Tribal Asian Textile

Total Page:16

File Type:pdf, Size:1020Kb

Tribal Asian Textile +91-9414470503 Tribal Asian Textile https://www.indiamart.com/jaisalmerhandloomhandicraftindustries/ We are Manufacturing, Wholesaling, Trading and Exporting a widespread array of Wall Hanging, Kantha Quilt, Cushion Cover, Banjara Bags, Mirror Work Bags, Ethnic Bags & Quilt Bed Cover. About Us Jaisalmer Handloom Handicraft Industries is a Sole Proprietorship business venture that came into existence in the year 1984 at Jaisalmer Rajasthan, India. Since inception, we have emerged as one of the leading names involved in Manufacturing, Wholesaling, Trading and Exporting an exclusive array of Wall Hanging, Kantha Quilt, Cushion Cover, Banjara Bags, Mirror Work Bags, Ethnic Bags & Quilt Bed Cover. Known for elegant design, light weight, fade proof, color fastness and strong built, our handicraft products are widely cherished in the markets throughout the nation. Our handicraft products are widely used as decoration items in houses, offices and commercial establishments.We export mainly in USA, UK, Australia, Spain, France, Germany and Argentina. Our eye catchy handicraft products are manufactured using finest quality raw material that are sourced from trusted market vendors. Production process is carried in our modernized manufacturing unit that is installed with requisite tools and modernized machines. Apart from our manufacturing unit, we are supported by marketing and sales unit, warehousing unit, administrative unit and more. Managing these units is a work of highly skilled team and motivated pool of professionals. These professionals have clear idea about the functioning of advanced tools and machines installed at our facilities. They are chosen after conducting various selection... For more information, please visit https://www.indiamart.com/jaisalmerhandloomhandicraftindustries/about-us.html KANTHA QUILT O u r P r o d u c t s Vintage Handmade Suzani Hand Block Print Kantha Quilt Throw Unique Embroidered Ajrakh Kantha Bed Cover Wall Hanging Tapestry Throw Indian Bedspread Multi Kantha Quilt Designer Kantha Quilt BANJARA BAGS O u r P r o d u c t s Banjara Shoulder Bags Banjara Casual Bags Ethnic Tribal Vintage Banjara Embroidered Banjara Clutch Clutch Bag Bag By Banjara Textile WALL HANGING TAPESTRY O u r P r o d u c t s Decorative Wall Hanging Wall Hanging Elephant Tapestry Tapestry Wall Hanging Patchwork Vintage Indian Patchwork Wall Tapestry Hanging Bead Work Embroidery QUILT BED COVER O u r P r o d u c t s Suzani kantha Quilts Printed Quilt Bed Cover Hand Quilt Bed Cover Kantha Quilt Bed Cover BLOCK PRINT DOHAR & BEDSHEET O u r P r o d u c t s Sanganeri Print Running Best King Bed Size White Fabric Bed Sheet Dohar Twin Color Cotton Fabric Hand Dohar Block Print Bed Sheet Indian Traditional Cotton Hand Mandala Cotton Rug Throw Made Paisley Hand Block Handmade Printed Queen Bed Cover Bed Sheet CUSHION COVER O u r P r o d u c t s Designer Cushion Cover Cushion Cover Patchwork Cushion Cover Exclusive Cushion Cover PASHMINA SAHWLS & SCARVES O u r P r o d u c t s Jamawar Wool Kani Pashmina Kani Wool Pashmina Shawl Shawl Wrap Women Wool Jamawar Kani Phulkari Dupatta Scarf Chunni Shawl Georgette Embroidered Indian Hijab Neck Wrap Traditional Stole Sarong EMBROIDERY JACKETS O u r P r o d u c t s Kantha Hand Embroidery Ladies Ethnic Embroidery Block Print Jacket Jacket Ladies Handmade Jacket Vintage Kantha Jackets O u r OTHER PRODUCTS: P r o d u c t s Vintage Kantha Quilt Embroidered Banjara Clutch Bag Wall Hanging Tapestry Quilt Bed Cover O u r OTHER PRODUCTS: P r o d u c t s Home Decor Indian Voile Antique Textiles Vintage Cotton White Damask Hand Embroidery Pillow Cover Block Printed AC Quilt Dohar Cushion Cover Embroidery Wool Pashmina Indigo Kantha Jackets Shawls F a c t s h e e t Year of Establishment : 1984 Nature of Business : Exporter and Manufacturer Total Number of Employees : 11 to 25 People CONTACT US Tribal Asian Textile Contact Person: Dinesh Kumar Rathi 213, Amer Rd, Govind Nagar West, Brahampuri Jaipur - 302002, Rajasthan, India +91-9414470503 https://www.indiamart.com/jaisalmerhandloomhandicraftindustries/.
