CONFRATERNITY OF PILGRIMS TO ROME NEWSLETTER August 2009 No. 7 Contents 3 Editorial Alison Raju Chris George 4 Why me? Chris George 6 Rome for the modern pilgrim, 4: the Christianisation of Rome – churches built between Constantine’s move to the east and the fall of Rome in 410. Howard Nelson 25 Notes from a Pilgtim in England Jim Peele 26 The final stage of the Via Francigena into Rome from the south along the Appian Way Alberto Alberti 29 Santiago to Rome via Lourdes – reprise Ann Milner 36 Book Reviews William Marques Ann Milner 38 Letter to the Editor William Marques 39 Secretary's Notebook Bronwyn Marques Editorial This is the seventh issue of the Confraternity of Pilgrims to Rome's Newsletter. There are five articles, two book reviews, one Letter to the Editor and the section entitled “Secretary's Notebook,” containing short items of information likely to be of interest to our members. For technical reasons it has not been possible to include the customary list of additions to the CPR library but this will be rectified in the December issue. Chris George, asking “Why me?”, writes about writes about the gift of friendship, hospitality and unmerited kindness that pilgrims can experience along their way. Howard Nelson resumes his series of articles exploring the extraordinary richness that Rome presents to the modern pilgrim, with the fourth one dealing with the Christianisation of Rome and the churches built between Constantine’s move to the east and the fall of Rome in 410. Jim Peele tells us briefly about his walk not from but towards Canterbury, Alberto Alberti describes the final stage of the Via Francigena into Rome from the south along the Appian Way while Ann Milner writes about a re-exploration of part of the Pyrenean section her journey from Santiago to Rome via Lourdes. -
Attraction List
ATTRACTION LIST Normal Adult FREE ENTRY WITH THE OMNIA CARD Entry Fee Sistine Chapel and Vatican Museum (skip the line) € 30.00 72-hour Hop-On Hop-Off Bus Tour € 32.00 Basilica Of St.John In The Lateran and the Cloister € 5.00 Carcer Tullianum € 10.00 Cloister of St. Paul’s Outside the Walls Basilica € 4.00 Normal Adult FREE ENTRY TO THE FIRST TWO ATTRACTIONS WITH THE ROMA PASS Entry Fee Colosseum + Roman Forum + Palatine Hill € 16.00 Castel Sant’Angelo € 15.00 Capitoline Museums € 11.50 Galleria Borghese € 13.00 FURTHER MUSEUMS / ARCHEOLOGICAL SITES ON THE ROMA PASS WITH DISCOUNTED ENTRY National Academy of Saint Luke (Free) Ancient Appian Way - Mausoleum of Cecilia Metella and the Castrum Caetani Ancient Appian Way – Baths of Caracalla Ancient Appian Way - Villa of the Quintili Rome Modern Art Gallery National Gallery of Ancient Art in Palazzo Barberini and Palazzo Corsini Spada Gallery National Gallery of Modern and Contemporary Art MACRO – Rome Contemporary Art Museum MAXXI - National Museum of 21st Century Arts Trajan’s Markets - Museum of the Imperial Forums Museums of Villa Torlonia Carlo Bilotti Orangery Museum in Villa Borghese (Free) Civic Zoology Museum Ara Pacis Museum Museum of Roman Civilization Museum of the Roman Republic and of the Garibaldian Memory (Free) Museum of the City Walls (Free) Casal de’ Pazzi Museum (Free) Rome Museum Rome Trastevere Museum Museum of Ancient Sculpture Giovanni Barracco (Free) Napoleonic Museum (Free) National Museum of Musical Instruments National Museum of Palazzo Venezia National Etruscan -
Appius Claudius Caecus 'The Blind'
