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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Gianni Quaranta
AMERICAN BALLET THEATRE 890 Broadway New York, New York 10003 (212) 477-3030 GIANNI QUARANTA The Milan-born art director, costumer, interior designer and painter studied at the prestigious Brera Academy of Fine Arts and considered a career as an architect before turning to the theatre and cinema. A few of Quaranta’s noteworthy credits in the field of cinema include Bernardo Bertolucci’s 1900, Paul Mazursky’s Tempest, NBC’s epic miniseries Jesus of Nazareth and the recently acclaimed A Room With a View directed by James Ivory. Long a favored collaborator of director Franco Zeffirelli, Quaranta was art director on Otello starring Placido Domingo. Two earlier films he did with Zeffirelli -- Brother Sun, Sister Moon and La Traviata -- netted Quaranta nominations for an Academy Award while he was still in his thirties. The two worked together when Quaranta executed sets for Zeffirelli’s new production of Puccini’s Turandot at the Metropolitan Opera in New York. Quaranta, in fact, is as active in theatre, opera and ballet as in cinema. He has done operatic productions at Venice’s Teatro La Fenice (Wolf Ferrari’s Quattro Rusteghi); at the Spoleto Festival in Charleston (La Traviata); at the Bregenz Festival (Verdi’s Finto Stanislavo) and at the Dallas Opera (Carmen). He also designed Luigi Cherubini’s Demophoon, directed by Luca Ronconi, at Rome’s Teatro dell’Opera. Some of his theatrical credits include Volpone (Theatre de la Ville, Paris); Tennessee Williams’ A Streetcar Named Desire (Teatro Quirino, Rome); Shakespeare’s A Comedy of Errors at the outdoor theatre in Ostia outside Rome; and Alfred De Musset’s Lorenzaccio at the Comedie Française, directed by Franco Zeffirelli. -
Tutti Gli Oscar Italiani
Tutti gli Oscar Italiani Dopo il grande successo di Paolo Sorrentino con “La Grande Bellezza” agli Accademy Awards, mi sembra giusto fare un piccolo riassunto della partecipazione del nostro paese, al più importante premio cinematografico. Non molti sanno che l’Italia, lasciando a parte gli U.S., ha vinto più Oscar di qualsiasi altro Stato. Ecco una “piccola” lista: 1947: Vittorio De Sica vince il primo Oscar per Miglior film Straniero con “Sciuscià” 1950: Miglior Film Straniero a De Sica per “Ladri di Biciclette” 1955: Anna Magnani vince Miglior Attrice per “La Rosa Tatuata” 1957: Federico Fellini vince Miglior film Straniero con “La Strada” 1958: Fellini vince Miglior film Straniero con “Le Notti di Cabiria” 1962: Sophia Loren è la prima attrice a vincere un Oscar come miglior Attrice in una lingua diversa dall’inglese con “La Ciociara” 1962: Pietro Gherardi per i costumi della “Dolce Vita” 1963: Fellini vince Miglior film Straniero con “8 ½” 1963: Pietro Gherardi vince Miglior Costumi con “8 ½” 1963: Pietro Germi, Ennio De Concini, Alfredo Giannetti 1964: Migliori costume a Vittorio Nino Novarese per “Cleopatra” 1965: De Sica vince Miglior film Straniero con “Ieri, Oggi, Domani” 1969: Danilo Donati vince Migliori Costumi per “Romeo e Giulietta” 1969: Pasqualino De Santis vince Miglior Fotografia per “Romeo e Giulietta” 1970: Elio Petri vince Miglior film Straniero con “Indagine su un cittadino al di sopra di ogni sospetto” 1971: “Il Giardino dei Finzi Contini” di De Sica vince Miglior film Straniero 1974: Fellini vince con “Amarcord” -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Quanti Oscar Hanno Vinto Gli Italiani? | Cinema Fanpage 24/02/14 11:17
