DOCSLIB.ORG

International Research Journal of Management Sociology & Humanities

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International Research Journal of Management Sociology & Humanities International Research Journal of Management Sociology & Humanities ISSN 2277 – 9809 (online) ISSN 2348 - 9359 (Print) An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust www.IRJMSH.com www.SPHERT.org Published by iSaRa Solutions IRJMSH Vol 8 Issue 7 [Year 2017] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Kullu handloom Industry: An Overview Dr. Jagbir Singh Assistant Professor, Satyawati College, (University of Delhi) Ashok Vihar, Delhi-110052 Email: [email protected] Introduction Handloom weaving is the traditional art and craft of the Himachali people of Kullu region who have inherited this rich skill from their ancestors and they have been following this linage from the ancient times to the modern era. It provides livelihood to millions of weavers and craftsperson. In beginning, this tradition of preparing a wide range of handloom and handicraft products was originated to satisfy the demand of local people but gradually it lead to commercialization. Besides following the traditions and skills of their ancestors, they have made some changes in the designs and motifs according to the needs of the modern buyers. The exquisite handloom items of Kullu are a glory for the state of Himachal Pradesh. This industry is the backbone of the economic structure of the region. Most of the local inhabitants of Kullu are engaged in the traditional occupation of weaving and spinning woolen garments. The fine quality and harmonious color combination of the shawls of Kullu is a testimony to the enriched art and craft of the region. The beautifully woven Kullu caps bear designs from the latest in the world of fashion. The colorful and attractive woolen wear has an internationally acclaimed status. One cannot resist oneself to be thrilled by the awesome products of the small and medium scale cottage industries of Kullu. Handloom items The artisans of Kullu valley preserve a rich heritage of handlooms and handicrafts. There is an amazing range of beautiful handloom and handicraft products in Kullu these include shawls, caps, borders, pattoo, muffler, patti, thobi, numdha, gudma, hand knit woolens, etc. Shawls: A shawl is a light woolen fabric measuring 1 x 2 meters. It is usually draped around and over the chest and shoulders by women. Shawls, worn by men are known as Loi or Chaddar. Usually, Merino Wool, Angora Wool, Pashmina Wool, local sheep wool or a combination of any of these yarns is used to weave the shawls. The elaborate designs Patterns of Kullu Shawls bear a strong Central Asian influence having a symbolic and religious implication. Basic colours used for Kinnauri shawls are red, orange, pink, blue, green, yellow, black and white for patterns. White, black and natural grays or brown International Research Journal of Management Sociology & Humanity ( IRJMSH ) Page 264 www.irjmsh.com IRJMSH Vol 8 Issue 7 [Year 2017] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) colours are used as the base. White colour stands for water, yellow stands for earth, red for fire, green for air and blue for aether. But in the present times keeping in mind the customer demand, these bright colours are being replaced gradually by pastel colours. Besides geometrical designs, the shawls are also woven in floral designs, which may run all over, on the corners or on the borders only. Kullu Shawls has the most important place among all the handloom items of Kullu. Valley also offers Kinnauri shawls, apart from the mainly produced Kullu shawls. The artistic hand-woven woolen shawls of the Kinnaur Valley are truly unique and believed to be centuries old. They are known for their elegant look, brilliant traditional patterns, quality and reasonable cost in the world. They have an important position in the economy of the valley. Twenty to twenty thousand people are partially and about ten thousand people fully earn their livelihood from the industry. Price of shawls depends upon the quality of wool and the pattern. It ranges from Rs. 100 to Rs. 12000. The handloom shawls are expensive as compared to those made on the power loom. History of Kullu Shawls Earlier people of the valley were out of touch from industrialized regions due to lack of transportation facilities and therefore unable to get the clothes. The cold climate prevalent is suitable for sheep and goat rearing, which also fulfills the necessity for woolens. Initially the people of Kullu used to weave Patti, 18" to 20'' or 22'' wide, having an appropriate length. They wove it to cover their body and protecting themselves of severe cold. Men wove Patti for