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Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
Under the Influence of Art: the Effect of the Statues of Horatius Cocles and Cloelia on Valerius
Under the Influence of Art: The Effect of the Statues of Horatius Cocles and Cloelia on Valerius Maximus’ Facta et Dicta Memorabilia In his work, Facta et Dicta Memorabilia, Valerius Maximus stated in the praefatio of his chapter “De Fortitudine” that he will discuss the great deeds of Romulus, but cannot do so without bringing up one example first; someone whose similarly great deeds helped save Rome (3.2.1-2). This great man is Horatius Cocles. Valerius Maximus noted that he must next talk about another hero, Cloelia, after Horatius Cocles because they fight the same enemy, at the same time, at the same place, and both perform facta memorabilia to save Rome (3.2.2-3). Valerius Maximus mentioned Horatius Cocles and Cloelia together, as if they are a joined pair that cannot be separated. Yet there is another legendary figure, Mucius Scaevola, who also fights the same enemy, at the same time, and also performs facta memorabilia to save Rome. It is strange both that Valerius Maximus seemed compelled to unite Cloelia with the mention of Horatius Cocles, and also that he did not include Mucius Scaevola. Instead, Scaevola’s story is at the beginning of the next chapter (3.3.1). Traditionally these three heroes, Horatius Cocles, Cloelia, and Mucius Scaevola, were mentioned together by historians such as Livy and Dionysius of Halicarnassus, whose works predate Valerius Maximus’ (Ab Urbe Condita 2.10-13, Roman Antiquities 5.23-35). Valerius Maximus was able to split up the triad, despite the tradition, without receiving flack because it had already been done by Virgil in the Aeneid, where he described the dual images of Cocles and Cloelia on Aeneas’ shield, but Scaevola is absent (8.646-651). -
Percorsi Bici Depliant
The bicycle represents an excel- lent alternative to mobility-based travel and sustainable tourism. The www.turismoroma.it Eternal City is still unique, even by some bicycle. There are a total of 240 km INFO 060608 of cycle paths in Rome, 110 km of useful info which are routed through green areas, while the remainder follow public roads. The paths follow the courses of the Tiber and Aniene rivers and along the line of the coast at Ostia. Bicycle rental: Bike sharing www.gobeebike.it www.o.bike/it Casa del Parco Vigna Cardinali Viale della Caffarella Access from Largo Tacchi Venturi for information and reservations, call +39 347 8424087 Appia Antica Service Centre Via Appia Antica 58/60 stampa: Gemmagraf Srl - copie 5.000 10/07/2018 For information and reservations, call +39 06 5135316 www.infopointappia.it Rome by bike communication Valley of the Caffarella The main path of the Valley of the Caffarella, scene of myths and legends intertwined with the history of Rome, features a wide range of biodiversity as well as important historical heritage, such as a part of the Triopius of Herod Atticus. Entering the park via the Via Latina entrance in correspondence with Largo Tacchi e Venturi, head right up to Via della Caffarella and follow the path to the Appia Antica, approxima- tely 6 km away. Along the way you'll encounter: the Casale della Vaccareccia, consisting of a medieval tower and a sixteenth century farmhouse, built by Caffarelli who, in the sixteenth century, reclaimed the area; the Sepolcro di Annia Regilla, a sepulchral monument shaped like a small temple, and the meandering Almone river, a small tributary of the Tiber, thought to be sacred by the ancient Romans. -
De Ornanda Instruendaque Urbe Anne Truetzel
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable. -
Ancient Roman Tour Walk with the Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD
