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Dayalbagheducationali Nstitute D A Y A L B A G H E D U C A T I O N A L I N S T I T U T E DEPARTMENT OF DRAWING & PAINTING (FACULTY OF ARTS) POST GRADUATE DIPLOMA IN TEXTILE DESIGNING & PRINTING (PGDTDP): 2017-18 Course Course Title Credits End Sem. Theory/ Number Exam.Exists Practical TDD101 HISTORY OF ART IN INDIAN TEXTILES 4.0 Yes T TDD102 TEXTILE TECHNOLOGY 4.0 Yes T TDD103 TEXTILE TECHNOLOGY LAB. 9.0 Yes P TDD104 ORNAMENTAT.TECHNIQ.-TEXTILE FABRICS 5.0 Yes P TDD201 MANAGEMENT AND COSTING 4.0 Yes T TDD202 PRINTING AND COMPUTER AIDED DESIGN 4.0 Yes T TDD203 DESIGN & PRINTING TECHNOLOGY LAB 5.0 Yes P TDD204 PROJECT 9.0 Yes P TDD205 PRODUCT DESIGNING 6.0 Yes P (1) 19 December, 2018 Course No.: TDD101, Course Title: HISTORY OF ART IN INDIAN TEXTILES Class: P.G.D.T.D.P., Status of Course-MAJOR COURSE, Approved since session: 1998-1999 Total Credits: 4, Periods (55 mts. each)/week: 4(L-4+T-0+P/S-0), Min.pds. /sem.: 52 Students would be taught the Historical background, Origin of designs and motifs of Indian Traditional textiles i.e. Woven, Printed, Painted & Embroidered their development and technical details. UNIT 1 [8 pds] Natures influence on the design for textiles from Pre-historic to present day. UNIT 2 [12 pds] Study of Indian embroidered textiles with reference to: (a) Historical significance (b) Construction techniques (c) Styles (d) Textures, (e) Motifs (f) Centers of Production (I) Kashmir embroidery (Pashmina, Jamawar, Nambda, Gubba) (ii) Phulkari (iii) Chamba Rumals (iv) Kantha. UNIT 3 [10 pads] Study of dyed textiles with reference to: (a) historical significance (b) Dyeing techniques (c) Styles, Colour and Motifs (d) Centers of Production (i) Patola (ii) Ikat and Pochampalli (iii) Bandhani of Rajasthan and Gujarat. UNIT 4 [10 pads] Study of Printed and Painted textiles with reference to: (a) Historical significance (b) Printing Techniques (c) styles, (d) Motifs (e) Centers of Production (i) Kalamkari, (ii) Sanganeri, (iii) Madhubani. UNIT 5 [12 pds] Study of Indian woven textiles with reference to: (a) Historical significance (b) Construction techniques (c) Styles (d) Textures, (e) Motifs (f) Centers of Production (i) Kullu shawls (ii) Brocades (iii) Baluchar (iv) Tangil-Jamdani (v) Carpets and floor Coverings NOTE- 1. Students to be taken for field visits to various production centers. 2. Students to be shown the samples of the above mentioned textiles [embroidered, woven, printed, painted and dyed]. 3. Students to be also taken for field visits to various places like art galleries, museums, religious place, and tombs. SUGGESTED READING: ANCIENT INDIAN TEXTILE DESIGNS 1: Jai Shankar Mishra BANARAS BROCADES: Ajit Mookerjee BLOCK PRINTING AND DYEING OF BAGRU, RAJASTHAN: Bijoy Mohanty & Jagadish Prasad Mohanty BIDRI WARE: Krishna Lal BROCADED FABRICS OF INDIA: B.C.Mohanty COLORFUL TEXTILES OF RAJASTHAN: Gulab Kothari COSTUMES TEXTILES, COSMETICS & COIFFURE IN ANCIENT AND MEDIAEVAL INDIA: Moti Chandra CRAFTS OF JAMMU, KASHMIR & LADAKH: Jaya Jaitly DECORATIVE DESIGN ON STONE & WOOD IN INDIA; Enakshi Bhawnani DECORATIVE DESIGNS & CRAFTSMANSHIP IN INDIA: Enakshi Bhavnani EMBROIDERED TEXTILES: Sheila Paine ETHNIC EMBROIDERY OF