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Fabric Story: India- Fabrics and Embroideries
Humber Fashion Institute Fabric Story: India- Fabrics and Embroideries FMPC 505 01 Nilofer Timol 10/18/2013 Contents Humber Fashion Institute ....................................................................................................................................................... 0 Fabric Story: India- Fabrics and Embroideries ........................................................................................................................ 0 FMPC 505 01 ........................................................................................................................................................................... 0 Table of Figures ....................................................................................................................................................................... 2 India: Fabrics and Embroideries .............................................................................................................................................. 3 Introduction ........................................................................................................................................................................ 3 The Fabric Story ...................................................................................................................................................................... 6 Fashion Theme ............................................................................................................................................................... -
Textile Designs - 1
Textile Designs - 1 1. Crewel Work, Kashmir Textile Designs - 1 2. Embroidered Dorukha Shawl, Kashmir Textile Designs - 1 3. Kinnaur Shawl, Himachal Pradesh Textile Designs - 1 4. Embroidered Chamba Rumal, Himachal Pradesh Textile Designs - 1 5. Bagh Phulkari, Punjab Textile Designs - 1 6. Banarasi Zari Saree, Uttar Pradesh Textile Designs - 1 7. Chikan Embroidery, Kurta, Uttar Pradesh Textile Designs - 1 8. Block Printing, Rajasthan Textile Designs - 1 9. Bandhani Printing, Rajasthan Textile Designs - 1 10. Applique Work, Gujarat Textile Designs - 1 11. Mirror Embroidery, Gujarat Textile Designs - 1 12. Paithani Silk Saree, Maharashtra Textile Designs - 1 Hkkjr us gLrf'kYi dh Js"B ijaijk dks èkjksgj osQ :i esa izkIr fd;k gSA lqUnjrk ls India has inherited a great tradition of handicrafts which has its iw.kZ o lkekftd mi;ksx dh oLrqvksa dh jpuk gsrq ekuo dh ewy vko';drk esa bl beginnings in Man's basic need for creating objects of beauty and social utility. Even simple household articles such as pots, mats and furniture ijaijk dk izkjaHk fufgr gSA ;gka rd fd] crZu] pVkbZ;ka vkSj est] oqQlhZ tSlh lkèkkj.k have been decorated with stylised motifs inspired by nature. ?kjsyw oLrqvksa dks Hkh izo`Qfr izsfjr 'kSyhxr vfHkizk;ksa ls vyao`Qr fd;k tkrk gSA Apart from other handicrafts, India is also famous for the excellence it vU; gLrf'kYiksa osQ vfrfjDr Hkkjr] oL=kksa dh le`f¼ lEcaèkh Js"Brk osQ fy, Hkh has achieved in the rich variety of textiles. Excavations show that, as far izfl¼ gSA [kqnkbZ ls irk pyrk gS fd dkiQh igys] r`rh; 'krkCnh bZlk iwoZ esa lwrh back as in the third millennium B.C, cotton fibre was woven into cloth and rUrq dks oL=k :i esa cquk tkrk Fkk rFkk Nis gq, oL=kksa osQ uewus Hkh izkIr gq, gSaA samples of printed fabrics have also been found. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Bachelor of Khadi Production & Design Syllabus 2016-17
RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY, NAGPUR (Established by Government of Central Provinces Education Department by Notification st No. 513 dated the 1 of August, 1923 & presently a State University governed by Maharashtra Universities Act, 1994) FACULTY OF HOME SCIENCE DIRECTION NO. 68 OF 2016 DIRECTION GOVERNING THE EXAMINATION LEADING TO THE DEGREE OF BACHELOR OF KHADI PRODUCTION & DESIGN (THREE YEARS DEGREE COURSE – SEMESTER PATTERN (Issued under section 14(8) of the Maharashtra University Act 1994) Whereas the Maharashtra Universities act No. XXXV of 1994 has come into force with effect nd from 22 July, 1994 and was amended from time to time. AND WHEREAS, the University Grants Commission, New Delhi vide letter No.D.O.No.F- st 2/2008/(XI Plan), dated 31 January 2008 regarding new initiatives under the XI Plan – Academic reforms in the University has suggested for improving quality of higher education and to initiate the academic reform at the earliest, AND Whereas the Task Force in Textile and Clothing in the Faculty of Home Science