Recommended publications
  • Textile Designs - 1
    Textile Designs - 1 1. Crewel Work, Kashmir Textile Designs - 1 2. Embroidered Dorukha Shawl, Kashmir Textile Designs - 1 3. Kinnaur Shawl, Himachal Pradesh Textile Designs - 1 4. Embroidered Chamba Rumal, Himachal Pradesh Textile Designs - 1 5. Bagh Phulkari, Punjab Textile Designs - 1 6. Banarasi Zari Saree, Uttar Pradesh Textile Designs - 1 7. Chikan Embroidery, Kurta, Uttar Pradesh Textile Designs - 1 8. Block Printing, Rajasthan Textile Designs - 1 9. Bandhani Printing, Rajasthan Textile Designs - 1 10. Applique Work, Gujarat Textile Designs - 1 11. Mirror Embroidery, Gujarat Textile Designs - 1 12. Paithani Silk Saree, Maharashtra Textile Designs - 1 Hkkjr us gLrf'kYi dh Js"B ijaijk dks èkjksgj osQ :i esa izkIr fd;k gSA lqUnjrk ls India has inherited a great tradition of handicrafts which has its iw.kZ o lkekftd mi;ksx dh oLrqvksa dh jpuk gsrq ekuo dh ewy vko';drk esa bl beginnings in Man's basic need for creating objects of beauty and social utility. Even simple household articles such as pots, mats and furniture ijaijk dk izkjaHk fufgr gSA ;gka rd fd] crZu] pVkbZ;ka vkSj est] oqQlhZ tSlh lkèkkj.k have been decorated with stylised motifs inspired by nature. ?kjsyw oLrqvksa dks Hkh izo`Qfr izsfjr 'kSyhxr vfHkizk;ksa ls vyao`Qr fd;k tkrk gSA Apart from other handicrafts, India is also famous for the excellence it vU; gLrf'kYiksa osQ vfrfjDr Hkkjr] oL=kksa dh le`f¼ lEcaèkh Js"Brk osQ fy, Hkh has achieved in the rich variety of textiles. Excavations show that, as far izfl¼ gSA [kqnkbZ ls irk pyrk gS fd dkiQh igys] r`rh; 'krkCnh bZlk iwoZ esa lwrh back as in the third millennium B.C, cotton fibre was woven into cloth and rUrq dks oL=k :i esa cquk tkrk Fkk rFkk Nis gq, oL=kksa osQ uewus Hkh izkIr gq, gSaA samples of printed fabrics have also been found.
    [Show full text]
  • Traditional Indian Textiles Students Handbook + Practical Manual Class XII
    Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • I – Traditional Textiles of India – Sfda 1301
    UNIT – I – TRADITIONAL TEXTILES OF INDIA – SFDA 1301 1 Introduction : The term 'Textile' is a Latin word originating from the word 'texere' which means 'to weave' Textile refers to a flexible material comprising of a network of natural or artificial fibers, known as yarn. Textiles are formed by weaving, knitting, crocheting, knotting and pressing fibers together. Textile Museum is that specialized category of museum which primarily preserves different types of textile and textile products. Indian textile enjoys a rich heritage and the origin of textiles in India traces back to the Indus valley Civilization where people used homespun cotton for weaving their clothes. Rigveda, the earliest of the Veda contains the literary information about textiles and it refers to weaving. Ramayana and Mahabharata, the eminent Indian epics depict the existence of wide variety of fabrics in ancient India. These epics refer both to rich and stylized garment worn by the aristocrats and ordinary simple clothes worn by the common people. The contemporary Indian textile not only reflects the splendid past but also cater to the requirements of the modern times. The rich tradition of textile in India has been favored by a number of factors. The favorable factors leading to the extensive growth of textile tradition in India follows. Easy availability of abundant raw materials like cotton, wool, silk, jute and many more Widely prevalent social customs Variety of distinct local culture Constructive geographic and climatic conditions Each and every region of India contributes in creating a myriad of textile tradition. The hilly region of the country produces a rich variety of woolen textiles.
    [Show full text]
  • Journal 30.Pdf
    1 GOVERNMENT OF INDIA GEOGRAPHICAL INDIACTIONS JOURNAL NO. 30 SEPTEMBER 16, 2009 / BHADRAPADA 25, SAKA 1931 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 8 3. Public Notice 23 4. Sanganeri Hand Block Printings 24 5. Balaramapuram Sarees and Fine Cotton Fabrics 39 6. General Information 50 7. Registration Process 53 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 30 of the Geographical Indications Journal dated 16th September 2009 / 25th Bhadrapada Saka 1931 has been made available to the public from 16th September 2009. Issue of Registration Certificate 1) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that The Goa Cashew Feni Distillers & Bottlers Association, D3/26, Tivim Industrial Estate, Karaswado Mapusa, Goa - 403 507 and Department of Science, Technology & Environment, Govt. of Goa, Opposite Saligao Seminary, Saligao, Bardez, Goa - 403 511 are the Registered Proprietor for FENI for the goods Alcoholic Beverages falling in Class 33 under GI Application No. 120 as of date 19th December, 2007. 2) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that (a) The Uppada Handloom Weavers Co- operative Production & Sales Society Ltd., Uppada, U Kothapalli Mandal, East Godhavari Dist, Andhra Pradesh - 533 447; (b) Durga Handloom Weavers Co-operative Production & Sales Society Ltd., Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 and (c) Kothapalli Master Weavers’ Association, Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 are the Registered Proprietor for UPPADA JAMDANI SAREES for the goods Textile and textile goods, not included in other classes; bed and table covers falling in Class – 24 and Clothing and Headgear falling in Class - 25 under GI Application No.
    [Show full text]
  • Dress Designing and Garment Manufacturing Programme Code : 01/02/03/04/05/06/07/08 Name of Course : Elements of Drawing Course Code : DD181
    FIRST SESMESTER Name of Programme : Dress Designing and Garment Manufacturing Programme Code : 01/02/03/04/05/06/07/08 Name of Course : Elements of Drawing Course Code : DD181 Teaching Scheme – Hours / Week Total Hours Theory 02 32 Term Work / Practical 04 64 Evaluation – Progressive Theory Practical Oral Term Work Assessment Duration - - 03 - - Marks - - 50 - 50 Course Aim – This course provides foundation for drawing, which enables the students to develop skills of illustration. Students can better organize and communicate the idea through language of drawing & color schemes. It develops proper execution of details of human body to make illustration successful. Course Objectives – The students will be able to – Achieve knowledge of media and material of drawing. Draw objects using guideline. Course Content – Sr. No. Topic / Subtopic Hours Weight age Practical 1 Introduction to Drawing Material 03 Introduction to Dry material, Wet material, Types of Drawing Material paper Dry material, Wet material, Types of paper. 2 Basic of Drawing 04 Basic of Drawing A) Use of Lines as guidelines for basic A) Types of Lines drawing. B) Composition of Line B) Expression/Emotions of different in relation with forms. lines. C) Expression/Emotions C) Use of Lines for different Shading of different lines using techniques. own creativity a) Hatching D) Lines with different b) Smudging Leads. c) Stripling E) Use of Lines for d) Scrambling different Shading techniques a) Hatching b) Smudging c) Stripling d) Scrambling 3 Elements of Design 04 Elements of Design Line, Form, Color, Texture & Shape 4 Colors 06 Colors a) Defining Chrome, Hue & Intensity. a) Color wheel b) Color wheel- Cool and Warm b) Quaternary Color Colors etc.
    [Show full text]
  • Maple Clothing
    Maple Clothing https://www.indiamart.com/maple-clothing/ Deals in waist stretchable, kashmir embroidered, embroidered indian jackets etc. About Us Maple Clothing brings you authentic, exclusive, and unique collection of handmade traditional Indian clothing and accessories. We are currently offering long skirts, ladies bags, embroidered shoes and slippers, Indian shawls, scarves and stoles, ponchos, wrap around skirts, salwar kameez, home furnishings decor and tunics, long hippie skirts - exclusive indian fashion, indian clothes all handmade in India. For more information, please visit https://www.indiamart.com/maple-clothing/aboutus.html LADIES FASHION WEARS P r o d u c t s & S e r v i c e s Embroidered Clothing Paisley Shawls Embroidered Indian Jackets Waist Stretchable MEN OUTERWEAR VESTS P r o d u c t s & S e r v i c e s Mens Outerwear Vests Mens Outerwear Vests Mens Outerwear Vests Mens Outerwear Vests DESIGNER SHAWLS P r o d u c t s & S e r v i c e s Gujrati Embroidered Shawls Jamawar Shawls Kashmiri Shawls Tie Dye Shawls LADIES SKIRTS P r o d u c t s & S e r v i c e s Tie Dye Skirts Wrap Skirts Designer Skirts Mid Length Skirts FASHION SCARVES P r o d u c t s & S e r v i c e s Cotton Scarves For Women Scarves From India Silk And Wool Scarves Cashmere Scarves For Women EMBROIDERED KURTAS P r o d u c t s & S e r v i c e s Kashmir Embroidered Chikan Embroidered Kurta Tops Kurta Pajama For Men Short Kurtas For Men From India TRADITIONAL INDIAN FOOTWEAR P r o d u c t s & S e r v i c e s Mens Indian Shoes Womens Slippers Womens Shoes DESIGNER KURTIS P r o d u c t s & S e r v i c e s Indian Designer Kurtis Long Kurtis Kashmir Embroidered P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Wool Ponchos For Women Mens Outerwear Vests Silk Pashmina Shawls Indian Print Long Skirts F a c t s h e e t Nature of Business :Other CONTACT US Maple Clothing Contact Person: Manager Rz-2802-A/31, Tughlakabad Extn.
    [Show full text]
  • Dress Designing & Garment Manufacturing Curriculum
    Government Polytechnic Nashik CURRICULUM - 2011 DIPLOMA PROGRAMME IN DRESS DESIGNING AND GARMENT MANUFACTURING INDEX Sr. No. Content Page No. 1 Preface 1 2 Rationale 3 3 Programme Objectives 3 4 Job Profile 3 5 Skills to be Developed 4 6 Programme Structure 5-11 7 Courses for Award of Class 12 Course Contents of 8 Level -1: Foundation Courses 13-30 Course Code Course Name 8.1 1110 Computer Applications 13 8.2 1120 Career skill-I 16 8.3 1121 Elements of Drawing 19 8.4 1122 Introduction of sewing Techniques 21 8.5 1123 Introduction to Drafting and Cutting 24 8.6 1124 Tools and Machines for Apparel Construction 28 9 Level -2: Basic Technology Courses 31-60 Course Code Course Name 9.1 1253 Hand Embroidery 31 9.2 1254 Design Concept 33 9.3 1255 Elementary Textile - I 36 9.4 1256 Apparel Construction-I 38 9.5 1257 Indian Costume 41 9.6 1258 Fashion Illustration - I 46 9.7 1259 Elementary Textile - II 48 9.8 1260 Indian Folk Art 51 9.9 1261 Apparel Construction-II 53 9.9 1262 Career Skill-II 55 9.9 1263 Career Skill-III 58 10 Level -3: Allied Courses 61-74 Course Code Course Name 10.1 1303 Project Management 61 10.2 1304 Material Management 63 Sr. No. Content Page No. 10.3 1305 Supervisory Skills 66 10.4 1306 Entrepreneurship Development 68 10.5 1308 Life Skill 71 10.6 1315 Computer Aided Fashion Design 73 11 Level -4: Applied Technology Courses 75-118 Course Code Course Name 11.1 1410 Professional Practise 75 11.2 1411 Seminar 77 11.3 1412 Project 80 11.4 1461 Surface Ornamentation 84 11.5 1462 Advance Pattern Cutting 86 11.6 1463 Apparel Construction
    [Show full text]
  • Boctor of $F)Tlosropf)P in HISTORY
    SOCIAL LIFE AND CULTURAL PRACTICES AMONG THE MERCHANT GROUP IN MUGHAL GUJARAT ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of $f)tlosropf)p IN HISTORY 3Y MONIKA SHARMA UNDER THE SUPERVISION OF DR. SUMBUL HALIM KHAN CENTRE OF ADVANCED STUDY DEPARTMENT OF HISTORY ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2013 Social Life and Cultural Practices Among the Merchant Group in Mughal Gujarat Abstract The theme 'Social Life and Cultural Practices Among the Merchant Group in Mughal Gujarat' proposed to address the social dimension of otherwise commercially acknowledged region - Gujarat. The merchant group were fenced off in order to address vital problems linked to structural morphology of the mercantile community, their organisation, nature of professional network as also proximity to the administrators. The present endeavour though largely based on the classic works of Pearson, Ashin- E>aS Gupta, Makarand Mehta, Ruby Maloni et al undertakes a fresh approach on tfi^-SBygraidiEti^iisions integral to the Merchant groups such as Bohras, Parsis, Ghanchis, Memons and Europeans etc. The first chapter focuses the broadlines of the region - namely that the region of Gujarat had considerable agricultural resources to sustain and provide impetus to mercantile activities, evidence also indicates the presence of accelerate activity in commercial and manufacturing centres. This peculiarly conductive envirormient led to the region becoming a hub not only of thriving mercantile institutions and capital but also becoming a conglomerate of skilled artisans and craftsmen. As a result it was properly connected by inland and overseas trade routes and the elements which supported its commercial life.