coats and pyjamas and women used it as Pattus. Until 1936 pattus were made on the pitloom, but because of British influence, after that people started using handlooms. In early1940, weavers from Bushehar (Rampur, Shimla) came to the valley and their craft influenced the weaving style of the Kullu Valley and the trend of patterned handloom came into existence. The weavers of Bushehar were acquainted with the geometrical designs, which they successfully used on Pattus. Indian film star Devika Rani came to Kullu in 1942. She got impressed with the looms and on her request Sh. Sheru Ram of Banontar village weaved the earliest urban size shawl (72" x 36"). This inspired Pt. Urvi Dhar, who started manufacturing shawls commercially. In 1957 Kullu Shawl Improvement Center opened up in the valley to invent new designs and make the Kullu shawls popular in Indian market. Pattoo: Pattu is the traditional dress of the local women folk of district Kullu. It looks like a shawl but is thicker, heavier and longer. It is available in sizes of 2.80 x 1.40 meters and 3 x 1.50 m. This woolen fabric is woven in different colors and designs. It is thicker and heavier than shawl and the colors used are fast and bright. Pattu is worn over the clothes like a saree with a difference that instead of taking the end to only one International Research Journal of Management Sociology & Humanity ( IRJMSH ) Page 265 www.irjmsh.com IRJMSH Vol 8 Issue 7 [Year 2017] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) shoulder, they pin both ends of it just below the shoulders on the front side with ‘bumni’ (local silver broaches), joined with a long ornamental chain. Pattoo is tied around the waist with a piece of cloth called gachchi (belt). Basically women of Kullu use pattu as their daily wear as it is a very comfortable dress, which allows them to do their daily chores besides keeping them warm. The cost of a pattu depends upon the design, color combination and quality of wool. Muffler: It is a woollen artifice of handicraft worn around neck. Pashmina, Merino or Angora wool is used to weave it. Different colours of threads are used to weave it. Shawls and mufflers are weaved through the same process but the smaller looms are used for mufflers. Gents mufflers measure 1.70 meters x 0.30 m, while ladies mufflers 2 Mtr. x 0.40 Mtr. Mufflers were started being woven in the valley in 1940’s. Mufflers can be bought from Rs. 50 to Rs. 2500 or maybe more according to the quality of wool and pattern. Generally, mufflers made of Pashmina with Kinnauri designs are costly. Loi : It is gent’s shawl. Local people know it as Chaddar. It is clad around and above the shoulders and is commonly made of mill- spun textile and occasionally of hand spun wool. It is bigger in size from 1.15 x 2.30 m to 1.40 x 2.80 m. Loi is woven with light woollen fabric. It is usually plain or with a narrow border at the ends. Brown, gray and white shades are generally available in lois. Pashmina lois are the costliest ones. Borders: Borders are traditional colored long stripes woven on tiny handlooms by local weavers. Almost all patterns of shawls can be applied on the borders. Initially borders were used for caps only, but now they are being used in the decoration of other handlooms and handicraft products, for instance jackets, ladies suits, shawls, caps, neck ties etc. Earlier pure wool colored in various colors was used for the border but due to the problem of the fading of the colors weavers started using acrylic yarn. The designs are almost similar to those of woven in the shawls. Kullu caps: The shape of Kullu cap is round in and flat on the top. It is called as Kullu topi and is known by the same in almost all the country. It is an important part of a local man’s garments in almost all the region of Himachal. In the front portion a band of colourful border is there, which is separately woven on small looms. The back portion is made of local woolen yarn, cotton or any other light material. Earlier bright coloured caps were popular but nowadays, vegetable colours are being used. The price of a Kullu cap depends on the cloth used and the pattern on the border. Patti: It is a short width coarse fabric which is made from sheep wool. It is a handloom product and measures 46-51 cm wide having an appropriate length. This fabric is generally used for making close neck coats, pants, suthan (pyjamas), jackets etc. Traditionally, the wool obtained from the first shearing of a lamb, is used for making chola (male gown). International Research Journal of Management Sociology & Humanity ( IRJMSH ) Page 266 www.irjmsh.com IRJMSH Vol 8 Issue 7 [Year 2017] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Thobi:, It is spun from goat hair and is a type of floor covering.