at its meeting held on 25.08.2016, have recommended for starting of semester pattern and prepared the syllabus and scheme of examination for Bachelor of Khadi Production and Design, commensurate with the governing guidelines. AND Whereas the Coordinator, Faculty of Home Science concurred with the recommendations of the Task Force in Textile and Clothing in the Faculty of Home science vide her observations dated 25.08.2016, AND Whereas, the new draft direction and scheme of examination as per semester pattern is to be implemented from the academic session 2016-2017 for Bachelor of Khadi Production and Design which is to be regulated by this direction and as such there is no existence and framing of an ordinance for the above examination, AND WHEREAS the Hon’ble Vice-Chancellor has accepted the syllabus along with draft direction on the behalf of Academic Council on 7-10-2016 under section 14(7) of Maharashtra University Act 1994. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
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VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7. -
641 029 B.Sc Costume Design and Fashion CURRICULUM
KONGUNADU ARTS AND SCIENCE COLLEGE [AUTONOMOUS] COIMBATORE - 641 029 B.Sc Costume Design and Fashion CURRICULUM & SCHEME OF EXAMINATION UNDER CBCS [APPLICABLE TO THE STUDENTS ADMITTED DURING THE ACADEMIC YEAR 2014-2015 & ONWARDS] Exam.marks Subject Title of the Paper Part code Credits Duration of of Duration Semester Exam. (hours) Exam. Instruction Instruction Hours / Cycle / Hours CIA ESE Total $ I 13TML1A1 Lang-Tamil I @ 6 25 75 100 3 3 II 14ENG101 Lang - English I 6 25 75 100 3 3 14UCD101 C.P.1 – Pattern making 5 25 75 100 3 4 I III 13UCD1CL C.Pr.1– Basics of Apparel 6 40 60 100 4 3 Designing 13UCD1AL Allied.Pr.1 Fashion Illustration 5 40 60 100 3 5 IV 12EVS101 Environmental studies** 2 - 50 50 3 2 13TML2A2 Lang-Tamil II @ 6 25 75 100 3 3 I II 14ENG202 Lang - English II 6 25 75 100 3 3 14UCD202 C.P.2 – Fiber To Yarn 3 25 75 100 3 3 III 14UCD203 C.P.3- Fashion Designing and 3 25 75 100 3 4 II Fashion Psychology 13UCD2CM C.Pr.2 – Apparel Designing- 5 40 60 100 4 3 Kids Wear 14UCD2AM Allied. Pr.2. Surface 5 40 60 100 3 5 Ornamentation 14VED201 Value Based Education – Moral 2 - 50 50 3 2 & ethics** 14UCD31T £ 2 weeks Internship Training in garment unit Grade 14UCD304 C.P.4– Weaving 5 25 75 100 3 4 III 14UCD305 C.P.5 – Garment Production 4 25 75 100 3 4 machineries 13UCD3CN C Pr.3 –Apparel Designing- 6 40 60 100 4 3 III Women’s Wear 13UCD3CO C.Pr.4. -
Paper Template
International Journal of Arts, Culture, Design & Language Kambohwell Publishers Enterprise Vol. 6, Issue 06, PP. 17-23, June 2019 wwww.kwpublisher.com Evolution of Mirror Embroidery in Two Villages of Sanghar Sindh Saba Qayoom Leghari, Bhai Khan Shar Centre of Excellence in Arts & Design, MUET Jamshoro. Abstract— The tradition of mirror embroidery is one of the evolved through modifications and enhancements from time to major features of regional embroideries of Sindh. Several time. Foreign invasions and migrations of people from other studies on embroideries of Sindh have been conducted but regions have further enriched the work by intermixing of seldom research work has been done, particularly on mirror different cultures in this region [4]. embroidery. It is in the backdrop of this and owing to the Researchers from different parts of the world have worked immense richness of embroidery of Sindh this study has been on the indigenous embroideries of Sindh. Several authors [4] conducted. This study focuses on identifying the lost [5] described the mirror embroideries of different regions of characters and changes within mirror embroidery, since the Sindh, which includes: Ghotki, Shikarpur, Jacobabad, past three decades. Having rich traditions in embroidery in Khairpur, Sukkur, Mirpur Mathelo, Thano Bula Khan, Thatta, lower Sindh, Sanghar District has been chosen as an area of Badin, Hyderabad, Hala, Nawabshah, Mirpurkhas, Sanghar, study for this paper. In order to have a closer qualitative study, Kashmore and multiple regions of Thaparkar particularly two villages; Moulvi Khair Muhammad (Bakhoro) and Haji Umarkot, Chachro, , Diplo, Nagarparkar and Mithi. Much of Abdul Karim Laghari (Patti), were mainly surveyed along this literature provides sufficient detail about different with some other areas. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
E Calendar 2021.Pdf
