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Slide Notes Audience Slide 1 – Title Slide Slide 2 – Lecture by Ashley D. Polasek, PhD student at the Centre of Adaptation at the DeMontfort University, Leicester, UK. Can be found on <https://www.youtube.com/watch?v=lAAEGWu-6pc> Slide 3 – Quote from Jay David Bolter and Richard Grusin Remediation: Understanding New Media Remediation is the process by which ‘new media refashion prior media’, p. 273 Paraphrased from Jay David Bolter and Richard Grusin Remediation: Understanding New Media Immediacy: Media that have the goal of immersion, making the user forget the medium is there. Hypermediacy: Media that aim to make the reader aware of the medium, and making it part of the art itself, p. 272. • Top Quote ‘I hear of Sherlock everywhere…’ from ‘The Adventure of the Greek Interpreter’ Slide 4 – Holmes smoked long-stemmed pipes (The Adventure of the Copper Beeches). The cap similar to a deerstalker is used once; ‘his ear-flapped travelling cap’ (The Adventure of Silver Blaze) Sydney Paget was the original artist on The Strand Magazine. He was commissioned by mistake; the original commission was for his brother Walter Paget. Frederic Dorr Steele was the illustrator for Collier’s Magazine, USA, and his illustrations of Holmes were based on William Gillette. • Top Quote ‘…neatest and most methodical…’ from ‘The Adventure of the Musgrave Ritual’ Slide 5 – Guinness Book of Records 2012 lists Holmes as the most filmed human character in cinema and TV. He stands at 254 appearances, runner up to Count Dracula who stands at 272 appearances. <http://www.guinnessworldrecords.com/news/2012/5/sherlock-holmes-awarded-title-for-most- portrayed-literary-human-character-in-film-tv-41743/> Quote from Jay David Bolter and Richard Grusin Remediation: Understanding New Media ‘[a]lthough no viewer could believe that the photograph is the same thing as the world it depicts, he can be encouraged to look through the medium, on the grounds that the medium holds a record of the light rays that would have reached his eye had he been placed where the camera was’. p. 121 Images: Top – Left to right: William Gillette, Basil Rathbone, Peter Cushing, Geremy Brett Images: Bottom – Right to left: Robert Downey Jr, Benedict Cumberbatch, Jonny Lee Miller • Top Quote ‘…put himself in a false position…’ from ‘A Scandal in Bohemia’ Slide 6 – All quote from Bolter and Grusin taken from pages: Quote 1 – ‘In the case of [Ralph] Goings and other photorealists, to make paintings of photographs is a process of self-remediation, because the painters themselves take the photographs that they then remediate on canvas or on paper’, p. 120 Quote 2 – “…the desire to bypass [choices that traditional realists made in translating 3D obJects] was tied up with the desire to present the image as factually and obJectively as possible…” Linda Chase, 1988, p. 121 Quote 3 – Stanley Cavell (1979) is quoted to note that ‘both romanticism and modernism, the artist’s goal was to achieve presentness or immediacy by insisting on the presence of his own self in his art’ p. 121 Quote 4 – Ralph Goings reJects this notion, saying that “…if everything is self expression, then self- expression is no big deal.” Bolter and Grusin p. 121 from Chase, 1988 Quote 5 – Bolter and Grusin go on to say that a distance still separates a viewer from art, and that there are ‘… two ways to reduce the distance and heighten the sense of immediacy: Either the viewer can pass through the window into the represented world, or the obJects of representation can come up to or even through the window and surround the viewer.” p. 235 Quote from Manovich: Language of New Media, p. 41 • Top Quote – ‘Insensibly one begins to twist facts to sooth theories, instead of theories to sooth facts’ from ‘Scandal in Bohemia’ Slide 7 – Name of the artist for Fanart of Gregory Lestrade, James Moriarty, Sherlock Holmes and Irene Adler as portrayed in BBC Sherlock ; Alice X. Zhang, source <http://society6.com/artist/alicexz> for all the fanart of BBC Sherlock. Fanart of Sherlock Holmes as portrayed in the Granada Adventures of Sherlock Holmes is by an unknown artist. • Top Quote: ‘When we first met, you told me a disguise is a self-portrait’ Scandal in Belgravia, BBC Sherlock S2E1 Slide 8 – Top Quote: ‘…let us try to forget for half an hour…’ from ‘The Adventure of the Five Orange Pips’ Slide 9 – Mutoscope recording is stored at the Library of Congress, and was shot by Arthur Marvin for Mutoscope and Biography Company. Source < https://www.youtube.com/watch?v=KmffCrlgY-c> • Top Quote: ‘I am baffled until you explain your process’ from ‘A Scandal