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Premiererne Sange: »Every Which Way but Loose« Af S

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Premiererne Sange: »Every Which Way but Loose« Af S er, fornemmer jeg, fuld af sådanne citater, galt, når man anslår, at Grins novelle har Ex-P: LuCiano SaCripanti. As-P: John C. Vuille. P-leder: John Sutton, Israel Ringel. Instr: Ri­ en gyserekspert ville kunne finde endnu været et angreb på stalinismen. Papics film Chard Fleischer. Instr-ass: Tony Brandt, Alan El- flere. er derimod mere abstrakt, den går på magt ledge. Stunt-instr: Sergio Testori, Paul Weston. Men »Rottefrelseren« er andet og mere og magtmisbrug som sådan, stalinisme Manus: Stephen Geller. Efter: romanen »Ebano« end en godt fortalt gyserfilm. Den er også såvel som fascisme. Tilfældigt er det natur­ af Alberto Vasquez-Figueroa. Foto: Aldo Tonti. Farve: TeChnicolor. Format: CinemasCope. Klip: en politisk film, en allegorisk beretning om ligvis ikke, at rottefrelserens undersåtter Ernest Walter. P-tegn: Mario Chiari, Aurelio magt og magtmisbrug. Årsagen til Ivans under deres natlige orgier er placeret ved Crugnola, Kuli Sander, Kost: Annalisa Masalli. mareridt i Centralbanken er at finde i en et hagekors-lignende bord. Makeup: Mario van Riel, Tony Lloyd. Sp-E: Aldo Gasparri. Musik: Michael Melvoin. Sang: »Don’t uacceptabel politisk situation, en krise, Man kan mene, at dette er en fejl ved fil­ Loose the Feeling« af Michael Melvoin, Don som han selv lider stærkt under (ingen bo­ men. Dette, at den er uden egentlig fast BlaCk. Solist: Jimmy Chambers. Tone: Colin Mil­ pæl, intet arbejde, ingen penge), og han politisk placering. Hvad sigter Krsto Papic ler, David Hildyard, Ken Barker. Medv: Michael omfatter næppe politikerne på talerpodiet egentlig på? - Han sigter på hver enkelt af Caine (Dr. David Linderby), Omar Shariff (Prins Hassan), Peter Ustinov (Suleiman), Rex Harri- med særlig megen sympati. For ham repræ­ os. Dét egoismens evangelium, som Rot­ son (Brian Walker), Beverly Johnson (Dr. senterer de slet og ret et magtvælde, og det tefrelseren prædiker, er netop ikke et evan­ Anansa Linderby), Kabir Bedi (Malik) William er kun ganske naturligt, at selveste byens gelium, der bekvemt kan puttes i én eller Holden (Jim Sandell), Zia Mohyeddin (Djamil), Winston Ntshona (Ansok), Tariq Yunus (Faid), borgmester i hans mareridt bliver til selve­ anden etikketeret æske og så stilles af ve­ Tyrone Jackson (Dongoro) Akosua Busia (Se- ste Rottefrelseren, rottefrelseren der taler jen. Detergældendeiallesocialog politiske noufo-pige), Jean-LuC Bideau (MarCel), Olu Ja­ til de laveste instinkter i os for at bevare sin kontekster, og det appelerertil os alle. »Vor cobs (Batak), Johnny Sekka (Bradford), Marne magt. Maitland (En tuareg-høvding), Eric Pohlmann mission er ved at lykkes. Mange slutter sig (Zeda El-Kabir), Harry Araten (Slavehandler), Papic kommer ikke afgørende ind på, til os, vore fjender forsvinder én efter én«, Jack Cohen (Tysker på slavemarked), Jay Kolier hvilken konkret - ydre - magt, hvilket kon­ hedder det fra et af rottemenneskene. - (Køber på slavemarked), Enzo Patti (Perle­ kret politisk system, Rottefrelseren repræ­ Gennem fremlægningen af Rottefrelserens handler), Ori Levi (Hotel-vagt). Længde: 