Load more

Recommended publications
  • Weaving Traditions Along the "Wool Road" in India
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 Weaving Traditions along the "Wool Road" in India Suzette R. Copley Patterson San Francisco State University Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Copley Patterson, Suzette R., "Weaving Traditions along the "Wool Road" in India" (2002). Textile Society of America Symposium Proceedings. 537. https://digitalcommons.unl.edu/tsaconf/537 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Weaving Traditions along the "Wool Road" in India bySuzetteR.. Copley Patterson Introduction Although the "Silk Road"' is by far the most famous network of trade routes connecting China, Central Asia, and India, there are other significant, ancient trade routes between these regions of which many may not be aware. One such trade route, known informally as the "wool road", connected the plains of the Punjab in India to Tibet, Central Asia and China1. This route, and several others, passed through the Kullu and Kinnaur regions of the northern Indian state known as Himachal Pradesh. The "wool road", which was really merely a donkey trail, was the traditional main trade route in the region, and was so important that it was later widened to motorable width to boost trade in the region and came to be known as the Hindus tan-Tibet road".
    [Show full text]
  • Bachelor of Fashion Design 0
    RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY, NAGPUR (Established by Government of Central Provinces Education Department by Notification No. 513 dated the 1 st of August, 1923 & presently a State University governed by Maharashtra Public Universities Act, 2016) RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR FACULTY OF SCIENCE AND TECHNOLOGY DIRECTION NO 14 OF 2019 (Issued under section 12(8) of the Maharashtra Public University Act, 2016) The Examination leading to the Degree of Bachelor of Fashion Design, Semester Pattern, Direction, 2019. Whereas the Maharashtra Public Universities Act, 2016 is made applicable to the University w.e.f. 1 st March 2017 (hereinafter referred to as the Act); AND Whereas, Section 12(8) of the Act empowered the Vice-Chancellor to issue Direction for regulating the matter for which statute/Ordinance /Regulations is not made or to amend the existing Statute /Ordinance /Regulations; AND Whereas provision of section 12(8) provided that the Direction issued by the Vice- Chancellor shall automatically lapsed after 180 days. AND Whereas, Direction No. 69 of 2016 was issued by the Vice-Chancellor on 07/10/2016. Which could not have been converted into the Statute/Ordinance/Regulations within Six months AND Whereas, Direction No.69 of 2016 issued by the Vice-Chancellor on 07/10/2016 is required to be renewed for regulating the matter involved in the said Direction. Now, therefore, I, Dr. Siddharthavinayaka P. Kane, Vice- Chancellor,Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur in exercise of powers conferred upon me under provision of section 12(8) of the Maharashtra Public Universities Act, 2016, do hereby issue following Directions to renew Direction No.