SHORE EXCURSION BROCHURE FROM THE PORT OF ROME DURATION 10 hr Ancient Roman Tour Walk With The Ancient Romans TOUR DIFFICULTY EAZY MEDIUM HARD our driver will pick you up at your cruise ship for an experience of a lifetime. YYour Own Italy’s Private Rome shore excursion of Ancient Rome includes the Colosseum, Appian Way, Pantheon, Ancient Rome Forum and much more. Ideal for families and those looking for an in-depth and thoroughly entertaining tour focusing on the life and times of Ancient Romans. First, with your private English-speaking guide, visit the alluring remains of the Ancient Roman Forum. While walking through the ruins of the imposing ancient buildings, you will lis- ten to its history -- peppered with anecdotes about the structure of Roman so- ciety, their beliefs, their social and political life. Learn how the Romans managed to create and control such a vast territory and how that empire declined. hen, avoiding the lines to get in to the Colosseum, you’ll visit the imposing Tarena and relive the days of Ancient Rome! Enjoy a thorough tour of the building, learning about the inner workings of the Colosseum and the special effects and showmanship of the ferocious games played there…the role the Col- osseum had in Roman society…and what it meant to a Roman to attend these games…what different games where held in the amphitheater. Afterwards, you will be taken on a short drive through the center of Rome to see the Pantheon, and learn about the rich history of one of Rome’s most important and beautiful buildings. -
To What Conjugation Do Compounds
2015 TSJCL Certamen Intermediate Division, Round 1 TU # 1: To what conjugation do compounds of the Latin verb d, dare belong? THIRD B1: What compound of d means 'give back'? REDD B2: What compound of d means 'hand over'? TRAD TU # 2: What is the nominative singular form of the noun whose accusative singular form is tempus? TEMPUS B1: For what type of nouns in Latin are the nominative and accusative forms always the same? NEUTER B2: What declensions have no neuter nouns? 1ST AND 5TH TU # 3: What in ancient Rome was the cursus honrum? A SEQUENCE OF POLITICAL/ELECTED OFFICES B1: What traditionally was the first office of the cursus? QUAESTOR B2: What office in the cursus came after consul? CENSOR TU # 4: What would you find out by listening to the rustling of the oak leaves at Dodona? YOUR FUTURE/FORTUNE B1: What deity would be telling you this information by way of the leaves? ZEUS B2: Where would you have to go to have the Pythia tell your future? DELPHI TU # 5: Listen carefully to the following passage, which I will read twice. Then answer in Latin the question that follows: "In for sunt mult homins. Sacerdots in templ precs offerunt. Serv togās et tunicās emunt. Pistrs panem vendunt. Lber inter s ludunt. Mercātrs sellās ostendunt. Fūrs pecuniam petunt. Mlits per omns ambulant et pacem servant." (repeat) Question: Qu cibum habent? PISTRS B1: Qu pecuniam habent? SERV B2: Qu nn labrant? LBER (score check) TU # 6: Where, since the second century AD, has been the best place to go in Rome to see relief carvings depicting people from the Roman province of Dacia? TRAJAN'S COLUMN B1: What country now occupies the land once called Dacia? ROMANIA B2: Name a building that Trajan built near his column. -
Temples with Transverse Cellae in Republican and Early Imperial Italy
BABesch 82 (2007, 333-346. doi: 10.2143/BAB.82.2.2020781) Forms of Cult? Temples with transverse cellae in Republican and early Imperial Italy Benjamin D. Rous Abstract This article presents an analysis of a particular temple type that first appeared during the Late Republic, the temple with transverse cella. In the past this particular cella-form has been interpreted as a solution to spatial constraints. In more recent times it has been argued that the cult associated with the temple was the decisive factor in the adoption of the transverse cella. Neither theory, when considered in isolation, can fully and con- vincingly explain the particular forms of both Republican and Imperial temples. Rather, it can be argued that a combination of pragmatic and above all aesthetic considerations has played a major role in the particular archi- tecture of these temples.* INTRODUCTION archaeological evidence, even though the remains of the building itself have never been excavated. In the fourth book of his famous treatise on archi- Furthermore, this is one of the temples actually tecture, Vitruvius mentions a specific temple-type, mentioned by Vitruvius in his treatise. In yet an- whose basic characteristic is that all the features other case, the temple of Aesculapius in the Latin normally found on the short side of the temple colony of Fregellae, although construction activi- have been transferred to the long side. What this ties have destroyed virtually the entire temple basically means is that the pronaos still constitutes building, a reconstruction of a transverse cella the front part of the temple, but instead of being nevertheless seems likely on the basis of the scant longitudinally developed, the cella is rotated 90º remains we do have. -
