B.Tech. Handloom and Textile Technology
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Textile Designs - 1
Textile Designs - 1 1. Crewel Work, Kashmir Textile Designs - 1 2. Embroidered Dorukha Shawl, Kashmir Textile Designs - 1 3. Kinnaur Shawl, Himachal Pradesh Textile Designs - 1 4. Embroidered Chamba Rumal, Himachal Pradesh Textile Designs - 1 5. Bagh Phulkari, Punjab Textile Designs - 1 6. Banarasi Zari Saree, Uttar Pradesh Textile Designs - 1 7. Chikan Embroidery, Kurta, Uttar Pradesh Textile Designs - 1 8. Block Printing, Rajasthan Textile Designs - 1 9. Bandhani Printing, Rajasthan Textile Designs - 1 10. Applique Work, Gujarat Textile Designs - 1 11. Mirror Embroidery, Gujarat Textile Designs - 1 12. Paithani Silk Saree, Maharashtra Textile Designs - 1 Hkkjr us gLrf'kYi dh Js"B ijaijk dks èkjksgj osQ :i esa izkIr fd;k gSA lqUnjrk ls India has inherited a great tradition of handicrafts which has its iw.kZ o lkekftd mi;ksx dh oLrqvksa dh jpuk gsrq ekuo dh ewy vko';drk esa bl beginnings in Man's basic need for creating objects of beauty and social utility. Even simple household articles such as pots, mats and furniture ijaijk dk izkjaHk fufgr gSA ;gka rd fd] crZu] pVkbZ;ka vkSj est] oqQlhZ tSlh lkèkkj.k have been decorated with stylised motifs inspired by nature. ?kjsyw oLrqvksa dks Hkh izo`Qfr izsfjr 'kSyhxr vfHkizk;ksa ls vyao`Qr fd;k tkrk gSA Apart from other handicrafts, India is also famous for the excellence it vU; gLrf'kYiksa osQ vfrfjDr Hkkjr] oL=kksa dh le`f¼ lEcaèkh Js"Brk osQ fy, Hkh has achieved in the rich variety of textiles. Excavations show that, as far izfl¼ gSA [kqnkbZ ls irk pyrk gS fd dkiQh igys] r`rh; 'krkCnh bZlk iwoZ esa lwrh back as in the third millennium B.C, cotton fibre was woven into cloth and rUrq dks oL=k :i esa cquk tkrk Fkk rFkk Nis gq, oL=kksa osQ uewus Hkh izkIr gq, gSaA samples of printed fabrics have also been found. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Weaving Traditions Along the "Wool Road" in India
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 Weaving Traditions along the "Wool Road" in India Suzette R. Copley Patterson San Francisco State University Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Copley Patterson, Suzette R., "Weaving Traditions along the "Wool Road" in India" (2002). Textile Society of America Symposium Proceedings. 537. https://digitalcommons.unl.edu/tsaconf/537 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Weaving Traditions along the "Wool Road" in India bySuzetteR.. Copley Patterson Introduction Although the "Silk Road"' is by far the most famous network of trade routes connecting China, Central Asia, and India, there are other significant, ancient trade routes between these regions of which many may not be aware. One such trade route, known informally as the "wool road", connected the plains of the Punjab in India to Tibet, Central Asia and China1. This route, and several others, passed through the Kullu and Kinnaur regions of the northern Indian state known as Himachal Pradesh. The "wool road", which was really merely a donkey trail, was the traditional main trade route in the region, and was so important that it was later widened to motorable width to boost trade in the region and came to be known as the Hindus tan-Tibet road". -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Bachelor of Fashion Design 0
RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY, NAGPUR (Established by Government of Central Provinces Education Department by Notification No. 513 dated the 1 st of August, 1923 & presently a State University governed by Maharashtra Public Universities Act, 2016) RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR FACULTY OF SCIENCE AND TECHNOLOGY DIRECTION NO 14 OF 2019 (Issued under section 12(8) of the Maharashtra Public University Act, 2016) The Examination leading to the Degree of Bachelor of Fashion Design, Semester Pattern, Direction, 2019. Whereas the Maharashtra Public Universities Act, 2016 is made applicable to the University w.e.f. 1 st March 2017 (hereinafter referred to as the Act); AND Whereas, Section 12(8) of the Act empowered the Vice-Chancellor to issue Direction for regulating the matter for which statute/Ordinance /Regulations is not made or to amend the existing Statute /Ordinance /Regulations; AND Whereas provision of section 12(8) provided that the Direction issued by the Vice- Chancellor shall automatically lapsed after 180 days. AND Whereas, Direction No. 69 of 2016 was issued by the Vice-Chancellor on 07/10/2016. Which could not have been converted into the Statute/Ordinance/Regulations within Six months AND Whereas, Direction No.69 of 2016 issued by the Vice-Chancellor on 07/10/2016 is required to be renewed for regulating the matter involved in the said Direction. Now, therefore, I, Dr. Siddharthavinayaka P. Kane, Vice- Chancellor,Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur in exercise of powers conferred upon me under provision of section 12(8) of the Maharashtra Public Universities Act, 2016, do hereby issue following Directions to renew Direction No. -