    [Show full text]
  • Handicraft Survey Report-Art of Spinning and Weaving, Part-X D
    I CENSUS OF INDIA 1981 Series - 7 HIMACHAL PRADESH Part - X 0 HANDICRAFT SURVEY REPORT - ART OF SPINNING AND WEAVING Draft D N Sharma Assistant Director S K Bhandari Investigator K C Sun Deputy Director of Census Operations, Himachal Pradesh CONTENTS Pages FOREWORD III-IV PREFACE V-VII ACKNOWLEDGEMENT IX MAP CHAPTER I History of ongln and development of the craft 1-14 CHAPTER II Craftsmen In their rural setting 15-38 CHAPTER III Process of learning 39-44 CHAPTER IV Manufacturing processes 45-66 CHAPTER V Marketing 67-72 CHAPTER VI Craft and employment 73-79 CHAPTER V!! Conc!uslon 80-86 APPENDIX I Tables based on households of craftsman engaged In the craft 87-204 APPENDIX II Tables based on households of craftsman not practising the craft 205-236 APPENDIX III Dlstnctwlse Location of vanous Institutions 237-240 Sketches 241-256 FOREWORD The Indian handicrafts are known the world over for their nch vanety, grace, elegance and skilled craftmanshlp Nevertheless, a number of handicrafts because of their stiff competition with factory made products, non-availability of raw matenals, exorbitant Increase In the manufacturing cost, lack of proper marketing facIlities for finished products or due to a variety of other reasons have either become extinct or have reached the mOribund stage After Independence, however, a number of schemes were Introduced by different government agencies for their growth and development but stili this sudden Impetus have helped only a few crafts to flourish and thereby become spinners of foreign exchange for the country Despite the unique position being enjoyed by the handicrafts especially In the realm of national economy, the general awareness among the people In the country about our crafts and craftsmen had been deplorably poor Nothing was practically known about the commodities produced, techniques employed for the manufacture of different objects, raw matenals used, their availability, methods adopted for the sale of finished products etc An attempt was, therefore.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Traditional Handicrafts and Handloom of Kullu District, Himachal Pradesh
    Indian Journal of Traditional Knowledge Vol. 7(1), January 2008, pp. 56-61 Traditional handicrafts and handloom of Kullu district, Himachal Pradesh Neetu Sharma*, Promila Kanwar & Anju Rekha Department of Home Science Extension Education, College of Home Science, CSKHPKV, Palampur 1760 62, Himachal Pradesh E-mail: [email protected]; [email protected] Received 8 October 2007; revised 27 November 2007 Handloom weaving and handicraft are the cultural heritage of the Himachali people and an indispensable part of the lives of Kulluites. The activity of preparing a vide range of handloom and handicraft products was originated to suffice local needs but it gradually took a turn towards commercialization. In the study, handloom and handicrafts of district Kullu of Himachal Pradesh have been presented. The local weavers besides following their ancestral traditions and skills are inten- tionally making some alterations in the designs and motifs to cater to the needs of modern buyers. The various handloom and handicraft items of the Kullu district include shawls, caps, borders, pattoo, muffler, patti, thobi, numdha, gudma, hand knit woolens, kilta, patari, etc. which have been described in detail in the paper. Keywords: Traditional handloom, Traditional handicrafts, Kullu, Himachal Pradesh IPC Int. Cl.8: B27, D01, D06C, D06F, G10D Himachal, the Land of snowy mountains, with abun- document the handloom and handicrafts of district dant rainfall and rich forests, have not been able to Kullu of Himachal Pradesh. keep pace with the development in the plains because of inherent problems of topography, terrain and con- Handloom sequent isolation, climatic conditions, lack of roads The extreme cold winters of the district necessi- and transportation.
    [Show full text]
  • 34 a Nnu a L Repo
    2019-2020 Printed by : www.censer.in, 9810213218 : www.censer.in, by Printed NATIONAL INSTITUTE REPORT ANNUAL th www.nift.ac.in OF FASHION TECHNOLOGY 34 National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 34th Annual Report 2019-20 CONTENTS 3 Organisational Setup NIFT Campus Report 6 Introduction 60 Bengaluru 8 Foundation Programme 65 Bhopal 10 Fashion Design 70 Bhubaneswar 12 Leather Design 75 Chennai 15 Textile Design 84 Gandhinagar 18 Knitwear Design 94 Hyderabad 20 Fashion & Lifestyle Accessories 99 Jodhpur 22 Fashion Communication 104 Kannur 24 Fashion Management Studies 108 Kangra 26 Fashion Technology 111 Kolkata 29 Design Space 116 Mumbai 31 PhD and Research 123 New Delhi 34 Continuing Education Programmes 129 Panchkula 35 Admissions 130 Patna 36 Student Development Activities 135 Raebareli 38 International and Domestic Linkages 139 Shillong 42 Cluster Development 142 Srinagar 45 National Resource Center 145 Accounts Report 46 Information Technology 203 NIFT Campuses Address 47 Enterprise Resource Planning 48 Campus Placement 52 Convocation 53 Faculty Orentation Training and Development 55 Projects at NIFT 57 Corporate Communications Cell 2 NATIONAL INSTITUTE OF FASHION TECHNOLOGY - ANNUAL REPORT 2019-20 ORGANISATIONAL SETUP BOARD OF GOVERNORS Members as on March 2020 S. No. Name & Designation of BOG Members 1 Mr. Ravi Capoor, IAS Secretary (Textiles), Ministry of Textiles & Chairman, BOG-NIFT 2 Ms. Saroj Pandey Hon’ble Member of Parliament, Rajya Sabha 3 Smt. Raksha Nikhil Khadse Hon’ble Member of Parliament, Lok Sabha 4 Dr.
