Audiovisivi FILMS
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Comunicato Stampa 01 Il Premio Gian Maria Volonté 2018 a Isabella
Comunicato stampa 01 Il Premio Gian Maria Volonté 2018 a Isabella Ragonese La Maddalena, 14 giugno 2018 Durante la quindicesima edizione del festival La Valigia dell’Attore, manifestazione organizzata dall’Associazione culturale Quasar diretta da Giovanna Gravina Volonté e da Fabio Canu, in programma nell’isola di La Maddalena dal 24 al 29 luglio, sarà consegnato dal circuito “Le isole del cinema”, il Premio Gian Maria Volonté 2018 all’eccellenza artistica. A riceverlo, la sera del 25 luglio sul palco della fortezza I Colmi, l’attrice e autrice Isabella Ragonese. Il suo esordio nel cinema nel 2006 con Nuovomondo di Emanuele Crialese; è poi la protagonista del film di Paolo Virzì Tutta la vita davanti che le vale la candidatura al Nastro d'Argento come migliore attrice protagonista. Recita poi in Viola di mare di Donatella Maiorca, Due vite per caso di Alessandro Aronadio, Oggi sposi di Luca Lucini, Dieci inverni di Valerio Mieli, Un altro mondo di Silvio Muccino. Nel 2010, con il film La nostra vita di Daniele Luchetti vince il Nastro d'Argento come migliore attrice non protagonista. Nello stesso anno recita per la prima volta in una produzione televisiva, lavorando in uno dei film de Il commissario Montalbano, ed è inoltre madrina della 67esima Mostra Internazionale d'Arte Cinematografica di Venezia, dove viene presentato il film Il primo incarico, della regista Giorgia Cecere, di cui è protagonista. Nel 2011 è in teatro con il monologo “Lady Grey” di Will Eno. È ancora la protagonista del film di Fabio Volo Il giorno in più e nel 2012 è stata insignita al Festival di Berlino del premio “Shooting Star” come miglior talento europeo dell’anno. -
La Voz Humana Screenbox
LA VOZ HUMANA SCREENBOX FICHA NÚM. 2.315 T.O.: THE HUMAN VOICE NACIONALIDAD: ESPAÑA Estreno Screenbox: 21-10-2.020 DURACIÓN: 30’ Estreno España: 21-10-2.020 AÑO: 2.020 WWW.SCREENBOX.CAT TEL: 630 743 981 PI I MARGALL, 26. LLEIDA FICHA ARTÍSTICA DEL DIRECTOR: Mujer: Tilda Swinton PEDRO ALMODÓVAR (Calzada de Calatrava, 25-09-1.949) FICHA TÉCNICA -La Voz Humana (2.020) Director: Pedro Almodóvar -Dolor y Gloria (2.019) Guion: Pedro Almodóvar -La Piel que Habito (2.011) (basado en el relato de -Los Abrazos Rotos (2.009) Jean Cocteau) -Volver (2.006) Productores: Agustín Almodóvar, -Hable con Ella (2.002) Esther García -Todo Sobre Mi Madre (1.999) Música: Alberto Iglesias -La Flor de Mi Secreto (1.995) Fotografía: José Luis Alcaine -Tacones Lejanos (1.991) Montaje: Teresa Font -Mujeres al Borde de un Ataque de Nervios (1.988) SINOPSIS -La Ley del Deseo (1.987) Una mujer pasa el tiempo miran- -¿Qué He Hecho Yo Para Merecer do las maletas de su ex-amante, Esto? (1.984) que la abandona para contraer -Laberinto de Pasiones (1.982) matrimonio con otra mujer. Du- -Pepi, Luci, Bom y Otras Chicas del rante tres días, la mujer sólo sale Montón (1.980) a la calle una vez: para comprar un hacha y una lata de gasolina. PREMIOS Y PRESENCIA EN Adaptación libre del relato homó- FESTIVALES nimo de Jean Cocteau. -Sección Oficial (fuera de concur- so): Festival de Venecia (2.020) FILMOGRAFÍA (seleccionada) “LA VOZ HUMANA”, UN ACTO DE LIBERTAD EN EL “Yo casi de un modo natural quería hacer algo CAMBIO DE CICLO DE ALMODÓVAR absolutamente ya no solo distinto, sino casi opuesto, (publicado por Efe en lavanguardia.com) porque de otro modo no reconocía como contemporánea a la mujer que espera y habla con su examante”, declaró. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Gianni Quaranta
AMERICAN BALLET THEATRE 890 Broadway New York, New York 10003 (212) 477-3030 GIANNI QUARANTA The Milan-born art director, costumer, interior designer and painter studied at the prestigious Brera Academy of Fine Arts and considered a career as an architect before turning to the theatre and cinema. A few of Quaranta’s noteworthy credits in the field of cinema include Bernardo Bertolucci’s 1900, Paul Mazursky’s Tempest, NBC’s epic miniseries Jesus of Nazareth and the recently acclaimed A Room With a View directed by James Ivory. Long a favored collaborator of director Franco Zeffirelli, Quaranta was art director on Otello starring Placido Domingo. Two earlier films he did with Zeffirelli -- Brother Sun, Sister Moon and La Traviata -- netted Quaranta nominations for an Academy Award while he was still in his thirties. The two worked together when Quaranta executed sets for