Attraction List
ATTRACTION LIST Normal Adult FREE ENTRY WITH THE OMNIA CARD Entry Fee Sistine Chapel and Vatican Museum (skip the line) € 30.00 72-hour Hop-On Hop-Off Bus Tour € 32.00 Basilica Of St.John In The Lateran and the Cloister € 5.00 Carcer Tullianum € 10.00 Cloister of St. Paul’s Outside the Walls Basilica € 4.00 Normal Adult FREE ENTRY TO THE FIRST TWO ATTRACTIONS WITH THE ROMA PASS Entry Fee Colosseum + Roman Forum + Palatine Hill € 16.00 Castel Sant’Angelo € 15.00 Capitoline Museums € 11.50 Galleria Borghese € 13.00 FURTHER MUSEUMS / ARCHEOLOGICAL SITES ON THE ROMA PASS WITH DISCOUNTED ENTRY National Academy of Saint Luke (Free) Ancient Appian Way - Mausoleum of Cecilia Metella and the Castrum Caetani Ancient Appian Way – Baths of Caracalla Ancient Appian Way - Villa of the Quintili Rome Modern Art Gallery National Gallery of Ancient Art in Palazzo Barberini and Palazzo Corsini Spada Gallery National Gallery of Modern and Contemporary Art MACRO – Rome Contemporary Art Museum MAXXI - National Museum of 21st Century Arts Trajan’s Markets - Museum of the Imperial Forums Museums of Villa Torlonia Carlo Bilotti Orangery Museum in Villa Borghese (Free) Civic Zoology Museum Ara Pacis Museum Museum of Roman Civilization Museum of the Roman Republic and of the Garibaldian Memory (Free) Museum of the City Walls (Free) Casal de’ Pazzi Museum (Free) Rome Museum Rome Trastevere Museum Museum of Ancient Sculpture Giovanni Barracco (Free) Napoleonic Museum (Free) National Museum of Musical Instruments National Museum of Palazzo Venezia National Etruscan -
The Basilica of Maxentius
STRUCTURAL APPRAISAL OF A ROMAN CONCRETE VAULTED MONUMENT: THE BASILICA OF MAXENTIUS A. Albuerne1 and M.S. Williams2 1 Dr Alejandra Albuerne Arup Advanced Technology and Research 13 Fitzroy Street London W1T 4BQ UK Tel: +44 20 7755 4446 [email protected] 2 Prof. Martin S. Williams (corresponding author) University of Oxford Department of Engineering Science Parks Road Oxford OX1 3PJ UK Tel: +44 1865 273102 [email protected] RUNNING HEAD: Basilica of Maxentius Page 1 ABSTRACT The Basilica of Maxentius, the largest vaulted space built by the Romans, comprised three naves, the outer ones covered by barrel vaults and the central, highest one by cross vaults. It was built on a sloping site, resulting in a possible structural vulnerability at its taller, western end. Two naves collapsed in the Middle Ages, leaving only the barrel vaults of the north nave. We describe surveys and analyses aimed at creating an accurate record of the current state of the structure, and reconstructing and analysing the original structure. Key features include distortions of the barrel vaults around windows and rotation of the west wall due to the thrust from the adjacent vault. Thrust line analysis results in a very low safety factor for the west façade. The geometry of the collapsed cross vaults was reconstructed from the remains using solid modelling and digital photogrammetry, and thrust line analysis confirmed that it was stable under gravity loads. A survey of the foundations and earlier structures under the collapsed south-west corner revealed horizontal slip and diagonal cracking in columns and walls; this is strong evidence that the site has been subject to seismic loading which may have caused the partial collapse. -
Waters of Rome Journal