Appius Claudius Caecus ‘The Blind’ Faber est quisquis suae fortunae (‘Every man is architect of his own fortune’) Appius Claudius Caecus came from the Claudian gens, a prime patrician family that could trace its ancestors as far back as the decemvirs who authored Rome’s first laws (the Twelve Tables) in the mid-fifth century BC. Although many Roman families could boast successful ancestors, Appius Claudius Caecus has the distinction of being one the first characters in Roman history for whom a substantial array of material evidence survives: a road, an aqueduct, a temple and at least one inscription. His character and his nickname Caecus, ‘The Blind’, are also explained in historical sources. Livy (History of Rome 9.29) claims he was struck down by the gods for giving responsibilities of worship to temple servants, rather than the traditional family members, at the Temple of Hercules. Perhaps a more credible explanation is offered by Diodorus Siculus (20.36), who suggests that Appius Claudius said he was blind and stayed at home to avoid reprisals from the Senate after his time in office. In that case, his name was clearly coined in jest, as is often the case with cognomen. Appius Claudius Caecus, whether or not he was actually blind, is an illuminating case study in the ways that varying types of evidence (literature, inscriptions and archaeology) can be used together to recreate history. His succession of offices, not quite the typical progression of the cursus honorum, records a man who enjoyed the epitome of a successful career in Roman politics (Slide 1). -
Università Di Roma Dipartimento Di Storia, Disegno E Restauro Dell'architettura Piazza Borghese N. 9
“Sapienza” Università di Roma Dipartimento di Storia, Disegno e Restauro dell’Architettura Piazza Borghese n. 9 – 00186 Roma DOTTORATO DI RICERCA IN “STORIA E RESTAURO DELL’ARCHITETTURA” Coordinatore: Prof. Augusto ROCA DE AMICIS XXVI Ciclo – Sez. A – STORIA DELL’ARCHITETTURA Tutor: Prof.ssa Annarosa CERUTTI FUSCO (Storia dell’Architettura) Cotutor: Prof.ssa Emanuela CHIAVONI (Disegno e Rilievo dell’Architettura) Dott.ssa Alberta CAMPITELLI (Ville e Parchi Storici – Comune di Roma) Prof. Marcello FAGIOLO (Storia dell’Architettura) Dottorando: Claudio IMPIGLIA IL PRINCIPE GIOVANNI TORLONIA (1873-1938) E IL CULTO DEL PITTORESCO Architetture e paesaggi d’acque nella tenuta di Porto a Fiumicino ABBREVIAZIONI DEI NOMI DEGLI ARCHIVI ASC : Archivio Storico Capitolino ACS : Archivio Centrale dello Stato all’Eur ASR : Archivio di Stato di Roma ASCP : Archivio Sforza Cesarini di Porto a Fiumicino ASSR : Archivio Storico del Senato della Repubblica BSR : British School at Rome ABBREVIAZIONI DEI TERMINI ARCHIVISTICI b. : busta fasc. : fascicolo s.fasc. : sottofascicolo ins. : inserto ABBREVIAZIONI DEI NOMI DELLE PERSONE G.T.S. : Giovanni Torlonia Senior A.T. : Alessandro Torlonia G.T. : Giovanni Torlonia del ramo Borghese Sommario PREMESSA Il culto del Pittoresco tra ritorni al passato e “prove” di modernità 1 CAPITOLO 1 Una committenza e un “caleidoscopio” di architetture e paesaggi 1.1 Strategie territoriali, urbane e architettoniche della famiglia Torlonia 13 Illustrazioni al paragrafo 29 1.2 I Torlonia e i fragili “Teatri della Propaganda” 37 -
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations Through 1895
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations through 1895 Jessica Dello Russo “Il cimitero di Vigna Randanini e’ il punto di partenza per tutto lo studio della civilta’ ebraica.” Felice Barnabei (1896) At the meeting of the Papal Commission for Sacred Archae- single most valuable source for epitaphs and small finds from ology (CDAS) on July 21,1859, Giovanni Battista de Rossi the site.6 But the catacomb itself contained nothing that was of strong opinion that a newly discovered catacomb in required clerical oversight instead of that routinely performed Rome not be placed under the Commission’s care.1 Equally by de Rossi’s antiquarian colleagues at the Papal Court. surprising was the reason. The “Founder of Christian Archae- On de Rossi’s recommendation, the CDAS did not assume ology” was, in fact, quite sure that the catacomb had control over the “Jewish” site.7 Its declaration, “la cata- belonged to Rome’s ancient Jews. His conclusions were comba non e’ di nostra pertinenza,” became CDAS policy drawn from the very earliest stages of the excavation, within for the next fifty years, even as three other Jewish cata- sight of the catacombs he himself was researching on the combs came to light in various parts of Rome’s suburbium.8 Appian Way southeast of Rome. They would nonetheless In each case, the discovery was accidental and the excava- determine much of the final outcome of the dig. tion privately conducted: the sites themselves were all even- The CDAS had been established just a few years before in tually abandoned or destroyed. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