    [Show full text]
  • Dayalbagheducationali Nstitute
    D A Y A L B A G H E D U C A T I O N A L I N S T I T U T E DEPARTMENT OF DRAWING & PAINTING (FACULTY OF ARTS) POST GRADUATE DIPLOMA IN TEXTILE DESIGNING & PRINTING (PGDTDP): 2017-18 Course Course Title Credits End Sem. Theory/ Number Exam.Exists Practical TDD101 HISTORY OF ART IN INDIAN TEXTILES 4.0 Yes T TDD102 TEXTILE TECHNOLOGY 4.0 Yes T TDD103 TEXTILE TECHNOLOGY LAB. 9.0 Yes P TDD104 ORNAMENTAT.TECHNIQ.-TEXTILE FABRICS 5.0 Yes P TDD201 MANAGEMENT AND COSTING 4.0 Yes T TDD202 PRINTING AND COMPUTER AIDED DESIGN 4.0 Yes T TDD203 DESIGN & PRINTING TECHNOLOGY LAB 5.0 Yes P TDD204 PROJECT 9.0 Yes P TDD205 PRODUCT DESIGNING 6.0 Yes P (1) 19 December, 2018 Course No.: TDD101, Course Title: HISTORY OF ART IN INDIAN TEXTILES Class: P.G.D.T.D.P., Status of Course-MAJOR COURSE, Approved since session: 1998-1999 Total Credits: 4, Periods (55 mts. each)/week: 4(L-4+T-0+P/S-0), Min.pds. /sem.: 52 Students would be taught the Historical background, Origin of designs and motifs of Indian Traditional textiles i.e. Woven, Printed, Painted & Embroidered their development and technical details. UNIT 1 [8 pds] Natures influence on the design for textiles from Pre-historic to present day. UNIT 2 [12 pds] Study of Indian embroidered textiles with reference to: (a) Historical significance (b) Construction techniques (c) Styles (d) Textures, (e) Motifs (f) Centers of Production (I) Kashmir embroidery (Pashmina, Jamawar, Nambda, Gubba) (ii) Phulkari (iii) Chamba Rumals (iv) Kantha.
    [Show full text]
  • Fusion of Mughal Apparels in Modern Fashion and Design
    Chapter VIII Fusion of Mughal apparels in modern fashion and design- The impact of Mughal dress in Indian life style is found immensely during the modern times. We find the recall of Mughal designing and textiles and its technique in modern era particularly in bridal wear. Almost all the fashion designer of India tried their best to re-use the modern techniques in their designing and created a classic sense in the world of fashion by using the Mughal dress designing. Designers like Arjun and Anjalee Kapoor brought a new taste of dress designing from Mughal touch. Reminiscing about the Mughal era and bringing the grandeur of the period alive, the latest collection by them has a strong Jamawar influence. The gowns, resplendent with ruffles and texture, have a fairytale like feel, the embroidery, interspersed with delicate roses and over-the-top use of feathers, lends glamour to the ensemble. Ethnicity is kept intact, fusing it with modern construction to make the ensemble fit for a modern bride. Fine fabrics, such as rich velvet and Benarasi silk as the base for lehengas and anarkali suits have been used. Intense thread work embroidery has been meticulously worked upon. Tulle and Cancan has been used to create a lacy, floating look. Deep colours like burgundy, tomato red are used in his designs.1 According to the fashion designer Anjali Kapoor “We are presenting garments for the modern woman who is a diva and who likes to create her own fashion statement. The collection Mogul Opera, merges elements from the 17th century Victorian era to the glorious Mughal period, culminating in a beautiful symphony of gowns, lehengas, corsets and sensuous cholis.
    [Show full text]