THE CLOACA MAXIMA AND THE MONUMENTAL MANIPULATION OF WATER IN ARCHAIC ROME John N. N. Hopkins [email protected] Introduction cholars generally conceive of the Cloaca Maxima as a Smassive drain flushing away Rome’s unappealing waste. This is primarily due to the historiographic popularity of Imperial Rome, when the Cloaca was, in fact, a sewer. By the time Frontinus assumed the post of curator aquarum in 97 AD, its concrete and masonry tunnels channeled Rome’s refuse beneath the Fora and around the hills, and stood among extensive drainage networks in the valleys of the Circus Maximus, Campus Martius and Transtiberim (Figs. 1 & 2).1 Built on seven hundred years of evolving hydraulic engineering and architecture, it was acclaimed in the first century as a work “for which the new magnificence of these days has scarcely been able to produce a match.”2 The Cloaca did not, however, always serve the city in this manner. Archaeological and literary evidence suggests that in the sixth century BC, the last three kings of Rome produced a structure that was entirely different from the one historians knew under the Empire. What is more, evidence suggests these kings built it to serve entirely different purposes. The Cloaca began as a monumental, open-air, fresh-water canal (Figs. 3 & 4). This canal guided streams through the newly leveled, paved, open space that would become the Forum Romanum. In this article, I reassess this earliest phase of the Cloaca Maxima when it served a vital role in changing the physical space of central Rome and came to signify the power of the Romans who built it. -
Appius Claudius Caecus 'The Blind'
Appius Claudius Caecus ‘The Blind’ Faber est quisquis suae fortunae (‘Every man is architect of his own fortune’) Appius Claudius Caecus came from the Claudian gens, a prime patrician family that could trace its ancestors as far back as the decemvirs who authored Rome’s first laws (the Twelve Tables) in the mid-fifth century BC. Although many Roman families could boast successful ancestors, Appius Claudius Caecus has the distinction of being one the first characters in Roman history for whom a substantial array of material evidence survives: a road, an aqueduct, a temple and at least one inscription. His character and his nickname Caecus, ‘The Blind’, are also explained in historical sources. Livy (History of Rome 9.29) claims he was struck down by the gods for giving responsibilities of worship to temple servants, rather than the traditional family members, at the Temple of Hercules. Perhaps a more credible explanation is offered by Diodorus Siculus (20.36), who suggests that Appius Claudius said he was blind and stayed at home to avoid reprisals from the Senate after his time in office. In that case, his name was clearly coined in jest, as is often the case with cognomen. Appius Claudius Caecus, whether or not he was actually blind, is an illuminating case study in the ways that varying types of evidence (literature, inscriptions and archaeology) can be used together to recreate history. His succession of offices, not quite the typical progression of the cursus honorum, records a man who enjoyed the epitome of a successful career in Roman politics (Slide 1). -
Caecilia Et Verus in Foro Romano Instructor Manual
Caecilia et Verus in Foro Romano Instructor Manual Frances R. Spielhagen Illustrations by Christopher Tice Photographs with related history, cultural context, and discussion of the illustrations by Thomas Milton Kemnitz Royal Fireworks Press Unionville, New York Author’s Notes Fabulae Caeciliae is not a traditional Latin curriculum, focused on grammatical structures and translation. Instead, this curriculum fosters language learning because it is based on two critically important pedagogical principles: language immersion and literacy development. Understanding the philosophy that undergirds this pedagogy is important. First and foremost, the text is structured to immerse readers in the language in the same way that beginning readers encounter their own language. Through simple sentences coupled with illustrations and photographs, readers can make sense of the story one sentence at a time. The gradual release of forms and the planned repetition of those forms build a scaffold of understanding as patterns emerge and vocabulary is absorbed. Readers can understand the content in the narrative without “translating” it into their own language, but ultimately the meaning becomes clear. Consequently, the structure of the text and the suggestions in this instructor manual rely on proven literacy-based experiences and strategies. Rather than regarding the text as something to be dissected (i.e., translated), readers experience the text as a story to be understood through the combination of words and illustrations. The explanations and exercises