    [Show full text]
  • Fashion Between Inspiration and Appropriation
    laws Article Fashion between Inspiration and Appropriation Barbara Pozzo The Faculty of Law, Department of Law, Economics and Cultures, University of Insubria, Via S. Abbondio 12, 22100 Como, Italy; [email protected] Received: 20 October 2019; Accepted: 6 January 2020; Published: 12 February 2020 Abstract: Fashion is considered an element of “cultural identity”. At the same time, it has always been a dynamic phenomenon in which different styles, designs and models converged, acting both as a source of attraction for designers as well as a source of inspiration to draw and depart from in an attempt at innovation. Influences were reciprocal, with the phenomenon of Orientalism going hand in hand with that of Occidentalism. Today’s discussion focuses on the vindication by various ethnic groups of ways to protect their own folklore as expression of their own cultural identity. The questions that arise are manifold. This contribution aims at framing the problem in the nowadays fashion industry as well as investigating the various possibilities of protecting folklore while preserving cultural identity. The discussion will deal with recent studies that have analyzed the various aspects of cultural appropriation. Intellectual property will be taken into consideration as a way to protect folklore. Nevertheless, this article suggests that other options for achieving protection of cultural heritage and folklore emerge in the field of Private Governance and Corporate Social Responsibility that will offer new opportunities to tackle the problem of cultural appropriation in the fashion world. Keywords: cultural appropriation; intellectual property; traditional knowledge; traditional designs; private governance; Corporate Social Responsibility; folklore 1. Introduction The topic of cultural appropriation in fashion has received much attention in recent years by media as well as by the specialist literature.
    [Show full text]
  • Human Ecology and Family Sciences I Part I
    Human Ecology and Family Sciences i Part I 2018-19 ISBN 978-81-7450-972-7 First Edition July 2009 Sravana 1931 ALL RIGHTS RESERVED p No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, Reprinted electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. May 2017 Jyeshtha 1939 p This book is sold subject to the condition that it shall not, by April 2018 Chaitra 1940 way of trade, be lent, re-sold, hired out or otherwise disposed of without the publisher’s consent, in any form of binding or cover other than that in which it is published. p The correct price of this publication is the price printed on this page, Any revised price indicated by a rubber stamp or by a sticker or by any other means is incorrect and should be PD 3T RSP unacceptable. © National Council of Educational Research and Training, 2009 OFFICES OF THE PUBLICATION DIVISION, NCERT NCERT Campus Sri Aurobindo Marg New Delhi 110 016 Phone : 011-26562708 108, 100 Feet Road Hosdakere Halli Extension Banashankari III Stage Bangaluru 560 085 Phone : 080-26725740 Navjivan Trust Building P.O.Navjivan Ahmedabad 380 014 Phone : 079-27541446 CWC Campus Opp. Dhankal Bus Stop Panihati Kolkata 700 114 Phone : 033-25530454 Rs. 160.00 CWC Complex Maligaon Guwahati 781 021 Phone : 0361-2674869 Publication Team Head, Publication : M. Siraj Anwar Division Chief Editor : Shveta Uppal Chief Business : Gautam Ganguly Manager Chief Production : Arun Chitkara Printed on 80 GSM paper with NCERT Officer watermark Production Assistant : Mukesh Gaur Published at the Publication Division by the Secretary, National Council of Cover and Layout Design Educational Research and Training, Shweta Rao Sri Aurobindo Marg, New Delhi 110 016 and printed at Swan Press, B-71, Illustrations Naraina Industrial Area, Phase-II, New Delhi 110 028 Seema Jabin Husain 2018-19 Foreword The National Curriculum Framework (NCF) 2005 recommends that children’s life at school must be linked to their life outside the school.