117 min., 3220 m. Censur: FB.U.16. Udi: Columbia- senterer. Hans film er baseret på en novelle evangelium appelerende til de laveste in­ Fox Prem: 9.3.79 Imperial. Sort slavehandel. af den russiske forfatter Aleksander Grin, stinkter i os, foreholder Papic os, at ond­ og i dén novelle har der næppe været tvivl skaben, terroren og mørket først og frem­ BANKEKØD TIL SLEMME DRENGE Every Which Way But Loose, USA 1978. P-sel­ om, hvad forfatteren har sigtet til. Grin døde mest ligger dybt i os selv. Rottefrelseren skab: Malpaso. For Warner Bros. P: Robert Da- på et sindssygehospital under Stalins ud­ taler til os alle. (Jzbavitelj - Jugoslavien ley. As-P: Fritz Manes, Jeremy Joe Kronsberg. rensninger, så man gætter næppe meget 1977). Jens Bruun Christensen. P-leder: Billy Ray Smith, Ernest B. Wehmeyer. l-leder: Sheridan Dar Reid, Harry Zubrinsky. Instr: James Fargo. Instr-ass: Larry Powel, Wendy Shear, Al Silvani, Alain J. Silver. Stunt- instr: Wayne van Horn, George Dockstader, Bobby Porter. Manus: Jeremy Joe Kronsberg. Foto: Rexford Metz. Farve: DeLuxe. Klip: Fer­ ris Webster, Joel Cox. Ark: Elayne Ceder. Dekor: Robert De Vestel. Kost: Glenn Wright. Makeup: Don SChoenfeld. Sp-E: ChuCk Gaspar. Musik: Premiererne Sange: »Every Which Way But Loose« af S. 1.1.-31.3.79/ved Claus Hesselberg Dorff, M. Borwn, T. Garrett. Solist: Eddie Rab- bitt./»ril Wake You Up When I Get Home« af S. Anvendte forkortelser: Dorff, M. Brown, »Behind Closed Doors« af K. O’Dell. Solist: Charlie RiCh./»CoCa Cola Cow­ boy« af S. Pinkard, I. Dain, S. Dorff, S. Atchley. Adapt: = Adaption Komp: = Komponist »Send Me Down to TuCson« af C. Crofford, T. Ark: = Filmarkitekt Kost: = Kostumer Garrett. Solist: Mel Ti Ilis/ »Ain’t Love Good To- Arr: = Musikarrangør Medv: = Medvirkende skuespillere night« af G. Sklerov, R. Gate, G. Howe. Solist: As-P: = Associate ProduCer P: = ProduCere Wayne Parker./»Don’t Say You Don’t Love Me No Ass: = Assistent P-leder: = Produktionsleder More« af P. Everly, J. Paige. Solister: Sondra Dekor: = SCenedekorationer Prem: = Dansk premiere Locke, Phil Everly/»Honkey Tonk Fever«, »Mon- Dir: = Dirigent P-selskab: = Produktionsselskab key See, Monkey Don’t« af C. Crofford, T. Gar­ rett. Solist: Cliff Crofford./»l Can’t Say No to a Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser TruCk Drivin’ Man« af C. Crofford. Solist: Carol Ex-P: = Executive ProduCer P-tegn: = Produktionstegner (design) Chase./»l Seek the Night«. Solist: Sondra Foto: = Cheffotograf Rekvis: = Rekvisitør LoCke./»Red Eye SpeCial« af S. Collins, S. Pin­ Instr: = Instruktør Sp-E: = SpeCielle effekter kard, T. Garrett. Solist: Larry Collins./»Salty Dog Kamera: =Kameraoperatør Udi: = Dansk udlejning Blues«, »Under The Double Eagle« adapted by S. Dorff. T. Garrett./»Six PaCk to Go« af Thompson Lowe, Hart. Solist: Hank Thompson. Musik-sup: AFGANG MED KNALD I, EN portør), James Best (Patient m. pacemaker), Snuff Garrett. Dir: Steve Dorff. Tone: Bert Hall- The End. USA 1978. P-selskab: LawrenCe Gor­ Peter Gonzales (Latinsk elsker), Connie Fleming berg, Vern Poore, Gene Eliot, Marvin I. Kosberg don ProduCtions/Burt Reynolds Productions. P: (Danserinde), Ken Johnson (Fløjtende galning). Joe von Stroheim. Medv: Clint Eastwood (Phik LawrenCe Gordon, Ex-P: Hank Moonjean. As-P: Længde: 