Zeffirelli’s new production of Puccini’s Turandot at the Metropolitan Opera in New York. Quaranta, in fact, is as active in theatre, opera and ballet as in cinema. He has done operatic productions at Venice’s Teatro La Fenice (Wolf Ferrari’s Quattro Rusteghi); at the Spoleto Festival in Charleston (La Traviata); at the Bregenz Festival (Verdi’s Finto Stanislavo) and at the Dallas Opera (Carmen). He also designed Luigi Cherubini’s Demophoon, directed by Luca Ronconi, at Rome’s Teatro dell’Opera. Some of his theatrical credits include Volpone (Theatre de la Ville, Paris); Tennessee Williams’ A Streetcar Named Desire (Teatro Quirino, Rome); Shakespeare’s A Comedy of Errors at the outdoor theatre in Ostia outside Rome; and Alfred De Musset’s Lorenzaccio at the Comedie Française, directed by Franco Zeffirelli. -
Katyn Crime Had Been Committed
Katyń 80th anniversary a reminder of the crimes of Soviet Russia committed against Poles in 1937-1941 Created by: Andrzej Burghardt Zbigniew Koralewski Krzysztof Wąż © COPYRIGHT 2021 Coalition of Polish Americans Knowledge of the history of Poland, our country of origin, including the tragedies of which Katyn is a symbol, is an extremely important element of the sense of national community. For a numer of reasons, the history of Poland, especially the period of World War II, is distorted and deformed, also in the United States, so we must strive to learn the truth about these events. This presentation will acquaint you closer with: Polish Operation; secret protocol between Germany and Russia; Hitler's orders; methods of extermination of the Polish nation; the Katyn massacre; deportations of Poles to Siberia; hiding and falsifying the truth about the Katyn genocide and deportations to Siberia. Polish Operation by NKVD in 1937 „Polish Operation” was carried out by the NKVD (communist secret police) two years before the Second World War. It consisted in arresting of people of Polish origin who lived within the domain of Soviet Russia. According to the documents, almost 240,000 people were imprisoned at that time, of which almost half were murdered, the rest were sentenced to stay in labor camps or deported to Kazakhstan and Siberia. Victims of the NKVD „Polish Operation” The action covered all suspected of Polish origin. Poles were killed or deported for only one reason: because they were Poles. This served as a model for organizing later mass arrests, forced resettlements and murders such as in Katyn. -
USCITA SALA 21 APRILE 2016 Una Distribuzione Zenit Distribution
USCITA SALA 21 APRILE 2016 una distribuzione Zenit Distribution ABBRACCIALO PER ME – LA SCHEDA TECNICA Regia di Vittorio Sindoni Soggetto Maria Carmela Cicinnati, Antonella Giardinieri, Vittorio Sindoni Sceneggiatura Angelo Pasquini, Maria Carmela Cicinnati, Vittorio Sindoni con la collaborazione di Antonella Giardinieri Fotografia Luigi Cecchini Montaggio Jenny Loutfy Musica originale Fabio Frizzi Scenografia Marco Dentici Costumi Magda Accolti Gil Suono PD Ugo Celani Aiuto Regia Emanuele Imbucci Produzione Megavision Filmtv s.r.l In associazione con IRBM Science Park S.p.A. Film riconosciuto di Interesse Culturale dal MIBACT - Direzione Generale Cinema Con il Patrocinio dell’ Autorità Garante per l’Infanzia e l’Adolescenza Opera realizzata con il sostegno della Regione Lazio - Fondo Regionale per il Cinema e l’Audiovisivo Nazionalità Italia Anno di produzione 2015 Durata Film 103’ Formato 1.85 – Flat DCP colore Genere Drammatico Distribuzione Zenit Distribution Direttore Commerciale Antonio Carloni 335.8337171 [email protected] [email protected] Theatrical Sales Executive Federica Sclano Tel.06.97886414 [email protected] Ufficio stampa Storyfinders -Lionella Bianca Fiorillo Via A. Allegri da Correggio 11 – 00196 Roma Tel. 06.88972779 – 340.7364203 Press.agency @storyfinders.it Crediti non contrattuali ABBRACCIALO PER ME – IL CAST Caterina - la madre Stefania Rocca Pietro - il padre Vincenzo Amato Francesco “Ciccio” Gioffredi Moisè Curia Tania - la sorella Giulia Bertini La Contessa Paola Quattrini Don Pino Pino Caruso Il maresciallo dei carabinieri Paolo Sassanelli Il Primario Psichiatra Luigi Diberti Giampiero “l’Uomo Nero” Alberto Lo Porto Primo Psichiatra Rodolfo Baldini La vicina Loredana Martinez Giulia Francesca Pasquini Crediti non contrattuali ABBRACCIALO PER ME – SINOSSI Abbraccialo per me è la storia, tra commedia dramma e sentimenti, di una donna e di suo figlio. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante.