NOMINEES WINNING ALL / NONE [Updated Thru 88Th Awards (2/16)]

Total Page：16

File Type：pdf, Size：1020Kb

NOMINEES WINNING ALL / NONE [Updated thru 88th Awards (2/16)] WINNING ALL [Nominees with 2 or more competitive nominations, winning all] 4 Mark Berger 2 Mark Harris 4 Glen Robinson [plus 2 Sci/Tech Awards] 2 Helen Hayes 3 James Acheson 2 Rabbi Marvin Hier 3 Cecil Beaton 2 David Hildyard 3 Randall William Cook 2 Thomas Howard 3 Jacques-Yves Cousteau 2 Sarah Kernochan 3 Vernon Dixon 2 Barbara Kopple 3 Alex Funke 2 Ring Lardner, Jr. 3 Winton Hoch [plus 1 Sci/Tech Award] 2 Vivien Leigh 3 David MacMillan 2 Andrew Lockley 3 John Meehan (Art Director) 2 Branko Lustig 3 Giorgio Moroder 2 John Mollo 3 Carlo Rambaldi 2 Marc Norman 3 Jim Rygiel 2 Sharmeen Obaid-Chinoy 3 United States Navy 2 Paramount Publix Studio Sound Dept. 3 Saul Zaentz [plus 1 Thalberg Award] 2 Paramount Studio [plus 1 Sci/Tech Award] 2 Ben Affleck 2 Mario Puzo 2 Robert Amram 2 Luise Rainer 2 Manuel Arango 2 Tony Richardson 2 Richard Attenborough 2 Stephen Rosenbaum 2 Karen Baker Landers 2 Albert S. Ruddy 2 Frank Borzage 2 Denis Sanders 2 Simon Chinn 2 Gustavo Santaolalla 2 Pierre Collings 2 Tom Scott 2 Mark Coulier 2 Robert Skotak 2 Michael Douglas 2 Kenneth Smith 2 Robert Epstein 2 Kevin Spacey 2 Freddie Francis 2 John Stears 2 Roger K. Furse 2 Hilary Swank 2 Harry Gerstad 2 John Truscott 2 Sheridan Gibney 2 Marcel Vertes 2 Mel Gibson 2 Christoph Waltz 2 Benjamin Glazer 2 Paul Weatherwax 2 William Goldman 2 Russell Williams II 2 Elizabeth Haffenden 2 Peter Young WINNING NONE [Nominees with 8 or more competitive nominations, winning none] 20 Kevin O'Connell 9 Ingmar Bergman [1 Thalberg Award] 16 Greg P. Russell 9 Howard Bristol 15 Roland Anderson 9 Stanley Kramer [1 Thalberg Award] 15 Alex North [1 Honorary Award] 9 RKO Studio Sound Dept., John O. Aalberg, 13 Roger Deakins Sound Director 13 George Folsey 8 Mack David 13 Thomas Newman 8 Robert Emmett Dolan 12 Federico Fellini [1 Honorary Award] 8 James Newton Howard 12 Paramount Studio Sound Dept., Loren L. Ryder, 8 Kathleen Kennedy Sound Director 8 Mexico 11 Rick Kline 8 Frank A. Montaño 10 Anna Behlmer 8 Peter O'Toole [1 Honorary Award] 10 Israel 8 Jack Otterson 10 Walter Lantz [1 Honorary Award] 8 Diane Warren 10 Walter Scharf © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 1.9 - 1.

Copy Link

Recommended publications

THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design.
[Show full text]
ASC History Timeline 1919-2019
American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC.