Quanti Oscar hanno vinto gli italiani? | Cinema Fanpage 24/02/14 11:17 GOOGLE TWITTER FACEBOOK lun 24 FEBBRAIO 2014 ore 11.16 HOME MONDO SCIENZE TECH MOBILE CALCIO DESIGN DONNA VIAGGI MOTORI MUSICA GOSSIP TV CINEMA LAVORO 50 SFUMATURE DI GRIGIO BOX OFFICE CINEMUST - I FILM DA NON PERDERE FESTIVAL DI CANNES 2013 FILM IN USCITA NEWS PERSONAGGI TRAILER FILM FOTO SEGUI FANPAGE ANTEPRIME, OSCAR 2014 di Gennaro Marco Duello 20 gennaio 2014 17:26 ENTRA IN FANPAGE Quanti Oscar hanno vinto gli italiani? Da Vittorio De Sica a Federico Fellini, da Carlo Rambaldi a 9 Dante Ferretti fino a Roberto Benigni: aspettando Paolo Risparmio energia di Safari Mi piace Fai clic per avviare il plugin Flash Sorrentino, ecco tutti gli Oscar che sono riusciti a portare a Mi piace casa gli italiani. Condividi Acido Ialuronico Crema 2 www.vichy.it Tweet Vichy Rivela l'Elisir di Giovinezza Prova l'Innovazione. In Farmacia Roberto Benigni vince l'Oscar per "La vita è bella", il momento della premiazione caricato da antofox 839 DOWNLOAD EMBED Mi piace 2 Tweet “And the winner is…”, augurandosi che all’annuncio di rito possa seguire il nome di Paolo Sorrentino ai prossimi Oscar 2014, vale la pena ricordare quante sono le statuette che gli italiani sono riusciti a portare a casa, trionfando nel tempio del cinema americano. Grandi nomi che hanno fatto la storia del nostro cinema e che hanno contribuito a tenere alta considerazione e fama del nostro paese, presentando molto spesso analisi lucide, talvolta anche aspre, sulla vita sociale e politica del nostro paese. -
FY17 Annual Report View Report
Annual Report 2016–17 1 2 4 Introduction 6 Metropolitan Opera Board of Directors 7 Season Repertory and Events 14 Artist Roster 16 The Financial Results 48 Our Patrons 3 Introduction In the 2016–17 season, the Metropolitan Opera continued to present outstanding grand opera, featuring the world’s finest artists, while maintaining balanced financial results—the third year running in which the company’s finances were balanced or very nearly so. The season opened with the premiere of a new production of Wagner’s Tristan und Isolde and also included five other new stagings, as well as 20 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 11th year, with ten broadcasts reaching approximately 2.3 million people. Combined earned revenue for the Met (Live in HD and box office) totaled $111 million. Total paid attendance for the season in the opera house was 75%. All six new productions in the 2016–17 season were the work of distinguished directors who had previous success at the Met. The compelling Opening Night new production of Tristan und Isolde was directed by Mariusz Treliński, who made his Met debut in 2015 with the double bill of Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle. French-Lebanese director Pierre Audi brought his distinctive vision to Rossini’s final operatic masterpiece Guillaume Tell, following his earlier staging of Verdi’s Attila in 2010. Robert Carsen, who first worked at the Met in 1997 on his popular production of Tchaikovsky’s Eugene Onegin, directed a riveting new Der Rosenkavalier, the company’s first new staging of Strauss’s grand comedy since 1969. -
Quando La Scenografia
AIC La scenografia più elementare e “rozzamente realizzata può con la luce rivelare prospettive insospettate e far rivivere il racconto in un’atmosfera sospesa, inquietante; oppure spostando appena un cinquemila, e accendendone un altro in controluce, ecco che ogni senso di angoscia scompare e tutto diventa sereno, casalingo. “ Il film si scrive con la luce, lo stile si esprime con la luce. Federico Fellini Federico Fellini in un disegno di Ettore Scola AIC 2004 AIC AIC Associazione Italiana Autori della Fotografia Membro “Federazione Europea degli Autori della Fotografia Cinematografica” IMAGO AIC costituita il 13 maggio 1950 Presidente Collegio Sindacale Alessandro D’Eva Roberto Girometti Giuseppe Berardini Franco Di Giacomo Angelo Filippini Sergio D’Offizi Vicepresidenti Mario Vulpiani Antonio Frederic Fasano Roberto Benvenuti Angelo Filippini Federico Del Zoppo Soci effettivi Giovanni Fiore Coltellacci Antonio Grambone Cesare Accetta Roberto Forges Davanzati Marco Incagnoli Maxime Alexandre Marcello Gatti Roberto Meddi Adolfo Bartoli Alessio Gelsini Torresi Gianlorenzo Battaglia Franco Maria Giovannini Segretario generale Tarek Ben Abdallah Roberto Girometti Sergio Salvati Roberto Benvenuti Giuliano Giustini Giuseppe Berardini Antonio Grambone Consiglieri Adriano Bernacchi Riccardo Grassetti Adolfo Bartoli Mario Bertagnin Ennio Guarnieri Roberto Benvenuti Emilio Bestetti Massimo Hanozet Paolo Carnera Lamberto Caimi Marco Incagnoli Arnaldo Catinari Maurizio Calvesi Massimo Intoppa Federico Del Zoppo Tani Canevari Luigi Kuveiller Franco -