    [Show full text]
  • For Shawl As Artware at Kullu,Himachal Pradesh
    The loom of tradition “Shawls As Artware ” Development Commissioner (Handicrafts) Ministry of Textiles, Govt. of India Pocket 6 & 7, Sector - C, Local Shopping Centre West Block No. Vll, R.K. Puram, New Delhi 110066 Vasant Kunj, New Delhi - 110070 PH.: +91-11-26106902 Fax: +91-11-26163085 Tel: 91-11-26135256 / 57 / 58 Fax: 91-11-26135518/19 www.handicrafts.nic.in / www.craftclustersofindia.in Email: [email protected] Website: www.epch.in The export promotion council for handicraft is a non- profit organization. EPCH is an apex organization of trade, industry and government sponsored by Ministry of textiles, for promote and projected image of Indian Handicrafts as per international standard. EPCH provides commercially useful information and assistance to members in developing and increasing exports, and organized explore overseas market opportunities, Indian Handicrafts Trade Fairs etc. Design and Technology Development Workshop and Integrated design and technology development projects which is supported by Development Commissioner (Handicrafts) to meet the needs of the handicrafts sector like upgradation of artisan’s skills through development of new designs and prototypes, exposure of the participating craftsmen to the developments taking place in the field of design, technology, market intelligence, management skills and packaging, supply of improved tools and equipment to the craft persons etc. Name of the Organization Export Promotion Council for Handicraft (EPCH) Name of the activity Integrated Design & Technology Development project in Shawl as Artware Sanction Order no. J12012/149(5)/2014-15/DS/NR/(INTG)(SC) Number of beneficiaries 40 Number of Prototype developed 28 in set of 2 The Proposal comprised to train the artisans / craftsperson / Entrepreneurs of New design for the exports and the latest technologies used in the product development for the exports.
    [Show full text]
  • Bachelor of Fashion Design Syllabus 2016-17
    RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR (Established by Government of Central Provinces Education Department by Notification No. 513 dated the 1st of August, 1923 & presently a State University governed by Maharashtra Universities Act, 1994) FACULTY OF HOME SCIENCE DIRECTION NO. 69 OF 2016 DIRECTION GOVERNING THE EXAMINATION LEADING TO THE DEGREE OF BACHELOR OF FASHION DESIGN (SEMESTER PATTERN) (Issued under section 14(8) of the Maharashtra University Act 1994) Whereas the Maharashtra Universities act No. XXXV of 1994 has come into force with effect from 22nd July, 1994 and was amended from time to time. AND WHEREAS, the University Grants Commission, New Delhi vide letter No.D.O.No.F-2/2008/(XI Plan), dated 31st January 2008 regarding new initiatives under the XI Plan – Academic reforms in the University has suggested for improving quality of higher education and to initiate the academic reform at the earliest, AND Whereas the Task Force in BFD/BTS/BPD in the Faculty of Home Science at its meeting held on 25/08/2016, have recommended for starting of semester pattern and prepared the syllabus and scheme of examination for Bachelor of Fashion Design, commensurate with the governing guidelines. AND Whereas the Coordinator, Faculty of Home Science concurred with the recommendations of the Task Force in BFD/BTS/BPD in the Faculty of Home science vide her observations dated 25/08/2016, AND Whereas, the new draft direction and scheme of examination as per semester pattern is to be implemented from the academic session 2016-2017 for Bachelor of Fashion Design which is to be regulated by this direction and as such there is no existence and framing of an ordinance for the above examination, AND WHEREAS the Hon’ble Vice-Chancellor has accepted the syllabus along with draft direction on the behalf of Academic Council on 7-10- 2016 under section 14(7) of Maharashtra University Act 1994.