[Show full text]
Media Information 22 September 2016
Media information 22 September 2016 1920s JAZZ AGE Fashion & Photographs 23 September 2016 – 15 January 2017 The Fashion and Textile Museum presents JAZZ AGE: Fashion & Photographs, a major exhibition of 1920s garments alongside portraits by James Abbe. • 1920s JAZZ AGE: Fashion & Photographs presents a glittering display of over 150 haute couture and ready-to-wear garments from 1919 to 1929. • Photographs by James Abbe (1883–1973), film excerpts and magazines highlight the role of graphic art and photography in promoting the 20s look • A Decade of Change is documented through shifting hemlines, waistlines and accessories, from hats to hairbrushes, stockings to cigarette holders. • Four outfits from The Great Gatsby film (2013) by Catherine Martin with Miuccia Prada highlight contemporary fascination with the decade Women’s clothing in the 1920s reflected dizzying social change on an unprecedented scale. From Paris and London to New York and Hollywood, the period following the Great War offered the modern woman a completely new style of dressing. With over 150 garments and accessories from a major private collection, this stunning selection of sportswear, printed day dresses, fringed flapper dresses, beaded evening wear, velvet capes, kimonos and silk pyjamas reveals the glamour, excess, frivolity and modernity of the decade. The exhibition focuses not only on high-end couture but also on the ready-made. It offers a reassessment of the 1920s by showcasing the wide variety of clothing and accessories available to the modern woman, not just the drop-waisted flapper dress immediately associated with the era. Throughout, the exhibition highlights the decade’s changing silhouette including the straighter less exaggerated shape, promoted by haute couture designers such as Lucile and Paul Poiret since the pre-war years, the rising hemline and clothes designed to 1 allow free movement.
[Show full text]
Master Class with Monique Prudhomme: Selected Bibliography
Master Class with Monique Prudhomme: Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Film Costume Design (History and Theory) Annas, Alicia. “The Photogenic Formula: Hairstyles and Makeup in Historical Style.” in Hollywood and History: Costume Design in Film. Edward Maeder (ed). Los Angeles: Los Angeles County Museum of Art, 1987. 52-77. Chierichetti, David, and Edith Head. Edith Head: The Life and Times of Hollywood's Celebrated Designer. New York: Harper Collins Publishers, 2003. Coppola, Francis Ford, Eiko Ishioka, and Susan Dworkin. Coppola and Eiko on Bram Stoker's Dracula. San Francisco: Collins Publishers, 1992. Gutner, Howard. Gowns by Adrian: The MGM Years 1928-1941. New York: Harry N. Abrams, 2001. Jorgensen, Jay. Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer. Philadelphia: Running Press, 2010. Landis, Deborah N. Dressed: A Century of Hollywood Costume Design. New York: Collins Design, 2007. ---. Film Craft: Costume Design. New York: Focal Press, 2012. Laver, James, Amy De La Haye, and Andrew Tucker. Costume and Fashion: A Concise History. New York: Thames & Hudson, 2002. Leese, Elizabeth. Costume Design in the Movies: An Illustrated Guide to the Work of 157 Great Designers.
[Show full text]
Cas Awards April 17, 2021
PRESENTS THE 57TH ANNUAL CAS AWARDS APRIL 17, 2021 SCHEDULE OF EVENTS PRE-SHOW MESSAGES PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Non-Theatrical Motion Pictures or Limited Series PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary PRESIDENT’S REMARKS Karol Urban CAS MPSE Year in Review, In Memoriam INSTALLATION OF NEW BOARD OF DIRECTORS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – Half-Hour PRESENTATION OF THE CINEMA AUDIO SOCIETY Student Recognition Award PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Production PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Post-Production CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Non-Fiction, Variety, Music, Series or Specials PRESENTATION OF CAS FILMMAKER AWARD TO GEORGE CLOONEY PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Animated CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – One Hour PRESENTATION OF CAS CAREER ACHIEVEMENT AWARD TO WILLIAM B. KAPLAN CAS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Live Action AFTER-AWARDS VIRTUAL NETWORKING RECEPTION THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 1 THANK YOU TO OUR SPONSORS DIAMOND SPONSORS PLATINUM SPONSORS STUDENT RECOGNITION AWARD SPONSORS GOLD SPONSORS GROUP SILVER SPONSORS THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 3 PRESIDENT’S LETTER Welcome to the 57th CAS Awards! It has been over a year since last we came together to celebrate our sound mixing community and we are so very happy to see you all.