INDIA: Usha Shrikant FOLK & TRIBAL DESIGN OF INDIA: Enakshi Bhawnani HANDSPUN & HAND-WOVEN TEXTILES OF PONDURU: Kurma Rao IKAT TEXTILES OF INDIA: Chelna Desai HAND-WOVEN FABRICS OF INDIA: Jasleen Dhamija and Jyotindre Jain HIMACHAL EMBROIDERY: Subhashni Arya INDIAN CARPETS & FLOOR COVERINGS: Kamladevi Chattopadhyay INDIAN CRAFTS: D.N.Saraf INDIAN EMBROIDERY: Kamladevi Chattopadhyay INDIAN FOLK ARTS & CRAFTS: Jasleen Dameja INDIAN FOLK ARTS: HEINZ MODE: Subodh Chandra INDIAN PAINTED & PRINTED FABRICS: John Irwin & Margaret Hall INDIAN PIGMENT PAINTINGS ON CLOTH: Kay Talwar & Kalyan Krishna INDIAN KALAMKARI: KV Chandramoili INDIAN TIE-DYED FABRICS: Alfred Buhler, Eberhard Fischer &Marie- Louise Nabholz MADHUBANI PAINTING: Upendra Thakur JOURNAL OF INDIAN TEXTILE HISTORY VOL. 1-8: Calico Museum o f Textiles Ahmedabad MADHUBANI PAINTING: Mulkh Raj Anand MADHYA PRADESH SARIS OF INDIA: Rta Kapur Christi & Amba Sanyal MASTERPIECES OF INDIAN TEXTILES: Rustam J. Mehta NATIONAL HANDICRAFTS AND HANDLOOMS MUSEUM: Jyotindra Jain & Aarti Aggarwala MADHUBANI: K.Prakash PALOTA & RESIST DYED FABRICS IN INDIA: Mapin Publishing Pvt. Ltd. PHULKARI: SS Hitkari RUGS AND CARPETS: Elena Tzareva SHAWL: Nelly H.sethna TEXTILE ARTS of India: Kokyo Hatanaka TEXTILE ARTS: Margo Singer & Mary Spyrou TEXTILE COLLECTION OF THE WORLD 1: Cecil Lubell TEXTILE COLLECTION OF THE WORLD 2: Cecil Lubell TEXTILES A HAND BOOK FOR DESIGNERS: Marypaul Yates TEXTILE FIBRE TO FABRIC: Bernard P.Corbman TEXTILES OF ARTS AND CRAFTS MOVEMENT: Linda Parry THE LANGUAGE OF SYMBOLS: Archna THE ORISSAN ART OF WEAVING: Keshab Chandra Meher The SARI :Linda Lynton THREADS OF IDENTITY: Judy Frater TIE & DYE TEXTILES OF INDIA: Veronica Murphy & Rosemary Crill TRADITIONAL DESIGNS FROM INDIA: Pradumna & Rosalba Tana TRADITIONAL INDIAN TEXTILES: John Gillow & Nickolas Barnard TREASURES OF INDIAN TEXTILES: Marg Publications 1980 ZARDOZI: Charu Smita Gupta TRADITIONAL INDIAN COSTUMES & TEXTILES: Parul Bhatnagar DECORATIVE DESIGN HISTROY IN INDIAN TEXTILES AND CLOTHING: Parul Bhatnagar (2) 19 December, 2018 Course No.: TDD102, Course Title: TEXTILE TECHNOLOGY Class: P.G.D.T.D.P., Status of Course: -MAJOR COURSE, Approved since session: 2006-07 Total Credits: 4, Periods (55 mts. each)/week: 4(L-4+T-0+P/S-0), Min.pds. /sem.: 52 Students should know the basics of colour theory. To enhance the beauty of design, colour plays a vital part in a design. They are supposed to learn different types and rules of schemes for different situations from market point of view. The students then learn different types of dyes and various methods of dyeing yarns from fabric and fiber. They are also taught about the limitations & scope of various techniques of dyeing. UNIT 1 [10 pds] (a) Colour Schemes (i) Chromatic circle (ii) Complementary colours (iii) Cool and warm colours (iv) Tints, tones & shades (v) Achromatic, Mono-chromatic, Poly-chromatic colour (vi) Analogous, contrast colours. (b) Classification of dyes (i) Direct dyes/basic dyes (ii) Acid dyes (iii) Azoic dyes (iv) Sulfur dyes (v) Vat dyes (vi) Procaine dyes. UNIT 2: INTRODUCTION TO TEXTILE FIBERS [10 pds] (a) Classification of textile fibers (i) Vegetable fibers-cotton, jute (ii) Animal fibers-wool, silk (iii) Manmade