    [Show full text]
  • Annual Report 2016-17
    DESIGN MANAGEMENT TECHNOLOGY Annual Report 2016-17 National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 31st Annual Report 2016-17 BRING YOUR FASHION IDEAS TO LIFE NATIONAL INSTITUTE OF FASHION TECHNOLOGY - ANNUAL REPORT 2016-17 CONTENTS Board of Governors 126 Design Space 6 (2016-17) International & 132 Domestic Linkages 10 NIFT - Introduction Significant Landmarks 136 National Resource Centre 12 (2016-17) 137 Craft Cluster Initiative Student Development Information Technology 14 Activities 158 Initiative 16 NIFT Campuses Continuing Education 160 Programme 18 Foundation Programme 165 Campus Placements 24 Fashion Design 169 PhD and Research 33 Leather Design 173 FOTD 42 Textile Design 175 Projects 2016 54 Knitwear Design 177 Admissions 2016 Fashion & Lifestyle 70 Accessories 178 Convocation 2016 85 Fashion Communication 179 Abbreviations Fashion Management Auditor’s Report & 103 Studies 180 Statement of Accounts 108 Fashion Technology NATIONAL INSTITUTE OF FASHION TECHNOLOGY - ANNUAL REPORT 2016-17 BOARD OF GOVERNORS Members as on March 2017 Mr. Chetan Chauhan D-202, Nagarjuna Apartment, Mayur Vihar, Chairman, BOG-NIFT Phase-I, New Delhi Ms. Kanimozhi, 14-1, First Main Road, CIT Colony, Mylapore, Hon’ble M.P. Rajya Sabha Chennai - 600004 Ms. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society Dr. Pochkhanwala Road, Worli Mumbai- 400 030 Ms. V. Sathyabama, No: 9 Sri Nagar, Cutchery street, Hon’ble M.P Lok Sabha Gobichettipalayam, Tamil Nadu 6 Mr. J.K Dadoo, Room No. 35, Ministry of Textiles, New Delhi AS&FA, MoT Ms.
    [Show full text]
  • Hpas Current Affairs 2021
    Dear Aspirant In these times of digital distraction and information overload, it is easier to get lost in the content than find meaningful and relevant information. We at GURUJI’S KIRPA S.N.M. IAS Academy understand the demand of the exam and requirement of the aspirants and to fulfill the two we bring to you “HPAS current Affairs, 2021”. This is a compendium of state relevant information for HPAS Exam and all other competitive exams. The book covers the current affairs and issues from every spheres of State Economy, Ecology, Governance reforms and Welfare initiatives. Look out for LINKING PIN feature in this book which connects the current affairs of the state with that of the National affairs and issues. For the ease of studying, each topic is systematically divided into subtopics and the format is absolutely Prelims oriented. The book includes important topics of interest from March 2020 to February 2021. However, the topics prior to these can be accessed from our website https://www.snmiasacademy.com/ and more content is uploaded on daily basis at https://www.snmiasacademy.com/has-current- affairs/. You may stay updated by connecting to us online. To further ease of your burden and enrich your preparation, the summary for State Economic Survey (2020-2021) and State Economic Budget (2021-2022) will be released in the month of March. 1 CONTENTS I. ECONOMY SECTION 4- 59 1. Fiscal Health & Economic Reforms 2. Horticulture Sector 3. Hydropower Sector 4. Hotel & Tourism Sector 5. Agriculture Sector 6. Industrial Sector 7. Fisheries 8. Physical Infrastructure II.
    [Show full text]