[Show full text]
Alvar Aalto. Ken Adam. Ai Weiwei. Doug Aitken. Lawrence Alma-Tadema. Robert Altman
ALVAR AALTO. KEN ADAM. AI WEIWEI. DOUG AITKEN. LAWRENCE ALMA-TADEMA. ROBERT ALTMAN. MARTIN AMIS. MICHELANGELO ANTONIONI.DIANE ARBUS . AUNTIE MAME. ADAM BARTOS.SAUL BASS. FRANCIS BACON. BILLY BALDWIN. MATTHEW BARNEY. BAUHAUS. AUBREY BEARDSLEY. CECIL BEATON. NORMAN BEL GEDDES.WILLIAM BLAKE.RICARDO BOFILL. HIERONYMOUS BOSCH.ETIENNE LOUIS BOULLEE. GUY BOURDIN. DAVID BOWIE. ROBERT.F. BOYLE. JOHN BOX . ISAMBARD KINGDOM BRUNEL.HENRY BUMSTEAD.ANTHONY BURGESS. EDWARD BURTYNSKY . JOHN LE CARRE.FRANCOIS CATROUX.NICK CAVE.DAVID CHIPPERFIELD. LYNNE COHEN. JOHN CONSTABLE.BENJAMIN CONSTANT.GREGORY CREWDSON. JACQUES LOUIS-DAVID.EUGENE DELACROIX .THOMAS DEMAND .GUSTAVE DORE .EDMUND DULAC.TONY DUQUETTE. WILLIAM EGGLESTON.OLAFUR ELIASSON. DANTE FERRETTI. IAN FLEMING . FLUX.LUCIEN FREUD.FUTURE SYSTEMS. THEODORE GERICAULT .ALEXANDER GIRARD .NAN GOLDIN.ERNO GOLDFINGER . ANDY GOLDSWORTHY . PETER GREENAWAY. NICHOLAS GRIMSHAW.WALTER GROPIUS .ANDREAS GURSKY. FRANS HALS.ROBERT PARKER HARRISON.HAROLD AND MAUDE.THOMAS HEATHERWICK.DAVID HICKS.TODD HIDO.ALFRED HITCHCOCK . CANDIDA HOFER. WILLIAM HOGARTH. HUNDERTWASSER . AXEL HUTTE. IRATA ISOZAKI. TOYO ITO. ALEJANDRO JADOROWSKY. JEAN –PIERRE JEUNET and MARC CARO. A.QUINCY JONES. LOUIS KHAN.REM KOOLHAAS . STANLEY KUBRICK.KENGO KUMA. HENRI LABROUSTE. MORRIS LAPIDUS .DENYS LASDUN. CLAUDE NICOLAS LEDOUX. MING CHO LEE.SERGIO LEONE. IVAN LEONIDOV .RICHARD LESTER .JEAN –JACQUES LEQUEU .EDWIN LONGSDON LONG.BERTHOLD LUBETKIN..EDWIN LUTYENS.DAVID LYNCH. KAZIMIR MALEVICH .ROB MALLET-STEVENS. THE MAN WHO FELL TO EARTH.ANTHONY MASTERS.SYD MEAD.WILLIAM CAMERON MENZIES.RICHARD MISRACH. DON McCULLIN . MORPHOSIS. VLADEMIR NABAKOV.ODD NERDRUM.PIER LUIGI NERVI.OSCAR NIEMEYER.ANDRE LE NOTRE. MIKE NICHOLS. IRWIN OLAF. ONE FROM THE HEART.GABRIEL OROZCO.BILL OWENS. MARTIN PARR.JOHN PAWSON.CHRISTOPHER PAYNE .PIRANESI.ROBERT POLIDORI.GIO PONTI .