The Best of Youth (La Meglio Gioventù)
Rai Radiotelevisione Italiana presents a film by MARCO TULLIO GIORDANA The Best of Youth (La Meglio Gioventù) written by SANDRO PETRAGLIA and STEFANO RULLI produced by ANGELO BARBAGALLO a Rai Fiction production realized by BìBì Film Tv international distribution Rai Trade Technical Cast Cast The plot Director Marco Tullio Giordana Nicola Carati Luigi Lo Cascio La Meglio Gioventù tells the story of an Italian family from the end Screenplay Sandro Petraglia Matteo Carati Alessio Boni Stefano Rulli Adriana Carati Adriana Asti of the 60s till nowadays. The lives of two brothers, Nicola and Matteo, Director of Photography Roberto Forza Giulia Monfalco Sonia Bergamasco are the heart of the story. At first they share the same dreams, the Camera Operator Vincenzo Carpineta Carlo Tommasi Fabrizio Gifuni same hopes, the same books and friendships. Meeting Giorgia, a girl 1st Assistant Director and Casting Barbara Melega Mirella Utano Maya Sansa Production Designer Franco Ceraolo Francesca Carati Valentina Carnelutti with mental disorders, will be determinant for the future of the two Costume Designer Elisabetta Montaldo Giorgia Jasmine Trinca brothers: Nicola decides to become a psychiatrist, Matteo abandons Sound Designer Fulgenzio Ceccon Angelo Carati Andrea Tidona his studies and joins the police. Boom Operator Decio Trani Giovanna Carati Lidia Vitale Angelo – the father – is a loving parent and husband. The family Film Editor Roberto Missiroli a.m.c. Sara Carati Camilla Filippi Sara Carati 8 years Greta Cavuoti experiences his exuberance with tolerant complaisance. Adriana – General Organizer Gianfranco Barbagallo Sara Carati 5 years Sara Pavoncello the mother – is a modern and irreproachable teacher, who loves her Executive Producer Alessandro Calosci Vitale Micavi Claudio Gioè pupils like her own children. -
Curriculum Felix
FELIX MURCIA Félix Murcia Aguayo. Nacido en Aranda de Duero (Burgos) en 1.945. Técnico Superior en Diseño de Interiores (Arquitectura de Interiores) y Graduado en Artes Aplicadas, por los centros docentes madrileños: Escuela de Artes Decorativas de Madrid, y Escuela de Artes Aplicadas y Oficios Artísticos (Escuela de Arte La Palma), respectivamente. (Entre 1.967 y 1.973) Estudios especializados: Escenografía Teatral y Operística, Cinematográfica y Audiovisual. Otros conocimientos útiles: 48 años (hasta la fecha) de experiencia profesional continuada, compartida entre los ámbitos de las Artes Visuales, las Audiovisuales y Cinematográficas, simultaneadas a su vez con el ejercicio esporádico del Teatro o la Opera y la Docencia. Como PINTOR participó en diversos certámenes nacionales e internacionales y realizó numerosas exposiciones individuales, entre 1.965 y 1.974. De ellas cabe mencionar: 1.965. 7º CERTAMEN NACIONAL JUVENIL DE ARTE. Burgos. 1.970. 1ª EXPOSICIÓN INDIVIDUAL. Galería Toisón. Madrid. 1.970. EXPOSICIÓN NACIONAL DE PINTURA “Milenario Fernán González”. Burgos 1.971. 1ª BIENAL NACIONAL DE ARTE. Pontevedra. 1.971. 3ª BIENAL INTERNACIONAL DEL DEPORTE EN LAS BELLAS ARTES. Barcelona. 1.971. 10º CERTAMEN INTERNACIONAL DE PINTURA. Pollensa; Mallorca 1.971. PREMIO ATENEO DE MADRID SALA JOVEN. Madrid 1.974. 1º CERTAMEN NACIONAL DE ARTES PLÁSTICAS RTVE. Madrid. A partir de esta última fecha abandonó totalmente la pintura, hasta el momento actual en que ha vuelto a retomar la actividad de las Artes Visuales nuevamente, enfocándola ahora hacia la experimentación del Videoarte , el Kinoarte , y la Fotografía Digital. Como DISEÑADOR ESCENOGRAFICO sus bocetos realizados para el cine, el teatro, y la televisión, han sido expuestos en numerosas ocasiones en EXPOSICIONES COLECTIVAS PROFESIONALES, nacionales e internacionales, entre las que cabe destacar: 1980. -