fibers- Polyester, nylon, acrylic. (b) General properties of fibers. UNIT 3: INTRODUCTION TO FABRIC [12 pds] (a) Types of fabrics- woven, knitted, non-woven (b) Basic weaves- plain, twill, satin/sateen. UNIT 4 [10 pds] (a) Identification of fibers (i) Microscopic structures (ii) Burning test (iii) Chemical test (b) Pretreatment of fibers/fabric- Sizing, scoring, bleaching, mercerization. UNIT 5 [10 pds] (a) Resist style of Batik (i) Brief history of Batik (ii) Dyes of Batik (iii) Method of doing Batik (iv) Styles of Batik. (b) Resist style of Tie & Dye (i) Brief history of tie & dye (ii) Dyes for tie & dye (iii) Method of doing tie & dye (iv) Styles of tie & dye. SUGGESTED READINGS: BATIK AND TIE & DYE: Donaj Meilach CHEMICAL PROCESSING OF SILK: ML Gulrajani COLOUR CRAFT: Janet Allen COLOUR CRAFTS & HOBBIES: Reader Digest COLOUR DESIGNERS’ GUIDE: James Stocktom COLOUR HARMONY: Hideaki Chijiwa COLOURFUL TEXTILES OF RAJASTHAN: Gulab Khatri COTTON SHADE CARDS: Weavers’ Service Centre, Govt. of India Publication. DESIGNERS GUIDE TO COLOUR 2 : James Stockton DYEING AND PRINTING: Excalibur Books DYES AND DYING: C.E.Pelle FUNDAMENTALS OF TEXTILES: G.P. sherry INDIAN PIGMENT PAINTINGS ON CLOTH: Kay Talwar & Kalyan Krishna SILK SHADE CARDS: Weavers’ Service Centre, Govt. of India Publication. TEXTILE ARTS: Margo Singer & Mary Spyrou TEXTILES A HAND BOOK FOR DESIGNERS: Marypaul Yates TEXTILES FIBRE TO FABRIC: Bernard P.Corbman THE STANDARD HANDBOOK O F TEXTILES : A.J.Hall TIE & DYE TEXTILES OF INDIA: Veronica Murphy & Rosemary Crill TIE AND DYE AS A PRESENT DAY CRAFT: Anne Maile TIE DYEING & BATIK; Fatidjah Anderson VASTRA VIGYAN KA MOOL SIDHANT: G.P. sherry VASTROUPADAN KALA: Shamnarain lal ELEMENTARY TEXTILES: Parul Bhatnagar, Abhishek Publications (3) 19 December, 2018 Course No.: TDD103, Course Title: TEXTILE TECHNOLOGY LAB. Class: P.G.D.T.D.P., Status of Course-: MAJOR COURSE, Approved since session: 2006-07 Total Credits: 9, Periods (55 mts. each)/week: 15(L-15+T-0+P/S-0), Min.pds. /sem.: 195 Principles of colour and its application in textiles. Introduction to Textile Fibers, Fabrics & their identification techniques. (a) Work 1 [47 pds] (b) Work 2 [47 pds] (c) Work 3 [47 pds] (d) Work 4 [47 pds] (e) 60 sketching work [07 pds] SUGGESTED READINGS: COLOUR CRAFT: Janet Allen COLOUR HARMONY: Hideaki Chijiwa COTTON SHADE CARDS: Weavers’ Service Centre, Govt. of India Publication DECORATIVE ENDPAPERS: Webb & Bower DESIGNERS GUIDE TO COLOUR 2 : James Stockton ROOP SAMHITA: Vasudeo Smart SILK SHADE CARDS: Weavers’ Service Centre, Govt. of India Publication. TEXTILE ARTS: Margo Singer & Mary Spyrou TEXTILES FIBRE TO FABRIC: Bernard P.Corbman THE NEW TEXTILES: Thames and Hudson TRADITIONAL DESIGNS FROM INDIA: Pradumna & Rosalba Tana Course No.: TDD104, Course Title: ORNAMENTAT. TECHNIQ. - TEXTILE FABRICS Class: P.G.D.T.D.P., Status of Course: MAJOR COURSE, Approved since session: 2006-07 Total Credits: 5, Periods (55 mts. each)/week: 5(L-5+T-0+P/S-0), Min.pds. /sem.: 60 (a) Work 1 [15 pds] Embroidery work on textiles (one is compulsory) (b) Work 2 [15 pds] Painted work of different Traditional Textiles (one is compulsory) (c) Work 3 [15 pds]
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