[Show full text]
Recommended Reading 2010
American History 2010 Official Sponsors Ever worry that you’ve forgotten Dollar General, Dollar General Literacy everything you learned in school? Brush Foundation Wondering what to read in up with these American novels and history HarperCollins Publishers, Avon A, Harper your book club? books. Paperbacks, Harper Perennial Hyperion/Voice 1. Founding Mothers: The Women Simon & Schuster Let us help! Who Raised Our Nation by Cokie Unbridled Books Roberts $14.99 2. Moloka’i by Alan Brennert $14.99 3. The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl by Park Road Books Timothy Egan $14.95 Park Road Shopping Center 4. The Devil in the White City 4139 Park Road Murder, Magic, and Madness at the Charlotte, NC 28209 Fair that Changed America by Erik Larson $15.00 5. The River of Doubt: Theodore Roosevelt's Darkest Journey by Candice Millard $15.00 6. Impatient with Desire by Gabrielle Burton $22.99 7. Ahab's Wife: Or, The Star-Gazer by Here are 4 lists of books that would Sena Jeter Naslund $15.95 make for great discussions at your 8. The Tea Rose by Jennifer Donnelly $14.95 book club, chosen by the officers of 9. All the President's Men by Carl the Charlotte chapter of the Women’s Bernstein and Bob Woodward $7.99 National Book Association 10. Assassination Vacation by Sarah Vowell $15.00 11. Confederates in the Attic: The Women’s National Book Association Dispatches from the Unfinished brings together people who share an Park Road Books carries all of these Civil War by Tony Horwitz $16.00 interest in books and reading.
[Show full text]
Ron Levy Tuesday
OSHER LIFELONG LEARNING INSTITUTE @ BRANDEIS BOLLI: Spring Term 2013 Preparation times are estimated per week. If handouts are listed as readings, reimbursement for copies will be made to the Study Group Leader; arrangements for this will be made in the class. eBoards are online communication and information tools available to study groups. If they are being used in a course, they are listed in the course descriptions. If you expect to be absent for three or more weeks during the semester, please read the course descriptions carefully. Courses where the SGL has indicated the importance of regular attendance are not appropriate for you. Please select an alternative. H&G6-10-Tu1 The Birth of American Imperialism Leader - Ron Levy Tuesday – Course Period 1 – 9:00 a.m. to 10:25 a.m. Description Five U.S. Presidents in a 20-year period, from Harrison to Taft, embarked on active territorial incursions and international strategies that had significant implications for our foreign policy in the 20th century. James Bradley in his book, The Imperial Cruise levels serious accusations of a racist leadership that pursued an American Aryan philosophy as it “followed the sun to the West.” Although a lauded historian, he wrote this book in more of a journalistic style which makes for enjoyable and often surprising reading. Reviews have been both favorable and critical of his controversial treatment of the subject. How legitimate are Bradley’s claims? What is the background to our territorial incursions in Asia-Pacific, and to what extent were they an extension of our similar activities in the Americas? How did they relate to the concurrent activities of other major powers? To what extent were our actions examples of regime change or of nation building? What were some of the positive and negative outcomes of our policies? Did some of our actions really lead to World War II in the Pacific? We will examine the then-recent history of Hawai’i, Cuba, Panama, the Philippines, China, Korea and Japan, and the U.S.’s relations with those countries, as the U.S.
[Show full text]
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
[Show full text]
Newsletter 19/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets.