Handicraft Survey Report-Art of Spinning and Weaving, Part-X D
I CENSUS OF INDIA 1981 Series - 7 HIMACHAL PRADESH Part - X 0 HANDICRAFT SURVEY REPORT - ART OF SPINNING AND WEAVING Draft D N Sharma Assistant Director S K Bhandari Investigator K C Sun Deputy Director of Census Operations, Himachal Pradesh CONTENTS Pages FOREWORD III-IV PREFACE V-VII ACKNOWLEDGEMENT IX MAP CHAPTER I History of ongln and development of the craft 1-14 CHAPTER II Craftsmen In their rural setting 15-38 CHAPTER III Process of learning 39-44 CHAPTER IV Manufacturing processes 45-66 CHAPTER V Marketing 67-72 CHAPTER VI Craft and employment 73-79 CHAPTER V!! Conc!uslon 80-86 APPENDIX I Tables based on households of craftsman engaged In the craft 87-204 APPENDIX II Tables based on households of craftsman not practising the craft 205-236 APPENDIX III Dlstnctwlse Location of vanous Institutions 237-240 Sketches 241-256 FOREWORD The Indian handicrafts are known the world over for their nch vanety, grace, elegance and skilled craftmanshlp Nevertheless, a number of handicrafts because of their stiff competition with factory made products, non-availability of raw matenals, exorbitant Increase In the manufacturing cost, lack of proper marketing facIlities for finished products or due to a variety of other reasons have either become extinct or have reached the mOribund stage After Independence, however, a number of schemes were Introduced by different government agencies for their growth and development but stili this sudden Impetus have helped only a few crafts to flourish and thereby become spinners of foreign exchange for the country Despite the unique position being enjoyed by the handicrafts especially In the realm of national economy, the general awareness among the people In the country about our crafts and craftsmen had been deplorably poor Nothing was practically known about the commodities produced, techniques employed for the manufacture of different objects, raw matenals used, their availability, methods adopted for the sale of finished products etc An attempt was, therefore. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
I – Traditional Textiles of India – Sfda 1301
UNIT – I – TRADITIONAL TEXTILES OF INDIA – SFDA 1301 1 Introduction : The term 'Textile' is a Latin word originating from the word 'texere' which means 'to weave' Textile refers to a flexible material comprising of a network of natural or artificial fibers, known as yarn. Textiles are formed by weaving, knitting, crocheting, knotting and pressing fibers together. Textile Museum is that specialized category of museum which primarily preserves different types of textile and textile products. Indian textile enjoys a rich heritage and the origin of textiles in India traces back to the Indus valley Civilization where people used homespun cotton for weaving their clothes. Rigveda, the earliest of the Veda contains the literary information about textiles and it refers to weaving. Ramayana and Mahabharata, the eminent Indian epics depict the existence of wide variety of fabrics in ancient India. These epics refer both to rich and stylized garment worn by the aristocrats and ordinary simple clothes worn by the common people. The contemporary Indian textile not only reflects the splendid past but also cater to the requirements of the modern times. The rich tradition of textile in India has been favored by a number of factors. The favorable factors leading to the extensive growth of textile tradition in India follows. Easy availability of abundant raw materials like cotton, wool, silk, jute and many more Widely prevalent social customs Variety of distinct local culture Constructive geographic and climatic conditions Each and every region of India contributes in creating a myriad of textile tradition. The hilly region of the country produces a rich variety of woolen textiles. -
Traditional Handicrafts and Handloom of Kullu District, Himachal Pradesh