1 2 0 2 Hkkjrh; d'khnkdkjh dh fHkUu&fHkUu िवधाए ँ gSa tks {ks= ,oa ifj/kkuksa dh 'kSyh ds vuqlkj ifjofrZr gksrh jgrh gSaA Hkkjrh; d<+kbZ esa fMtkbu diM+s dh cukoV] diM+s ij fMtkbu vkSj Vkads ds vk/kkj ij cuk, tkrs gSaA ,d fMtkbu dks fcanq] पयायिमक fcanq] o`Ùk] oxZ] f=dks.k vkSj buds Øe&ifjorZuksa ,oa la;kstuksa ls rS;kj fd;k tkrk gSA Embroideries of India Embroideries of India belong to different genres that vary by region and clothing style. Patterns in Indian embroidery are formed on the basis of the texture and the design on the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle and permutations & combinations thereof constitute the pattern of the embroidery. Department of Posts www.indiapost.gov.in | Toll Free No.: 1800 266 6868 Follow us: @IndiaPostOffice @PostOffice.IN indiapost_dop India Post dPN d<+kbZ Kutch Embroidery dPN d<+kbZ xqtjkr ds dPN ftys ds vkfnoklh leqnk; dh fof'k"V ikjaifjd gLrf'kYi ,oa oL= dyk ijaijk gSA ;g d<+kbZ lk/kkj.kr;k lwrh diM+ksa ij usV ds :i esa dh tkrh gS ftlesa lwrh ;k js'keh /kkxksa dk bLrseky fd;k tkrk gSA dPN dh efgykvksa ds fy, ;g dyk thfodk pykus ds fy, ,d O;olk; cu x;k gSA Kutch Embroidery is the textile signature art tradition of the tribal community of Kutch District of Gujarat. The embroidery is generally done on fabrics of cotton, in the form of a net using cotton or silk threads. -
I – Traditional Textiles of India – Sfda 1301
UNIT – I – TRADITIONAL TEXTILES OF INDIA – SFDA 1301 1 Introduction : The term 'Textile' is a Latin word originating from the word 'texere' which means 'to weave' Textile refers to a flexible material comprising of a network of natural or artificial fibers, known as yarn. Textiles are formed by weaving, knitting, crocheting, knotting and pressing fibers together. Textile Museum is that specialized category of museum which primarily preserves different types of textile and textile products. Indian textile enjoys a rich heritage and the origin of textiles in India traces back to the Indus valley Civilization where people used homespun cotton for weaving their clothes. Rigveda, the earliest of the Veda contains the literary information about textiles and it refers to weaving. Ramayana and Mahabharata, the eminent Indian epics depict the existence of wide variety of fabrics in ancient India. These epics refer both to rich and stylized garment worn by the aristocrats and ordinary simple clothes worn by the common people. The contemporary Indian textile not only reflects the splendid past but also cater to the requirements of the modern times. The rich tradition of textile in India has been favored by a number of factors. The favorable factors leading to the extensive growth of textile tradition in India follows. Easy availability of abundant raw materials like cotton, wool, silk, jute and many more Widely prevalent social customs Variety of distinct local culture Constructive geographic and climatic conditions Each and every region of India contributes in creating a myriad of textile tradition. The hilly region of the country produces a rich variety of woolen textiles. -
Journal 30.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDIACTIONS JOURNAL NO. 30 SEPTEMBER 16, 2009 / BHADRAPADA 25, SAKA 1931 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 8 3. Public Notice 23 4. Sanganeri Hand Block Printings 24 5. Balaramapuram Sarees and Fine Cotton Fabrics 39 6. General Information 50 7. Registration Process 53 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 30 of the Geographical Indications Journal dated 16th September 2009 / 25th Bhadrapada Saka 1931 has been made available to the public from 16th September 2009. Issue of Registration Certificate 1) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that The Goa Cashew Feni Distillers & Bottlers Association, D3/26, Tivim Industrial Estate, Karaswado Mapusa, Goa - 403 507 and Department of Science, Technology & Environment, Govt. of Goa, Opposite Saligao Seminary, Saligao, Bardez, Goa - 403 511 are the Registered Proprietor for FENI for the goods Alcoholic Beverages falling in Class 33 under GI Application No. 120 as of date 19th December, 2007. 2) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that (a) The Uppada Handloom Weavers Co- operative Production & Sales Society Ltd., Uppada, U Kothapalli Mandal, East Godhavari Dist, Andhra Pradesh - 533 447; (b) Durga Handloom Weavers Co-operative Production & Sales Society Ltd., Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 and (c) Kothapalli Master Weavers’ Association, Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 are the Registered Proprietor for UPPADA JAMDANI SAREES for the goods Textile and textile goods, not included in other classes; bed and table covers falling in Class – 24 and Clothing and Headgear falling in Class - 25 under GI Application No.