The Destruction of Ancient Rome : a Sketch of the History of the Monuments
: THE DESTRUGTION OF ANCIENT ROME LANCJANl V1665., BY PURCHASE. DISCARD TOWN LIBRARY LANCASTER, MASS. /.B.CLARKE f&antj books of &rd)3cologtj ano Antiquities THE DESTRUCTION OF ANCIENT ROME o I I .5 S all 1 1 ?- P -n :..? i H i ?<- ,-V ':, ' = -/'<>' -. 4l -- --*- <i^ 1 > . i, -f' NM|i ,;^>;, >^n ^M/^ \A V> V> */i &, d K /. THE DESTRUCTION OF ANCIENT HOME A SKETCH OF THE HISTORY OF THE MONUMENTS BY RODOLFO LANCIANI D.C.L. OXFORD, LL.D. HARVARD PROFESSOR OF ANCIENT TOPOGRAPHY IN THE UNIVERSITY OF ROME Wefo ff otfc THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1899 All rightu reserved COPYRIGHT, 1899 BY THE MACMILLAN COMPANY NortoooB J. S. Cushing & Co. Berwick & Smith Norwood Mass. THE GETTY RESEARCH INSTITUTE LIB.V.RY PREFATORY NOTE PROFESSOR RODOLFO LANCIANI needs no introduction to English readers. This book sums up briefly the results of researches, extending over many years, in regard to the fate of the buildings and masterpieces of art in ancient Rome. In his work upon this subject and upon his large map Professor Lanciani has searched hundreds of volumes of municipal and ecclesiastical records, besides examining several thousand separate documents ; and he has ran- sacked the principal libraries of Europe for prints and drawings showing the remains of ancient Rome at differ- ent periods. Much of the new material thus collected will appear in fuller form in an extensive work, compris- ing several volumes, which will be published in Italian under the title Storia degli Scavi di Roma. The present volume is a forerunner of the larger work. -
The Appian Way 1 from Porta Capena to the Mausoleum of Caecilia Metella
The Appian Way 1 from Porta Capena to the Mausoleum of Caecilia Metella (Miles I-III) - Inside the Walls By bike On foot This section of the Appian Way, called “the urban section” because it was part of the city in antiquity, starts from the central archaeological area, in front of the Circus Maximus and near the Baths of Caracalla. This is where the ancient Porta Capena (Capua Gate), the original departure point of the Appian Way and the Latin Way dating back to the Republican period, was located. The urban section ends at the Porta S. Sebastiano (St. Sebastian Gate), part of the walls built in the reign of the emperor Aurelian in the 3rd century AD. The monuments described along this section are currently not included in the Appia Antica Regional Park, which begins at Porta S. Sebastiano. Nevertheless, the monumental complex of the Appian Way represents a coherent context which must be described holistically beginning in the monumental center of Rome. 1) Porta Capena The Capua Gate was part of the earliest wall of Rome, called the “Servian Wall” because its construction was traditionally attributed to the sixth king of Rome, Servius Tullius, in the middle of the 6th century BC. The most recent studies confirm the existence of a wall circuit in cappellaccio tuff that can be associated chronologically with Servius Tullius, which was later restored and enlarged in the first half of the 4th century BC. The Appian and Latin Ways both started from this gate, which was located in front of the curved end of the Circus Maximus, and then separated in the area of the large square currently dedicated to Numa Pompilius.