100 mih. Censur: Rød Udi: United Ar­ Deddoe), Sondra LoCke (Lynn Halle), Beverly James Best. P-leder: Mel Dellar. Instr: Burt Rey­ tists. Prem: 26.3.79 Palads. Anm. Kos. 142. D’Angelo (ECho), Walter Barnes (Tank MurdoCk), nolds. Instr-ass: Kurt Baker, Benjamin Rosen- George Chandler (Kontormand), Roy Jenson berg. Stunt-instr: Hal Needham. Manus: Jerry AGATON SAX SLÅR TIL (Woody), James MCEaChin (Herb), Bill MCKinney Belson. Kons: Dorothy Vitale. Foto: Bobby Agaton Sax och Bykopings Gåstabud. Sverige (Dallas), William O'Connell (Elmo), John Quade Byrne. Farve: DeLuxe. Klip: Donn Cambern. P- 1976. P-selskab: Team Film/Svensk Filmindu- (Cholla), Dan Vadis (Frank), Gregory Walcott tegn: Joan Acott. Dekor: John Franco Jr. Kost: stri/Svenska Filminstitutet. P: Stig Lasseby, (Putnam), Hank Worden (Trailer-manager), Jerry Norman Salling. Makeup: Tom Ellingwood. Sp- Bengt Forslund. Instr: Stig Lasseby. Manus: BrustsChe (Cahuffør), Cary Michael (Kincaids E: Cliff Wenger Sr., Carol Wenger. Koreo: Lisa Laif Krantz. Efter: roman af NiIs-Olof Franzén manager), Janet Louise Cole (Ptge v. Palomino), Mordente. Musik: Paul Williams. Arr: Harry (1963). Foto: Eberhard Fehmers, Bjorn Dahlst- Sam Gilman (Tyk mands ven), ChuCk Hicks Betts. Dir: lan Freebairn-Smith Sang: »Another rom. Farve: EastmanColor. P-tegn: Jan Giss- (TruCker), Timothy P. Irvin (Mand i Zanzabar), Fine Mess« af P. Williams. Solist: Glenn Camp­ berg, Peter Gissberg. Sp:E: Hans Walter Kram­ Tim Irwin (Orkesterleder), Richard Jaminson bell. Tone: Milton C. Burrow, Robert A. Reich, ski. Musik: Charles Redland: Tone: Mats Kå- (Harlan). Længde: 114 min., 3150 m. Censur: Anthony Ippolito, JaCk Solomon, Richard Port­ berg, Bjorn Kristoffersson. Animation: Jan FB.U.16. Udi: Warner-Metronome. Prem: 9.3.79 man. Medv: Burt Reynolds (Wendell Sonny Law- Gissberg, Tibor Belay, Bjorn Dahlstrpm, Istvan Kinopalæet. Anm. Kos. 142. son), Dom DeLuise (Marlon Borunki), Sally Field Feliner, Gabor Csupo, Hans Hågerstrom, Hamid (Mary Ellen), Strother Martin (Dr. Waldo Kling), Navim, Brian Foster, Kjeld Simonssen, Jonny CASANOVA &• COMPANY David Steinberg (Marty Lieberman), Joanne Ericsson. Medv: Otto Brandenburg (fortæller). Casanova and Company. Østrig/ltalien/Fran- Woodward (Jessica), Norman Fell (Dr. Samuel Længde: 79 min. 2140 m. Censur: Rød. Udi: Ca- krig/Vesttyskland 1977. P-selskab: Neue Delta Krugman), Myrna Loy (Maureen Lawson), Kristy nis Film. Prem: 16.3.79 Albertslund, Rialto 2. Film (Wien)»Panther Film (Rom)»COFCI (Pa- MCNiCool (Julie Lawson), Pat O’Brien (Ben Law­ Børnefilm. ris)»TV 13 (MiinChen). P:Franz Antel, Carl Szo- son), Robby Benson (Præst), Carl Reiner (Dr. koll. P-sup: George Glass. P-leder: Agostino Mannet), Louise Letourneau (ReCeptionist), Bill ASHANTI Pane, Kurt Kodel. l-led er: Eduard Meisel, Gia- Ewing (RustvognsChauffør), Robert Rothwell Ashanti. SChweiz 1979. P-selskab: Beverly Como Longo. Instr: Francois Legrand (=Franz (Limousine-Chauffør), Harry Caesar (Hospitals­ Films, A GAV Feature. P: Georges-Alain Vuille. Antel). Instr-ass: Fritzy Goliner, Otto Stenzel. 121 Manus: Joshua SinClair, Tom Priman, Dialog: DRENGENE FRA BRASILIEN (sangerinde), Jay Speil (Keyboards), Greg Taylor José Villeverde. Foto: Hanns Matula.
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