in Bohemia’ Slide 10 – Original Quote remediated by Paget consists of one line: ‘[Holmes] took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room…’ Annotated Version p. 381. • Top Quote: ‘There is a strong family resemblance …’ from ‘A Study in Scarlet’ Slide 11 – ‘Generally … one thinks the life of the detective went on around the fireplace’ taken from The Private Life of Sherlock Holmes , quote of Vincent Starrett. • Top Quote: ‘…preserved my rooms and my papers exactly as they had been’ from ‘The Adventure of the Empty House’ Slide 12 – Three pictures of reconstruction of the Sitting Room: 1) The first reconstruction of the famous 221B sitting room that was not a film set was recreated for 1951 Sherlock Holmes exhibition in Marylbone street. This exhibition is still available to the public on the second floor of the Sherlock Holmes pub, in London 2) The second is the SH Museum in Lucens, Switzerland, created in the 60s by Adrian Conan Doyle and reopened to the public recently in 2011 3) The Third is the sitting room from the London SH Museum, opened in the 1990 and still open to the public • Top Quote: ‘It’s not an imitation, it’s authentic’ from Sherlock Holmes in Washington (Roy William Niell, dir., Universal Studios) Slide 13 – The Sitting Room 1. One of the features of the sitting room is the famous wicker chair. The illustration *click* appeared on The Strand in Sept 1893 with the story ‘The Adventure of the Greek Interpreter’. 2. There was no mention of a wicker (cane) chair in the stories until ‘The Disappearance of Lady Frances Carfax’ in December 1911 (which is that quote above). • Top Quote: ‘The Disappearance of Lady Frances Carfax’ Slide 14 – Illustration by Sydney Paget to the story ‘The Adventure of Silver Blaze’ 1. The first known remediation of the image is this (click) in the Rathbone-Bruce adaptation of The Hound of the Baskervilles (dir., Sidney Lanfield, 20 th Century Fox, 1939). 2. The remediation is more obvious in this (click) third image, taken from the Granada Series’ version of the Silver Blaze adaptation (1988), the same story the illustration was drawn for so that the image was directly referenced for the use of this shot. 3. (click) This same image was then remediated into Sherlock, a modern retelling of the Holmes stories in 21 st Century London. While not in a train, the position of his hands obviously links back to the Paget image, bringing it directly into the immediacy of being shot by a coloured, state-of- the-art camera. 4. (click) And this image was then remediated into the hypermediate realm of the video game in ‘The Testament of Sherlock Holmes’, which came out in 2012 (dev., by Frogware, published by Focus Home Interactive, 20 th September 2012) • Top Quote: ‘…Just in time to catch our train to Paddington…’ from ‘The Adventure of Silver Blaze’ Slide 15 1. Picture 1 – the actors Cumberbatch and Freeman in their sitting room set at 221B. Note the wallpaper. 2. Picture 2 – the wallpaper (and sprayed smiley) has become part of the Sherlock Holmes brand among fans, and has been integrated into the symbol of Holmes like the calabash pipe and the deerstalker. 3. Picture 3 – The clothing worn by the cast for Sherlock has been stylised to fit into every day life. 4. Picture 4 – The ‘I Believe in Sherlock Holmes’ movement was started by fans as a response to the end of Sherlock Season 2, which (ending) mirrors the end of Sherlock Holmes at the Reichenbach and (reaction) the reaction of people back in Doyle’s time. The premise of the movement is to pretend that the events in Sherlock happened in real London, rather than in Sherlock’s fictional one, and to react as though this were a true life event. 5. Picture 5 and 6 – These are picture of extreme immediacy reached by this remediation of Holmes, one taken at Odessa in Ukraine on 16/9/12, and one taken at the university of Malta, by me, last October. 6. Picture 7 – The new symbols are then being remediated and integrated into the Holmes brand – to the left, Cumberbatch in his role as Sherlock, to the right, Miller, reprising the role of Sherlock Holmes for CBS’s Elementary, which is on its first run since last September. • Top Quote: ‘A Case of Identity’ Slide 16 – ‘pass through the window into the represented world, or [bring] the objects of representation … through the window and [be] surround[ed by them] ’ Bolter and Grusin, Remediation; Understanding New Media p. 235 • Top Quote: ‘…art In the blood…’ from ‘The Adventure of the Greek Interpreter’ Slide 17 • Top Quote: ‘…I had a last impression…’ ‘The Adventure of the Second Stain’ .
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