Cine Meaux Club SAISON 17 Septembre 2014- Juillet 2015 L’Association Ci N É Me a U X Cl U B L’Association Ci N É Me a U X Cl U B
CINE MEAUX CLUB SAISON 17 septembre 2014- juillet 2015 L’ASSOCIATION CINÉ MEAUX CL UB L’ASSOCIATION CINÉ MEAUX CL UB Le CINÉ MEAUX CL UB est une association qui a pour objet de promouvoir la culture cinématographique et de la diffuser par les films en organisant des débats. L’adhésion à l’association Ciné Meaux Club est de 10 € pour la saison 2014/2015. Vous pouvez adhérer au guichet du Majestic ou par correspondance en nous faisant parve- nir vos coordonnées (nom, prénom, adresse postale, adresse électronique, âge, pro- fession) et votre règlement. En retour, nous vous remettrons votre carte d’adhérent, qu’il conviendra de présenter au guichet du cinéma Majestic avant chaque séance. La carte permet d’accéder aux séances ciné-club, aux séances commerciales complé- mentaires ainsi qu’aux séances Recadrage du Majestic au tarif de 5 €. Toutes les séances associatives non commerciales sont accompagnées d’une inter- vention d’un spécialiste du cinéma. Néanmoins, la programmation comme la présen- ce des intervenants ou des réalisateurs (leçons de cinéma) restent sous réserves. L’ÉQUIPE DU CINÉ MEAUX CL UB PRÉSIDENTS D’HONNEUR PRÉSIDENT Bertrand Tavernier Jérôme Tisserand Philippe Torreton VICE -P RÉSIDENT PARRAIN D’HONNEUR Noé Merle N. T. Binh SECRÉTAIRE Ludovic Raigneau CINÉ MEAUX CL UB SECRÉTAIRE ADJOINTE Siège social : 32, impasse de la Source Sandrine Périgeat-Lorin 77100 Meaux TRÉSORIÈRE Téléphone : 06 35 27 13 33 Dorothy Malherbe [email protected] TRÉSORIER ADJOINT cinemeaux.wordpress.com Aurélien Louvet Ciné Meaux Club sur ANIMATEURS -
Spoleto Festival Usa Program History 2013–1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Cast: Gary Simpson, Thomas Meglioranza, Pureum Jo, Jihee Kim; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Cast Mese Mariano: Linda Roark-Strummer, Ann McMahon Quintero, Jennifer Rowley, Yanzelmalee Rivera, Allison Faulkner, Nicole Fregala, Shari Perman, Anne Marie Stanley, Justin Su’esu’e; Cast Le Villi: Levi Hernandez, Jennifer Rowley, Dinyar Vania; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig, -
Premiererne Sange: »Every Which Way but Loose« Af S
er, fornemmer jeg, fuld af sådanne citater, galt, når man anslår, at Grins novelle har Ex-P: LuCiano SaCripanti. As-P: John C. Vuille. P-leder: John Sutton, Israel Ringel. Instr: Ri en gyserekspert ville kunne finde endnu været et angreb på stalinismen. Papics film Chard Fleischer. Instr-ass: Tony Brandt, Alan El- flere. er derimod mere abstrakt, den går på magt ledge. Stunt-instr: Sergio Testori, Paul Weston. Men »Rottefrelseren« er andet og mere og magtmisbrug som sådan, stalinisme Manus: Stephen Geller. Efter: romanen »Ebano« end en godt fortalt gyserfilm. Den er også såvel som fascisme. Tilfældigt er det natur af Alberto Vasquez-Figueroa. Foto: Aldo Tonti. Farve: TeChnicolor. Format: CinemasCope. Klip: en politisk film, en allegorisk beretning om ligvis ikke, at rottefrelserens undersåtter Ernest Walter. P-tegn: Mario Chiari, Aurelio magt og magtmisbrug. Årsagen til Ivans under deres natlige orgier er placeret ved Crugnola, Kuli Sander, Kost: Annalisa Masalli. mareridt i Centralbanken er at finde i en et hagekors-lignende bord. Makeup: Mario van Riel, Tony Lloyd. Sp-E: Aldo Gasparri. Musik: Michael Melvoin. Sang: »Don’t uacceptabel politisk situation, en krise, Man kan mene, at dette er en fejl ved fil Loose the Feeling« af Michael Melvoin, Don som han selv lider stærkt under (ingen bo men. Dette, at den er uden egentlig fast BlaCk. Solist: Jimmy Chambers. Tone: Colin Mil pæl, intet arbejde, ingen penge), og han politisk placering. Hvad sigter Krsto Papic ler, David Hildyard, Ken Barker. Medv: Michael omfatter næppe politikerne på talerpodiet egentlig på? - Han sigter på hver enkelt af Caine (Dr. David Linderby), Omar Shariff (Prins Hassan), Peter Ustinov (Suleiman), Rex Harri- med særlig megen sympati.