Indian Journal of Traditional Knowledge Vol. 7(1), January 2008, pp. 56-61 Traditional handicrafts and handloom of Kullu district, Himachal Pradesh Neetu Sharma*, Promila Kanwar & Anju Rekha Department of Home Science Extension Education, College of Home Science, CSKHPKV, Palampur 1760 62, Himachal Pradesh E-mail: [email protected]; [email protected] Received 8 October 2007; revised 27 November 2007 Handloom weaving and handicraft are the cultural heritage of the Himachali people and an indispensable part of the lives of Kulluites. The activity of preparing a vide range of handloom and handicraft products was originated to suffice local needs but it gradually took a turn towards commercialization. In the study, handloom and handicrafts of district Kullu of Himachal Pradesh have been presented. The local weavers besides following their ancestral traditions and skills are inten- tionally making some alterations in the designs and motifs to cater to the needs of modern buyers. The various handloom and handicraft items of the Kullu district include shawls, caps, borders, pattoo, muffler, patti, thobi, numdha, gudma, hand knit woolens, kilta, patari, etc. which have been described in detail in the paper. Keywords: Traditional handloom, Traditional handicrafts, Kullu, Himachal Pradesh IPC Int. Cl.8: B27, D01, D06C, D06F, G10D Himachal, the Land of snowy mountains, with abun- document the handloom and handicrafts of district dant rainfall and rich forests, have not been able to Kullu of Himachal Pradesh. keep pace with the development in the plains because of inherent problems of topography, terrain and con- Handloom sequent isolation, climatic conditions, lack of roads The extreme cold winters of the district necessi- and transportation. -
Journal 30.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDIACTIONS JOURNAL NO. 30 SEPTEMBER 16, 2009 / BHADRAPADA 25, SAKA 1931 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 8 3. Public Notice 23 4. Sanganeri Hand Block Printings 24 5. Balaramapuram Sarees and Fine Cotton Fabrics 39 6. General Information 50 7. Registration Process 53 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 30 of the Geographical Indications Journal dated 16th September 2009 / 25th Bhadrapada Saka 1931 has been made available to the public from 16th September 2009. Issue of Registration Certificate 1) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that The Goa Cashew Feni Distillers & Bottlers Association, D3/26, Tivim Industrial Estate, Karaswado Mapusa, Goa - 403 507 and Department of Science, Technology & Environment, Govt. of Goa, Opposite Saligao Seminary, Saligao, Bardez, Goa - 403 511 are the Registered Proprietor for FENI for the goods Alcoholic Beverages falling in Class 33 under GI Application No. 120 as of date 19th December, 2007. 2) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that (a) The Uppada Handloom Weavers Co- operative Production & Sales Society Ltd., Uppada, U Kothapalli Mandal, East Godhavari Dist, Andhra Pradesh - 533 447; (b) Durga Handloom Weavers Co-operative Production & Sales Society Ltd., Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 and (c) Kothapalli Master Weavers’ Association, Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 are the Registered Proprietor for UPPADA JAMDANI SAREES for the goods Textile and textile goods, not included in other classes; bed and table covers falling in Class – 24 and Clothing and Headgear falling in Class - 25 under GI Application No. -
34 a Nnu a L Repo
2019-2020 Printed by : www.censer.in, 9810213218 : www.censer.in, by Printed NATIONAL INSTITUTE REPORT ANNUAL th www.nift.ac.in OF FASHION TECHNOLOGY 34 National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 34th Annual Report 2019-20 CONTENTS 3 Organisational Setup NIFT Campus Report 6 Introduction 60 Bengaluru 8 Foundation Programme 65 Bhopal 10 Fashion Design 70 Bhubaneswar 12 Leather Design 75 Chennai 15 Textile Design 84 Gandhinagar 18 Knitwear Design 94 Hyderabad 20 Fashion & Lifestyle Accessories 99 Jodhpur 22 Fashion Communication 104 Kannur 24 Fashion Management Studies 108 Kangra 26 Fashion Technology 111 Kolkata 29 Design Space 116 Mumbai 31 PhD and Research 123 New Delhi 34 Continuing Education Programmes 129 Panchkula 35 Admissions 130 Patna 36 Student Development Activities 135 Raebareli 38 International and Domestic Linkages 139 Shillong 42 Cluster Development 142 Srinagar 45 National Resource Center 145 Accounts Report 46 Information Technology 203 NIFT Campuses Address 47 Enterprise Resource Planning 48 Campus Placement 52 Convocation 53 Faculty Orentation Training and Development 55 Projects at NIFT 57 Corporate Communications Cell 2 NATIONAL INSTITUTE OF FASHION TECHNOLOGY - ANNUAL REPORT 2019-20 ORGANISATIONAL SETUP BOARD OF GOVERNORS Members as on March 2020 S. No. Name & Designation of BOG Members 1 Mr. Ravi Capoor, IAS Secretary (Textiles), Ministry of Textiles & Chairman, BOG-NIFT 2 Ms. Saroj Pandey Hon’ble Member of Parliament, Rajya Sabha 3 Smt. Raksha Nikhil Khadse Hon’ble Member of Parliament, Lok Sabha 4 Dr.