[Show full text]
Deborah Nadoolman Landis V&A Publishing Contents
HOLLYWOOD Edited by DEBORAH NADOOLMAN LANDIS V&A PUBLISHING CONTENTS 1 THE ART OF BECOMING 2 DEFINING THE CHARACTER Sponsor's foreword 8 What is costume design? 48 The costume of silent comedy Deborah Nadoolman Landis David Robinson Preface n Debbie Reynolds Moving pictures, silent movies Sound comedy: louder and funnier and the art of William Hogarth 56 John Landis Setting the scene: A ileen Ribeiro Silhouettes of seduction 110 a short history of Designing The Last Emperor 68 Jean L. Druesedow Hollywood costume James Acheson design 1912-2012 12 Hollywood and history 126 Deborah Nadoolman Landis The process of transformation 72 Edward Maeder Kristin M. Burke Banton's beauties 132 Designing for the Coen Brothers 76 Deborah Nadoolman Landis Mary Zophres Costume and fashion 138 Transformations: Johnny Depp 80 Valerie Steele Keith Lodwick Beaton's Fair Lady 146 Creative collaborations 84 Keith Lodwick Edith Head and Alfred Hitchcock Unfashioning costume design 150 Martin Scorsese and Sandy Powell Booth Moore Mike Nichols and Ann Roth Tim Burton and Colleen Atwood Transformations: an interview with Robert De Niro 158 Deborah Nadoolman Landis Transformations: an interview with Meryl Streep 162 Deborah Nadoolman Landis Ann Roth in conversation 168 Peter Biskind 3 COLLECTORS & COLLECTING 4 NEW FRONTIERS The exhibition odyssey 178 Afterlife: ensuring the enduring interest Notes 306 Deborah Nadoolman Landis of a web audience 264 Further reading 309 Chris Laverty Looking behind the wizard's curtain 188 Christopher Frayling Why design? 272 Filmography 310 Jeffrey Kurland The treasure hunt 202 Picture credits 314 Keith Lodwick Fantasy, sci-fi and superheroes 280 Acknowledgements Jacob McMurray 315 Showcasing the talent 212 Index Sam Catley The challenges of Mocap and CGI 294 316 Joanna Johnston A collectors'tale 216 Larry McQueen The collecting imperative: a studio perspective 228 Deidre Thieman Actress and collector 236 Debbie Reynolds Blades 242 Christopher Frayling Gunslingers 246 Christopher Frayling 90027, Hollywood is a zip code: the LA connection 252 Beth Werling .
[Show full text]
Gordon Mccallum (Sound Engineer) 26/5/1919 - 10/9/1989 by Admin — Last Modified Jul 27, 2008 02:38 PM
Gordon McCallum (sound engineer) 26/5/1919 - 10/9/1989 by admin — last modified Jul 27, 2008 02:38 PM BIOGRAPHY: Gordon McCallum entered the British film industry in 1935 as a loading boy for Herbert Wilcox at British and Dominions. He soon moved into the sound department and worked as a boom swinger on many films of the late 1930s at Denham, Pinewood and Elstree. During the Second World War he worked with both Michael Powell and David Lean on some of their most celebrated films. Between 1945 and 1984 as a resident sound mixer at Pinewood Studios, he made a contribution to over 300 films, including the majority of the output of the Rank Organisation, as well as later major international productions such as The Day of the Jackal (1973), Superman (1978), Blade Runner (1982) and the James Bond series. In 1972 he won an Oscar for his work on Fiddler on the Roof (1971). SUMMARY: In this interview McCallum discusses many of the personalities and productions he has encountered during his long career, as well as reflecting on developments in sound technology, and the qualities needed to make a good dubbing mixer. BECTU History Project - Interview No. 58 [Copyright BECTU] Transcription Date: 2002-09-20 Interview Date: 1988-10-11 Interviewer: Alan Lawson Interviewee: Gordon McCallum Tape 1, Side 1 Alan Lawson : Now, Mac...when were you born? Gordon McCallum : May 26th 1919. Alan Lawson : And where was that? Gordon McCallum : In Chicago. Alan Lawson : In Chicago? Gordon McCallum : [Chuckles.] Yes...that has been a surprise to many people! Alan Lawson : Yes! Gordon McCallum : I came back to England with my parents, who are English, when I was about four, and my schooling, therefore, was in England - that's why they came back, largely.
[Show full text]